MONK
3X14: MR. MONK GOES TO VEGAS
First aired Friday, February 18, 2005 on USA Network
Teleplay by Daniel Dratch and Joe Toplyn
Story by Tom Scharpling and David Breckman
Directed by Randy Zisk
Transcribed by Michael Strickland for TWIZ TV.COM.
Transcriber’s email –
TVPG-V
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"MONK" and other related entities are owned, (TM) and © by
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Televison Studios, Mandeville Films and Touchstone Television. All rights reserved. This transcript is unauthorized and unendorsed. This transcript may not be reproduced or used for any commercial purposes.
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Open on an overview of the Las Vegas strip at night. Fade to
view of a hotel penthouse with an older man and young woman.
Sheryl Thorn: (putting on an earing) Have you seen my
earring?
Daniel Thorn: Why can’t I just write these people a check
and stay home? (putting on a coat) Nobody’s gonna miss me.
Sheryl: You’re not getting out of this one. Half the people
are coming just to have their picture taken with the great Daniel Thorn.
Besides, you bought me this dress just for tonight. Remember?
Daniel: Yeah. (they laugh and kiss each other) I really do
have impeccable taste, don’t I?
Sheryl: Me or the dress?
Daniel: Both.
Sheryl: (her long scarf gets caught in a door, jerking her
neck) Oh-
Daniel: (Daniel frees her scarf) This thing is gonna kill
you some day.
Sheryl: I have to wear it darling, it’s my trademark.
(looks at her watch) And we’re late, which is my other trademark. (puts on some
different earrings) I’ll just wear these.
They walk to the elevator, where Daniel presses the button.
The doors open, and the two walk in.
Daniel: (a hotel cook walks into view outside the elevator
car) Save me Roberto, how 'bout you go to this stupid benefit? I’ll stay here.
(he presses him thumb on the finger print scanner in the elevator and the down
button)
Roberto: I can’t help you, Mr. Thorn. Have a good
evening.
The doors close and Daniel puts his arm around Sheryl.
The crowded lobby of the hotel. The doors of the elevator
open onto a roped off area, and a bell hop walks over to the couple.
Lewis: Mr. T, your car is right out front, and I put a
couple of diet sodas in there two.
Daniel: (placing his hand on Lewis’s shoulder) Thank you
Lewis.
Photographer: Mr. Thorn, over here, one picture! (the press
start clicking away)
Daniel: (Sheryl starts looking through her purse) What is
it?
Sheryl: Oh… Do you have the tickets?
Daniel: No, I-I thought you had them (he looks through his
coat pockets)
Sheryl: Oh, I must have left them upstairs. I’ll go. You
stay, and meet your adoring public.
She enters the elevator again as Daniel smiles for the
cameras. Sheryl’s scarf gets caught in the elevator doors as they close.
Daniel: Sheryl, your scarf is caught. (the scarf moves up
the crack between the doors) Sheryl!
Sheryl (from in the elevator): Oh, Daniel, oh! Somebody
help me! (Daniel grabs a piece of the scarf from the doors that has ripped off)
Daniel (on cell phone): Roberto, get to the elevator. Check
on Mrs. Thorn, it’s that dam scarf again. Just make sure she’s ok!
We see the crowd murmuring before action switched to the
elevator as the doors to the penthouse open. Sheryl is lying on the floor
motionless with the scarf still on her neck. Roberto rushes to her.
Roberto (on cell phone): Mr. Thorn, you’d better
come up – it’s Mrs. Thorn. I think she’s dead. (Daniel slowly closes the cell
phone during a fade out)
MONK
tony SHALHOUBtraylor HOWARD
jason GRAY-STANFORD
AND ted LEVINE as STOTTLEMEYER
CREATED BY
andy BRECKMAN
mr. MONK Goes to Vegas.
SPECIAL GUEST STAR
james BROLIN
GUEST STARRING
challen CATES
maury STERLING
krista ALLEN
“IT’S A JUNGLE OUT THERE”
WRITTEN AND PERFORMED BY
randy NEWMAN
MUSIC BY
jeff BEAL
EDITED BY
anthony PINKER
PRODUCTION DESIGNER
chuck PARKER
DIRECTOR OF PHOTOGRAPHY
anthony R. PALMIERI
PRODUCER
david BRECKMAN
SUPERVISING PRODUCER
tom SCHARPLING
PRODUCED BY
anthony SANTA CROCE
CO-EXECUTIVE PRODUCER
fern FIELD
EXECUTIVE PRODUCER
randy ZISK
EXECUTIVE PRODUCER
tony SHALHOUB
STORY BY
tom SCHARPLING
david BRECKMAN
TELEPLAY BY
daniel DRATCH
joe TOPLYN
DIRECTED BY
randy ZISK
Open on a ticking alarm clock (3:10AM) in Monk’s apartment
as the phone starts to ring. Monk stirs and answers the phone.
Adrian Monk: Hello?
Captain Leland Stottlemeyer: Hey Monk! You awake? Listen,
there was a murder here last week! (He is in a casino lobby where he appears to
be drunk) You know Daniel Thorn?
Monk: Daniel Thorn?
Stottlemeyer: Daniel Thorn. The son of a bitch murdered
his wife, and he tried to make it look like an accident, and I can prove it.
(Monk looks at his alarm clock) Monk, I solved the case! At least I think I
did. Hey, hey! (stops a waitress carrying alcohol) Keep ‘em comin’. Ha pam!
(looking at the waitress)
Monk: Have you been drinking?
Stottlemeyer: Me? Yeah, a little bit. Listen Monk, I need
you man, I need you to come to Vegas. I need a second opinion. I’m staying at
the uh, Montecello Casino, Uh… Room 3473.
Monk: Vegas – Las Vegas?
Song: (during more shots of Las Vegas during the day)
There’s just one place for me – this is it. Yeah, just one place to be – this
is it. I’m so happy to be here, when I look around it’s clear, yes it’s
perfectly plain to see. (inside a casino next to roulette, settling on Monk and
Natalie as they walk through the floor) There’s a cream of the crop – this is
it… (slow fade out)
Natalie Teeger: Welcome to Sin City, Mr. Monk.
Monk: Some kind of holiday?
Natalie: Nope, it’s like this 24 hours a day, all
the time; people come from all over the world just to give their money away.
Monk: They look miserable.
Natalie: They are miserable. You might be the
happiest person here. (a woman hits a jackpot at a slot machine and screams,
and Monk jumps) You alright? This is nothing, wait til the tour buses show up,
this place is gonna be packed.
Monk: How do you know?
Natalie: I’ve lived here for two years, I was a
blackjack dealer.
Monk: I didn’t know that.
Natalie: I’ve been a lot of things you don’t know about.
Monk: Really, like what?
Natalie: Like it’s none of your business.
Monk: Have you ever done hard time?
Natalie: Do you think I’ve done hard time?
Monk: Maybe.
Natalie: Ok, this way.
Stottlemeyer’s hotel room – Stottlemeyer, Disher, and
several other members of the SFPD are lying in various places in a trashed room
with empty pizza boxes and Chinese food cartons everywhere. Knocking at the
door gets increasingly violent until Stottlemeyer gets up.
Stottlemeyer: (as he knocks over a beer bottle) Sheeze.
Where’s my pants? Hey Randy, where’s my pants?
Lieutenant Randall “Randy” Disher: (half asleep) You
threw em out the window.
Stottlemeyer: Why did I do that?
Disher: Ah, the girls bet you a dollar you wouldn’t.
Stottlemeyer: (while trying to put a robe on, he takes a
dollar out of his boxers) Looks like she paid off. (more knocking) Coming, I’m
coming! Quit with the pounding! (he looks through the peep hole)
Stottlemeyer: Which one of you idiots invited Monk?
Various men in the room: Wasn’t me. Not me. Come on…
(he opens the door anyway to see Monk and Natalie)
Stottlemeyer: Hey, Monk, Natalie. What are doing here?
Natalie: You called him. Last night, you told him
to come…
Stottlemeyer: Wha, I called you?
Monk: You said there’d been a murder.
Stottlemeyer: Heh, what the hell are you talking about?
Natalie: Can we come in?
Stottlemeyer: Yeah. (Monk and Natalie walk into the room
while some of the residents try to make themselves more presentable)
Natalie: Wah, hoh hoh hoh! Did you guys have fun?
Stottlemeyer: I don’t know.
Natalie: What’s the occasion?
Disher: (mumbling) …Finnegan’s bachelor party.
Monk: Sargent Finnegan no, I just talked to him last week,
he’s not having a bachelor-
Man 1: Uh, yeah, he must have changed his mind at the last
minute. (shoving a door shut someone was trying to get through) We tried to
call you.
Man 2: (holding up a bag) Hey look, striper left her makeup
bag. (Monk looks up, and everyone starts looking at each other guiltily)
Monk: Strippers…
Stottlemeyer: Uh, it’s ok Monk, cause me and uh, the
other married guys, we-we went down the hall until she left. (Monk nods)
Disher: (tying his shoes) Ok, I’ll meet you guys later. I’m
gonna go hit the tables.
Natalie: How’s your luck?
Disher: Great, I’m only down a couple hundred. (he gets up)
Natalie: What cha playing?
Disher: Blackjack.
Natalie: Why don’t you go next door, the Mirage
has some five dollar tables?
Stottlemeyer pours himself some water
Disher: Five bucks? (buttoning up his shirt) Those are the
kiddie tables, I’m here to make some real money. I got a system. (he pulls out
a book titled “Winning Big”)
Natalie: (sarcastically) Oh, I didn’t know you
had a book. Then you can’t lose!
Disher: Come on down, see for yourself, you can help me
count my chips. (Natalie laughs and Disher exits through the door)
Stottlemeyer: (after taking a gulp of water) Hey, wait a
minute, I called you Monk.
Monk: Right.
Stottlemeyer: Yeah, I ca- I solved something, it was big.
Natalie: Yeah, you said Daniel Thorn murdered his
wife.
Monk: You said you had proof.
Stottlemeyer: I did? (Monk looks at his watch)
Back on the casino floor, Monk is leading Stottlemeyer to the
elevator.
Monk: Ok, this way, over here. Right this, this is where she
was killed, does any of this look familiar?
Stottlemeyer: I don’t know. (he opens a bottle of
medication and swallows a handful)
Monk: Wait, your-your only supposed to take two of those.
Stottlemeyer: (reading the label to Monk) As necessary.
Monk: You-you don’t remember anything, nothing?
Stottlemeyer: Um, I know I left the party, upstairs at
about 1:30
Monk: Ok, ok, were you alone?
Stottlemeyer: Uh, I don’t know. I came down, I played
some craps, lost some money… I talked to someone!
Monk: Good, there you go, who?
Stottlemeyer: He was a man. Or a woman.
Monk: Oh, man, or a woman, that narrows it down.
So-so-so-so it wasn’t a child?
Stottlemeyer: Could have been…
Natalie: (enters carrying an envelope) All right,
got the file. Leutenant Wallover said don’t make any copies of it, and I have
nice eyes. (hands the file to Stottlemeyer who looks through it)
Stottlemeyer: Ok, cause of death: ligature,
strangulation, and a broken neck.
Natalie: Wallover said you’re wasting your time,
it was an accident, she strangled on her own scarf.
Monk: Ok, let’s check it out.
They walk towards the elevator and unhook one of ropes
guarding it, when the bell hop notices them.
Lewis: (cough) Um, excuse me, these are private elevators,
the public elevators are across the lobby…
Stottlemeyer: Yeah um (holding up his badge), PD. We’re just
gonna look around a little bit, ok?
Lewis: Uh, sure, sure, hey. What’s uh, going on? Can I help?
Monk: Were you on duty, the night Mrs. Thorn was-
Lewis: Why, is this like, an insurance thing?
Stottlemeyer: No, this is a – we ask you some questions,
and you answer – thing.
Lewis: Ok, ok, but you owe me one. Here’s what happened:
They got off the elevator, Sheryl, that’s Mrs. Thorn, said, “Do you have the
tickets?” Eh, Daniel, Mr. Thorn, checked his pockets – no – she got back on the
elevator, elevator doors closed, and her scarf got caught, you could hear her
screaming from inside, “Help me, Daniel, help me”. (Monk notices the elevator
button and presses it with his elbow, which causes the doors to open behind
Lewis) That’s pretty much it, they found her upstairs.
Monk: And she was definitely alone?
Lewis: Oh yeah, I was standing right there. (points
off-screen)
Stottlemeyer: I got a question. Were you working last
night, at 2 o’clock? (Monk and Natalie look inside the elevator)
Lewis: Oh, yes sir.
Stottlemeyer: Was I here?
Lewis: Were you here?
Stottlemeyer: I mean, do you remember me, did we talk?
Lewis: No sir, I’ve never seen you before.
Stottlemeyer: Exactly, we’ve never met. Right, I was just
testing you, you pass, good job. (he pats Lewis on the back who smiles) Uh, um,
we’re just gonna be a minute, ok?
Lewis: Ok.
Stottlemeyer: Thank you.
Lewis: Yeah. (Stottlemeyer moves into the elevator)
Monk: So it’s an express?
Stottlemeyer: Yeah, it goes straight to the penthouse,
nonstop. There’s an access panel. (pointing up)
Monk: Can we get up there?
Stottlemeyer: Monk, we’re not supposed to be here, let’s
make it quick (he sees Lewis talking on the phone)
Natalie: Hey look, thumbprint scanner. (pointing
at the wall)
Monk: Yeah…
Natalie: This elevator doesn’t move for anyone
but Thorn or his wife.
Stottlemeyer: Yeah right, it’s all here, look. See,
Daniel Thorn uh, pressed the elevator scanner at 5:52, to come down, and then
Sheryl Thorn pressed the scanner at 5:55, three minutes later to go back up in
the elevator.
Monk: So, it was definitely her…
Stottlemeyer: Yeah, positive ID. (pointing at the file)
Natalie: (Monk starts turning his thumb at
different angles) What are you doing?
Monk: Look-look, it’s odd, look at her thumb print, it’s at
a weird angle. (now both Monk and Stottlemeyer are turning their thumbs) Why
would she press it like that (holding thumb at an angle upside down), I would
have pressed it like that (pressing the scanner with a straight thumb, and the
scanner glows red, denying him access), wouldn’t you?
Natalie: Mm, hm.
Stottlemeyer: Yeah, that is weird. (he continues pressing
the scanner)
Natalie: (Monk notices something on the side of
the car) What is that?
Monk: It’s a finger nail. (points to a broken finger nail
with red nail polish) It’s dug right into the leather…
Natalie: It probably broke off when she was
choking to death.
Monk: No, I don’t think so, she’s too far away from the
door.
Stottlemeyer: What do you think?
Monk: I think you were right. Something happened in here,
it was murder. (fade out)
Fade in on a build site for the Sheryl Thorn Pediatric
Hospital, where Daniel Thorn is making a speech on a platform which Monk and
Natalie are watching.
Daniel: You know some people thought that we should
reschedule this ground breaking ceremony after what happened last week. But I
know that Sheryl would want us here today. As you know, she and I were uh,
never able to have children of our own, so she always considered this project,
this hospital to be her baby, our baby. If in a hundred years…
Monk: He didn’t love her.
Natalie: How do you know?
Monk: I know. (he looks at Daniel)
Daniel: …With my casinos, or my best seller books. No, it
will be for this hospital, so lets get started on this hospital. (he takes off
his coat amongst applause and steps off the platform) Will somebody hold this?
(Monk takes the coat and Natalie starts searching through it)
Monk: What are you doing?
Natalie: Poking around.
Monk: You can’t do that.
Natalie: I can do anything I want, I’m cute.
Daniel: (after digging the first hole with a shovel) I want
to thank everyone for coming out here today. (we see Monk and Natalie find
something in his coat) So let’s get this thing built, ok? (applause) Ah thanks,
I appreciate that. (to Monk for holding his coat)
Natalie: Uh, Mr. Thorn, do you have a minute?
Daniel: Yeah, sure. (he takes a pen out of his pocket)
Natalie: No, no, no sir, we don’t want your
autograph. My name is Natalie Teeger, this is Adrian Monk, we’re here with some
homicide detectives from San Francisco.
Daniel: Oh, I hope you’re staying here at the Monticello.
Natalie: Yes sir, we are.
Monk: We just have some questions about your wife, and how
she died.
Daniel: (slightly uncomfortable) Oh you do. Well uh, we have
our own police force here, Mr. Monk, and uh, they’ve already looked into it. If
you want a copy of their report, I can assist you with that.
Monk: Well I, uh, I’ve already seen the report, sir uh, it
doesn’t add up.
Daniel: Oh yeah, what doesn’t add up?
Monk: The night she died, the two of you were going to a
fundraiser, at the Baker Street Pavilion.
Daniel: Yeah, that’s right, it was a fundraising concert,
for this hospital.
Monk: Right, but she forgot the tickets, and that’s why she
went back upstairs.
Daniel: Yeah.
Monk: (taking up the object they found in Daniel’s coat)
These, were in you pocket, sir. Baker’s Street Pavilion, May 2nd.
Daniel: Oh, I uh, I didn’t realize they were there, you
know if I’d of know, she’d be alive today.
Monk: We’ve spoken to some witnesses. They said that you
looked for the tickets, they said you checked your pockets-
Daniel: (angry) They were mistaken! Look-look, why don’t
you just relax here, Mr. Monk. Huh, you’re in Las Vegas, do some gambling, I’d
be happy to comp for you and your friend here.
Monk: I don’t gamble.
Daniel: Well then, have a drink.
Monk: (shrugging) I don’t drink.
Daniel: (counting on his fingers) Well, you don’t gamble,
you don’t drink, you want to know a secret? I don’t either, ha, ha. You and I,
we got a lot in common, Mr. Monk.
Monk: Yes, we do. My wife was murdered too.
Daniel: Nah, Sheryl wasn’t murdered.
Monk: I think she was.
Daniel: We’re done here. (he takes his coat back from Monk)
Goodbye, Mr. Monk, Ms. Teeger.
Natalie: Mr. Thorn. (Daniel leaves)
After another shot of the Las Vegas strip, we are back on
the casino floor with Monk, Natalie and Stottlemeyer
Monk: Ok, just take your time, does any of this look
familiar?
Stottlemeyer: Maybe that way? Hey there’s Randy. Randy!
Randy! (Disher is holding his book in his mouth and counting money) How you
doin’?
Disher: (incredulously) Hey, uh, I’m down. But, that’s to be
expected. Money is like the tide, it ebbs and it flows – it’s all in the book.
(holds up the book) Right now I’m uh, sort of ebbing.
Stottlemeyer: Uh, son, exactly how much are you ebbing?
Disher: Down 800. But, that’s not including the
complementary breakfast and all the free drinks. (Monk and Stottlemeyer figit)
Don’t panic, don’t panic, the worst thing you can do is panic, it’s all in the
book. Hey uh, how’s the case coming?
Monk: Actually, we’re in-
Disher: Great, great, I want to hear all about it, later.
(he sits down at a blackjack table)
Dealer: Hi, how are ya?
Disher: Julie? I’m back! Let’s play.
Dealer: All right, here you go. (camera moves off Disher)
Stottlemeyer: That bar. (he points forward) I’ve been in
that bar. (the two walk to a bar in the casino)
Man 1: Hey, here he is!
Woman 1: That’s the man!
Man 1: This is the guy!
Monk: I think you’ve been here before.
Bartender: Lieland, how you feeling, brother? I
figured you’d be back, you forgot this. (he takes down a trophy off the back
shelf next to an older woman at the bar) Everybody is still talking about it,
man.
Woman 2: Thank you for last night.
Stottlemeyer: (uneasy) You’re welcome.
Monk: (reading the trophy) 1st Place Karaoke Contest?
Stottlemeyer: Karaoke?
Monk: Do you sing?
Stottlemeyer: Apparently. Look, last night is a bit of a
blur – what did I sing?
Bartender: “Ain’t No Sunshine”.
Stottlemeyer: That’s a good song.
Woman 2: You made me cry. Sing it again.
Stottlemeyer: (slightly flattered) I don’t think so. Look
um, did anything else happen? It’s kind of important.
Bartender: You did a lot of drinking, you were very
thirsty.
Monk: Did he talk to anybody?
Bartender: Hell, he talked to everybody! You don’t
remember anything?
Stottlemeyer: Um…
Bartender: Let’s see, you came in around 2 o’clock,
you sang the song, you won the trophy, you threw up, and you collapsed in a
table over there. (Stottlemeyer walks over to the table)
Monk: Was he alone? (he follows Stottlemeyer to the table
and sits down)
Bartender: I didn’t notice. About ten minutes later,
you came back, you were all excited, and you kept saying, “I solved that case!”
Stottlemeyer: Anything else?
Bartender: No sir, you just ran outside, looking for
a payphone.
Monk: You said at this table, you solved the case.
Stottlemeyer: Look uh, do you have any idea what I meant?
Bartender: (shaking his head, chuckling) No.
Woman 2: I do. You told me all about it. (Monk and
Stottlemeyer walk over to her again)
Stottlemeyer: Um, what exactly did I say?
Woman 2: I'll tell you on one condition.
Back on the casino floor, Natalie walks towards Lewis, who
is reading a book, taking notes.
Natalie: (she knocks on the desk, Lewis looks us
and closes his book) Hi, remember me?
Lewis: Ms. Teeger, room 1523.
Natalie: Wow, you’re pretty good, you’re gonna
own this place someday!
Lewis: That’s the plan, give me five years.
Natalie: Look, my friend Adrian Monk just checked
in-
Lewis: (nodding) Room 1525.
Natalie: That’s right. Anyway uh, he’s a little
peculiar, he has to have 60 watt light bulbs on all the lamps…
Lewis: 60 watt… Uh, did you try guest services?
Natalie: Yeah, there are then people in front of
me. Could you help me out? I would so appreciate it
Lewis: Done, but you owe me one. (smiling)
Natalie: All right. (Natalie sees the book he was
reading, “Richer Than God” by Daniel Thorn) Is that Daniel Thorn’s book?
Lewis: Yeah.
Natalie: You must be a pretty big fan, huh?
Lewis: I’d say I’m more of a student. I keep my eyes open,
I mean you can learn more in this lobby than you can in any business school.
Natalie: I’m sure you can, Lewis. (she leans on
the desk) I’ll bet you have some great stories.
Lewis: Heh, well… Let’s just say if I wrote a book about
Thorn, about the things I’ve seen, it’d be pretty wild. (they both chuckle) I
have a perfect view of who comes and goes, and who comes and goes with who.
Natalie: Ah, do you really? (starting to flirt
with Lewis, who smiles)
Back at the bar, Stottlemeyer steps up to a karaoke screen
and microphone playing “Ain’t No Sunshine”, while the woman from the bar looks
on eagerly.
Stottlemeyer: (singing quietly) Ain’t no sunshine when
she’s gone. It’s not warm when she’s away. Ain’t no sunshine when she’s gone
(Natalie walks into the room next to Monk)
Monk: Don’t ask
Stottlemeyer: She’s always gone too long, any time she
goes away. Wonder this time, where she’s gone. (Monk and Natalie are very
amused) Wonder if she’s gone to stay.
Woman 2: Do the dance, you did a little dance!
Stottlemeyer: Ain’t no sunshine when she’s gone, (he
starts moving his arms a little) she’s always gone too long, any time she goes
away.
Woman 2: Turn around, I want to see your tush.
Stottlemeyer: (regretfully turning around) I know, I
know, I know, I know, I know, I know, I know-
Woman 2: Those are different pants, where are the
jeans?
Stottlemeyer: (hanging up the microphone) Look lady, a
deal is a deal. I sang the song, now tell me what I said last night.
Woman 2: All you said was, “They don’t match”.
Stottlemeyer: They don’t match? What doesn’t match?
Woman 2: I don’t know, you didn’t say.
Stottlemeyer: Wait-wait-wait, is-is that it, is that all
you got?
Woman 2: Please, sing it again? I just love the way
you sing.
Stottlemeyer: (leaving towards Monk and Natalie, both
smiling) Thank you.
Monk: You were good.
Stottlemeyer: Shut up.
Natalie: Daniel Thorn has a mistress, she’s a
dancer at another casino.
Stottlemeyer: And how do you know that?
Natalie: Lewis the bell boy told me.
Monk: He told you, just like that?
Natalie: Mm, hm.
Monk: Oh that’s right, you’re cute.
Backstage of a theater at a casino where dancers in
elaborate costumes are performing. Monk is standing with his back to the women.
Music: Come see me tonight, I know the time is right. For a
rendezvous, only me and you-
Natalie: Mr. Monk, they’re not naked.
Monk: They’re nakedish.
Natalie: (agreeing) Well you can’t argue with
that, they are nakedish. Where’s the captain?
Monk: He went back to get Randy out of the casino, he’s
down 4000 dollars.
Natalie: He’s never gonna leave, nobody walks
away, it’s like a drug. I used to gamble, I had a big problem, that’s why I
left. (to a man backstage) Sir, Teresa Telenko?
Man: Yeah. (he points onstage)
Monk: Is he pointing?
Natalie: Yes, he’s pointing.
Monk: Where is he pointing?
Natalie: To a woman. She’s walking this way. (the
woman rushing off that hit Monk with their feathered costumes, who recoils)
Excuse me, Ms. Telenko? Hi, I’m Natalie Teeger, this is Adrian Monk.
Monk: (still looking away) We-we’re working with the police
department, looking into the death of (another woman hits Monk) Sheryl Thorn.
Teresa: Why are you telling me?
Natalie: Because you’re sleeping with her
husband. (she shakes her head) Sweetie, it would take us half a day to check
your phone records.
Teresa: Ok, maybe that’s true, but that’s my business. It
has nothing to do with his wife or what happened.
Monk: (as he turns around he looks up sharply to avoid
looking at her) Ms. Telenko, we already checked. The night Mrs. Thorn was
killed, you called in sick, you missed the show.
Teresa: Is he blind?
Natalie: Define blind.
Teresa: I-I called in sick because I was sick, I miss a lot
of shows. Do you like to see a note from my doctor? What happened to Sheryl
Thorn was an accident. She was on that elevator alone and she choked to death.
Monk: I don’t think so. (someone brushes their costume
right in his face and he recoils again)
Teresa: Look, if you’re going to accuse me of something, the
lease you can do is look me in the eye.
Natalie: Mr. Monk, come on.
Monk: (holding his hand so he can only see her face) Thorn
killed her. I don’t know how he did it, but he did it. I think you knew
something about it, either before the fact or after.
Teresa: Are you arresting me?
Monk: No.
Teresa: Then I have a show to do, excuse me.
Monk: (speaking to the wall) Ms. Telenko. When you talk to
Mr. Thorn, you tell him that I’m not going anywhere. Tell him that he’s smart,
but I’m smarter, and I am gonna figure out how he did it. (she leaves) Is she
still there? (Natalie walks away on fade out)
Fade up on Monk and Natalie waking into the elevator area of
the casino.
Monk: Where’s your boyfriend?
Natalie: Sent him out, told him I needed a
special kind of shampoo.
Monk: Boy, looks like you have superpowers.
Natalie: It’s a gift.
Monk: And a curse?
Natalie: No, just a gift. Alright, we have about
ten minutes.
Monk: Let me have the scarf.
Monk takes a scarf from Natalie as the doors open. They both
walk into the elevator, and Monk puts the scarf on Natalie’s neck, leaving an
end where the doors will close.
Natalie: What are you doing?
Monk: We’re reenacting the crime, you’re the victim.
Natalie: Wha-what if the elevator starts up,
it’ll get caught again!
Monk: It’s not gonna get caught.
Natalie: Well, then you be the victim. (she
unwraps the scarf from her neck)
Monk: No-no-no-no-no, Sharona was always the victim.
Natalie: Yeah, I’m sure she was. (Natalie starts
putting the scarf on Monk)
Monk: No, I-I can’t be the victim. (taking the scarf off of
him) I’m the detective, I have to step back and observe the scene.
Natalie: Well, I can observe stuff too! a. This
is a crime scene-
Monk: No-no-no-no, you don’t look, you don’t know what to
look for, ok? We have a system, it’s a good system. There’s an old saying.
Don’t change anything. Ever.
Natalie: That’s an old saying?
Monk: I’ve been saying it for years. (he holds the scarf
out to Natalie for her to take it, and she crosses her arms)
In the penthouse, Daniel Thorn is talking on his cell phone.
Daniel: I know it’s only 2 million dollars, but 2 million
here, 4 million there, after a while we’re talking about real money. (he
presses the elevator button) Yeah, the answer is no!
He closes his cell phone and adjusts his collar in the
mirror. Down in the elevator, Monk is adjusting the scarf on his neck.
Monk: Ok, I’m Mrs. Thorn.
Natalie: Wai-wai-wai-wait… (she adds another knot
to the scarf) Oh, that’s fantastic on you by the way.
Monk: All right, all right, we walk out. (he throws the end
of the scarf behind him and te two walk into the lobby) We stop, (he snaps) I
forgot the tickets. We look for the tickets (they look for the tickets) I must
have left them upstairs. I walk back to the elevator (they go back to the
elevator), I press P for Penthouse, the doors close, the scarf gets caught.
Natalie: Maybe somebody was hiding up there. (she
points to the access panel at the top)
Monk: Now, that’s possible, but Mrs. Thorn was yelling
about the scarf, not about some attacker…
Natalie: Yeah.
Monk: So she’s alone, she presses her thumb…
He puts his thumb on the scanner. Immediately after that,
Daniel Thorn presses the call button for the elevator in his penthouse. The
elevator starts to move and Monk’s neck is jerked back. His head hits the
elevator doors, and he begins to choke. Natalie rushes to help him.
Natalie: Mr. Monk, oh my god! Here, I have a
knife, hold on. (she takes a pocket knife out and starts cutting the scarf off
his neck) Hold on, hold on. Almost got it, almost got it! Ok there, there! (the
elevator doors open to the waiting Daniel Thorn, and he sees Monk and Natalie
on the floor of his elevator, paralleling his wife’s murder)
Daniel: What are you doing, huh? Do you think this is
funny? I mean, you-you rifle through my pockets-
Natalie: (helping Monk up as he gags across the
floor) You’re stepping on it! (as he trips on the scarf)
Daniel: You make a mockery of me like this? I just buried
my wife.
Natalie: We are not mocking you, Mr. Thorn, we
are trying an experiment.
Daniel: I could have you arrested, and I’m going to.
Natalie: (Monk is trying to talk, but can only
gag) Are you ok, do you need some water?
Monk: (coughing and in a weak, high voice) No, I’m ok, I’m
ok.
Natalie: Ok.
Monk: (to Daniel) ah nak, oob blo gah nah-
Daniel: What?
Monk: Gah, ah bla gah, que sto
Daniel: Question for me? No-no I’m sorry, I’m on my way to
a board meeting, I’m already late.
Monk: Wha gah, (cough) one minute.
Daniel: Did I do something to offend you sir? I mean, why
don’t you let this thing go. What happened to my wife was an accident, ten
witnesses saw her get onto the elevator alone, when it stopped, she was dead.
Monk: Lea se tha, they said that, they said your wife was
screaming for help, and that she called your name.
Daniel: Yeah, that’s true, that’s true, I will never forget
that moment.
Monk: But just now, I was being strangled by the scarf,
like your wife, I-I couldn’t yell anything. I-I couldn’t even breath. How do
you explain that, sir?
Daniel: I can’t explain it, can you? I loved my wife, Mr.
Monk.
Natalie: Yeah, as much as you loved Terry
Telenko?
Daniel: Yeah, I know you talked to Terry. Virtue is not one
of my virtues. Sheryl knew that, and uh, she accepted it. She realized that
being married to Daniel Thorn in this town, had other compensations. Eh, you,
you don’t have any idea who you’re dealing with, do you? Come here, let-let me
show you something. (Monk and Natalie follow him to a table while Natalie helps
Monk take the scarf off) The local rag, put this picture on the front page. (he
holds up a tabloid, the Vegas Voice, “HELL-EVATOR!” with a picture of Sheryl
dead; other titles – “Behind the Scenes of a Hollywood T.V. Classic”, “Winning lottery
numbers”, “Lucky dates”, and “Your Own Get-Rich Horoscope”) Now, I asked them
not to publish it, and they ignored me so yesterday morning, I bought
thecontrolling interest in that company so I could personally fire that son of
a bitch editor, and the photographer, and the publisher. Now you understand?
Now that’s who you’re dealing with. I own this town. Now Ms. Teeger, you worked
at the Bellagio.
Natalie: All right, so you’ve done your homework.
Daniel: Yeah, so why don’t you tell your friend what the
first rule of Vegas is, the Golden Rule, the only rule! The house always wins.
Always. (Monk rubs his sore neck and nods)
In the casino, outside the elevator. The doors open and a
piece of scarf falls out from between them.
Natalie: Ah, there it is (picking up the piece)
Monk: It’s ruined now, you cut it all up.
Natalie: I saved your life!
Monk: You could’ve untied it.
Stottlemeyer: (Stottlemeyer rushes in) Hey Monk, Natalie,
I’ve been looking all over for you guys. It’s Randy, he’s in way over his head.
He’s lost his savings account, he’s gonna lose everything. (they follow
Stottlemeyer to a blackjack table where Disher is flipping through his book,
worried)
Disher: Hit me.
Dealer: Sorry sir, that’s a bust.
Natalie: (Stottlemeyer starts rubbing Disher’s
neck, supporting him) It’s blackjack, you try to get as close to 21 without
going over.
Monk: Yeah, I think I’ve heard of that game.
Natalie: It’s not a game, believe me. Hey
Lieutenant, let’s go take a break.
Disher: Not now. (we see the cards being dealt). Hold on.
(he flips trough the book again) Hit me.
Dealer: Sorry sir.
Time passes with Disher continuing to play. Monk begins to
notice the cards and how the game is played.
Disher: Hit me.
Dealer: 8. 11.
Disher: Hit me.
Dealer: 16.
Disher: Hit me.
Dealer: 26, that’s a bust.
Stottlemeyer: So, exactly how much are you down?
Disher: 35.
Stottlemeyer: 35 thousand dollars? Where did you get 35
grand?
Disher: It’s easy, they lend it to you. Yeah, I’m in. (as
the cards are dealt, Monk continues to observe) Stay.
Monk: No, take-take a card.
Natalie: No, he’s got 18, you don’t hit on 18.
Monk: Well the next cards low, a 3, maybe a 2. (Disher
flips through his book)
Natalie: (whispering) Are you counting cards?
Monk: No, I’m remembering them.
Natalie: What do you mean you’re remembering
them, that’s impossible, there are 8 decks in that shoe.
Monk: (to the dealer) One card please, hit him. Take the
card.
Dealer: Sir?
Disher: Hit me. (he gets a 3 – 21, he wins and sighs on fade
out)
Fade in on Disher (sitting on a couch) and Stottlemeyer in
the hotel lobby.
Disher: I don’t know what happened. I was on fire, I
couldn’t lose! I was up almost 8000 dollars, and then, I started to double and
trle my bets, just like it says in the book, and the next thing I knew…
Stottlemeyer: Let me see the book, Randy. Let me see it.
(Disher hands the book to Stottlemeyer, who proceeds to tear it up)
Disher: Whoa-whoa-what are you doing? How am I gonna win my
money back?
Stottlemeyer: You stay there. If you go near those tables
again without me I will shoot you in the leg. (he leaves Disher and meets Monk
and Natalie on the casino floor) Well, a good friend of mine has a gambling
problem, I need to do an intervention.
Disher: Maybe Randy could find a support group-
Stottlemeyer: I’m talking about you, Monk.
Monk: Me? I don’t gamble.
Stottlemeyer: Yeah, that’s a problem. You should gamble.
See you could be in there right now gambling winning his money back.
Natalie: You can’t be serious.
Stottlemeyer: Look Monk, the kid is 35 grand in the hole.
That is his savings account, his car payment, and the down payment on his
mother’s condominium.
Monk: I can’t do it.
Stottlemeyer: Yes you can, I just saw you.
Natalie: Mr. Monk, don’t listen to him.
Stottlemeyer: Look just, you-you do that Rainman thing,
count a few cards, it’ll take you an hour and a half.
Natalie: Wait, no-no-no, look at me, he has no
idea what he’s talking about. Once you get a taste of it you will be hooked,
for sure, you will never leave.
Stottlemeyer: You won’t get hooked.
Natalie: He gets hooked on everything, he’s the
most compulsive person I’ve ever met, he’s like a different species.
Monk: Thank you.
Stottlemeyer: Look, I’ll be with you the whole time. We
go in there, win the 35 grand back, and we walk away.
Natalie: Nobody walks away. Mr. Monk, don’t do
it.
Stottlemeyer: Mr. Monk, it’s Randy. (Monk sees Disher
desperately trying to put the book back together)
Monk: I have to do it, it’s Randy. And then, I’ll walk away,
I promise. (Stottlemeyer leads Monk away from Natalie)
Back at the blackjack table, Stottlemeyer sits Monk down and
gives him some money. Disher and Natalie stand behind him. Monk hands the money
to the dealer, who gives him a chip.
Monk: (picking up the chip) Could I have a different chip,
this one’s scratched. (the dealer gives him a different chip)
Stottlemeyer: It’s his first time.
Man: No kidding.
Stottlemeyer: (pulling Disher, who was leaning towards
the table, back) Don’t even think about it.
Monk doesn’t realize the game has started, and he is
brushing something off his part of the table. The hand motions are interpreted
by the dealer as hit me, and continues to give him cards.
Dealer: 14, 16, 20, (Monk is still brushing off the table)
25, you bust.
Man: (incredulously) You hit 20?
Monk: I did? (the man and woman at the table laugh and
Stottlemeyer brushes everything off the table) I need more money. (to Natalie;
Monk then begins to play) Stay, hit me, hit me! Stay. Stay, stay, hit me! Hit
me, stay! Hit me, stay. (Monk begins to rack up chips) I want to raise my bets.
Hit me. Hit me. Hit me. Hit me! (he gets 21)
Dealer: Nicely played. (Stottlemeyer smiles) Hit me, stay.
Sweet, stay. Hit me, hit me, stay. (he’s playing multiple positions at the
table now)
Natalie: How you doing?
Monk: Good, I’m at 19,400.
Natalie: I mean how are you doing?
Monk: Hoh, I’m good. (chuckling, enjoying it too much, but
sees her expression) I’m ok, I’m, ok.
Disher: Monk, I really this. Never gambling again, for as
long as I live.
Stottlemeyer: Wanna bet?
Disher: Thousand bucks? Sorry.
Dealer: (Monk puts some chips forward) We can’t cover that,
there’s a five hundred dollar limit.
Daniel: I think we can make an exception for Mr. Monk’s
case. I mean, we’re not afraid of him, are we? Nah.
Dealer: You’re the boss.
Daniel: But first let’s make it a little more interesting.
(he takes two decks from under the table and hands them to the dealer) Why
don’t you add two more decks to the shoe?
Dealer: Yes, sir.
Natalie: Mr. Monk, that’s ten decks, that’s too
many. (the dealer proceeds to shuffle the cards)
Monk: Bring it.
Daniel: If you’re trying to cheat me, Mr. Monk, we’ll catch
you. I got friends, hiding in the ceiling. (he points up)
Monk: Friends, in the ceiling.
Daniel: That’s right.
Monk looks at the security cameras, and remembers something.
Flashback in the elevator-
Stottlemeyer: There’s an access panel above. (pointing
up)
End flashback
Monk: I know how you did it. I know how he did it. (casually
to the man at the table) He murdered his wife.
Man: Good for him. Congradulations. Let’s play cards.
Monk: Stay, hit me. Here’s what happened.
Murder flashback-
Monk: You and your wife went out to that fundraiser. She
left the penthouse with you, but she never made it downstairs. (we see Daniel
in the elevator, choking Sheryl with her scarf, and her finger nail breaking
off) You killed her in the elevator on the way down. You had less than two
minutes, but that’s all the time you needed. Cause after all, you had help. (we
see Daniel looking up as Teresa lifts up the access panel)
End flashback
Man: Are you going to play, or not?
Monk: Sorry. Hit me.
Daniel: This man is delusional. Eh, he was discharged from
the police force six years ago, he’s not even a real cop.
Stottlemeyer: Yeah, that’s true, but we are. Go on.
Switching between flashback and real life-
Monk: That wasn’t your wife in the lobby. That was Teresa
Telenko, your mistress in disguise. (Teresa drops down some cables into the
elevator) Come on, hit me! Stay. Teresa was a trained actress. Is that why you
seduced her in the first place? I wonder. (after Daniel ties Sheryl to the
cables, Teresa lifts her up, out of the elevator) I’ll split these. Stay, hit
me! Double down, hit me. You hoisted her up through the access panel. Hit me
again, and make it a ten. Genius. What is that, 17? I’ll stay. Hit me. Then
Teresa took your wife’s place in the elevator. (Teresa jumps down next to
Daniel) You had 45 seconds, that was plenty of time. Hit me, and… hit me. Stay,
stay. The elevator door opened, and you two went into your act. (Daniel and
Teresa walk out of the elevator) 2000, uptown and down. Let’s keep it sassy.
Natalie: You sure you wanna do that? You said
you’d quit.
Monk: Natalie, I know what I am doing. When the door closed
again, Teresa started to scream your name. Whoa, blackjack, I believe that’s
the name of the game. (Teresa screams in the elevator while hoisting Sheryl
down and pressing her thumbprint upside down on the glass to make the elevator
move) Sheryl was already dead when she pressed the glass.
Natalie: That’s why her thumbprint was upside
down.
Monk: Wait! I want to raise my bets. You said it yourself,
you have friends hiding in the ceiling. It was the perfect plan. (Teresa goes
back through the access panel) Everyone knew Sheryl was always catching her
scarf on something. Nobody was surprised when it happened again. (Roberto finds
Sheryl in the elevator)
Daniel: It’s a very interesting fairy tale, Mr. Monk. But
that’s all it is, a fairy tale.
Disher: There might be something in the elevator shaft,
blood, hair…
Daniel: You’d need a court order to even look, which you’re
not gonna get, not in this town. So, unless you got something else-
Stottlemeyer: I did, I had it, I had proof, I just can’t
remember it.
Daniel: Doesn’t matter, you’re leaving anyway. (he motions
for several employees to come over, who take Monk away from the table)
Monk: This man here is been cheating, he’s been counting
cards, I want him and his friends out of here now.
Monk: No, wait-wait-wah ten more minutes, come on I’m on
fire, look, double down!
Daniel: No-no-no, I told you Mr. Monk, the house always
wins. (Stottlemeyer and Disher stuff Monk’s chips in their clothes, and Daniel
smirks at them)
At a roulette table, Monk moves someone’s bet
Man: Hey!
Monk: Trust me, even’s better
Employee: (as the man tries to move his bet) No more
bets.
Man: What the hell- (the ball lands on 33)
Employee: 33 black. (the man looks around, dazed)
Stottlemeyer: That’s for you. (he hands a chip to the
dealer who puts it in his pocket, and finish taking the rest of them before
they run off)
Outside the casino, Monk, Natalie, Stottlemeyer and Disher
have checked out and are leaving.
Natalie: Well you said you’d walk away.
Monk: I did, I walked away.
Natalie: You were dragged away, Mr. Monk. Should
we call Lieutenant Wallover?
Stottlemeyer: He can’t do anything without proof.
Monk: (to Disher) That game with the dice, that looks like
a lot of fun.
Disher: (counting his money) Craps? Yeah, you know I can
show you how to play that. I’ve got a great book, it’s probably still-
Stottlemeyer: Randy! Give me the money, you’ll get it
back when we get home.
Disher: I’m not ten years old.
Stottlemeyer: Yeah that’s true, give me the money (he
takes the money)
Lewis: (coming out of the hotel carrying a bag with clothes
in it) Mr. Stottlemeyer.
Stottlemeyer: (handing the money to Natalie) Here.
Lewis: Grounds keeping found these in the bushes. (he hands
Stottlemeyer the bag) Are they yours?
Stottlemeyer: Yeah, these are my pants.
Lewis: Well don’t worry sir, what happens in Vegas, stays
in Vegas.
Stottlemeyer: (taking a magazine out of the bag) Monk!
Ha! Ha, ha, ha! This is it! Remember I was saying that they didn’t match, I was
talking about the pictures. Look-look-look-look-look. (pointing to the picture
of Sheryl on the tabloid) See, that’s her body, right? She’s wearing hoop
earrings.
Monk: So?
Stottlemeyer: So, check this out. (he flips to another
page with a picture of “Sheryl”, or rather Teresa, in the lobby) Moments before
she gets on the elevator…
Natalie: Different earrings!
Stottlemeyer: Different girl.
Disher: I’ll call Wallover, that’s enough for a search
warrant. (takes out his cell phone)
Monk: How many people read this paper, fifty thousand,
nobody else caught it!
Stottlemeyer: So, that means, if wha-if I’m drunk as a
skunk, completely plastered I’m as smart as you.
Monk: Smarter! (fade out)
Fade in on two police officers leading Daniel Thorn out of
the casino, with Monk, Natalie, Disher and Stottlemeyer watching.
Disher: They found hair and rope fiber on top of the
elevator.
Stottlemeyer: With that, and those photographs, we got
it.
Daniel: Mr. Monk.
Monk: Daniel.
Stottlemeyer: Don’t go now Mr. Monk, this game of ours if
far from over my friend. I will be out by tomorrow morning.
Monk: I wouldn’t bet on it. (Daniel leaves the casino, and
the man from Monk’s blackjack table walks over to him)
Man: Hey professor. Hey, I-I’m playing a few hands,
should I save you a seat?
Monk: I can’t, thanks. Good luck. (the man nods and leaves)
You said you gambled?
Natalie: (walking towards their suitcases) I
couldn’t stop. I was a mess.
Monk: But you walked away, how’d you do it?
Natalie: I had Mitch. How’d you do it?
Monk: I have you. (they smile and walk off camera during
fade out)
EXECUTIVE PRODUCERS
DAVID HOBERMAN
ANDY BRECKMANassociate producer
SCOTT COLLINS
executive story editor
DANIEL DRATCH
story editor
HY CONRAD
story editor
JOE TOPLYN
Co-Starring
PHIL ABRAMS as 2nd Cop
MIKE BARGER as Dealer
JOHN STERLING CARTER as Croupier
JOSH CRUZ as Roberto the Cook
ERIC GELMAN as Paparazzi Photographer
DALTON GRANT as Bartender
CHET GRISSOM as 1st Cop
PAUL HAYES as Mr. Hooper
ALEXANDRA KENWORTHY as Wanda the Barfly
CHERYL FAYE KLONER as Gambling Woman
ANN E. LIVINGSTONE as 2nd Barfly
MIKE MALIN as Gambler
LARRY VARANELLI as 1st Barfly
unit production manager
first assistant director
ANTON CROPPERsecond assistant director
LISA M. ROWE
costume designer
ILEANE MELTZER
production supervisor
SHERIDAN THAYER
post production supervisor
ALEX SHEVCHENKO
casting by
ANYA COLLOFF
AMY MCINTYRE BRITT
CHERYL KLONER
CORBIN BRONSON
costume supervisor
GEORGE WARD
key make-up
DENISE HOOPER
key hair
MAXINE MORRIS
art director
WILLIAM E. BROWNELL
set decorator
SUZETTE SHEETS
property master
RICHARD HOBAICA
construction coordinator
JAY JERGENSEN
camera operator
DAN AYERS
B camera operator
BONNIE BLAKE
1st assistant camera
RON VARGAS
1st assistant B camera
CRAIG ASATO
sound mixer
DAVID YAFFE
boom operator
JOE MICHALSKY
chief lighting technician
GIOVANI LAMPASSI
assistant chief lighting technician
DENNIS RICE
key grip
RON TONDREAU
best boy grip
JOEL RANDEL
dolly grips
PETE ASIDILLA
KENT ALEXANDER
location manager
MAC GORDON
extras casting
CENTRAL CASTING
stunt coordinator
CHARLIE BREWER
transportation coordinator
DAN QUICK
assistant editor
RICK RODONO
music editor
CRAIG PETTIGREW
supervising sound editor
FRED JUDKINS
re-recording mixer
ELMO FONSDOMENECH
JOE EARLE
production coordinator
ANN KAISER
post production coordinator
RICHARD P. WHITE
production accountant
DIANA AUSTIN
script supervisor
TOBY FORLENZA-WILLIS
script coordinators
SALVATORE SAVO – New Jersey
JAIME PONA – Los Angeles
writers office coordinator – NJ
JENNIE ZEPPETELLI
production associate
SHANA STEIN
assistant to David Hoberman
KIM MEADE
assistant to Tony Shalhoub
DOUGLAS NABORS
assistant to Fern Field
JAIME PONA
assistant to the Producers
HAYLEY HELMREICH
post production audio provided by
TECHNICOLOR SOUND SERVICES
high definition post production
ENCORE
cameras & lenses furbished by
KESLOW CAMERA, INC.
filmed at
REN-MAR STUDIOS
camera dollies provided by
J.L. FISHER
lighting equipment provided by
CINELEASE, INC.