THAT '70s SHOW
5X01: GOING TO CALIFORNIA
Original Airdate on FOX: September 17, 2002
Written by Jeff & Jackie Filgo. Directed by David Trainer
Transcript Archived at TWIZ TV.COM
DO NOT use/post this transcript elsewhere without PERMISSION.
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Dedicated to Doug Digioia
TEASER
"Late Summer, 3:21 P.M., The
Forman Kitchen"
(Kitty is in the kitchen taking
cookies out of the oven. The phone rings and she places the cookie sheet on top
of the stove and walks over to the phone and answers it.)
KITTY: Hello? (Pause) Donna, it's you!
How's California? Have you run into Johnny Carson yet? (Pause) Yeah. I've read
he won't eat corn. (Pause) What? Oh--Eric. Oh, no. No. I know he wants to talk
to you. He hasn't heard from you all summer. I'll get him, Eric! (Runs from room
with receiver still in hand. Cord is stretched to limit and phone tilts on the
wall.) Ow!
(Upstairs hall, outside bathroom.
Kitty runs to the bathroom door.)
KITTY: Eric. (Knocks) Eric, are you in
the bathroom?
ERIC: Yes.
KITTY: Well, get off because--
ERIC: Mom, when the door is closed,
it's my sacred alone time, ok? Think of it as church.
KITTY: But--
ERIC: Mom!
KITTY: Fine. Gets up at noon. (Turns
away from door and walks down the hall.) Sits on the toilet till dinner. What
kind of summer is that!
ACT
ONE
SCENE
ONE
(Forman basement. Kitty is folding
clothes. Eric comes downstairs.)
ERIC: Well, you made me lose my
concentration. (Kitty turns and looks at him. He turns and walks over to couch
and checks his watch) Now I'm gonna have to go there in about an hour. (Sits
down on couch)
KITTY: I just wanted to tell you Donna
called. Her number's on the pad by the kitchen phone.
ERIC: What? (Gets up and runs to
stairs then stops and turns to look at Kitty.) Why wouldn't you say something?
(Turns and runs up the stairs.)
KITTY: And I'm staying out of it, but
if you'd eat a little bran, you coulda taken the call yourself!
**********
(Forman kitchen. Red is writing
something on the pad then rips a sheet off of it and puts it in his pocket as
Eric runs into the kitchen and stops by the phone, looking for the pad.)
ERIC: Where's the notepad?
RED: (Looks at Eric.) Here. (Hands pad
to his son.) Quit twitchin'. (Turns and walks out the sliding doors to the
driveway.)
ERIC: (looks at the pad.) There's no
number. Dad. (Slaps pad down on counter and runs outside and past Red, slamming
the car door shut.) Step away from the vehicle.
RED: Isn't it a little early for you
to be hopped up?
(Fez, Hyde, and Jackie walk up and
watch.)
ERIC: Empty your pockets--now! (Takes
the initiative and shoves hands in Red's pockets)
RED: Get the hell out of my pants!
ERIC: Got it! (Pulls out the pocket
lining as he finds the paper. Runs into the house.)
RED: What the hell is wrong with him?
FEZ: (Walks up behind Red with a
basketball in his hands.) He has low self-esteem because you are too
domineering.
(Red looks at Fez with combination of
confusion and anger. Hyde walks up and stands beside Fez.)
HYDE: Red, you're gonna let Forman get
away with that, man? He just felt you up! Where's the foot in the ass? Unless
you're getting too old.
RED: Shut it. And go shave that thing!
You look like a damn Hungarian.
(Hyde rubs his beard as Red turns
away)
**********
(Forman basement. Eric is on the phone
as Hyde, Jackie, and Fez watch him.)
ERIC: It's ringing. (Sing-song voice)
It's ring-ing. Oh my god, it's ringing! (Hangs up the phone in a panic.)
FEZ: And Eric chickens out again.
Quack quack quack.
HYDE: Forman, what's the problem?
ERIC: It's just…I want to tell her
to come home, that I miss her, that…I love her. I mean…it's too much to say
over the phone.
JACKIE: Look, Eric, just write her a
letter. That's how I broke up with Michael. Yeah. I was able to take my time and
come up with good synonyms for…cowardly, won't-marry-me loser,
run-away-to-California jackass.
ERIC: Jackie, I'm charismatic in
person. I've got…these awesome hand gestures. And, uh…I kinda waggle my
eyebrows when I talk.
FEZ: What? You do that on purpose?
ERIC: Thanks, you guys. That's--that's
helpful. (Gets up from couch and walks toward stairs. Stops and turns around.)
You know what? That's it. I'm goin'. I'll just show up in California, and, like,
blow her mind. Yeah! I mean, when the Empire killed Luke Skywalker's aunt and
uncle, did he just call them up?
HYDE: (Groaning) Uh..
FEZ & JACKIE: (Groaning) Oh god.
ERIC: No! He hopped on the Millenium
Falcon, and he paid a little visit to the Death Star.
FEZ: (Looking confused.) Wait a
minute. Do chickens go "quack," or did I mess that up?
SCENE
TWO
(California, inside some hangout not
much unlike the Hub. Kelso is sitting making out with Annette. Donna enters all
huffy.)
DONNA: I sat at my mom's house for 3
hours. Eric still hasn't called.
ANNETTE: (while Kelso kisses her neck)
Hey, you know what might make you feel better? Playing pinball…over there
(points to other side of restaurant then goes back to making out with Kelso.)
DONNA: (glances at where Annette
pointed to then turns back, pouting.) I don't have any quarters.
(Kelso slaps handful of quarters down
on table and waves Donna away, not stopping making out with Annette.)
DONNA: Hey, Kelso, you know what might
help me? If you could tell me how you got over Jackie. (Kelso and Annette stop
making out as Kelso turns to look at Donna.) You remember Jackie, don't you?
ANNETTE: Who's Jackie?
KELSO: Uh…Jackie was my dog. She
died in a Big Wheel accident.
DONNA: No, Annette, I meant Jackie,
his ex-girlfriend.
KELSO: Uh--also dead.
DONNA: She's not dead.
ANNETTE: What's going on here? Why are
you lying to me?
KELSO: I'm not lying, Jackie--uh,
Annette. The--look, baby… (moves to kiss Annette but is pushed away.)
DONNA: Well, my work here is done.
(Shuffles pile of quarters into her hand and leaves.)
**********
(Forman kitchen. Red, Kitty, and Eric
are eating supper.)
RED: You wanna go to California to get
Donna?
KITTY: You can't go to California.
ERIC: But I have to tell Donna I love
her and that she should be back here with me.
KITTY: Oh, well, that's sweet. I think
it would sound especially good on the phone, but don't call till after 7:00,
when the rates go down.
ERIC: I can't call her. I mean…if
Luke Skywalker--
RED: Oh, would you stop! Luke
Skywalker this. Luke Skywalker that. I'm sick of hearing about that little
fruit.
ERIC: (upset.) Luke Skywalker is not!
He and Leia clearly--I… (Calms down.) Mom, Dad. This is important.
RED: No. No California. You know
what's important?: School. You're gonna be a senior, and you need to buckle
down.
KITTY: Luke Skywalker would have
buckled down.
SCENE
THREE
(Forman basement. Eric is sitting
alone on the couch. Jackie, Hyde, and Fez enter through the door leading outside
and walk into the room as if with a purpose.)
HYDE: Forman, there's a flight to
California in 4 hours and you're on it. (Hands him a plane ticket.) Before you
get all gushy, we didn't pay for it. We stole the money from your secret stash
in the Scooby-Doo thermos.
ERIC: You guys knew about Scooby-Doo?
FEZ: (from his place sitting on the
back of the couch.) Well, it's a good try, but you should have known that
eventually I would need to take some cocoa on the go.
ERIC: Well, thanks, you guys, but,
well, my parents will kill me.
JACKIE: (From Hyde's usual chair.) No,
Eric. We'll cover for you.
HYDE: Believe me, I got no problem
foolin' Whitey.
ERIC: Hyde…you're white.
HYDE: (Snickers) Barely. (Sits down in
other chair.)
FEZ: Eric, if you love her, you have
to go.
ERIC: You're right. I'm gonna do this.
(Stands up from couch and goes to stairs.) Damn it, I'm goin'!
FEZ: (running after him.) Hey, let me
help. I love putting together outfits.
(Jackie stands up and turns on TV as
Hyde moves to sit on the couch. Jackie joins him.)
HYDE: Finally.
JACKIE: Yeah, I thought they'd never
leave. (They start making out. Jackie pulls back.) You know, Steven, it was
really nice of you to get that ticket for Eric.
HYDE: This usually works a whole lot
better when you don't talk.
(Jackie thinks about it then nods her
head in agreement then they go back to making out.)
ACT
TWO
SCENE
ONE
(California, on the beach. Kelso and
Annette are talking.)
KELSO: Look, Annette, You're way more
important to me than Jackie ever was. I mean, you're blonde, you're beautiful,
you practically never wear a whole shirt.
ANNETTE: I'm sorry. It's just the
thought of you with somebody else got me really upset. I'm really upset.
KELSO: Which is why I propose that we
do something special and romantic. Let's do it.
ANNETTE: Michael, I don't do that. I'm
a virgin.
KELSO: What?! Oh…coincidence! Me
too! So let's do it. First-timers, yeah!
ANNETTE: You know what? I'm gonna go
cool off.
(Annette walks off with Kelso watching
her as the camera moves to reveal Donna lounging beside them.)
DONNA: Kelso--
KELSO: Ah! One second. She's coolin'
off.
(Camera shows a slow motion scene of
Annette dumping a pail of water over her head then shaking her hair dry.)
DONNA: Look, I was wondering if you
and Annette could maybe discuss your plans to do it or not do it when I'm not
around.
KELSO: But you're never not around.
You're always here. You're like a carbuncle.
DONNA: Kelso, you don't even know what
a carbuncle is.
KELSO: Well, I know it's gross, and it
doesn't go away.
DONNA: Ok, I'm sorry, it's just…I
don't know anybody else. California people are freaks. Like that guy. (She sits
up more and points then yells at the guy) You can't smoke that out here! (Kelso
laughs) I miss Eric. (Looks around) That guy even looks like Eric. (Looks again
and gets up) Oh my god! (Begins running toward the man) Eric!
(Eric is standing by Kelso's van,
looking through the windows and hears Donna and looks towards her.)
ERIC: Donna!
(Eric begins to run to meet her. The
running scenes are in slow motion. Donna runs toward Eric and Kelso runs up
trying to beat her. She pushes him and he trips and falls. Eric and Donna stop
about a foot from each other [ending the slow motion] and just stare into each
other's eyes. Then Kelso runs up and tackles Donna to the ground and pins her
there as Eric looks on in confusion.)
ERIC: Kelso, what the hell are you
doing?
KELSO: Winning.
(Donna wrestles her way out from under
him and kicks him. She then stands in front of Eric again, staring into his
eyes.)
DONNA: I ca--I can't believe you came
here for me.
ERIC: Of course I did. Donna…I love
you, and I have so much to say but I ju--
(Donna throws her arms around him and
kisses him. Kelso walks past in a sulk.)
KELSO: You guys can french all you
want. I totally won.
SCENE
TWO
(Forman living room. Red is in his
green chair reading the paper. Hyde and Fez enter and walk past him.)
HYDE: (lightly slaps Red's shoulder as
he passes) Hey, Red.
FEZ: (touches Red's shoulder as he,
too, passes) Good day, Mr. Red.
RED: (without looking up from his
paper.) Wait a minute. Where's the other idiot?
FEZ: "Other idiot"? (turns
to Hyde questioningly) Do we know another idiot? (Hyde shrugs in answer.)
RED: Where's Eric?
HYDE: (Indignant tone of voice)
Where's Eric? Where are you, man, and who wants to know? (Begins to walk toward
Red and sits on the couch closest to him. Fez follows.) The U.S. Government,
that's who. Like I read, by 1984, the government will have tracking devices on
all of us, and after that, they're going to jab electrodes up our brains so they
can read our memories. (pauses) Damn U.S. Government.
RED: (Finally looks up from his
paper.) Damn U.S. Government? Without our government, you'd be stuck in Siberia
now, suckin' the juice from a rotten Commie potato. (Puts paper down and stands
up to leave the room then turns back to Hyde.) Lemme tell you something. If the
U.S. Government decides to stick a tracking device up your ass you say
"Thank you and God bless America." (Leaves the room through kitchen
door.)
HYDE: (turning to Fez with a grin.)
He's so easy.
**********
(California restaurant where we first
saw Kelso and Donna. Eric and Donna are sitting side-by-side facing Annette and
Kelso.)
ANNETTE: And then, after Michael threw
up, I told him, "you're not supposed to eat the plastic wrapping." And
that's how we met.
ERIC: Wow that's…that's like Love
Story.
ANNETTE: (thinks) Wow, I wish there
was more to talk about. Bye. (Gets up and leaves. Kelso moves into her seat.)
KELSO: Did ya look at her? She's so
hot she could be a robot.
DONNA: (Confused) A robot? (Eric
shakes his head and shrugs. She then shakes her head) Whatever. Look…you have
the van, and we want to go home.
KELSO: No. Uh-uh. I can't leave
Annette. I love her.
ERIC: (laughs) You don't love her.
KELSO: I love parts of her. I mean,
unlike Jackie, she believes in me, ok? I told Annette I wanted to be an
astronaut, and she said that she thought I could.
DONNA: (To Eric) To be fair, she wants
to be a lady astronaut. (Eric nods in understanding.)
KELSO: I mean, come on, guys, just
give me a few hours, ok? Look, this girl is beautiful, and she believes in me.
And if I can get her to put out, she will be 3 out of 3. But right now she's
only 2 out of 3, and I'm sorry but 50% just ain't gonna cut it.
(Eric nods in acquiescence.)
**********
(Forman kitchen. Hyde and Jackie are
in front of the refrigerator with the door open making out.)
JACKIE: Ok, look, Steven, these last
few weeks with you have been really dirty and really wrong.
HYDE: Jackie, talking is for people
who have something in common.
(Jackie thinks about it, nods, and
they go back to making out. Kitty walks in through the door to the living room.)
KITTY: Oh, good God. You kids switch
partners more than square dancers.
HYDE: Um…no, it's not what you
think! We're not together.
KITTY: Then what's going on in my
kitchen.
(Hyde and Jackie try to think of an
answer.)
JACKIE: Um…Eric's in California.
(Kitty looks at them then storms off
the way she came in. Hyde turns to Jackie.)
HYDE: Jackie, you just totally burned
Forman. That was so badass. (They begin making out again.)
**********
(California restaurant. Kelso is
talking to Annette.)
KELSO: So, Annette, I'm just sayin'
that I'm leavin' in a couple hours, so I guess the question is what, oh what,
can 2 virgins do to kill an afternoon?
ANNETTE: (Thinks) Well, there is
something. But it's kind of wet and dirty.
KELSO: Sold!
**********
(California beach. Kelso and Annette
are building a large sand castle.)
ANNETTE: Having fun?
KELSO: No. These are our last hours
together, and you're not nude!
ANNETTE: So, all you care about is
sex? I thought there was more to you than that.
KELSO: But there isn't.
ANNETTE: But there is. I believe in
you.
KELSO: Stop saying that.
ANNETTE: But I do.
KELSO: Damn! (Kneels down.) All right,
start diggin' the moat.
SCENE
THREE
(California. Donna and Eric are lying
under the blankets in the back of Kelso's van, talking.)
DONNA: I was so scared that I'd never
feel like this with you again. I mean…Eric…after last year, I…
ERIC: Donna. About Casey, and all that
stuff, I don't care, ok? I just wanna be with you.
DONNA: You know, all summer I hated
California, but now that you're here, it's, like, amazing. This is the most
romantic night of my whole life.
ERIC: Yeah, I know. Me, too. (Pauses
and thinks.) I have sand in my crack.
DONNA: Yeah, me, too. (Pauses.) Eric,
I wanna go home.
(They begin to kiss and Kelso opens
the door with a balloon animal on a stick and his face painted like a tiger.)
ERIC: Hey, Kelso, how was your date
with Annette?
KELSO: We went to a carnival. I won
her 6 stuffed animals, and then we shared a giant pretzel, and then I walked her
home, and she gave me a good night kiss, on the cheek. You know…in Wisconsin,
if you win a girl a giant, purple rhinoceros, she puts out! (he slams the
balloon animal down and enters the van, climbing over the back seats into the
drivers seat.)
**********
(Forman Driveway. Eric, Donna, and
Kelso [who is in the van and out of sight] have returned. Fez, Jackie, and Hyde
are standing around greeting them. Eric and Hyde hug.)
ERIC: So, my folks have no idea I was
gone?
HYDE: No idea. You're golden.
ERIC: Ahh…
(Kelso gets out of the van and joins
the group.)
HYDE: Hey!
KELSO: Hi! (Hugs Hyde.) You got a
beard. You look so…old.
HYDE: Of course I look old, man. I
partied more than you, worked more, drank more, and slept with way more chicks.
I'm exhausted, man.
KELSO: Fez, my little man! (hugs Fez.)
How was your summer!
FEZ: Well, I saw a boob and a half
down by the pool.
KELSO: (nodding) Yeah, pool boob.
Nice!
JACKIE: (Pulling Donna to the side)
Look, Donna, I know you're nervous about seeing people at school after running
away and all. But I want you to know it's all under control. I told everyone you
went away to have a baby.
DONNA: What?
JACKIE: Yeah, it was bad ass. Oh yeah,
I say "bad ass" now.
DONNA: Oh. (Bob, Red, and Kitty walk
out of the Forman kitchen. Donna speaks in a sweet tone of voice.) Hi, Daddy!
BOB: Don't you "Daddy" me.
Although it does sound good to hear those words again.
RED: Bob.
BOB: Right. You're in big trouble,
young lady! Now…get home. Now! Move!
(Donna walks home with Bob following
behind her. Eric turns to his parents, who have their arms crossed in front of
their chests looking angry.)
ERIC: Well…I guess that's what
happens when you disobey your parents, huh? Hey…why the long faces? Did you
think that I--no! No. Funny story--true story. I'm walkin' home from the library
and who should drive by…Kelso and Donna. Back from California where they were,
not me. (Red and Kitty keep looking at him with impassive faces.)
HYDE: Oh, hey? They know.
(Red points inside.)
KITTY: What do you have to say for
yourself?
ERIC: I…I brought you a seashell.
RED: Just get in the house!
(Eric walks to the door then turns
around.)
KITTY: Do you have any idea how much
trouble you're in?
ERIC: Oh, yeah. And it was worth it.
(Enters the house and is followed by Red and Kitty.)
TAG
(Forman basement. Everyone is sitting
around: Jackie on the end of the couch closest to Hyde's chair where Hyde is
sitting. Eric and Donna are making out in the middle of the couch as Fez sits on
the back of the couch next to their heads, watching them. Kelso is in the lawn
chair.)
FEZ: Oh, not this again. I told you…it
gives me needs.
ERIC: (as they stop) Ok, fine. We'll
be upstairs. (They get off the couch.)
FEZ: (Gasps) Too late. (Runs to the
door leading out side and leaves. Eric and Donna go upstairs.)
HYDE: Why are we watching this? It's
stupid.
JACKIE: You're stupid.
KELSO: Man, I've been gone all summer,
and I get back, and everything's just the same. (Stands up.) I guess nothing
ever changes around here. (Leaves the basement.)
(Hyde rapidly moves onto the couch,
straddling Jackie's leg as they begin to make out.)