Mr.
Monk Goes To The Circus
Transcript by Kim Robarts
© Posted on
http://twiztv.com. Transcribed for
The Monk Wrap Sheet
- Please DO NOT post this transcript elsewhere without PERMISSION from the transcriptionist -
OPENING SCENE
The cityscape of San Francisco at night, there is
a person walking the top of a nearby building, climbing up on a lift, preparing
for something.
Next we see a man lighting up a cigarette at an outdoor
cafe, as an angered maitre’d looks on in disgust. The man is Sergei Cluvarias
and he’s eating a meal with his girlfriend Ariana.
MAITRE'D: Excuse me, sir, there's no smoking.
SERGEI: We're outside.
MAITRE'D: It's our policy. I don't make the rules.
SERGEI: Then change your policy. It doesn't make
any sense. We are outside, for God's sake!
ARIANA: Sergei, what are you trying to prove?
SERGEI: I'm not trying to prove anything. I'm just
trying to enjoy a cigarette.
MAITRE'D: Sir, if you don't put that out, I'm going
to have to call the police.
SERGEI: Fine. I'm putting it out. There.
SERGEI flicks the unlit cigarette at the maitre’d
– customers looked shocked.
SERGEI: Are you happy? Are you happy?! Is everybody
happy?
People weakly applaud.
SERGEI: This is how it started in Nazi germany, you
know?
All of a sudden, the masked assailant jetsons down
from above on the fire escape, Sergei looks alarmed.
MAN: Call 911!
[ Telephone dialing ]
The assailant karate chops the phone out of the maitre’d’s
hand.
MAN #2: Oh, my god, he's got a gun!
SERGEI: What are you doing?
Suddenly, Sergei is fatally shot in the chest by
the dark-clothed and hooded assailant. Ariana jumps up and screams. People
at the cafe panic and they run for their lives.
ARIANA: Aah! Aah!
The assailant grabs onto to the pole for the restaurant
canopy, does a aerobatic spin and then takes off on foot up the street.
*OPENING CREDITS*
*SCENE CHANGE*
The outdoor cafe, Adrian is doing his Zen Sherlock
Holmes thing once more, sizing up the scene without a word spoken with
solely his hands as officers of the law look on. One in particularly almost
looks like a fan, he stands next to Disher.
OFFICER MYERS: Man, we really lucked out. That's
Adrian Monk.
DISHER: Who?
OFFICER MYERS: He's the best crime scene investigator
in the department. We studied all his cases at the academy.
DISHER: Huh, really? Never heard of him.
OFFICER MYERS: Oh, I can't believe he's here. It's
like meeting Mick Jagger.
We see Adrian go over to whisper something to Sharona
standing close by.
OFFICER MYERS: Oh, that's Sharona, his nurse.
DISHER: He has a nurse?
OFFICER MYERS: When his wife was killed, he didn't
leave the house for, like, 3 1/2 years, until he met her. Now he can't
do anything without her. She's pretty hot, huh?
DISHER: You think so? Hey, maybe they're together.
OFFICER MYERS: No, Monk's not with anyone. He's still
hung up on his late wife. That's the one case he can't solve. Ha ha. Look
at him -- Adrian Monk. Oh, he's the man. Whew.
Adrian speaks to the captain and finally Stottlemeyer
comes up to Officer Myers.
Stottlemeyer: Hey there. What's your name, son?
OFFICER MYERS: Myers.
Stottlemeyer: Officer Myers, I'm going to have to
ask you to leave the area.
OFFICER MYERS: Me? What'd I do?
STOTTLEMEYER: Nothing, but it's your socks. They
don't match.
OFFICER MYERS: My socks?
He lifts up the bottom of his pants, we see his socks
are black and nearly identical.
OFFICER MYERS: What -- I lost one, sir, so I -- they're
pretty close.
STOTTLEMEYER: Look, I couldn't care less about your
socks. It's Monk. You're distracting him. He can't concentrate.
Adrian is rubbing his temple while talking to Sharona
a distance away, he looks distressed.
MONK: What's taking so long?
STOTTLEMEYER: Maybe next time.
Officer Myers looks dejected as he wanders off in
confusion, Disher is just laughing to himself in amusement. Finally Stottlemeyer
joins Adrian and Sharona.
STOTTLEMEYER: Ah. Okey-dokey, bad man all gone. He's
directing traffic on Ridgewood Avenue.
MONK: Did he understand?
STOTTLEMEYER: No, he didn't understand. I've known
you a long time, Adrian, and I don't understand.
SHARONA: Can we just focus on the work now?
MONK: OK.
STOTTLEMEYER: All right, it's 12:30, the place is
packed. Everybody's having a good time.
Stottlemeyer slips into a little performance, reenacting
the crime that took place the night before, with the karate chop kick,
the gunshot and the whole nine yards. His officers as well as Adrian and
Sharona look on in admiration.
STOTTLEMEYER: The perpetrator comes down the fire
escape and leaps down.
MONK: Wait a minute, wait a minute. He leaps down?
STOTTLEMEYER: Yes, leaps down. Now, the maitre d'
is trying to call 911 on the cell phone, comes to confront the perp. The
perp does a spin move, kicks the phone out of the maitre’d's hand.
The captain does his karate spin move. It’s impressive.
MONK: Really?
STOTTLEMEYER: At this point, he pulls a gun, fires
one round right through the guy's heart. A kill shot.
Adrian walks up behind the captain for a better look.
MONK: From here? What is that? 30 feet.
STOTTLEMEYER: 34. I know, that's a hell of a shot.
DISHER: Look at this.
Randy shows Adrian the bullet’s remains in a plastic
baggy.
STOTTLEMEYER: We pulled that slug out of the planter
box.
Adrian looks at the splintered bullet in his hand.
MONK: What did he use, a cannon?
STOTTLEMEYER: It's a .454 from a Ruger Casull.
DISHER: They use it on safaris to stop elephants.
Sharona sounds a little shocked.
SHARONA: Elephants?
Adrian walks closer to the chair where Sergei once
sat, Stottlemeyer follows him. Sharona and Randy walk after them.
MONK: And who was the victim?
DISHER: Uh, his name is Sergei Cluvarias. They're
running it now.
MONK: Table's set for two. Who was his date?
STOTTLEMEYER: Some broad. She ran off. We'll have
a sketch soon.
Adrian bends over the table to inspect it close up.
It’s in disarray.
MONK: Uh-huh..Where is the sugar?
DISHER: Sugar?
We see a close up of the empty sugar bowl, with just
a trace of unrefined sugar lining it.
MONK: The sugar cubes. This bowl's empty. All the
other bowls are full.
We see now that the bowls are brimming with cubes
on the other tables.
STOTTLEMEYER: You're right. What's that mean?
MONK: I don't know. What about the cashier?
STOTTLEMEYER: No, showed zero interest. This wasn't
about money.
DISHER: Or it was, and he got scared away.
Adrian picks up something off another table with
his fingers.
STOTTLEMEYER: What's that?
MONK: Wood shavings.
STOTTLEMEYER: Wood shavings?
MONK: Sawdust?
STOTTLEMEYER: Randy!
Randy comes over with another bag to retrieve the
evidence.
MONK: What happened next?
STOTTLEMEYER: Well, the getaway, which is why you're
here. I thought this might be right up your alley.
DISHER: No pun intended.
Both Stottlemeyer and Adrian shoot Disher a strange
look. They have no idea what he’s talking about.
MONK: What pun is that?
DISHER: Because of the alley.
Stottlemeyer gives him a cross look and Disher clams
up. Randy begins folding up the little plastic baggy in his hands.
STOTTLEMEYER: Shecky, can I continue? All right.
For once, the witnesses are all on the same page. They all saw the perp
jump to this table, and then leaped up to this bar
He comes along showing them as if it was just happening,
and the bar that holds the sign for the restaurant with a twirling motion
with his hands as he brings them out into the street.
STOTTLEMEYER: …and did a somersault, and then over
the valet, runs down the street and makes a left turn down the alley.
Adrian stands speechless as he looks around him,
he is beginning to tie the facts together.
MONK: Is there a circus in town?
DISHER: A circus?
An officer hands something to Randy who is still
up on the sidewalk beside Sharona.
STOTTLEMEYER: Ha ha. Circus. That makes a lot of
sense.
Adrian is smiling to himself, he already knows he’s
on the right track – he doesn’t need validation of it.
Randy comes out with the case file in his hand and
glances over it.
DISHER: Sir?
STOTTLEMEYER: Yeah?
DISHER: We just got a positive on the victim. He's
the master of ceremony at the Dratch & Denby Traveling Circus.
STOTTLEMEYER: Master of ceremonies?
DISHER: Yeah, the ringmaster.
STOTTLEMEYER: At the circus?
DISHER: The circus.
MONK: The circus.
He knew all along he was right!
*SCENE CHANGE*
The circus. It’s an outdoor event with colorful tents,
sword-swallowing acrobats, clowns on stilts, carnival attractions, women
lifting weights and animals galore. As the quartet walk through the front
gates – Disher is enthralled, Stottlemeyer is slightly annoyed, Sharona
is too and Adrian is greatly agitated. Disher is reading off a little pad
and giving narration to Sharona and Adrian behind him.
DISHER: Oh, wow! Dratch & Denby Circus. Founded
in 1947. They do 400 shows a year in 65 different towns. Cool!
A fireblower freaks Adrian who recoils a bit but
then keeps on moving.
DISHER: Ha ha ha. Payroll, 240 people.
STOTTLEMEYER: Yeah, and he's using the term"people"
very loosely.
There’s a bearded lady and the weight-lifting woman
who walk past Stottlemeyer. Just then someone bangs into Sharona.
SHARONA: Ooh! You okay?
MONK: I'm not really in my comfort zone here.
We see behind Adrian a man on stilts and the fire-breathing
performer again, that makes Adrian jump once more.
SHARONA: You have a comfort zone?
MONK: Yes, I have a comfort zone.
A woman snake charmer sticks a python in Adrian’s
face. He jumps.
SHARONA: I've never seen your comfort zone.
MONK: It's not very big. It's, uh...
He tries to size it up with his hands.
MONK: …it's kind of small. I-I don't havea comfort
zone.
A clown with a hula hoop goes past the startled Adrian.
Sharona doesn’t look upset in the least. Another clown with big green hair
blinks at Adrian, they keep moving as Stottlemeyer and Disher guide them.
SHARONA: Where do we start?
STOTTLEMEYER: Well, we follow the gun. There's a
Ruger Casull handgun registered to an employee here.
DISHER: Yeah, his name's Nikolai Petroff. He's, uh,
one of the animal trainers.
Adrian and Sharona stop behind the two cops and they
decide to split up at this point.
MONK: You go on ahead. We're going to poke around
on our own.
STOTTLEMEYER: Alright, meet you back here in a bit,
but stay out of trouble.
Randy gets side-tracked by one of the carnival events
where a kid is ready to shoot for a prize with a toy rifle, he asks to
try it and the captain watches him in disbelief. The captain gets him to
leave it alone.
STOTTLEMEYER: Randy!
*SCENE CHANGE*
Adrian and Sharona are coming around another carnival
event called ‘Shooting Gallery’ when a man in white-faced makeup stops
them, he’s juggling some oranges.
JUGGLER: Excuse me. Uh, can you toss me one of those?
Adrian notices two oranges on a stand to his right,
he picks up one without question. But, he seems very hard-pressed to actually
toss it at him, unable to judge it right. He tries once, twice but still
can’t.
JUGGLER: Go ahead. It's okay! Just throw it.
Adrian still keeps hesitating, pretending to toss
it underhand but can’t do it. The juggler is trying to keep his cool in
front of the audience starting to form. He’s still juggling the ones he
has and waiting for the next one from Adrian.
JUGGLER: Yep. Just go ahead and throw it! I got it.
And throw it.
Adrian crouches down to throw it overhand, and still
can’t bring himself to do it. The performer and Sharona are growing impatient.
JUGGLER: Just -- just throw it.
SHARONA: Throw the ball. He says just to throw it!
JUGGLER: Throw it -- now!
Suddenly Adrian flings it right into the Juggler’s
face and the man grabs his eye in pain. Sharona groans loudly and closes
her eyes in disgust. Adrian makes a bee-line and Sharona apologizes for
him.
SHARONA: Oh![ Groans ] Aah!
MONK: Let's go!
SHARONA: Sorry.
*SCENE CHANGE*
Adrian and Sharona are wandering under some tent
ropes to go to the stables.
SHARONA: So what's the plan?
MONK: We find the stables.
SHARONA: Why the stables?
MONK: Missing sugar cubes.
Sharona smiles at him, instantly getting it.
SHARONA: Very good.
*SCENE CHANGE*
The stables and an open running area for the horses.
As they come up to the pen, Sharona walks right in with a horse being groomed,
Adrian darts around to the outside instead. Sharona begins to admire a
beautiful stallion there. A woman comes up to Adrian from the other side,
it’s Ariana Dakkar from the cafe.
MONK: Hi. Hi, I'm Adrian Monk, and, uh, this is Sharona
Fleming.
Sharona smiles and begins to pet the horse.
SHARONA: That's a beautiful horse.
ARIANA: She's a percheron, one of the strongest horses
in the world.
MONK: What are you doing? What are you -– don't --
don't touch the horse.
SHARONA: Why not?
MONK: People sit on that – sweaty circus people.
Ariana gives him an insulted look.
MONK: No offense. Do you want a wipe?
Sharona stops petting the horse and glares angrily
at Adrian.
SHARONA: Will it make you happy?
MONK: No, but take a wipe.
He actually offers Sharona his little packet of handy
wipes, she takes it from him.
MONK: What is your name?
ARIANA: Ariana Dakkar.
MONK: Miss Dakkar, we're investigating the death
of Sergei Cluvarias.
ARIANA: Why talk to me?
MONK: You were with him last night, weren't you?
At the cafe when he was killed.
ARIANA: Who told you that?
MONK: No one told me. You shouldn't have taken all
the sugar cubes from the table.
ARIANA: I shouldn't have run away, I know, but I
was scared. I was sure she was going to kill me, too.
MONK: "She"? You think the killer was a woman.
Ariana’s demeanour changes, she’s decidedly angry
as she answers Adrian.
ARIANA: I don't think anything. I know exactly who
it was! I know she was crazy, but I never thought she would try something
in public.
SHARONA: Who?
ARIANA: Natasia Lovara. She calls herself The Queen
of The Sky.
MONK: An acrobat.
ARIANA: Sergei's ex-wife. Jealous bitch!
As she continues to talk, she goes off to reach into
her purse for a grooming impliment and Adrian spots something key, but
doesn’t say anything just yet.
ARIANA: She couldn't stand the thought of him having
a life. If she's miserable, everybody else has to be miserable. She tried
to kill him before, six months ago, but there wasn't enough evidence to
indict her.
SHARONA: If you knew who did it, why didn't you go
to the police?
Ariana looks down and doesn’t say anything, so Adrian
does.
MONK: She was afraid. You're not a citizen yet, but
you're about to take your naturalization test. She was afraid to draw attention
to herself.
Ariana looks shocked.
ARIANA: How did you know that?
We see Adrian indicate a pamphlet peeking out of
Ariana’s purse on the ground. Sharona smiles in admiration.
MONK: That pamphlet in your bag -- you're studying
the U.S. Constitution, something no citizen would ever do. Good luck, by
the way.
Ariana is duly amazed.
ARIANA: Thank you – Mr. Monk.
SHARONA: Thank you.
Sharona and Adrian share a knowing smile and then
part company.
SHARONA: We'll be in touch.
Adrian wanders off and Sharona bends under the fence
to follow him, as she does an elephant suddenly appears from nowhere and
trumpets his trunk at her. Sharona screams and drops her notepad. She can’t
move, frozen in place by fear, she brings her hand up to her throat.
*SCENE CHANGE*
Stottlemeyer and Disher are by the wild cats’ cage,
with one of the handlers. They look around for a bit and then walk up to
the handler himself. Disher tries to throw his weight around.
DISHER: Nikolai Petroff?
NIKOLAI: Who's asking?
Randy shows off his badge on his belt under his coat.
Nikolai just laughs at him.
DISHER: This shiny little piece of metal's asking.
Are you Nikolai Petroff?
NIKOLAI: Are you trying to scare me, huh? This pussycat
weighs a couple of hundred pounds. It could rip me apart in a heartbeat.
I ain't scared of her. Ha ha ha. You think I'm scared of you?
The captain now steps up to bat and shows him who’s
really in charge.
STOTTLEMEYER: Excuse me. You may not be scared of
the lieutenant, but you've got plenty of reason to be scared of me, 'cause
I got a little cage like that downtown. It's not much bigger than that,
actually, and it's not a whole lot friendlier. And if you obstruct my investigation,
sir, for one moment further, you're going to spend some time in it. What's
your name?
NIKOLAI: Yeah, okay. I'm Nikolai Petroff. Can we
make this fast? I have a show in 30 minutes.
STOTTLEMEYER: You're not going to cancel the show
after what happened?
NIKOLAI: Most people around here are celebrating.
STOTTLEMEYER: Really? I take it Sergei wasn't very
well-liked?
NIKOLAI: Not by me. Well, it's no secret. You're
going to find out anyway. Until last week, I was with Ariana.
DISHER: The woman he was with last night.
NIKOLAI: To hell with both of them.
STOTTLEMEYER: What is it you do around here?
NIKOLAI: I'm a wrangler. Anton the Great goes into
the cage. I watch his back.
STOTTLEMEYER: You watch his back, so you've got a
gun in case there's a problem.
NIKOLAI: That's right.
STOTTLEMEYER: And that gun's a .454 Ruger Casull?
NIKOLAI: That's right.
STOTTLEMEYER: Can we see it, please?
He says nothing further but leads them into a nearby
tent.
*SCENE CHANGE*
Interior of the tent. A tarp is pulled back and we
see that the lock on Nikolai’s trunk has been smashed.
NIKOLAI: What happened?
STOTTLEMEYER: You don't know?
NIKOLAI: I swear to God I checked it last night.
He goes for the trunk, when Randy steps in and takes
over. He bends down, and with an orchestrated manuever to barely touch
the sides to avoid prints – he opens the top.
DISHER: Sir, sir, just step back, please.
The spot for the gun is empty, there is only an indentation.
NIKOLAI: Where is it?
STOTTLEMEYER: I was hoping you could tell me. Phone
it in, get S.I.D. down here right away. You, sir, are going to have to
find somebody else to feed your kitty cat. You're coming with me.
*SCENE CHANGE*
In another tent, Sharona is sitting alone in the
stands, her head down and quiet. Adrian finds her and comes running in.
He’s gratiful he’s located her.
MONK: There you are. Are you okay?
Sharona doesn’t really acknowledge him, her head
still down.
SHARONA: I'm fine.
MONK: I turned around, and you weren't there. I like
it when I turn around and you're there.
She sounds in tears as she mutters to herself.
SHARONA: I'm -- I'm sorry. It's just -- I don't know.
He claps his hands, he’s ready to go. Adrian is already
starting out the entrance, set in his investigative mode.
MONK: It's okay. Let's go. I think we should talk
to Natasia, the ex-wife. I got a good feeling about her.
He hesitates when he notices she hasn’t joined him.
He turns back to her.
MONK: I can't help but notice you're not moving.
SHARONA: Are you blind? What kind of detective are
you? Can't you see that I'm upset?
He holds out his hands in confusion. He walks over
to her.
MONK: You said you were fine.
She lowers her head again and growls to herself…
SHARONA: Impossible...
Adrian sits down beside her and looks at her.
MONK: What? What's going on?
He looks at her a long time, concern written on his
face as she sniffs a bit and is quiet. Finally she talks.
SHARONA: You promise you won't laugh?
MONK: I never laugh.
SHARONA: I'm scared of elephants.
He looks clearly baffled at her statement.
MONK: Elephants?
SHARONA: When I was 7, I went to the zoo, and I saw
a baby girl fall into the elephant pit.
MONK: And she was hurt?
SHARONA: No, she was fine. They got her out, but
it scared me to death, and now ever since then, whenever I see an elephant,
I-I-I freak out, and I start shaking. I can't help it. I hate 'em.
Adrian begins to laugh.
MONK: Oh, brother!
Sharona is stunned at his reaction.
SHARONA: What's that supposed to mean?
MONK: Well, come on, Sharona. You're not a kid anymore.
You just suck it up! We're on a job here. I need you now.
He stands up, claps once more and is ready to go.
Sharona is appalled and just glares at him. She’s never looked more angry.
SHARONA: What did you just say?
MONK: I said I need you
SHARONA: No, no, no, no, no! Before that! Did you
just tell me to suck it up?!
She points at herself, her face really bitter. Adrian
looks like he’s really put his foot in it, and is dancing nervously in
front of her. She begins waving the kleenex she has been using at him.
MONK: No.
SHARONA: You know, I can't believe you, Adrian! You
have thousands of phobias and quirks that I have to deal with every single
day, and I am always there for you! Aren't I?! Answer the question!! Yes
or no?!
MONK: Yeah.
SHARONA: Right! I am!! And now I just have one tiny
little problem, and you have the nerve to tell me to suck it up?! Don't
you have any compassion?! You're the most selfish, inconsiderate man I
have ever met!
MONK: Great. Now I'm upset.
She gives a wave of her hand in disgust, stands up
and storms out the other way. Adrian fiddles with his hands, nervous that
he’s lost her.
*SCENE CHANGE*
The tent of Natasia Lovara. She’s playing solitaire.
Adrian and Sharona enter. Adrian enters first and then Sharona pushes aside
the tent flaps angrily in her wake.
MONK: Oh! Ms. Lovara?
NATASIA: Come in.
MONK: I'm Adrian Monk. This is my assistant Sharona.
She stands there, like a stone and doesn’t react
or greet Natasia.
MONK: She'll say hello later. I'm – we're –
He glances at Sharona who refuses to look at him
now or assist him in any way.
MONK: …I'm investigating the murder of your ex-husband.
NATASIA: Of course. Whatever I can do.
He shakes Natasia’s hand and then clicks his fingers
for Sharona to hand him a wipe. She just ignores him.
MONK: Wipe!
SHARONA: Suck it up!
Adrian ends up wiping off his hand on the front of
his jacket.
MONK: Okay. Anyway, sorry to hear about Mr. Cluvarius.
NATASIA: If you are sorry, you didn't know him.
MONK: I understand it was not an amicable separation.
Natasia gives him a feline look and settles back
in her chair.
NATASIA: Sergei was a terrible husband and a terrible
ex-husband, but he's an excellent late husband. No, it was not, as you
say, amicable. It'd be foolish of me to pretend otherwise. Everyone here
knows how I felt.
MONK: I should warn you, ma'am, anything you say
can be used as evidence against you. Are you taking notes?
Sharona just glances away in apathy, a tired look
on her face.
SHARONA: No.
Adrian points to a sign near her chair that shows
a trapeze artist that says "Natasia, Queen of the Sky"
MONK: Is this you?
NATASIA: Da.
MONK: And, uh, and you're also a sharpshooter.
We see a picture of her holding a gun on her end
table.
NATASIA: Mm-hmm.
MONK: Where were you last night, Ms. Lovara?
NATASIA: I was here alone. I was reading Tolstoy.
Adrian picks up the book in question and examines
it.
MONK: Uh-huh. This book? The spine hasn't been cracked.
No bookmark, no pages folded over. How do you know where you stopped?
NATASIA: I remember where I stopped.
MONK: Could you excuse us?
He puts his arm around Sharona to her opposite shoulder
to bring her aside, she shoves him off.
SHARONA: Get away from me.
MONK: Come on. Call the captain, tell him to meet
us here. She's the guy --motive, no alibi, and she already tried to kill
him once.
NATASIA: Mr. Monk, if you would like me to come with
you, all you have to do is ask.
MONK: If you wouldn't mind.
NATASIA: Not at all, if you wouldn't mind getting
the door.
Natasia comes around the table and we can now see
her left foot in a cast and she’s in a wheelchair. Adrian looks baffled,
even Sharona shrugs in amazement. Natasia leaves out of the tent.
*SCENE CHANGE*
Interrogation room. Nikolai is sitting waiting for
the police to question him. Adrian, Stottlemeyer, Disher and Sharona stand
on the other side of a one-way mirror watching him as they talk.
MONK: A leopard and panther wrangler.
STOTTLEMEYER: Yep, he works with the leopards and
the panthers, and he's got a .454 Ruger Casull handgun, which he says he
can't find.
DISHER: He had the hots for the horse trainer the
vic was seeing. And get this -- he's a trapeze artist wannabe. He's been
practicing. They say he's pretty good.
Randy takes a sip of his coffee.
STOTTLEMEYER: And that's how we spell primary suspect.
MONK: Hmm. He's left-handed.
We see the captain and Disher look back to see Nikolai
drinking his water with his left hand. Adrian has a bottle of Sierra Springs
himself.
STOTTLEMEYER: Well, yeah, he works in the circus.
MONK: What's that supposed to mean?
STOTTLEMEYER: They're freaks. They're all ambidextrous.
MONK: Says who?
STOTTLEMEYER: Circus people are ambidextrous. I read
that somewhere.
MONK: I like the ex-wife. You should have seen her.
She's cold as ice.
STOTTLEMEYER: Cold as ice with a broken foot.
MONK: She's got a bad temper.
STOTTLEMEYER: A bad temper with a broken foot.
MONK: You keep coming back to the foot.
STOTTLEMEYER: Monk, the killer did a somersault,
and then ran away in front of witnesses.
MONK: That's precisely why I think it's her. Why
else would the killer jump around like that in front of witnesses?
Sharona suddenly grabs his bottle of Sierra Springs.
MONK: There's only one reason -- to prove...
Suddenly, Adrian looks stunned as Sharona takes a
big swig from his bottle.
MONK: …prove that she could.
She places it firmly back in his hand with a loud
sigh of satisfaction, then wipes her mouth with the back of her hand. She
glares at him.
SHARONA: Suck it up!
Stottlemeyer and Disher look shocked at the display.
They have no idea what’s going on.
STOTTLEMEYER: Are you guys all right?
MONK: Yeah, we're fine.
SHARONA: Fine.
STOTTLEMEYER: Okay, as I was saying, she has a broken
foot.
MONK: It's in a cast. We don't know if it's really
broken.
STOTTLEMEYER: We haven't exactly been sleeping here,
Monk. Lieutenant?
Randy reads from the case file.
DISHER: Her story checks out. She broke her left
foot two weeks ago in Kansas City.
We see the black and white flashback of Randy’s narrative.
DISHER: She always ended the show with something
she called the triple tailspin. You know, it's her specialty move. Anyway,
she, uh, missed the bar or something and fell 25 feet in front of 750 pretty
freaked out people.
Sharona coughs in Adrian’s general direction, Adrian
winches in pain and coughs himself. His voice sounds strained.
MONK: Ahem. She missed the net?
DISHER: She never used a net.
MONK: She go to the hospital?
DISHER: No, she's a Romani gypsy. They don't believe
in doctors. She set the bone herself.
MONK: So she never saw a doctor, which means a doctor
never saw her. Captain.
STOTTLEMEYER: All right, Monk. Lieutenant, see if
our Queen of The Sky will consent to an x-ray.
Stottlemeyer rolls his eyes.
DISHER: Fine.
Randy leaves the room. Now he’s mad at Adrian too.
It’s a rather tense room.
MONK: Thank you.
STOTTLEMEYER: You're welcome.
Adrian tries handing the Sierra Springs bottle to
the very pissed off Sharona. She just glares at him.
MONK: You want to finish it?
Stottlemeyer walks up to the pair and tries to give
them some advice. He takes the offered bottle Adrian is still holding out
with a sarcastic face to Sharona. Adrian listens to the captain but rolls
his eyes, and keeps his tongue.
STOTTLEMEYER: You know, when Karen and I were having
trouble last year, we went to a marriage counselor, a guy named Mosely.
Decent guy. He didn't help us much, but I'm sure Karen has the number if
you'd like it.
SHARONA: We're not married, and if we ever get married,
shoot me!
MONK: You know who you should never marry? The Elephant
Man!
Adrian goes for the door but gives Sharona a bitter
look before he leaves, closing the door behind him.
SHARONA: I'd marry the Elephant Man before I married
you!
Both of them depart, leaving a very shocked and confused
Captain Stottlemeyer in their wake.
*SCENE CHANGE*
The waiting room to the x-ray office. Adrian starts
straightening the magazines on a table nearby, Sharona just deliberately
puts her sneakered foot up to knock them off. She gives him a dour look.
SHARONA: S.I.U. You know what that means?
MONK: Yes, I know what it means.
The female doctor comes out with the results. Adrian
walks over to Stottlemeyer to examine them closer.
DOCTOR: Here it is.
MONK: So, is it really broken?
DOCTOR: No, it's not broken.
MONK: Ha.
DOCTOR: It's shattered. Completely. The radiograph
indicates multiple fractures of the tarsal and metatarsal bones consistent
with a crush-type injury.
Stottlemeyer smiles at him, he knew he was right
– is relishing the moment of rubbing it in. Adrian rubs his temple in frustration.
STOTTLEMEYER: Ooh!
Sharona is examining them too from her chair, but
she doesn’t say anything.
DOCTOR: There are also fractures along the tibia
and fibula at the medial and lateral malleoli.
STOTTLEMEYER: Ow!
DOCTOR: What happened to her?
STOTTLEMEYER: She fell 25 feet from a trapeze.
Adrian goes over to the door, looking pensive, he
brings his joined hands up to his lips. He has to now rethink his entire
investigation.
DOCTOR: That would do it.
STOTTLEMEYER: Doctor, let me ask you something --
somebody with an injury like this, could they do a somersault and then
run away?
DOCTOR: That's impossible. The pain would kill her.
She couldn't even hobble away.
Adrian walks back up to them with another thought.
MONK: What if she took pills – painkillers?
DOCTOR: We took a blood test before the x-ray. Came
up negative. No drugs, no painkillers. She's clean.
STOTTLEMEYER: Thank you.
Sharona silently thinks to herself. Adrian just shakes
his head.
*SCENE CHANGE*
Outside the x-ray room. Adrian, Sharona and Stottlemeyer
walk out of the hospital. Sharona trots up to Adrian and blows a puff of
smoke from a cigarette in his face.
MONK: What are you doing? You don't smoke.
SHARONA: I do now.
MONK: This is a hospital, for God's sake! You can't
smoke in here!
They wait by the automatic doors and continue to
argue, Stottlemeyer looks at them in frustration.
SHARONA: So? Suck it up.
MONK: Okay, I'll suck it up!
STOTTLEMEYER: You two stay here. I'll bring the car
around.
He leaves but Sharona follows him.
SHARONA: No, I'm going with you.
Suddenly, Natasia wheels her chair up to Adrian as
he’s about to leave. She smiles brightly at him.
NATASIA: Mr. Monk. Would you mind? I can't open it
myself.
MONK: Can't you?
NATASIA: You saw the x-rays. Do you have any other
questions?
MONK: Just one. How did you do it?
Her smile broadens as she looks up at him.
NATASIA: I like you, Mr. Monk. You appear to be a
careful and cautious man, but inside, in your mind, you are like me. You
are up there working without a net, risking everything. It is the only
way to live. Am I right?
Adrian doesn’t answer her, but twitches. She smiles
as she knows she has him.
*SCENE CHANGE*
Outdoor pen for the elephant, Dede. Heinz, her trainer
is trying to show her a move when Natasia wheels up to him in her chair.
HEINZ with DEDE: [ Grunts ] All right.
HEINZ: Natasia. Over here!
NATASIA: Heinz.
HEINZ: Uh, thank you. Thank you for coming.
NATASIA: What did you want to see me about? Did your
girlfriend forget her routine?
HEINZ: Ha ha. No. I just wanted you to know I got
your back. Don't worry, I would never tell anyone.
NATASIA: Tell them about what, Heinz?
HEINZ: You know – about how you did it.
NATASIA: How I did what?
HEINZ: You know, um, my trailer is over there. A
couple of nights ago, I couldn't sleep. I looked out of the window, and,
uh, I saw you. Come on, don't make me say it. I always thought you were
a smart woman, Natasia. Very smart. Very pretty.
NATASIA: What do you want – money?
HEINZ: Money? What would I do with money?
He gets down on one knee in front of her and looks
her in the face.
HEINZ: I -- I just want to spend time with you. I
– I like you.
Natasia leans in close to him and pours on the charm.
NATASIA: Heinz... but I like you, too.
HEINZ: Oh, I think we've got a lot to talk about.
Maybe I can buy you a drink?
NATASIA: I would like that...tomorrow, after the
matinee.
HEINZ: I'll come to your tent.
NATASIA: No, no, no. Better I meet you here. There's
something I want to show you.
HEINZ: Good. Good.
*SCENE CHANGE*
Sharona’s apartment, she’s bending over several red
tulips that she has just gotten to smell them, when the phone rings.
SHARONA: Hello?
We cut away to see Adrian on the payphones at the
circus.
MONK: It's me -- Adrian. Adrian Monk – your boss.
SHARONA: I know. What do you want?
MONK: I'm at the circus. I thought you were going
to meet me here?
SHARONA: I told you I was taking the day off.
As he’s talking, a brightly-dressed clown named Floppy
walks up behind him and pretends to be using the phone. We notice Adrian’s
phone hand is in a plastic glove and he’s looking at an instant camera
he’s holding in his other hand. Floppy waves.
MONK: Are you allowed to do that?
SHARONA: No, so fire me. Please -- it'll be my birthday
present. Got your flowers.
MONK: Oh, good, good.
SHARONA: The card was blank.
MONK: I know, I-I --I didn't know what to say, so
I just --I just left it blank.
Floppy is at Adrian’s shoulder, he points at something
off in the distance and Adrian looks.
MONK: How did you know they were from me?
Floppy gives a shocked look. The clown keeps acting
up throughout the call, Adrian keeps looking back at him but he tries to
act blissfully unaware.
SHARONA: They're all the same height, and all the
flowers have the exact same number of petals on them.
MONK: Yeah, look, uh... Sharona, I-I just wanted
to say I'm -- I'm sorry. I'm very sorry.
Floppy begins to cry dramatically.
SHARONA: That's not good enough.
MONK: I'm very, very, very, very sorry.
SHARONA: You just don't get it!
Adrian turns to Floppy who is mimicking him and the
clown pretends to clean the receiver with his glove.
MONK: Yes, I do. No, I-I don't.
SHARONA: It's not that easy. You can't just apologize.
You have to really think about how you treat me, Adrian! You really hurt
me, and you have to try to understand!
Suddenly, Adrian sees Natasia making her way across
the fairgrounds and he runs off.
MONK: -- Wait, there she is! I got to go!
Sharona is left holding her phone and a dial tone
on the other end.
SHARONA: Be careful…
Adrian removes his plastic glove and hangs up the
phone. As he turns, Floppy pretends to be sprinting and finally Adrian
has had enough. Floppy feels dejected and wanders off.
MONK: Please don't – don't do that.
Adrian tries to run up behind Natasia, readying his
camera. As he does, Natasia turns and her foot sticks right out in the
way. A group of balancing strong men nearby doing their acrobatic routine
suddenly encounter Adrian falling into them and tumble to the ground as
he tries to stand.
MONK: Sorry. I'm sorry. I'm sorry.
NATASIA: Don't worry about them. They know how to
fall. It's the first thing we learn. You brought your camera, Mr. Monk.
Adrian regains his composure and comes to stand in
front of Natasia.
MONK: Oh, sure. I love it here. It's so upbeat.
NATASIA: You hate it here. You think I can walk.
You're trying to catch me.
MONK: You're right. I was.
NATASIA: You saw the x-rays, Mr. Monk. How can I
walk on this? I'm curious. What is your theory?
MONK: Some people have a very high threshold for
pain. They can take it.
NATASIA: Mm, nice try, but any doctor will tell you
it's impossible. Besides, I was married to Sergei for 15 years. That's
enough pain for a lifetime.
MONK: You fell two weeks ago. Is that right?
NATASIA: Your point?
MONK: Your cast looks – looks like new. No scuff
marks. It's not even discolored.
NATASIA: Again, nice try. My old one was itching.
MONK: Ah.
NATASIA: So I put a new one on four days ago.
[ Organ playing fanfare ]
NATASIA: The show is about to begin. You are missing
it.
Adrian just grins at her, they are actually smiling
rather smugly at one another.
MONK: You're wrong, Natasia. I'm not missing a thing.
MAN: The lights are coming on in the big top. Hurry
up, folks, get your seats.
*SCENE CHANGE*
The interior to Dr. Kroger’s office. Adrian and the
doctor are in their usual seats. Adrian looks visibly upset and the doctor
picks up on it immediately.
KROGER: So, how's the case coming?
MONK: Good…not good. Bad. I have a suspect. She doesn't
even deny she did it, but I can't prove a thing.
KROGER: Hmm. Well, how – how's that make you feel?
MONK: Angry.
KROGER: Okay, so what do you do when you feel angry?
MONK: I get mad.
KROGER: Adrian, you've had tough cases before. You
usually don't get this rattled. What's going on with you and Sharona?
MONK: She's still not talking to me. She says I don't
get it.
KROGER: Well, I-I think maybe she's right.
MONK: What don't I get? I don't understand.
KROGER: I can't tell you that.
MONK: You mean... you know, but you won't tell me?
KROGER: Adrian, you're going to have to figure this
one out for yourself.
MONK: I'm sorry. I'm -- I want to make sure I understand
this. I have a problem. You know the answer.
KROGER: That's right!
MONK: I'm paying you.
KROGER: That's right!
MONK: But you won't tell me.
KROGER: That's right! Adrian... the answer is inside
you.
MONK: No, doctor, the answer is inside you. If you
told me, I would hear it, and then the answer would be inside me.
*SCENE CHANGE*
Inside one of the circus tents, several members are
waiting while Stottlemeyer and Disher examine the area for evidence. Disher
has his head stuck in a large, colorful cannon.
STOTTLEMEYER: What do you got?
DISHER: Bingo!
STOTTLEMEYER: What exactly does "bingo" mean, Randy?
DISHER: We got the murder weapon. .454 Ruger Casull.
Stottlemeyer opens the side cabinet to the cannon,
we see a bewildered Randy look up at him with his flashlight, in embarrassment
he turns it off. The captain reaches in with a handkerchief and brings
out the gun by the trigger and smells it.
STOTTLEMEYER: Now, that's been fired recently.
DISHER: Any prints?
STOTTLEMEYER: Nope, it's been oiled down. How'd it
get in there?
DISHER: It's the backup cannon. The cannonball guy
says anybody could have dropped it in. They haven't used it in a week.
The cannonball man is giving Randy an aggrivated
look. They are all waiting to practice their performance.
STOTTLEMEYER: Backup cannon? Good Lord! Get that
down to ballistics. Put it on the fast track.
He gives the gun to a plain-clothed officer behind
him and closes the cannon cover.
CANNONBALL GUY: Excuse me. Are you guys about done?
DISHER: Sir, could you step back? This is official
police business!
CANNONBALL GUY: Maybe I should come to your office
and root through your stuff. How'd you like that, huh?
Randy just glares angrily off into space as Stottlemeyer
walks over to where he stands on the hay bails.
DISHER: I hate that cannonball!!
*SCENE CHANGE*
Sharona’s apartment. You can hear her outside as
she struggles with some grocery bags, she’s calling out to Benjy from inside
the apartment.
SHARONA: Benjy, bring your bike around back! How
many times do I have to tell you? God!
As she opens the door, she sees Adrian in the kitchen
with Benjy waiting for her.
SHARONA: Adrian.
MONK: Hello. It's me -- Adrian!
SHARONA: I know. I'm looking right at you.
MONK: Listen, Sharona...uh, I've been thinking about
it, you know, it, and, uh, I just want to say...
He pulls out some index cards and reads from them,
Benjy just watches him quietly.
MONK: "About your fear of elephants, I was way out
of line. I shouldn't have belittled you just because you were being...
irrational."
Sharona stops putting away her groceries and glares
at Adrian. The once smiling Adrian now looks nervous, not realizing what
he’s done – Sharona looks appalled as Benjy groans knowing he’s put his
foot in it.
SHARONA: Is that it?
BENJY: Uh-oh.
SHARONA: My fear is irrational? As opposed to – to
what, your fears?
MONK: Well, the stuff I'm afraid of is, you know,
based on fact.
SHARONA: It is?
MONK: Like germs.
SHARONA: Like, um, crooked paintings and -- and –
and sidewalk cracks and – and food touching and the wind?
Adrian looks to Benjy for validation.
MONK: Hey, the wind can kill. Hurricane Edna?
SHARONA: Milk?
MONK: At least they're things people actually encounter.
You have to make an appointment to see an elephant. You have to sign up
for a safari or something.
SHARONA: You don't get it. You never will.
Benjy decides to leave while the getting is good,
but Adrian stops him.
BENJY: I'm going to go play some video games.
MONK: Hey, hey, hey, hey, don't forget about your
bike! If you don't do it, your mom's going to have to do it. Let's give
her a break.
BENJY: Oh – Okay.
SHARONA: What did you say?
Adrian stands up from putting something in a cupboard
and looks nervous like he’s done something wrong again.
MONK: N-nothing.
She walks up to him and corners him near the counter,
she stands close to him.
SHARONA: No. No, no, no. Don't be scared. It was
good. You said "let's give her a break." That was empathy. That means you're
thinking about how I felt. I think you're getting it now.
Adrian smiles and reaches out to touch her arm, but
she softly bats his hand away.
MONK: I am. So we're back to where we were?
SHARONA: No. But it's a start.
*SCENE CHANGE*
Back at the circus and the open pen of Dede and her
trainer, Heinz. They are practicing crushing a watermelon under her foot
atop a upside-down barrel. From off in the sidelines, Natasia watches them
with some opera glasses, she gets an idea.
HEINZ: Burundi! Good. Steady, steady, no, no! No,
no! Ungowa! Ungowa!
We see the tabletop in Natasia’s room, she has a
set of batteries from her purse and a couple of walkie-talkies, obviously
just bought and two rolls of duct tape. She puts the batteries in the walkie-talkies.
And, wipes clean the set with her scarf.
Next Natasia goes up to Dede under one of the tents
and asks her through gentle commands to bend down for her so she can place
one of the walkie-talkies behind the elephant’s ear and tape it in place.
NATASIA: Dede, bend down! That's it. Good girl.
*SCENE CHANGE*
Outside Dede’s pen again. Adrian is walking along,
leading Sharona by the arm to where Dede and Heinz await them. Sharona
has no idea what’s going on.
SHARONA: Why are you dragging me back here?
MONK: Well, you'll see. Have a little faith, okay?
She sees the elephant and draws back suddenly in
fear. When she does, Adrian grabs a hold of her arm and has to do everything
in his power to keep her from running off the other way. She’s terrified.
SHARONA: [ Gasps ] No, no, Adrian, are you crazy?!
What are you doing?!
Adrian tries to calm her by putting out his hand
and begging her to stop.
MONK: Look, I-I spoke to the trainer earlier. I told
him about your problem, and we just thought that if you met the elephant,
if you got to know her, maybe you could get over your...fear.
SHARONA: Thank you, but I can't! I can't, and I won't!
I'm not doing this!
Heinz walks up to them. Eventually, Adrian lets her
go and Heinz offers the weary Sharona his hand in greeting. She shakes
it.
HEINZ: Mr. Monk, ah. Is this your friend?
MONK: Yes, this is Sharona Fleming. This is Edgar
Heinz. This is –
Adrian then holds his hand out in pride to introduce
her to the elephant standing behind them.
MONK: Right, and this is Dede.
HEINZ: There's nothing to be afraid of, Miss Fleming.
Nothing.
Adrian appears to be petting her – at least from
Sharona’s vantage point. But as we get closer to the otherside of the elephant
– we see Adrian is simply stroking the ‘air’ near Dede.
MONK: Look, see? I'm petting her. Me. I'm petting
her.
HEINZ: Elephants are very passive. They're like children.
Dede wouldn't hurt a fly.
MONK: Really. Now you pet her.
Adrian tries to take her arm again and gently pull
her along. She is still resisting him somewhat.
SHARONA: I can't believe you did this. I can't believe
it.
MONK: Come on, you don't -- you don't want to end
up like me.
He mimicks a twitch and finally convinces her to
move.
MONK: If -- if I can do it, anybody can do it. Come
on. Here you go. Just -- just like I did. Go ahead. G-go ahead. Come on.
Slowly, Sharona touches the elephants trunk and then
takes her hand away.
HEINZ: Oh, she likes you. She likes you. Um, we were
just about to rehearse a couple of tricks. Would you like to watch?
MONK: Sure. Sure.
Sharona really looks unsure.
SHARONA: I really don't want to do this.
Sharona and Adrian walk over to the right of the
elephant out of the way of the act.
HEINZ: Yeah. Good, good. Dede... back. Back. Ungowa.
Sharona is still muttering a bit angrily to Adrian.
SHARONA: I don't want to do this.
HEINZ: Burundi. Ungowa.
Dede crushes another watermelon under her big foot
on the barrel, from off in the distance we spy Natasia with her walkie-talkie.
She puts up the antenna and waits her turn.
HEINZ: And now for the grand finale.
Heinz wipes the barrel clean with his baton and lays
his head down where the watermelon once was. Sharona freaks. Adrian tries
to be comforting.
SHARONA: Oh, God!
MONK: Come on now. Don't worry. He knows what he's
doing.
NATASIA: [ Whispers ] Dede...
HEINZ: Burundi!
Elephant trumpets.
NATASIA: Ungowa!
Inside Dede’s ear we hear –
NATASIA: [ Whispers ] Dede... ungowa!
Suddenly, we hear the sounds clearly of Heinz’s head
being crushed. Sharona screams and buries her head in Adrian’s chest, she
begins to cry. Adrian just looks on in shock.
SHARONA: Oh, my God!
*SCENE CHANGE*
Sharona’s apartment, Adrian is attending to her as
she is sitting in a chair near the kitchen door to her living room. Adrian
puts a nearby blanket over her in comfort.
MONK: Here you go. You want to sleep?
SHARONA: I can't. Every time I close my eyes, I see
it again. Oh, it was so horrible.
MONK: It's okay. I'm right here. I'll take care of
you.
Her kettle in the kitchen starts whistling, Adrian
goes over to get it.
MONK: Ah – one hot cocoa coming up! Here, I'm going
to put on some music for you.
He turns on a little radio against the wall. It plays
elevator music.
SHARONA: Thank you, Adrian.
Adrian is in the kitchen as he keeps talking. He
puts the hot water into a cup, reads some instructions for it.
MONK: Oh, are you kidding? It's the least I could
do. You've been there for me every day. And I spoke to that woman from
animal control. She said it was just a freak accident. The odds against
it were... 1,000 to 1.
Adrian then sprays some whip cream on to a spoon.
SHARONA: I really don't want to talk about it.
Adrian comes back into the living room with the spoon
and the instructions, he holds out the spoon for Sharona’s inspection.
MONK: Good idea. Sorry. Is, uh, is this a dollop?
SHARONA: What?!
MONK: A dollop. It says, "add one dollop to the whipped
cream."
Sharona is holding her head in her hand, she looks
like she has a raging headache only growing worse.
SHARONA: I don't know. I think a dollop's like a
teaspoon.
MONK: It doesn't say teaspoon. It says dollop.
SHARONA: It doesn't matter. It doesn't have to be
exact. It's like a pinch.
MONK: How many pinches to a dollop?
SHARONA: I don't know.
MONK: Maybe it's more like a schmear. I think it's
three pinches to a schmear. Or... ah. Forget it. Forget it! I'll just make
something else.
He goes over and chucks the whip cream with the instructions
into the trash and then buries his face in the wall, kicking it in frustration.
SHARONA: What, you're throwing it out?
MONK: Nobody can make this cocoa. The recipe's impossible.
Sharona growls, throws off her blanket and goes into
the kitchen herself, taking his spoon from him.
SHARONA: Fine! I'll do it!
MONK: Yeah, maybe you should do it. Do you mind if
I sit down?
He proceeds to grab her blanket nearby and covers
himself with it as he sits down in her spot.
SHARONA: What do you want in your cocoa?
MONK: Do you have any of those little marshmallows?
SHARONA: How many? 10?
MONK: Eight. I'll have eight. Eight's good. Make
it eight.
Sharona comes back into the room with his cocoa and
gives it to him.
SHARONA: Here!
He begins to count the floating marshmallows.
MONK: 1...
SHARONA: There's eight. You don't have to count.
MONK: 4...5...
Suddenly he stops and seems lost in thought.
SHARONA: What?
MONK: 1,000 to 1.
SHARONA: What's 1,000 to 1?
MONK: The odds of an elephant doing that.
SHARONA: What?
Adrian stares up at her, he’s got it.
MONK: It wasn't an accident.
*SCENE CHANGE*
Inside the tent at the circus with the acrobats.
Natasia is coaching the trapeze artists high above her as in the distance
we see a yellow jeep pull up. Behind it in walks Stottlemeyer, Adrian,
and Sharona.
NATASIA: Energy! Phillipe, you're dragging your feet!
Point your toes! Let's do it again!
STOTTLEMEYER: Excuse me. Natasia Lovara?
NATASIA: Da.
STOTTLEMEYER: I need to ask you one or two questions.
NATASIA: If this is about my ex-husband, you're wasting
your time.
STOTTLEMEYER: This isn't only about Sergei, ma'am.
You're also a suspect in the murder of Edgar Heinz, the elephant trainer.
NATASIA: Don't be ridiculous. That was an accident.
Tragic.
MONK: No, it was homicide – premeditated. And we
have the murder weapon right here. Lieutenant!
Adrian holds out his hand and Disher guides with
some trainers Dede into the tent. Sharona freaks and runs over to Stottlemeyer’s
side for protection. Stottlemeyer asks ‘What?’ And looks down at her.
MONK: You waited for Mr. Heinz to put his head under
Dede's foot. And then you gave the command for the elephant to stomp. She
is well-trained, weighs over 4 tons. A perfect killing machine.
Sharona begs to leave, Adrian waves her off and she
runs out of the tent in fear.
SHARONA: Adrian, Adrian, I gotta go! Just tell me
what happened. Tell me what happened.
NATASIA: But I was nowhere the pen when it happened.
MONK: That's true. You weren't there. You gave the
command from across the midway over a walkie-talkie. Oh. Lieutenant, could
you check behind the elephant's ear?
Disher flips back the ear and retrieves the walkie-talkie
taped there.
DISHER: Got it!
STOTTLEMEYER: Careful with that, Randy! We need the
prints.
MONK: Why kill Edgar Heinz?
Floppy the Clown comes back to torment Adrian, he
begin mimicking him again behind his back.
MONK: Well, you had no choice. He knew that you had
murdered your ex-husband that Monday night.
NATASIA: Mr. Monk, you are demented.
MONK: Nevertheless, you did it.
Adrian turns and confronts Floppy again in anger.
MONK: Excuse me, I'm – I'm summing up the case here.
Floppy moves away in frustration but never too far
away.
NATASIA: The killer ran away. My foot is broken.
You saw the x-ray.
We go into the black and white flashbacks of how
Natasia committed the crime.
MONK: All week, I've been asking the wrong question.
I've been asking if your foot was broken. I should've been asking when
your foot was broken. It's true. You fell during a show two weeks ago,
but it wasn't an accident. You said it yourself. The first thing you learn
is how to fall. I'm guessing it was one of the best performances of your
life, Natasia. And your fear of hospitals came in quite handy. There was
no x-ray. Everyone just accepted the fact that your foot was broken.
Suddenly, Floppy sticks up his oversized show and
flips it back, pretending to be in pain.
MONK: What is your problem?!
STOTTLEMEYER: Hey, clown, take a walk.
Floppy stomps off angrily, but now moves behind the
captain.
MONK: The night of the murder, you slipped out of
your cast and followed your ex-husband and his girlfriend. You waited until
they were in a crowded restaurant. You needed witnesses to see you running.
That was the key to your plan. I wasn't there, but I heard you were dazzling.
You really are The Queen of The Sky.
NATASIA: An interesting theory, Mr. Monk. Perhaps
you'd like to x-ray my foot again.
MONK: No need for that. I'm quite sure it really
is broken.
NATASIA: Good.
STOTTLEMEYER: Now, you knew you'd be a suspect, and
you knew that we'd want an x-ray.
Floppy walks up behind the captain and starts mimicking
him instead, his hands in authority on his hips.
MONK: It's not an easy thing to do... breaking your
own foot. After the murder, you came back here. It was late. Everyone was
sleeping...
The flashback shows Dede stomping down by command
onto Natasia’s foot and Heinz witnessing it from his trailer.
MONK: …Everyone except Dede's trainer. His trailer
was right there. He probably woke up and looked outside.
Floppy hikes up his pants comically in relation to
the captain. Adrian sees him and can’t concentrate.
MONK: Can't somebody do something about this clown?!
The captain turns to Floppy and gives him a piece
of his mind.
STOTTLEMEYER: Look, I'm a police officer! Knock it
off! Go ahead.
NATASIA: Like Tolstoy, you know how to tell a clever
story, but you need proof. The elephant isn't talking. Anyone could've
put that radio thing in her ear.
STOTTLEMEYER: Randy, take that down to the laboratory
straightaway.
Floppy gives a wave of his hand with Stottlemeyer’s
command towards Randy, still posturing.
MONK: I don't think they'll find any prints. She's
too smart. I'm sure she wiped it down. Then again,that walkie looks brand-new...which
means she had to put batteries in it. You did remember to wipe your prints
off the batteries, didn't you, Natasia?
Natasia looks panicked, she hadn’t thought of that.
Adrian has her. Just at that moment, Floppy pretends to draw a gun and
distracts everyone again.
FLOPPY: Wocka-wocka!
Stottlemeyer grabs a hold of him and forces his hands
behind his back.
STOTTLEMEYER: All right, that's it, freak! You're
under arrest!
FLOPPY: For what?!
STOTTLEMEYER: For impersonating an officer!
Natasia sees her opening, kicking Adrian in the shins
so he doubles over, she swings into the nearby jeep and tries to make a
getaway. There’s mass confusion as the cops try to stop her.
STOTTLEMEYER: Hey! Hey! Hey, hey, get her! Get her!
As she drives like mad out of the tent, she heads
straight into the path that Sharona is walking across. She looks up and
is horrified to see the jeep is barring down on her. Just then, Dede steps
in the way, saving Sharona.
SHARONA: Aah! Oh, my God! Oh, my God!
Randy draws his gun on Natasia and commands the other
officers to do their thing in arresting her with a set of cuffs. Stottlemeyer
looks on in amusement as Natasia is frustrated.
DISHER: Don't move! Go, go!
NATASIA: [ Muttering in Russian ] …Batteries!!
Adrian runs to Sharona’s side immediately, she’s
crying and shaking.
MONK: Are you all right? You must've been so frightened.
See, I'm empathizing with you. I'm putting myself in your shoes.
She glares angrily up at him.
SHARONA: Will you shut up?!
MONK: Okay, that's you getting annoyed at me because
I won't shut up. So, um, that's me being compassionate and sensitive. I
feel your pain.
SHARONA: Oh God!
MONK: I'm feeling your pain.
Sharona walks off in frustration. Adrian just keeps
talking.
SHARONA: I've created a monster.
MONK: I hear that. I'm hearing what you're saying.
*SCENE CHANGE*
Outside Dede’s pen, Sharona is petting Dede softly
as they feed her some food. Benjy is standing with them.
BENJY: See mom, I told you she was friendly!
MONK: How do you feel?
SHARONA: Good. I think I'm over it. Maybe there's
hope for you.
Suddenly, Adrian lifts his shoe in disgust.
MONK: Ugh!
SHARONA: What's wrong?
MONK: I think I stepped in something.
SHARONA: Where?
MONK: It's right here.
SHARONA: I don't see anything.
MONK: I definitely stepped in something. I have to
go home.
He starts wandering off as Sharona and Benjy have
no choice but to follow.
SHARONA: We just got here!
MONK: I want to go home!
SHARONA: Oh, just suck it up!
MONK: I don't think it's my turn to suck it up. I
think it's your turn to suck it up.
BENJY: Hey, why don't you both suck it up?
Sharona stops and looks at him.
SHARONA: Excuse me, do you kiss your mom with that
mouth? You should. Come here.
She kisses him as her voice turns tender.
BENJY: I love you, mom.
SHARONA: I love you, too.