M I L L E N N I U M

"BROKEN WORLD"

Ep. # 1.20  [MLM-119  (4C19)]

[ First Season ]  (Complete Transcript)

U.S. Air Date: May 02, 1997

=====================================================================
Disclaimer: This transcript was made from a personal video copy
and is presented for Fair Use only to Millennium fans. All of the
characters and scripts are the properties of Chris Carter, 1013
Productions, Fox Broadcasting Company and their respective authors.
No copyright infringement is intended nor implied by the distribution
of this document. It is solely meant for entertainment purposes only.

-- Maria Vitale 
=====================================================================


LITTLE HOLLOW FARMS
WILLISTON, NORTH DAKOTA


[OPENING SCENE: A golden sunset, as a woman, Sally Dumont, on horseback
rides across an open field, headed towards the stables.]

[It is nightfall when she finally arrives. She rides up to the barn passing
two other horses in a fenced area. She dismounts from the white horse and
tries to lead it into the stable but the mare snorts and pulls back on the
reins. She seems nervous as though she senses something's wrong.]

  Sally: "Good girl. Shh, shh, shh! Come on, girl!
  Jumping at your own shadow."

[She calms her horse down and leads her into the stables past other horses
already in their stalls.]

[She opens the door to one of the stalls, leads the horse inside.]

  Sally: "Okay, girl. Good girl."

[She then undoes the leather strap and removes the saddle, placing it on
the stall door.]

[When the woman returns to pat the horse's neck, she's again edgy.]

  Sally: "Hey. Shh, shh! Shh."

[She hears a sound behind her.]

  Sally: "Peter?"

[She continues to try to calm the horse... ]

  Sally: "It's okay. It's okay."

[ ...as she removes the bridle... ]

  Sally: "Honey?"

[ ...and closes the stall door, hanging the bridle on a hook outside
the stall.]

[She can hear another horse grunting and neighing. She walks over to
check it out.]

[She opens the door to another stall and finds the horse lying on the
ground, grunting and panting heavily. There is a great deal of blood on
the hay by the horse's side near her neck.]

[The woman enters the stall and kneels by the horse.]

  Sally: "Queenie... Oh, my God! What happened?"

[She turns and sees a pair of boots in the next stall. She knows that
someone is there.]

[Quietly, she rises to her feet, backs up to the stall door. Nervous but
in control, she walks over to the end of the barn where there is a phone.
She picks it up and dials an extension: 7-5-2.]

[Meanwhile, the man's boots can again be seen as he begins to move.]

[POV shifts to the man. We see what he sees. He walks out of the stable,
walks across and over to where the woman had hung her horse's bridle. The
man looks at it and has a vision.]

[The images flash in quick succession, most are quite blurred: a bright
white light; alternating images of a horse and a woman. These are his
fantasies about horses and women. He hears a mixture of horse screeches
and human screams throughout. End of vision.]

[Meanwhile, the woman waits nervously as the phone continues to ring.]

[Man's POV. He walks slowly toward the woman. She cannot see him because
her back is to him. We can see him coming up behind her as a man finally
picks up the phone and says hello... ]

  Sally: "Peter... ]

[ ...she turns, sees the man, and is knocked out cold by a stun gun. He
then takes out a small knife and stands over her.]


[FADE to black... Logo fade in... Music and main titles roll]


M I L L E N N I U M


wait


worry


starring

Lance Henriksen (Frank Black)
Megan Gallagher (Catherine Black)


created by Chris Carter


who cares?


--------- commercial segment ---------


[Trademark music cue... ]


[Episode quote]


"Man is the cruelest animal."

Nietzsche


[Trademark music cue as the scene fades in from white... ]


[Episode credits roll during the next scene]


Terry O'Quinn (Peter Watts)

Guest Starring

Jo Anderson (Claudia Vaughn)
Van Quattro (Killer Willi)
John Dennis Johnston (Sheriff Falkner)
Donnelly Rhodes (Peter Dumont)

Music by Mark Snow
Editor: Stephen Mark
Production Designer: Mark Freeborn
Director of Photography: Robert McLachlan
Associate Producer: Jon-Michael Preece
Creative Consultant: Walon Green
Consulting Producer: Ted Mann
Co-Producer: Ken Dennis
Co-Producer: Robert Moresco
Producer: Chip Johannessen
Co-Executive Producer: Frank Spotnitz
Co-Executive Producer: Ken Horton
Co-Executive Producer: John Peter Kousakis
Written by Robert Moresco & Patrick Harbinson
Directed by Winrich Kolbe


[Day, rain. A long stretch of road. Frank driving in a rented car, is
flagged over to the side of the road by a sheriff, with siren squealing
and lights flashing. Frank pulls over and meets Sheriff Falkner of
Williston, ND.]

[Both the sheriff and Frank get out of their cars in order to talk.]

  Falkner: "Mr. Black? I'm Sheriff Falkner."

  Frank: "Oh, it's good to finally meet you."

[They shake hands.]

  Falkner: "Sorry to flag you down on the road like
  this. Must have just missed you at your motel. And
  you caught your flight before getting my fax."

  Frank: "I read your fax. Felt I should come anyway."

  Falkner: "Oh, Mr. Black... "

  Frank: "Frank."

  Falkner: "Frank, uh, this really doesn't warrant
  this kind of concern from you and your group. The
  woman's fine."

  Frank: "I think the woman that was assaulted --
  Mrs. Dumont -- I think she's lucky to be alive."

  Falkner: "Like I told you, she startled some freak. He
  knocked her down. He ran away. Now, granted, there've
  have been a few other horse attacks in the area... "

  Frank: "Twenty-one."

  Falkner: "Twenty-one?"

  Frank: "Five in this county, counting this one.
  Sixteen in the surrounding counties in the last two
  and a half years. I'd like to have a look at the
  crime scene."

  Falkner: "Mr. Black, he killed an animal."

  Frank: "This time. My work normally begins with dead
  bodies... multiples of dead bodies. I came here
  because I think we have a chance to stop this killing
  before it starts. You're witnessing the birth of a
  psychosexual killer."

[NEXT SCENE: Little Hollow Farms. Husband of the woman who was attacked
in the barn, shows the crime scene to Frank and the sheriff. He pulls
shut the barn door. Written in blood on the door is the word: `HELP'.]

  Dumont: "As soon as I got the call, I came running
  down."

[By the door, is a small table and the telephone his wife had used.]

  Dumont: "This is where I found Sally."

[He points to the hay-covered ground near the table.]

  Dumont: "She had a big bruise on her forehead where
  he hit her. I thought she was dead. It scared the
  hell out of me until she blinked her eyes."

[He points to the word `HELP' on the door.]

  Dumont: "She doesn't remember writing that."

  Frank: "Because she didn't write it. What does she
  remember?"

  Dumont: "She remembers seeing this bastard's boots
  in the next stall."

  Frank: "What kind of boots?"

  Dumont: "Gum boots."

  Frank: (to the sheriff) "Did you check for blood?"

  Falkner: "It's being done now."

  Frank: "What else did your wife tell you?"

[He tries to reenact the events.]

  Dumont: "Uh... she, uh... she led her horse in. She
  put it in the stall. She unsaddled it and then she
  heard something. And this is where she found Queenie.
  The horse wasn't dead yet."

[Frank walks over to look into the stall.]

  Dumont: "This is where she saw him."

[Frank walks over to look into the next stall where the killer had stood.]

  Frank: (to the sheriff) "You've taken samples here?"

  Falkner: "We're waiting for results."

  Dumont: "What kind of samples?"

  Frank: "Blood. Semen."

  Dumont: "What the hell does that mean? What are you
  saying?"

  Frank: "He killed the horse. It aroused him."

  Dumont: (repulsed) "Oh, my God!"

  Falkner: "Now, take it easy, Pete. We don't know if
  that's true."

[Frank is standing inside the stall, trying to get a feel for what the
killer must have experienced.]

  Frank: "The killer stood in here. He watched Sally
  attend to her horse. She saw him. You have a very
  brave wife, Mr. Dumont. She didn't panic."

[Frank then completes the reenactment himself.]

  Frank: "She made herself walk from here to the phone."

  Falkner: "So, she's on the phone. He- he's standing
  there. He knows she's alone, helpless. He knocks her
  down and runs away. Eh, I mean, if this is the guy
  you think he is -- why didn't he do more?"

  Frank: "Maybe he was scared."

[Pause. Then to Dumont... ]

  Frank: "Was anything missing? Stolen?"

  Dumont: "There's a bridle missing. It was Phaeton's.
  Sally's horse."

[He shows Frank the hook where the bridle had been placed. Frank looks at
it and it triggers a vision.]

[He sees: several images of bridles, bits, and harnesses intercut with
bright flashes of white light. Frank shuts his eyes then opens them again
to see: similar images to those which the killer had seen earlier of a
horse; very blurred images with bright light; a close up of a horse's eye;
cut to a close up of a woman's eye. Frank hears a horse grunt and neigh
throughout. End of vision.]

  Frank: "He took it."

  Falkner: "Why? What would he want with that?"

  Frank: "He fantasizes using it on her."

  Dumont: (outraged) "Now, you listen to me, mister!
  People may get up for that kind of thing in Los
  Angeles or San Francisco or wherever you come from,
  but not around here! Now, I don't care who the hell
  you are -- F.B.I. or whatever -- I'm telling you
  right now, you are not talking to my wife!!"

[With that, he storms off, leaving them behind in the barn.]

  Frank: "We don't need to talk to her."

[Outside the barn, Dumont can be seen leaving the structure and walking
away. The POV belonged to Sally Dumont, who has been watching from her
window in her home. A bruise is visible on her forehead. She still looks
shaken.]

[Thunder can be heard. A storm is building. Nearby, there is another
woman with a horse. She is leading the horse into a trailer. She ties
the horse and begins to stroke its mane. Frank walks up to speak with
her. As he tries to introduce himself, he startles the horse.]

  Frank: "Excuse me. Oh... "

  Woman: "Can I help you?"

  Frank: "I didn't mean to startle him. My name is
  Frank Black."

  Woman: "I'm Claudia Vaughn. I, uh, I saw you before
  with the sheriff."

  Frank: "You're the veterinarian? I'd like to ask you
  a few questions... about horses."

  Claudia: "Well, it's a pity you can't talk to the
  horses themselves, huh?"

  Frank: "Well, maybe you can tell me... about the other
  attacks."

  Claudia: "You know about them?"

  Frank: (nods) "Mm-hmm."

  Claudia: "Well, it's not barbed wire or some damn
  coyote like everybody around here wants to think."

  Frank: "I know. He always attacks mares."

  Claudia: "No, not just attacks. It's at least a dozen
  horses that have been killed, that I know of."

  Frank: "He kills here... "

[He reaches over and cups the jugular vein of the horse, running his
hand along it to demonstrate.]

  Frank: " ...in the jugular?"

  Claudia: "Yes. Do you want to catch him, Mr. Black?

  Frank: "I hope so."

  Claudia: "But if Sally Dumont hadn't been attacked
  you wouldn't be here right now, would you?"

[Resentful and angry, she leaves Frank in the trailer with the horse. The
horse looks at Frank. He turns to watch the vet leave, then caresses the
horse's face.]

[Later, at the sheriff's office, Peter Watts has arrived and is going over
the information about the horse attacks in the area for Frank, the sheriff
and two of his deputies. There is a large map of the area set up on a
board.]

  Peter: "The red dots represent reported attacks on
  horses over the past 29 months -- five in this county
  alone. We've tracked the attacks of the past two
  years."

[He picks up an envelope, begins to remove its contents and places them on
the table before the assembled gathering.]

  Peter: "The photos were taken for insurance purposes
  -- not for forensics but... The M.O. is identical on
  the kill."

[The sheriff looks at two photos showing a huge gash cut into the necks of
the horses where the jugular is located.]

  1st Deputy: "Shouldn't the A.S.P.C.A. be dealing with
  this?"

[The other deputy chuckles.]

  Falkner: "Stay with us, boys."

  1st Deputy: "No offense, mister, I mean, but... this
  is a hell of a fuss over a misdemeanor."

  Frank: "Would you prefer to wait until he's killed
  someone? The man we're looking for... is in his early
  20s to mid 30s. His work in the area makes him able
  to travel unnoticed."

[Falkner is reading the forensics report.]

  Falkner: "Well, you had a couple of things right.
  `Help' was written in human blood. There was a
  fingerprint -- no matches -- but it definitely wasn't
  Sally Dumont's." (pause) "And they found semen in the
  stall next to where the horse was killed."

  Frank: "For a few brief moments, he'd had something
  he's never had before -- not a horse, but a woman
  in his power. The possibility excited and terrified
  him. That's why he wrote word `Help' -- meaning
  `Help me.' "

  Peter: "We've learned from past experience that an
  event like this --  a close call -- expands his
  sexual fantasy."

  Frank: "His only source of feeling alive is his
  urge for sexual pleasure. His paraphilia has now
  defined it. It intoxicates and terrifies him. He's
  standing at an abyss and he's hesitating."

[NEXT SCENE: Peter and Frank are on the road, driving.]

  Peter: "There will be another attack -- sooner than
  they think. He's vulnerable now."

  Frank: "He's unstable and in tremendous pain. He
  hasn't felt the joys yet of what he's done."

  Peter: "God help us when he does."

  Frank: "There's only one thing to do. I have to talk
  to him; reach him on a personal level."

  Peter: "It's risky. It could validate him; give him
  a sense of empowerment."

  Frank: "He's empowering himself as we speak. We can't
  sit back and wait for the escalation. We've got to
  make contact with him now. It's the precise moment.
  He's tormented. He feels revulsion toward himself
  and his acts."

[Camera then shifts to the killer while Frank continues to describe him in
voice over. We first see the shadow of a meat hook on a bloody wall. Then
we see the killer's shadow.]

  {Frank: But the revulsion he's now feeling will
  diminish. The cooling-off stage will end. The killer
  will be thinking, rationalizing. He'll be learning
  to accept himself... and his need."}

[We watch as the killer pulls on heavy large rubber gloves that stretch to
his elbows.]

  {Frank: "His anger and resentment will be building
  up again... until he has no choice but to act out
  his fantasies."}

[We see that he is wearing a yellow rubber apron, removes from a plastic
sheath, clipped to a chain around his waist, a knife which he begins to
sharpen.]

  {Frank: "But by then, he will be much harder to catch."}

[We next see the killer walking, wearing gum boots, over blood-splattered
floors.]

  {Frank: "Because he will have had time to refine not
  just how he kills... but also how he escapes detection."}

[Finally we see the killer walks off to go to work -- at a slaughterhouse.
Some meat can be seen hanging as another man hangs several hooks as he
prepares for another day's work.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[NEXT SCENE: Night, outside Little Fats, a western bar.]

[Inside, country music is playing, various patrons are sitting at the bar,
or playing pool, and a waitress brings another mug of beer over to a table.
At that table, a man, the killer, sits reading a newspaper, the `Williston
County ECHO.']

[Meanwhile, at the bar, another man, reading the same paper, comments on
the front page article about the horse killer to the bartender and another
patron.]

  Tom: "You read about that horse freak? Says here the
  guy's feeling `disgust and remorse.' It's even got
  an 800 number for him."

[The killer is listening to the conversation, drinking his beer and reads
the following quote from the article in a caption box: ]


...the thought
of killing is
torturing him.
But it's not
too late...
he can get
help. That's
why I'm here.

Frank Black


  Little Fats: "Yeah. 1-800-PONY-RIDE."

[All three men laugh but the killer's attention is drawn to the actual
phone number listed in the article. He reads: ]


------------------------------------
          "TALK TO ME"
------------------------------------
  In fact, the Sheriff's department
has set up a special toll free tele-
phone line (1-800-555-0181) in
the hopes that the perpetrator will
attempt to make contact.


[Several close ups of the killer's eye as he reads, thinks about, bites his
nails and finally decides to call the number.]

  Tom: "Man says he knows what he's going through."

  Little Fats: "I know what he's going through --
  sheep, cows, horses."

[They all laugh again as the killer finishes his beer. The complete headline
now can be seen: `Hunting the Horse Killer.' Then he folds the paper, rises
from the table, and heads for the pay phone.]

  Tom: "Sounds like this guy's got a lot of your
  qualities, Little Fats."

  Little Fats: "Hey... son-of-a-bitch is just lonely,
  that's his problem."

[They again laugh. The killer drops a coin in the pay phone and dials the
number.]

  Little Fats: (to the killer) "Hey, Willi! What do you
  reckon this guy's problem is?"

[The killer/Willi turns to face the bartender and says... ]

  Willi: "Well, he's a perv, ain't he?"

  Tom: "I guess you'd know, Willi!"

[Once more they all laugh, including Willi, as he listens to the phone ring.]

  Receptionist: "Williston Sheriff's Office. Hello? Hello?"

[Willi slams down the phone without speaking. He then takes the newspaper,
crumbles it up.]

[He leaves the bar and on the way to his truck, he passes a truck filled
with grunting, squealing hogs. Willi stands there for a moment looking and
listening to them before going to his truck, opening the door, moving a
blanket on the floor of the cab and picking up a stun gun.]

[He walks back to the hog truck, again looks at the hogs, some of their
snouts can be seen sticking out from the air holes, and stands there.]

[He envisions the following: an image blurred by bright white light;
something that is indistinguishable under a pig's snout; Little Fats
laughing with his mouth full of food and wide open; a horse's mouth, teeth
visible, seems almost as though it were smiling; another blurred image (a
horse?); several images of a white horse, including close ups of the head
and eye; another blurred image (a woman?); two blurred images of a woman or
two different women; two close ups of a brown horse's head; another close
up of the white horse's eye ending in a bright white light. He hears the
sound of Little Fats laughing mixed with a horse's neighing throughout. End
of vision.]

[Then Willi takes the stun gun, inserts it into an air hole and zaps one
of the hogs which screams in pain. The others begin to squeal loudly, out of
fear. He again inserts it into another air hole and zaps another hog. Then
stands there listening to their screams.]

[The owner of the truck, hearing the commotion, comes out to investigate.]

  Truck Driver: "Hey! What the hell are you doing?"

[As the man approaches Willi, he turns and zaps his directly in the chest.
The man falls down to the ground. The hogs contiuned to frantically squeal
as Willi realizes what he's just done. Momentarily stunned by his own action,
he then looks around to see if anyone else is around.]

[Seeing no one, he again returns to his truck, puts down the stun gun, picks
up his gum boots, opens a tool box and picks up his knife. He then returns
to the truck driver, and drags him by the wrists off through the mud.]

[Later that night, after the body has been discovered in the woods, some
officers carry it over it to the coroner's wagon. Sheriff Falkner gives
Frank and Peter a rundown of what he believes happened to the dead man.]

  Falkner: "The driver of the hog hauler's beaten to
  death. Couple of cowboys dragged him off into the
  woods over there... "

[Three officers can be seen, flashlights in hands, searching the area where
the body was found.]

  Falkner: " ...kicked the life out of him and then
  took a knife to him. Hell, that's nothing new. Friday
  night at Little Fats... three or four times a year,
  this parking lot turns into a killing field."

[He walks off to where some other officers have dragged out the dead hogs
from the truck. Frank and Peter follow.]

  Falkner: "They're not satisifed with just killing the
  driver -- they attack the hogs too."

  Frank: "You said they used a knife?"

  Falkner: "Yeah, they cut a bit of flesh out of him.
  Well, that's the only thing that doesn't figure. They
  got a knife but they beat the poor bastard to death?"

[Frank looks at the mud tracks between the hog truck and where Willi's truck
was parked.]

  Frank: "These tracks move back and forward between
  here, the truck and the woods where the driver was
  dragged."

  Falkner: "We got three sets: a pair of work boots
  that match the ones that the driver was wearing; a
  pair of cowboy boots; and a pair of something with
  a flatter sole, the tread all worn down."

  Peter: "Sally Dumont said her attacker wore boots."

  Frank: "Gum boots."

  Falkner: "You think this is him? The tracks say we
  got two killers here."

  Peter: "He could have incapacitated the driver and
  gone back to his truck to change."

  Falkner: (shakes his head) "Now, with no disrespect
  here, gentlemen -- it was a man that was killed,
  not a woman; these are hogs, not horses."

  Frank: "I think it's the same man. He didn't plan
  this attack. He killed the driver out of rage, not
  sexual gratification. He's finally gone over the
  edge. He had a helpless human lying there -- he
  didn't cut his throat... he kicked him to death.
  Why?"

  Peter: "The driver wasn't a woman. He was the wrong
  gender."

  Frank: "And something else is missing. No horses. It's
  part of the ritual, he just didn't know it until now.
  He's learned how to kill. He's still working on how
  to enjoy his kills. He's going to keep on trying."

[Inside Little Fats, Peter is at the bar talking to the owner as Frank sits
on a stool, thinking. He then gets up and looks around the bar. He sees the 
crumbled up newspaper that Willi had left there. Looking up, Frank sees the
pay phone.]

[Peter walks over to fill Frank in on what's he's learned from Little Fats.]

  Peter: "The bar is used by both locals and long haulers
  on the highway."

  Frank: "He was here. I think he was about to call or
  he did call."

[He shows Peter the newspaper.]

  Peter: "I'll have the phones checked for prints and
  calls made."

[Peter leaves to make the arrangements as Claudia Vaughn, the veterinarian,
enters the bar.]

  Frank: "Excuse me."

  Claudia: "Mm-hmm?"

  Frank: "Can I buy you a cup of coffee?"

[She sits at the bar as Frank brings over some coffee for her.

  Claudia: "Thanks."

[Then sits down beside her.]

  Claudia: "I read that interview you did. It sounds
  like you felt sorry for him."

  Frank: "I feel sorry for Sally Dumont and the man 
  who died here tonight. I'm just working to find out
  why he does it."

  Claudia: "Why he kills horses?"

  Frank: "Normally, I would say that they were used as
  a proxy for someone he hates -- mother or father,
  abusive controlling figure... "

  Claudia: "Normally, huh?"

  Frank: "I just don't think that that's the case here.
  I think the horses are an end to themselves. Why do
  you think he does it?"

  Claudia: "Well, for a lot of girls, their first love
  was a horse."

  Frank: "You're saying he's jealous -- that the horses
  cut him off from women -- from sexual intimacy? Were
  any of the horses drugged?"

  Claudia: "No. Why?"

  Frank: "They just stand there and let him do this to
  them. They could really damage him. They could kill
  him with a single kick. But they just stand there."

  Claudia: "It's because their reared to trust in man.
  I've seen horses trapped in the killing box at the
  slaughterhouse. They can smell the blood and the death
  of the animal that was in that box before them. But
  despite that, they trust in man. Their executioner
  standing above them with a bolt gun and they look to
  him for help and he fires a steel bolt straight into
  their heads."

[Frank suddenly gets up, puts on his jacket.]

  Frank: "I know why they stand still for him."

[He leaves.]

[Outside of Little Fats, Peter stands by the Sheriff's truck. Frank walks
up to join them.]

  Frank: (to the sheriff) "That slice of flesh he cut
  from the driver -- what was it like?"

  Falkner: "Doc said it was a deep cut, real precise."

  Frank: (to Peter) "He's using a stun gun. That's how
  he incapacitates the horses he's going to kill. That's
  how he knocked out Sally and the driver."

  Peter: "That's why he cut the slice out. He knew the
  stun would leave subcutaneous bruising. He's covering
  his tracks."

  Frank: "He knows where the jugular vein is. He knows
  how to cut it. He works in a slaughterhouse. That's
  where we'll find him."


WINDY KNOLL FARM
WHEELOCK, NORTH DAKOTA


[Night. A woman, Mary Ann, rides her horse across a field towards a barn,
dismounts and leads her horse into the barn. Willi can be seen off to one
side, watching her.]

[She caresses her horse and speaks to it.]

  Mary Ann: "Yeah, good girl! Huh? Good girl."

[Then she undoes the strap and removes the saddle, placing it on a rail in
the barn. She continues softly speaking to her horse as she leads it toward
its stall.]

[Along the way, she is startled by Willi.]

  Mary Ann: (gasps) "Oh! You scared me."

  Willi: "I'm sorry. I was just dropping off some stuff."

  Mary Ann: (nods) "Mr. Burke around?"

  Willi: (shakes his head) "I haven't seen him."

[She again nods as she continues toward the stall.]

  Mary Ann: "There you are."

[She removes the bridle as Willi walks over to the stall and watches her.]

  Willi: "I was watching you ride. You looked happy."

  Mary Ann: "I'm always happy when I'm riding my girl."
  (to the horse) "Aren't I, girl?"

[She kisses the horse. Willi sees this and is disturbed by it.]

  Willi: "You kissed her. You kissed the horse."

  Mary Ann: "She's a great horse, isn't she?"

[Willi watches as the woman brushes down her horse, caressing it at each
pass of the brush. Willi is getting more excited, agitated but striving
to maintain control of himself.]

  Mary Ann: "How you doing, Willi?"

  Willi: "I'm holding on."

[Long pause.]

  Willi: "I got to go."

  Mary Ann: "You take care."

[Willi begins to walk away but turns, stops and listens to the horse neigh,
snorting and to the woman speaking -- off camera.]

  {Mary Ann: Bet you're hungry, aren't you?"}

[We again see Mary Ann with her horse in the stall. As she turns, she finds
that Willi has returned. He stands before her with a bridle and a chain in
his right hand. He looks angry, determined and is breathing heavily. She
sees these is frightened.]

  Willi: "A man can't fight what he is, huh?"

[Meanwhile, at the Sheriff's office, Frank, Peter, the Sheriff and the
deputies are still trying to narrow down their search. It's been a long
day and one of the deputies yawns.]

  Falkner: (to Frank) "Three- four- five slaughterhouses
  in the state, not counting the unlicensed backyard
  places. We're checking them out now. I called in help
  from Minot and Dickinson."

[Another deputy opens the door with a message for the Sheriff.]

  Deputy Billy: "Jeff... "

  Falkner: "Yeah?"

  Deputy Billy: "We did a check on the bar phone like you
  asked."

[He enters the room with a tape recorder and places it on the table before
Frank and Falkner.]

  Deputy Billy: "There was a call from the bar to the 800
  number we put out. Caller hung up. There's something
  else. We got 16 other calls. 15 were loonies. And
  this one."

[He presses the `PLAY' button on the recorder.]

  {Receptionist: Williston County Hotline, Sheriff's
  Department."}

  {Willi: (hesistantly) "I want to talk to Frank Black."}

  {Receptionist: "Mr. Black is not in right now. Would
  you like to leave a message?"}

  {Willi: (angry) "You tell me to call and there's no
  one home?!"}

[There is a close up of the cassette in the tape recorder. It is labeled:
`...800-555-0181 RECORDINGS/MARCH...']

  {Willi: (more calm) "Is that my fault? If you're as
  smart as you say you are, if you know my mind, then
  tell me, Frank: Where to? What next?"}

[He hangs up the phone and the dial tone can be heard as Frank presses the
`STOP' button on the recorder.]

  Frank: "He did it. He killed again."

[Meanwhile, back at the farm, Willi is celebrating his kills with his shirt
off, outside, on his knees and covered in blood.]

[Then we can still see Willi outside as we look out from inside the barn.
He is far off in the background as the dead woman, naked, suspended from
the rafters in chains by her feet, appears in the foreground.]

[Willi can be seen still on his knees in the dirt, panting and grunting
like an animal, crawling around in circles.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[NEXT SCENE: The next morning, outside the Windy Knoll Farm in Wheelock.
Several sheriff's department vehicles are on the scene.]

[Inside, the camera slowly pans across the interior of the barn, showing
the rafters and the chains and rope pulleys hanging down from them. It
continues to pan down across the hayloft and down towards the ground.]

[There we see two of the deputies lifting Mary Ann in a body bag onto a
stretcher. Frank and Peter stand near the stretcher. Falkner is holding a
plastic evidence bag in his hands and fills them in on what they've found
thus far.]

  Falkner: "Her name is Mary Ann Wright. She had an
  arrangement with the farmer to keep her horse here.
  He called it in an hour ago."

[Frank open the plastic bag to look at the woman. It triggers a brief
vision.]

[He sees: close ups of a woman's eye; a white horse's head; several very
blurred images; the white horse again; a brown horse's head; a woman's face,
screaming, mouth wide open, resembling a horse's mouth. Sounds of a woman's
scream and a horse neighing blended together throughout. End of vision.]

  Falkner: "We found this on her body."

[He has removed the contents from the bag he has been holding. He shows it
to Frank. It is a blood-soaked apron -- the kind Willi uses at work at the
slaughterhouse.]

  Falkner: "We'll get it tested."

[He folds it up and returns it to the evidence bag.]

[Claudia Vaughn shows up at the barn and calls out to Frank.]

  Claudia: "Frank."

[He, Peter and Falkner walk over to speak with Claudia. They leave behind
an attendant who straps Mary Ann's body securely to the stretcher.]

[Claudia stands by one of the stalls. She wants to show them something the
killer has left behind.]

[On the wall of the stall, written in blood, are the words: `THANK YOU.']

[In the stall, the horse lies on the ground, dead.]

  Frank: "How was this horse killed?"

  Claudia: "Just like the others. Bled to death. No
  mutilation."

  Frank: "He had *her* for that. Before he killed her,
  before he bled her -- he strung her up. He wanted it
  to be like a slaughterhouse. He did to this woman
  what he does at work."

  Falkner: "Then there's this."

[He gestures with his head for the others to follow him outside to where
they have marked off with tape the area where Willi was the night before
on his knees. The ground is covered with blood.]

  Falkner: "There are splashes of blood all around
  here. We found pieces of Mary Ann's clothing thrown
  about."

  Peter: (to Frank) "You got it right this time. He"
  was celebrating."

[Frank looks at the blood-filled footprints on the ground and envisions
Willi's celebration.]

[He sees: several images of Mary Ann screaming; Willi covered in blood,
sharpening his knife; Willi's gum boot soaked in blood; Willi dancing
around during his celebration; several very dark blurred images of Mary
Ann, screaming with what appears to be a couple of Willi screaming as
well; Willi dancing again; and finally some images of Mary Ann again, screaming, bathed in a bright white light. Sound of Mary Ann and Willi
screaming, intermixed throughout. End of vision.]

[A deputy walks up to Frank with a cell phone.]

  Deputy Billy: "Mr. Black? Call for you. I patched it
  through from the office."

[He hands Frank the phone.]

  Frank: "Hello."

  {Willi: "Do you know how good I feel?"}

  Frank: "Who is this?"

[Willi then can be seen on his couch at home. Camera alternates between
the two during their conversation.]

  Willi: "What next, Frank? Tell me, does it get any
  better than this?"

  Frank: "I know you feel rotten right now. Wish you
  could wake up and find this never happened."

[View then switches to Willi as he crawls off the couch to the floor on
his knees.]

  {Frank: "Whatever humanity kept you from doing this
  before... }

[View switches back to Frank.]

  Frank: " ...whatever good -- better listen to it now."

  Willi: (breathing heavily) "All gone, Frank. All gone."

  {Frank: "You wouldn't be calling me if it were."}

[Willi doesn't reply but he seems to be laughing to himself.]

  Frank: "You got the power to stop this."

  Willi: (shouts) "I know I've got the power! It felt
  good what I did!"

[He slams down the phone. Frank shuts off the cell phone and tosses it to
Sheriff Falkner.]

  Falkner: (to the deputy) "We get anything?"

  Deputy Billy: "First three digits."

  Falkner: "Damn it."

[Later, traveling back with the Sheriff in his car, Frank and Claudia talk
in the rear while Peter rides in front.]

  Claudia: "How do you live like this? You have a wife,
  don't you? Or do you just wear that ring to make 
  yourself seem normal?"

  Frank: "I have a family."

  Claudia: "Well, how do you explain to them what you
  do and what you see?"

  Frank: "I don't."

[The Sheriff stops the car at an intersection on the road as a truck with
a load of hay passes before them followed by another truck with several
young horses.]

  Frank: "Where are they headed?"

  Claudia: "Slaughterhouse."

[Frank has a quick vision: several images of young horses, foals, being
killed by a bolt gun. The sound of the bolt gun can be heard along with
some screams. End of vision.]

  Frank: "Foals?"

  Claudia: "Yeah. They're from the P.M.U. farms. We're
  the only state that still has them."

  Frank: "P.M.U.?"

  Claudia: "Pregnant Mares' Urine. It's rich in estrogen
  -- which is the main element in hormone replacement
  therapy. It's also the most precribed pharmaceutical
  in the United States. In North America, up to 80,000
  mares are kept pregnant and their urine collected so
  that women can stay healthier longer. But each time
  a mare gets pregnant, she has a foal and the quickest
  way to make money off of the 80,000 foals is to kill
  them and sell the meat to Japan and Europe."

  Falkner: "The horses that were attacked -- they were
  usually mares."

  Frank: "How many of these farms are in this state?"

[Back at the Sheriff's Office, Frank gets his answer as Falkner illustrates
by using the map Peter had previously used.]

  Falkner: "As far as anybody can tell, we've got about
  15 farms in the west end of the state. Many of them
  have shut down. There were four in our area. Haverly,
  July '94; Redner, October '95; Borgsen, December '94;
  and Sandberg, January '95."

[As he reads out the names, a close up of the map can be seen, each farm
is labeled and tagged and each is located near four of the red dots which
Peter explained earlier as the locations of past horse attacks.]

  Falkner: "Forensics... on the apron, showed human
  sweat *and* horse urine and the urine was rich in
  estrogen."

  Deputy Billy: "The guy could have worked on any one
  of these farms."

  Frank: "I think he *lived* on one of these farms.
  Part of the ritual is wearing the clothes that bring
  him back to that time."

  Watts: "If he grew up on a P.M.U. farm, his earliest
  memories would have been of horses held captive,
  foals slaughtered -- he would have learned that that's
  how food was put on his table, clothes on his back."

  Frank: "The farm closes, he loses his livelihood.
  He loses the *means* to gratify his impulses."

  Falkner: "Frank, a lot of people work on these farms
  that are decent, ordinary people."

  Frank: "I'm not talking about decent, ordinary people.
  I'm talking about one man with a twisted mind. The
  first horse attack was in February '95. Which one
  closed nearest that?"

[Peter walks over to the map.]

  Peter: "Borgsen, December '94. Sandberg would have
  been the nearest -- January '95, one month before
  the first attack." 

  Falkner: "The phone call to you, Frank, came from
  prefix 774. That's this area."

[He points to the tag labeled: `BORGSEN DECEMBER 94' on the map. Frank goes
to the map and reads: ]

  Frank: (to Peter) "Borgsen."

[NEXT SCENE: Day, a long procession of police vehicles, no sirens but all
have their lights flashing. Bringing up the rear are Frank and Peter in the
rented car.]

[As they arrive at the Borgsen farm, all exit their vehicles and approach
the house. The Sheriff's men check the house.]

  Deputy: "Clear!"

[Frank turns and looks at the barn. The Sheriff calls out to Frank from
behind the barn.]

  Falkner: "Frank."

[He gestures with his head for he and Peter to join him.]

[Inside the barn is a pregnant white mare, tied off to a rail and very
nervous, uncomfortable and moving around quite a bit.]

  Falkner: "Pregnant. Looks like she could drop a foal
  any day now."

[As Frank begins to move closer to the mare, she neighs and moves again.]

  Falkner: "Careful... "

[But she allow Frank to come close to her. He reaches over and caresses
the horse's forehead.]

  Frank: "Get Claudia Vaughn over here."

[Falkner, Peter and Frank look through the house. Other deputies are still
searching through it as well. The kitchen is a mess, table filled with
bottles, plates of food, tools. Frank opens a hall closet and finds... a
bridle placed over a horse's hood. The bridle has the name: `PHAETON' on
it.]

  Frank: "What was the name of Sally Dumont's horse?"

  Peter: "Phaeton."

[Frank removes the bridle and hands it to Falkner.]

  Frank: "Here's her bridle. He's just started collecting
  trophies."

[The phone rings, Falkner answers it.]

  Falkner: "Yes?"

[Pause.]

  Falkner: "It's for you, Frank."

[He hands the phone to Frank.]

  Frank: "Hello."

  {Willi: "Looks like I'm going to be needing a new
  mare, don't it, Frank?"}

  Frank: "What do you want?"

[Camera shifts to Willi, then alternates throughout their conversation.]

  Willi: "Well, I went through all that trouble and
  it wasn't good enough. I mean, don't get me wrong,
  she was better than the horses -- but it wasn't
  enough! Where to now? What's next?"

  Frank: "What's next is it's going to get worse."

  Willi: "I- I didn't say it was bad. It was damn
  good. It just wasn't enough."  

[Back to Frank.]

  {Willi: "Maybe... I need to see a doctor."}

[Willi pauses before hanging up the phone. As Frank hangs up the phone,
the deputy enters the house.]

  Frank: "Claudia Vaughn?"

  Deputy Billy: "Her line's busy. We'll keep trying."

[Frank looks at Peter.]

[Meanwhile, at Claudia Vaughn's house, she has just entered, removes her
jacket, hangs it up and is started by Willi.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[NEXT SCENE: Outside Claudia Vaughn's house. A horseshoe is nailed to her
front door which one of the deputies breaks open using a sledgehammer.
Frank, Peter, Falkner and his men enter and search the house. Frank and
Peter are unarmed but the rest all have their guns drawn as they move
through the house.]

[The deputies shout `Clear!' as they check through the rooms of the house.]

[The house is very neat and Frank stops to look at a bronze reproduction of
Frederic Remington's `Bronco Buster.']

  Falkner: (to Frank) "Nothing."

  Peter: "Frank."

[He gestures with his hand for Frank to join him.]

[On the wall is a picture-framed selection of verse which reads: ]


A dog starved at his Master's Gate
Predicts the ruin of the State.

A horse misused upon the Road
Calls to heaven for human blood.


  Frank: " `A horse misused upon the road calls to
  heaven for human blood.' "

[The verse which Frank reads has been smeared with blood.]

  Frank: "Blake's `Auguries of Innocence.' That's where
  he's taken her -- his heaven, her hell."

  Peter: (to Falkner) "Any results on the slaughter-
  houses?"

  Falkner: "No, we're still checking."

  Frank: "Where do they slaughter horses?"

[Meanwhile, at the slaughterhouse, a row of horse meat can be seen hanging
from hooks as Willi is seen pulling something up near the sides of meat.
A close up shows a woman's hands, Claudia's, bound by a leather strap, being
lifted up on a hook that's lodged underneath the strap. Willi is pulling a
chain on a pulley to suspend her with the rest of the meat.]

[Outside, all of the vehicles that had been at the Borgsen farm have made
their way to the slaughterhouse, again all are silent and have their lights
flashing.]

[The officers enter the structure first, guns drawn. Peter enters with a
deputy. Several live horses can be seen moving around in small pens.]

[Then there is a close up of Willi's right eye. He doesn't move, not even
as a fly walks across his open eye.]

[Elsewhere in the structure, Frank is with Falkner as they hear machinery
being turned on somewhere.]

  Falkner: "It's from in there."

[They head towards another room.]

[Inside, several carcasses hanging on hooks suspended from the ceiling can
be seen as Frank and Falkner run along the corridor toward the source of
the machinery sounds.]

[Frank crouches down to look beneath the hanging sides of meat and sees
Willi's feet and apron as he runs off to their right. He gestures with his
hand that he'll go for the left side of the room as Falkner nods, going
to the right himself.]

[Elsewhere, Peter and the deputy continue their search. A white horse is
in a pen with several others and becomes very edgy, grunting and neighing,
stirring up the other horses.]

[Back in the other room, Falkner finds Claudia suspended on a hook. She is
alive and moaning. But before Falkner can do anything to help her, Willi
stuns him from behind and knocks him out cold.]

[Willi takes a quick look behind and in front of him for anyone else, then
bends down, takes Falkner's head in his left hand, a knife in his right,
ready to slash the man's throat when he hears the machinery stop.]

[Frank can be seen with his thumb on the button. He continues his search
and finds Falkner, face down on the ground. Frank feels for a pulse. The
man lets out a low groan.]

[Frank then sees something down the line -- some of the sides of meat are
swaying back and forth and as they do, he catches a glimpse of some boots.]

[He runs over and finds Claudia.]

  Frank: (whispers) "Hey!"

[He picks her up and lifts her off of the hook, lowering her to the ground.]

  Frank: "Are you all right?"

  Claudia: (weakly) "Yeah."

[As Frank begins to undo the leather strap binding her hands together, he
notices her staring wide-eyed over his shoulder. As she gasps, he figures
that Willi is behind him and he moves out of the way, avoiding the stun
gun.]

[Peter shouts from elsewhere in the room.]

  Peter: "Frank!"

[Willi hesitates for a moment, unsure of what to do next, then decides to
run off between the sides of meat. Frank follows after him. Peter finds the
Sheriff on the ground and runs to his side, also looking for a pulse. The
deputy then joins Peter.]

  Peter: "Call an ambulance! Frank!"

[Using his radio, he calls dispatch for help.]

  Deputy Billy: "This is Deputy Maxwell to base.
  We got a man down in the slaughterhouse. Request
  ambulance."

[Peter continues to search and finds Claudia, still bound and lying on the
ground. He helps her to her feet.]

  Peter: "Come on."

[Elsewhere, Frank has lost Willi. But Willi is watching Frank. He stands
hidden behind a hanging side of meat, licking it. Then he moves, as he does,
Frank must have seen some movement because he runs in the same direction
where Willi had been standing.]

[Frank continues searching. He moves through an area, past a plastic
vertical curtain covered with blood stains and goes into the area Peter
and the deputy had been in earlier, where the live horses are kept.]

[Some of the horses are agitated. Frank looks down and sees the killing
box. Blood is splattered on the walls inside the very small box.]

[Frank shuts his eyes for a moment and can envision what happens to the
horses when they are slaughtered.]

[He sees: a hand holding the bolt gun; a brown horse's head, its eye open
wide in terror -- camera zoom in on the eye; then several images of what
looks like an extreme close up of  the steel bolt being fired into the
horse's head. There is the sound of screaming throughout. End of vision.]

[Frank looks down at the horses in the pen. The white one, which was
nervous earlier, seems more calm, quiet.]

[Just then Willi stuns Frank from behind. He nails him in his right
shoulder blade. Frank hits the ground but he isn't knocked out. He rolls
over and into the killing box, his hand still on the railing above him.]

[Willi tries to zap his hand with the stun gun again but Frank moves it
away in time.]

  Willi: "Ever see a bolt gun work, Frank?"

[Willi takes one out of his pocket and reaches over to use it on Frank who
manages to move out of the way in time. Willi ends up shooting a steel bolt
through the wooden wall of the killing box.]

  Willi: "That'll make your eyes water, won't it?"

[Frank continues to scramble, trying to avoid both the stun gun in Willi's
left hand and the bolt gun in his right.]

  Willi: "You're wrong about me, Frank. You think I'm
  a loner, a loser. Well, I'm not."

[Willi continues to taunt Frank with the stun gun.]

[Meanwhile, Deputy Billy slowly moves toward Willi, gun drawn.]

  Willi: "I've got friends! Ask anybody around here!
  I'm a great guy. They'll all tell you."

[The deputy's movement has caused some restlessness among the horses. Willi
notices that someone is approaching.]

  Willi: (shouts) "What's one more horse, what's one
  more human being on the face of the earth?! It's all
  just meat!"

[As the deputy turns a corner, Willi fires the bolt gun into his chest.]

[The horses become very agitated now, grunting, neighing, running around
the pen. Frank takes the opportunity to climb out and roll out from the
killing box.]

  Willi: "Some meat's useful, some meat ain't."

[Frank, still weakened from the stun, rolls over the walkway and tries to
get into the the horses' pen. Willi continues after him, trying to stun him
again. Frank drops down to the floor of the pen hard. Willi climbs in after
him.]

  Willi: "Once you figure that out, that's when you
  leave your mark on this world, Frank."

[Frank tries to throw some hay in Willi's face, but misses. He runs behind
the white horse.]

  Frank: "You're not going to make any marks on this
  earth. You don't even rate a footnote."

[Willi tries to reach him with the stun gun but misses.]

  Frank: "You're going to be a joke for a couple of
  weeks in Little Fats."

[Willi finally succeeds in zapping Frank a second time in the stomach.
Frank falls backwards, knocking open the pen gate. He's not out though and
continues to struggle with Willi until the bolt gun is placed directly on
his forehead.]

  Willi: "You ain't gonna know 'cause you're going to
  be hanging from a hook!"

[As he's about to fire the bolt gun, the white horse begins neighing loudly
and runs towards Willi. Frank rolls out of the way as the horse goes after
Willi.]

[All of the horses are stirred up and begin running into one another. Frank
is crouching in a corner. None of the horses come near him but they bump
and knock down Willi. The white horse stands up on his hind legs and stomps
Willi several times. Willi screams, his bones can be heard breaking. Then
the white horse calmly looks down on the dead man.]

[All of the horses now are calm as Frank stands, walks over to the white
horse and caresses it.]

[FINAL SCENE: A glorious morning, clear blue sky, patches of white clouds
and a golden field. A horse and rider can be seen far off in the distance
running across the field. The rider is Claudia Vaughn.]

[On the road by the field, Frank drives up in his rented car. He's on his
way home. He stops to speak with Claudia.]

  Claudia: "You leaving?"

[Frank nods. A bruise is visible on her forehead.]

  Claudia: "Another monster, I suppose, huh?"

  Frank: "Hmm."

  Claudia: "You ride?"

  Frank: "Yeah."

  Claudia: "Thought so."

[She rides off and Frank drives on.]


[The credit fades in from black... ]


Executive Producer: Chris Carter


---------  commercial segment  ---------


[PREVIEW of next week's Millennium -- no image description]

  Voice Over: "Fox May Events -- Next Friday... "

  Man: "He just vanished into thin air?"

  Voice Over: "Prophecy foretold is coming."

  Frank: "The Antichrist appears, slaughters the
  faithful."

  Voice Over: "And now, Frank Black must face mankind's
  worst nightmare."

[A man screams.]

  Frank: "Come on!"

  Voice Over: "All all new Millennium. Next Friday at
  9, 8 central. Parental discretion advised."


[End titles roll]


Ten Thirteen Productions
in association with

20th Century Fox Television (R)
A News Corporation Company

Co-Starring

Ingrid Kavelaars (Sally Dumont)
P. Adrien Dorval (Fatso)
Michael Tayles (Deputy Billy "Maxwell")
J.B. Bivens (First Deputy)
[Tom Bougers] (Tom)
[Sue Fuller] (Mary Ann) 

Casting by Rick Pagano/Debi Maniwiller, C.S.A.
Vancouver Casting by Coreen Mayrs
Original Casting by Randy Stone, C.S.A.
Production Manager: Kathy Gilroy-Sereda
First Assistant Director: Jack Hardy
Second Assistant Director: David Klohn
Set Decorator: Louise Roper
Art Director: James Steuart
Construction Coordinator: Mike Rennison
Script Supervisor: Beth Mercer
Location Manager: Matthew Chipera
Hair Stylist: Brenda Gibson
Makeup Artist: Carolyn Stewart
Special Makeup Effects: Lindala Makeup Effects, Inc.
Costume Designer: Diane Widas
Head Painter: Jenny Seinen
Sound Mixer: Patrick Ramsay
Camera Operators: Rod Pridy, Mike Wrinch
Gaffer: Barry Donlevy
Key Grip: R.K. Hill
2nd Unit Director of Photography: Les Erskine
Property Master: Kimberley Regent
Special Effects Coordinator: Bob Comer
Stunt Coordinator: Lou Bollo
Transportation Coordinator: James Perenseff
Extras Casting: Lisa Ratke
Assistants to Chris Carter: Mary Astadourian, Joanne Service
Production Coordinator: Isabel Johnson
Post-Production Supervisor: Denise Pleune
Casting Associate - Los Angeles: Alfred Gomez
Casting Associate - Vancouver: Heike Brandstatter
Post Production Sound: West Productions, Inc.
Supervising Sound Editor: Mark R. Crookston
Re-Recording Mixers: James G. Williams, Bryan Gladstone, Don MacDougall
Re-Recording Engineer: Steven Coker
Scoring Mixer: Larold Rebhun
Music Editor: Jeff Charbonneau
Assistant Editors: Jim Thomson, Robert Hudson
On-Line Editor: Rob Williams
DaVinci Colorist: Philip Azenzer
Visual Effects by Area 51
Visual Effects Supervisor: Glenn Campbell
Visual Effects Producer: Tim McHugh
Main Title Sequence by Ramsey McDaniel/Storm Media
Processing by Gastown Labs
Telecine by Gastown Post
Electronic Assembly by Encore Video
Camera and Lenses by Clairmont Camera
Vehicles Provided by Chrysler
Filmed on Location in British Columbia, Canada
Presented in Dolby Surround TM where available

Copyright (c) 1997
Twentieth Century Fox Film Corporation
All Rights Reserved #4C19

Twentieth Century Fox Film Corporation is the author of this motion
picture for purposes of copyright and other laws. 

The characters and names depicted in this photoplay are fictitious. Any
similarity to actual persons, living or dead, is purely coincidental.

Ownership of this motion picture is protected by copyright and other
applicable laws, and any unauthorized duplication, distribution or 
exhibition of this motion picture could result in criminal prosecution
as well as civil liability.

========================================================
Millennium
Copyright and TM, 1997 -- FOX Broadcasting Company
========================================================

Last Updated: May 05, 1997
Copyright (c) 1997 -- Nightowl Productions
Webmaster: Maria Vitale -- E-mail: nightowl@nyct.net