M I L L E N N I U M

"SACRAMENT"

Ep. # 1.15  [MLM-114   (4C14)]

[ First Season ]  (Complete Transcript)

U.S. Air Date: February 21, 1997

======================================================================
Disclaimer: This transcript was made from a personal video copy
and is presented for Fair Use only to Millennium fans. All of the
characters and scripts are the properties of Chris Carter, 1013
Productions, Fox Broadcasting Company and their respective authors.
No copyright infringement is intended nor implied by the distribution
of this document. It is solely meant for entertainment purposes only.

-- Maria Vitale 
======================================================================


[Trademark music cue as the scene fades in from white... ]


[OPENING SCENE: Inside St. John's church, a baptism is underway. Frank's
brother Tom, his wife Helen, their baby are with a small gathering of
friends and family. Helen holds her son in her arms.]


SEATTLE, WASHINGTON
FEBRUARY 4
11:47 AM


  Priest: "Holy water embodies the purity of God's love.
  It was washes away sin cleansing us so that we may 
  truly be born again. Helen, I know you've travelled a
  great distance to have your son baptized in the same
  church where your husband Tom was baptized."

  Helen: "We have."

  Priest: "Who will be your son's godfather?"

  Frank: (Stepping forward.) "I will."

  Priest: "Frank, your duty is to help your brother and
  his wife shelter and protect this child from harm. Do
  you accept this duty?"

  Frank: "I accept."

[Helen places the child in Frank's arms. He turns to show the baby to his
own daughter, Jordan.]

  Priest: "In the name of the Father, the Son and the
  Holy Ghost... " (The baby sneezes twice on Frank.)

  Frank: "God bless you!" (They all chuckle. The priest continues.)

  Priest: "I baptize thee Charles Francis Black."

[He pours the holy water over the child's head.]

[Later, in the narthex, Tom is telling Catherine some childhood stories
about Frank. Jordan is running and playing with a young boy near her age.]

  Tom: "I wanted it so bad I dreamt about it. The
  Old Man says no, no way, am I going to get that
  bike. Christmas morning I wake up -- there it is."

  Catherine: "He got it for you?"

  Tom: "Frank got it. Anyway, I am so excited, I
  practically jump on it."

  Frank: "Flew is more like it." (Catherine laughs.)

  Tom: "Immediately, I lose control. I lay this three-
  foot scrape down the side of the Old Man's T-Bird."

[Frank becomes distracted from the conversation because he is looking
at Helen who stands near the entrance door. She's holding the baby and
talking to a man. He can only see the back of the man's head.]

  Catherine: "What happened?"

  Tom: "Well I tell you I am shaking at this point.
  The Old Man comes out. Frank says he did it."

  Catherine: (Looks at Frank) "You didn't."

  Frank: (smiles) "I did. Couldn't sit down for a
  week. (Catherine laughs again.) "Where's Jordan?"

  Catherine: "Um, she's in there." (She points toward
  the nave.)

  Frank: "I'm going to go check on her."

  Catherine: "Okay."

[Frank heads off in that direction.]

[Inside: He can the sound of a child crying. He finds the boy Jordan had
been playing with, standing in the aisle by a pew. He moves closer and
finds Jordan huddled on the floor, crying. He picks her up, sits down with
her on his lap and tries to comfort her.]

  Frank: "It's okay, it's okay. It's okay, sweet
  thing. It's okay. Did something scare you?"

  Jordan: "He's hurting her, Daddy!"

[Frank looks at the boy, still standing in the aisle, and then back at
Jordan.]

  Frank: "Who's he hurting?"

  Jordan: "Aunt Helen!"

[Frank carries Jordan back out to the narthex.]

  Frank: "Catherine."

  Catherine: "What is it?"

  Frank: "She's a little upset." (He hands her to
  Catherine.)

  Catherine: "Oh, sweetie!"

  Frank: (To Tom) "Where's Helen?"

  Tom: "She took the baby to the hotel."

  Frank: "When?"

  Tom: "Just a minute ago."

[Frank opens the church doors and goes outside. It is very cold but he spots
Tom and Helen's car -- the rear door is ajar.]

[He runs toward the car. The baby can be heard crying. Frank opens the door
and finds the baby in his child-safety seat. He sees a drop of something
red on his cheek. He wipes it off and realizes it is blood.]

[This triggers a brief violent vision for Frank of a man trapped in a pool
of flames, a symbol consisting of marks made within two concentric circles,
then of that image being burned into the arm of someone, more flames and
finally of the man trying to claw his way out of the burning pool.]

[Tom comes running out after Frank and checks on his son in the rear seat
who is still crying. Frank then looks around trying to find... ]

  Tom: "Where's Helen, Frank? Where is she?"

[Frank continues to look in all directions, not answering his brother.]


[FADE to black... Logo fade in... Music and main titles roll]


M I L L E N N I U M


wait


worry


starring

Lance Henriksen (Frank Black)
Megan Gallagher (Catherine Black)


created by Chris Carter


who cares?


--------- commercial segment ---------


[Trademark music cue... ]


[Episode quote]


"He said to me in a dreadful voice
that I had indeed escaped
his clutches, but he would
capture me still."

St. Teresa of Avila


[Trademark music cue as the scene fades in from white... ]


[Episode credits roll during the next scene]


Terry O'Quinn (Peter Watts)
Brittany Tiplady (Jordan Black)
Stephen James Lang (Detective Giebelhouse)

and

Bill Smitrovich (Lt. Bob Bletcher)

Guest Starring

Philip Anglim (Tom Black)
Dylan Haggerty (Richard Green)
Brian Markinson (Teeple)

Music by Mark Snow
Editor: Chris Willingham, A.C.E.
Production Designer: Mark Freeborn
Director of Photography: Robert McLachlan
Associate Producer: Jon-Michael Preece
Consulting Producer: Ted Mann
Co-Producer: Ken Dennis
Co-Producer: Robert Moresco
Producer: Chip Johannessen
Co-Executive Producer: Frank Spotnitz
Co-Executive Producer: Ken Horton
Co-Executive Producer: John Peter Kousakis
Written by Frank Spotnitz
Directed by Michael Watkins


SEATTLE PUBLIC SAFETY BUILDING
FEBRUARY 4
3:12 PM


[Frank looks at computer screen and a number of pictures files of convicted
sex offenders on Det. Giebelhouse's computer, at his desk. He looks at face
after face, having flashes of memory of the back of the man's head but no
one seems familiar. He becomes so absorbed with the faces he fails to hear
what's said to him.]

  Giebelhouse: "Frank? Yo, Frank! You there?"

[He finally gets Frank's attention.]

  Giebelhouse: "You find anything?" (Frank
  gestures no.] "Yeah, well, the back of a
  man's head is not a lot to go on."

  Frank: "You have any more files?"

  Giebelhouse: "That's it. Every sex offender,
  social deviant and rapist, not currently 
  incarcerated in the greater Seattle area.
  Nice to know who your neighbors are."

[Bletcher walks into the room.]

  Bletch: "I'm going county-wide with Helen's
  description. I'm pulling men off vacation,
  Frank. No one's going to sleep until we
  find her."

  Frank: "No one else saw him at the church.
  You might want to go door-to-door in the
  immediate area and see if anybody saw her
  with him."

  Bletch: "Yeah, we're doing it."

  Frank: "Gas stations, convenience stores,
  toll booths -- anywhere that they might have
  had to stop... "

  Bletch: "Yeah, we got it covered, Frank."

  Frank: "This was a bold move. We're looking
  for somebody that's done this before."

  Bletch: "Frank, uh, can I have a moment, in
  my office?"

[Frank follows Bletch into his office, sits down as Bletch shuts the door.]

  Bletch: "Look, uh, Frank... I know about the
  threats against your family -- the guy who's
  been sending you pictures of Catherine -- and
  I know you're going to want The Millennium
  Group to be part of this."

  Frank: "You need their help."

  Bletch: "I can't. The department won't allow
  it."

[Frank storms up from his seat.]

  Frank: "Don't give me that, Bletch."

  Bletch: "Now just listen to me for a second.
  No prosecutor can get a conviction using
  evidence supplied by the victim's brother-
  in-law. You gotta step back."

  Frank: "I can't."

  Bletch: "Frank, no one in the world can help
  me more than you. But if you're helping me
  on this, you're not helping me."

  Frank: "She's my brother's wife, Bletch."

  Bletch: "Go home. Be with your family. They
  need you there."

[Frank leaves Bletch's office and meets up with his brother who has been
anxiously waiting for him to return. They walk towards the elevator.]

  Tom: "What did he say? Does he have any
  suspects?"

  Frank: "Not yet."

  Tom: "Well, what are they doing?" 

[Frank takes him by the arm and continues walking.]

  Frank: "Looking for her, Tom."

  Tom: "It's nearly four hours. She could be
  anywhere by now."

[Frank presses the button for the elevator.]

  Frank: "He won't take her any farther than
  he has to."

  Tom: "What? Where is she?"

[The elevator doors open and Frank gets in.]

  Tom: "Damn it, Frank! What do you want me to
  do?"

  Frank: "You're doing everything you can, Tom."

[He gestures for Tom to join him.]

[NEXT SCENE: The Black residence, as Tom and Frank arrive home.]

[Frank takes Jordan in his arms.]

  Frank: "You feeling any better?"

  Jordan: "Yeah."

  Tom: "How's the baby?"

  Catherine: "He's fine. He's running a little
  fever. I just put him down for a nap."

  Tom: "Good. I'll, I'll go check on him."

  Jordan: "Can I come too?"

  Tom: "Sure, sweetheart."

[He takes Jordan upstairs by the hand. Catherine kisses Frank on the 
cheek.]

  Catherine: "Hi. Come on."

[They head towards the kitchen together.]

  Catherine: "What's going on?"

  Frank: "They have no motive, no suspects,
  no forensic evidence to speak of. They're
  treating this as a completely random act."

[Catherine sighs. Frank walks over to get a glass of water.]

  Frank: "You talk to Jordan yet?"

  Catherine: "She said she didn't see anything.
  How did she know that someone was hurting
  Helen?"

  Frank: "I don't know. Maybe she sensed
  something was wrong. I'll find Helen,
  Catherine. I won't let anything happen
  to her."

  Catherine: "I'd be careful about making
  that promise, Frank. I know how these
  cases turn out. We both do."

  Frank: "I'll find her."

[The doorbell rings. Frank goes to find that Tom has let an officer in
who had come to return his luggage.]

  Officer: "That's it."

  Tom: "Thanks."

  Officer: "You're welcome." (He leaves.)

  Tom: "Police. They finished examining the
  luggage."

[Frank starts picking up the bags, one by one, looking them over,
searching... ]

  Tom: "What are you looking for?"

  Frank: "I'm not sure."

  Tom: "Frank, please. Let me in, okay? I'm
  an academic. I'm not a cop. I don't know
  the rules."

  Frank: "There are no rule books. Every
  situation is different."

[Tom becomes even more frustrated as Frank continues to search the bags.]

  Frank: "Do you notice anything different
  about these bags?"

  Tom: "Like what?"

  Frank: "Did you label them all with your
  name and address on them?"

  Tom: "Yeah, and my office phone."

[Frank picks up one of the bags and brings it over to Tom who is sitting
on the stairs.]

  Frank: "This one doesn't have a tag on it."

  Tom: "So maybe it fell off."

  Frank: "It also could have been removed by
  the man who took Helen."

[NEXT SCENE: It is raining, as a young bald man, Richard Green, enters
a hardware store. He is one of the sex offenders Frank saw at the police
department earlier.]

  Clerk: "Uh, can I help you, sir?"

[He picks up a shopping basket.]

  Green: "I need some supplies for a project."

  Clerk: "What kind of a project?"

  Green: "I'm adding a room to my house."

  Clerk: "That's quite a project."

  Green: "Yes, it's going to take some time."

  [He looks around a bit on his own, then... ]

  Green: "I need some rope... and some hand
  tools."

  Clerk: "What are you making... a tree
  house?" 

[He smiles at Green but that soon fades as he's realizes the young man
didn't catch the humor and his glass-eyed stare begins to unnerve him.]

  Clerk: "Uh, I'll go grab the rope from the
  back. Um, tools are in the first aisle."

  Green: "Thank you."

[Green goes through the aisles, picking up tools and placing them into
his basket. A trovel, a utility knife, duct tape... He picks up and
rubs his thumb over the teeth of a handsaw.]

  Clerk: "I got some dry wall tape for you.
  You putting in studs?"

  Green: "Yes."

  Clerk: "Uh, aluminum or wood?"

  Green: "Wood."

  Clerk: "Uh, I got a special on these."

[He picks up and shows Green a power nail gun.]

  Clerk: "Uh, works like gangbusters. You, you
  could drive a nail through a 2 x 4 like a hot
  knife through butter."

  Green: "I'll take it."

[The clerk hands it to him. The label on the nail gun reads: `Powerfix
Cordless Power Nail Gun.']

  Green: "Thank you."

[NEXT SCENE: Frank and Tom have gone to the airport to try and find any
trace of a man near the luggage and/or Helen upon their arrival using
the airport's surveillance tapes. An airport security officer is running
through the tapes for them.]


SECURITY OFFICE
SEA-TAC INTERNATIONAL AIRPORT
6:12 PM


  Security: "Hard drive purges itself every
  72 hours to save on storage space. Another
  20 minutes and this footage would have been
  erased from the system."

[Several security monitors are shown with people milling about, picking
up their luggage, talking, etc. Time stamp on the lower right-hand corner
of one of the monitors begins at: 18:32:24]

  Frank: "Where were you standing when you
  picked up your luggage, Tom?"

  Tom: "I don't remember, uh... Over there, I
  think, by the curve."

[He looks for himself on one of the screens. Time stamp begins at:
18:32:21]

  Tom: "What are you looking for?"

  Frank: "The way Helen spoke to the man I saw
  was casual, as if she'd met him before."

[They look intently at all of the monitors. One shows several people
disembarking a plane, another shows people walking towards a gate to
board another plane and again the monitor showing people by the luggage
carousel.]

  Frank: "Could have been someone who initiated
  contact with her here, then tracked her to the
  church."

[Frank picks out Tom on the last monitor.]

  Frank: "That's you, right?"

  Tom: "Yeah, that's me."

  Frank: "Where's Helen?"

[Tom searches for faces on each of the monitors and finally finds her.]

  Tom: "There she is."

[She is standing with the baby in her arms by a luggage cart, waiting to
Tom to return with their bags. There is one bag, a carry-on, already on
the cart. A man approaches her, seems to exchange a few words with Helen
and then leaves. He possibly could have taken the luggage tag at that
time.]

  Tom: "Oh, my God."

  Frank: (To the security officer) "Could you
  move that back six frames, please?"

[They have an image, although not a clear one, of the man onscreen.
Frank puts on his glasses for a closer look at the man.]

  Tom: "Is that him?"

[Frank envisions Helen being attacked in the car. He can hear her screams
and he sees her blood on her hands. Tom whispers again... ]

  Tom: "Is that him?"

[NEXT SCENE: Seattle Public Safety Building, Bletcher's office. Frank has
shown Bletch a still printout from the airport security tape of the man
he suspects has taken Helen. Bletch slams his fist against the photo on
his desk.]

  Bletch: "Frank, I told you to stay out of this."

  Frank: "That was the man I saw talking to Helen
  at the church. He used her luggage tag to track
  her down."

  Bletch: "Now how do you know that?"

  Frank: "My brother's secretary got a call Friday
  from a man that said he was a friend of his. She
  gave him the name of the church where the baptism
  was being held."

  Bletch: "Frank, you're taking a huge leap here.
  This guy at the airport could just be a guy at
  the airport, but you can't see that because you're
  too damn close to this and your judgment can't
  help but be affected by it."

  Frank: "That's him. I got guys who can use
  enhancement software to give us a usuable image
  -- something that we can work with."

  Bletch: "Yeah, back off, Frank!" (Frank shrugs.)
  An hour ago... we found a stolen car, abandoned
  in a supermarket parking lot."

  Frank: "Helen's blood was inside."

  Bletch: "The rear seat upholstery and carpet."

  Frank: "But she's still alive, Bletch, otherwise
  she'd still be in the car. He's moved her to
  another location. But we don't have much time."

[Bletch doesn't respond. Frank then meets up with Tom who has been
waiting for him just outside.]

  Frank: "Tom, let's go. Come on."

[He heads toward the elevator and Tom follows.]

[But present on the bench where Tom has been sitting is Richard Green.
He turns to watch both Blacks enter the elevator. Some of the same images
Frank has envisioned also run through Green's mind: he hears himself
screaming, he sees himself trying to claw his way out of the burning pool,
he sees the burned-in scar of the symbol covered in blood, he sees fire,
feels his own pain and sees himself covered in blood. Vision over, he just
sits there, stone-faced as always, biting his nails.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


February 5
7:42 AM


[NEXT SCENE: The Black residence. It is a sunny morning, birds are
singing, as Catherine moves through a still-dark house toward the kitchen
to prepare a bottle for the baby. She takes one out of the refrigerator
and places it in the microwave oven. As she turns, she's startled by Tom
who had been sitting in the dark for some time, unable to sleep.]

  Tom: "Sorry, I didn't mean to startle you."

  Catherine: "Well, that's okay. I just didn't
  expect to find you sitting here in the dark." 

[She turns on the light in the kitchen.]

  Tom: "I came down for a glass of water. I guess
  I lost track of the time."

  Catherine: "Have you seen Frank?"

  Tom: "He left a few minutes ago. Said he was
  taking a walk."

[The microwave beeps.]

  Tom: "Been sitting here trying to... prepare
  myself... for whatever happens."

  Catherine: "That's just what Frank does when
  he's worried about something."

  Tom: "Yeah, well, that's the Black family.
  Try to anticipate the future so you don't
  have to dwell on the past."

  Catherine: "You couldn't stop what happened
  to Helen, Tom, any more than you can control
  the future."

  Tom: (sighs) "It's all these... images, uh,
  running through my mind. I- I don't know what
  life was like before yesterday." (sighs again)
  "All I, all I see... are pictures of her...
  suffering... and I'm not there to save her."

[The baby can be heard crying upstairs.]

  Catherine: "He's probably just hungry."

  Tom: "Oh, I'll be up in a minute."

[Catherine touches his shoulder to try and comfort him, then heads to the
microwave for the baby's bottle. Tom reaches up his hand to meet hers but
it's already gone. He nearly becomes emotional but holds it all in again
instead.]

  Tom: "Would you mind turning out the light?"

[Catherine turns it off and goes upstairs with the bottle.]

[NEXT SCENE: Frank has not gone for a walk but for a meeting with Peter
Watts in Watts' car.]

  Frank: "Thanks for coming on such short notice,
  Peter."

  Peter: "I'm sorry about your sister-in-law,
  Frank. I have some news for you."

[He hands Frank an envelope.]

  Peter: "I was concerned it might be the same man
  sending you pictures of your family. I haven't
  been able to completely rule that out but I came
  up with some other possible suspects."

[Frank opens the envelope. Inside he finds documents and police files
on several sex offenders. (All pages are only partially show onscreen.)
Contents are as follows:]


CRIMINAL PROFILE:

... see little evidence of incidental activity, no ...
... suspect obviously conducts himself in a ...
... instigating no distrust in potential victims...
... an individual whose primary target is a single female ...
... sadistic/masochistic/sexually deviant purposes ...
... stealthy, motivated; leaves few clues, indicating ...
... Although this crime was initially classified as ...
... police because a lack of evidence made it difficult ...
... the pattern of behavior, it is being reviewed ...
... due to the brazen methodology displayed by ...


SEATTLE POLICE DEPARTMENT

INFORMATION BULLETIN

TO: ALL CHIEFS OF POLICE
JEFFERSON COUNTY - WHITMAN COUNTY - PIERCE COUNTY
LINCOLN COUNTY - PEND OREILLE COUNTY - SNOHOMISH
COUNTY - KLICKITAT COUNTY - THURSTON COUNTY

FROM: LT. DET. ROBERT BLETCHER

DEPARTMENT: SEATTLE POLICE DEPARTMENT


  Frank: "It's official memoranda, channeled through
  the Seattle PD. How'd you get it?"

  Peter: "Unofficially. Recently passed federal
  legislation requires that local PD be alerted
  when sex offenders are released or paroled into
  the community."

  Frank: (sighs) "Well, tell the Group I really
  appreciate it."

  Peter: "Given the unofficial nature of our
  investigation, I thought it best I not tell
  the Group." (Frank nods.) "I'll be in touch."

[Frank gets out of Watts' car, returns to his home and goes to his office
in the basement.]

[He takes out the pages from the envelope and studies each one. He looks
through the files of the sex offenders and stops at Richard Green's. The
young man in a 1988 photo is bald. He thinks back to his memory at the
church -- how the man looked from behind. He focuses on what appears to
be a clear sign that the man must be wearing a wig.]

[He calls Bletcher by phone at his office. Bletch picks up but there are
a couple of detectives in the office with him.]

  Bletch: "Yeah, Bletcher."

  Frank: "Bletch, I've got a suspect for you."

  Bletch: "Hang on... " (To the detectives) "Just
  give me a minute, will you" 

[He hands them a folder, they leave and he gets back to Frank on the
phone.]

  Bletch: "God damn it, Frank, what did I tell
  you?"

  Frank: "His name is Richard Green."

  Bletch: "Yeah, Richard Green was in the files
  you looked at. You didn't I.D. him."

  Frank: "Green's head is shaved. I think the man
  at the church wore a wig."

  Bletch: "Is that what you think, or is that what
  you want to think?"

  Frank: "Before his incarceration, Green worked
  as a skycap."

  Bletch: "Yeah, at SEA-TAC. That's how he targeted
  his victims. We had him in for questioning last
  night. He's a wacko, Frank, but he's clean, as 
  far as we can tell. He served his time and he
  lives with his parents. Now I want to know how
  you got a hold of Green's confidential files?"

[Reflected on Frank's shut off computer monitor, he sees Catherine come
down the stairs to join him.]

  Frank: "It came across my desk."

  Bletch: "Well, the next time something comes
  across your desk, just let it keep moving, okay?"

[Frank turns to look at Catherine.]

  Frank: "You guys should be watching him, Bletch."

  Bletch: "We've already got him under surveillance.
  Now I'm not asking you this time, I'm ordering you.
  Leave it alone!"

[He slams the phone down. Frank hangs up the phone.]

  Catherine: "They have a suspect?"

  Frank: "They might. Before his release two weeks
  ago, a man named Richard Green served an eight-
  year sentence in an asylum for the criminally 
  insane. He's a sexual sadist who raped, tortured
  and mutilated two women."

  Catherine: "You think he took Helen?"

  Frank: "He fits."

  Catherine: "You've got to tell Tom."

  Frank: "If Green has Helen, then what's happened
  to her is beyond his worst fears. I can't tell
  I can't tell my brother that. I won't until I'm
  sure he needs to know."

[NEXT SCENE: The Green residence. Richard Green is putting things into a
bag: dry wall tape, duct tape, various tools. The television is on in the
background. He is highly agitated, pacing back and forth. He walks to the
window and looks at the police, sitting in a car across the street, on
stakeout.]

  Green: "Sons of bitches!"

[He grabs the bag and heads for the door.]

  Green: "I'm going out."

  Green's Mother: "Richard...  Oh..."

[Green leaves as his father comes up from the basement, smoking a cigarette.
  He stares at his wife as he walks past here.]

[Outside, the two detectives, Giebelhouse and Teeple, watch as Green comes
out of the house.]

  Giebelhouse: "Take a look. Mr. Psycho's taking his morning stroll."

[Green looks over to their car, throws down his bag and loses it.]

  Green: "That's it!"

  Teeple: "What's it?

  Giebelhouse: "This guy's yo-yo snapped."

[Green begins shouting and running towards their car, carrying a chisel in
his hand.]

  Green: "That's it! That's it! That's it!"

  Giebelhouse: "Oh, boy!"

[Both detectives get out of their car and try to reason with Green. He is
waving and slashing the chisel at them and continues to shout.]

  Giebelhouse: "Cool it, Mr. Green."

  Green: "I didn't hurt anybody! Leave me alone!"

  Giebelhouse: "Just calm down, Mr. Green. Nobody
  says you did anything."

  Green: "Leave me alone! I told you, I didn't hurt
  anybody!"

[Mrs. Green shouts at her son from her doorstep.]

  Green's Mother: "Richard, get in here!"

[She gets his attention. He calms down and heads back towards his home.]

  Teeple: "We could bring him in on charges."

  Giebelhouse: "If this guy knows where that woman
  is, he's not going to do us much good sitting in
  a cell."

[She comes out to meet her son and bring him back inside. The detectives
get back into their car as she says to them... ]

  Green's Mother: "You leave my son alone! Just
  ask the hospital! He's all better now!"

  Giebelhouse: "Yeah, he's the picture of mental
  health."


GLENROSA STATE HOSPITAL
FOR THE CRIMINALLY INSANE
3:46 PM


[NEXT SCENE: Frank goes to the hospital that has just discharged Green to
see what he can learn from the doctor who treated him there.]

[An orderly unlocks the door to the ward and allows Frank to enter.]

  Frank: "Thank you."

  Moss: "Mr. Black? I'm Dr. Moss. We spoke on the
  phone about Richard Green."

  Frank: "I wonder if you could show me his room?"

  Moss: "Sure thing."

[They walk down the corridor towards Green's old room.]

  Moss: "I'm sorry to say that I wasn't surprised
  to hear that Richard's in trouble again."

  Frank: "According to his record, he completed his
  scheduled course of treatment."

  Moss: "The psychiatric review panel determined 
  that schedule. If I could have held him longer
  than eight years, I would've, but I was overruled."

  Frank: "Then you expected him to commit more
  crimes."

  Moss: "We have an excellent record here. Ninety
  percent of the criminally insane patients we
  treat never commit another crime."

[She enters a security code and presses a buzzer to gain access to the
patients' sleeping quarters.]

  Frank: "But you weren't surprised that he'd be
  among the ten percent that do."

[MEANWHILE: At the Black residence, Tom sneaks into Frank's basement office.
He tries to open a file cabinet, but it is locked. He turns on the light at
Frank's desk; looks through a file on top of the desk; opens a drawer and
finds some keys. He turns on another light above some file cabinets and
uses the keys to unlock it. Inside he finds the official police memoranda
that Peter Watts had given to Frank earlier. It reads, in part:]


SEATTLE POLICE DEPARTMENT

INFORMATION BULLETIN

TO: ALL CHIEFS OF POLICE
JEFFERSON COUNTY - WHITMAN COUNTY - PIERCE COUNTY
LINCOLN COUNTY - PEND OREILLE COUNTY - SNOHOMISH
COUNTY - KLICKITAT COUNTY - THURSTON COUNTY

FROM: LT. DET. ROBERT BLETCHER

DEPARTMENT: SEATTLE POLICE DEPARTMENT


MESSAGE...

FIND ATTACHED A HOT LIST FOR SUSPECTS...
KIDNAPPING CASE. THESE SUSPECTS...
DURING THE LAST TWO WEEKS. AND...
SUSPECTS LINKED WITH THIS CASE. ...
TO BRING ANY OF THEM IN FOR QUESTIONING...
PLACE AT ST. JOHN'S CHURCH...


[MEANWHILE: At the hospital, Frank and Dr. Moss reach Richard Green's old
room. The doctor opens the door and Frank enters.]

  Moss: "It's been cleaned up. I'm not sure what
  you're expecting to find."

[Frank climbs on top of the bed to look through a small barred window
located high up on the wall. He looks out the window.]

  Frank: "Was he delusional?"

  Moss: "He claimed Satan was forcing him to do
  evil. He thought he was protected as long as
  he stayed here, but the Devil would pull him
  back into evil when he got out."

[Frank again envisions Green trapped in a burning pool of fire, screaming,
trying to claw his way out.]

  Frank: "He saw himself as a victim -- tortured
  like the women that he abducted."

  Moss: "I wish I could say we did something to
  alleviate his delusions. Truth is we let that
  man out of here with only a prescription bottle
  and a prayer."

[Frank turns to look at the doctor and climbs down from the bed. He then
rolls the bed away from the wall.]

  Moss: "What are you doing?"

[There is a symbol carved into the wall, near the floor, which was hidden
by the bed.]

  Frank: "Do you recognize it?"

  Moss: "Richard must have done that. He had
  burn crude marks on his left bicep. They look
  the same."

[Frank bends down to take a closer look at the marks. There is an eight-
pointed star with symbols drawn in and around it. These are contained
within two concentric circles.]

  Frank: "It's the Mark of Lucifer. It's an ancient
  symbol drawn as a sign of eternal loyalty."

[MEANWHILE: Back in Frank's basement, Tom finds Frank's gun at the back of
the drawer he's opened. He removes it from its holster. On the desk is one
of the files from the police memorand -- Richard Green's. And on top of that
lies an ammo quick-load clip. Tom takes the ammo and loads the gun.]

[Sometime later, Catherine is carrying Jordan and goes to answer a ringing
phone.]

  Catherine: "Hello."

  Frank: "Catherine, it's me."

  Catherine: "Oh, Frank, I'm so glad you called.
  I had to take the baby to the Merediths'. Jordan's
  sick."

  Frank: "What's wrong?"

  Catherine: "Uh, I don't know. She's burning up.
  I'm taking her to the doctor now."

  Frank: "Where's Tom?"

  Catherine: "Isn't he with you?"

  Frank: "What are you talking about?"

  Catherine: "He left about an hour ago. He said
  he was going to meet you downtown."

[Frank shuts off his cellphone and leaves the hospital.]

[Outside the Green residence, Tom pounds on the door. Richard Green opens
it.]

  Green: "What do you want?"

  Tom: "Where is she?"

  Green: "I don't know."

[Tom points Frank's gun at Green.]

  Tom: "You know. You're going to tell. Tell me
  where she is."


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[Tom continues to point the gun at Green, becoming more emotionally
distraught, and repeating his question... ]

  Tom: "Where is my wife?"

[Green doesn't respond.]

  Tom: "You son of a... ! Where is my wife?!"

[He grabs Green by the lapel of his jacket, forcing him to his knees.

  Tom: "I will kill you." (He cocks the gun.)
  "Tell me!"

  Green: "I don't know."

[The detectives come running up behind Tom, guns drawn, pointing at Tom,
trying to reason with him.]

  Giebelhouse: "Mr. Black! Put it down, Mr. Black."

[Tom gets down on his knees in front of Green, practically begging his
question once again.]

  Tom: "Tell me where she is."

  Giebelhouse: "We don't want to get confused
  about who the bad guy is here, Mr. Black. Put
  it down."

  Tom: "He took her!"

  Giebelhouse: "We don't want to hurt you, Tom.
  But we will if we have to, you know that."

[Green's mother comes up behind her son, in the hallway to see at what's
happening.]

  Tom: "He can tell me where she is! Let me make
  him tell me where she is!"

[Green puts his hand on the gun, holding it to his chest.]

  Green: "Go ahead. Shoot me."

  Giebelhouse: "Don't do it, Tom."

  Green: "Kill me! Do it!"

  Giebelhouse: "That's what he wants. He can't
  tell you anything if he's dead. Put it down."

  Green: (Grunts.) "Come on! Come on!"

[Tom begins to crumble, lowering the gun... ]

  Giebelhouse: "That's it." (Reaching out to Tom.)

  Tom: "Please- "

  Giebelhouse: "Come on. You know this isn't going
  to work. Put it down." (Tom finally does.) "That's
  it. Now put it down. That's it."

[Tom finally sits on the ground, crying.]


10:32 PM


[Frank arrives home, quite angry. He sees Tom sitting at the dining room
table, enters the room, pulling the pocket doors shut behind him that lead
into the room.]

  Frank: "What the hell were you trying to do
  over there, Tom?"

  Tom: "The only thing I could do."

  Frank: "Breaking into my basement and stealing
  my gun? You only made it worse."

  Tom: "I was trying to find her."

  Frank: "So was I."

[Tom snaps a glare at Frank.]

  Tom: "This never would have happened if we
  hadn't come here to see you! You don't see it,
  do you, Frank? You bring it upon yourself. It's
  a sickness! You can't just keep it locked away
  in the basement!"

  Frank: "I would do anything to protect you and
  yours."

  Tom: "By keeping me in the dark, just like you
  always have. I don't want your protection. I 
  want the truth!"

  Frank: "Some truths are better left unknown."

  Tom: "But you can't keep them from us, can you,
  Frank? You can't keep them from any of us."

[Frank is taken aback by what Tom has said and is unable to respond.]

[NEXT SCENE: Upstairs in Jordan's bedroom. Ben, the Black's dog, lies on
top of Jordan's bed, at her feet. Jordan is fast asleep. Frank goes up to
check on her.]

[Frank sits at the edge of the bed and touches his daughter's head. He
smiles at her. Then he notices a bandage on her out-stretched arm.]

[Catherine stands in the doorway and calls to him softly... ]

  Catherine: "Frank?"

[He leaves his side and joins his wife.]

  Frank: "They took blood?"

  Catherine: "At first the doctor thought that she
  picked up something from the baby. But it's the
  same thing as when we first moved in here. They
  ran some tests and they couldn't find anything
  wrong with her."

  Frank: "How is she tonight?"

  Catherine: "She's still running a fever." (sighs)
  "She's such a good little girl. Never complains.
  It's like the whole world has gone to hell."

[They embrace, trying to comfort each other when Frank notices his beeper
and the message: 2000, time: 23:02]

[NEXT SCENE: Sound of thunder. It begins to rain heavily. Frank's Jeep
pulls up beside Peter Watts' car on a road somewhere. Tom is with Frank
as Peter steps out of his car and walks over to the Jeep.]

  Frank: "This is my brother Tom." (They nod at
  one another.)

  Peter: "I got into the police garage and examined
  the abandoned vehicle with Helen's blood. I found
  these in one of the heating vents."

[He hands Frank something inside of an evidence bag. Frank turns on a light
to examine the leaves contained in the bag.]

  Peter: "They're from a Port Orford tree. It's
  a kind of cedar native to Japan. The only
  place it's found in the State of Washington 
  is Peninsula National Park. The Department of
  Natural Resources did a trial planting there."

  Frank: "Twenty miles north." (Peter nods.)

[NEXT SCENE: Peninsula National Park. The three of them drive up to the
park in Frank's Jeep.]

[Using a flashlight, Peter checks a map, looking for entrances into the
park.]

  Peter: "This is the only access road into the
  park."

  Tom: "Why take her here? Aren't there people
  around?"

  Frank: "Not at this time of the year. He'd take
  her to a remote spot, someplace where he wouldn't
  be overheard."

[Peter looks off to one side, spotting something.]

  Peter: "Frank, stop the car. There's a cabin
  back there."

[The three of them, each with flashligts, run into the woods, towards the
cabin to check it out.]

[They open the door and Frank and Tom stand by the door while Peter searches
through the cabin. It is empty, filthy, its windows covered with newspaper
and the back door wide open. The floor is littered with paper, covered in
blood. Under a bit of newspaper, Peter finds a ring.]

  Peter: "Do you recognize this ring?"

  Tom: "It's Helen's."


FEBRUARY 6
7:01 AM


[NEXT SCENE: Same location, outside the cabin. It's morning and they've been
there all night. There are police and sheriff vehicles everywhere. Bletcher
is also there, giving orders on his radio.]

  Bletch: "Cover every inch of these woods."

  Radio: "Ten-four."

[Inside the cabin, forensics is taking samples of blood from the walls,
and taking prints from the windows, etc. Frank is standing by the open
door, looking at the blood inside.]

  Bletch: "Bastard got away from us, Frank."

  Frank: "You did everything you could."

  Bletch: "It wasn't enough. We made some casts of
  the tire tracks outside. They match the abandoned
  car. I got my men in the woods, looking for her
  body. It may be a little late, Frank, but, uh,
  you got any thoughts about this? Anything you
  think we've missed?"

  Frank: "I don't know how he did it. You've had
  him under surveillance since Sunday night. How
  did he have time to get up here and dispose of
  the body?"

  Bletch: "He could have killed her Sunday afternoon
  before we brought him in for questioning... before
  we even knew he was a suspect. There's a lot of
  blood here. Some of it may be Green's. I'll give
  you a call... once we get the goods to pick him
  up."

[Tom is stunned, silently crying in Frank's Jeep. Frank stops to ask a
favor of Peter Watts before joining his brother.]

  Frank: "One last thing: could you make sure the
  ring doesn't get lost?" (Rubbing his own wedding
  ring throughout.)

[Watts nods. Frank sighs deeply and he heads toward his car. He looks
through the windshield at his brother who is staring straight ahead.
Frank gets in the car.]

  Frank: "Peter Watts is going to stay here and
  review the evidence. Tom?"

[Tom continues to stare straight ahead.]

  Tom: "I feel nothing. There's nothing inside.
  None of this is real."

  Frank: "Are you ready to leave?"

[Tom finally looks at Frank and nods.]

  Tom: "Let's get out of here." (And they do.)


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


FEBRUARY 6
10:16 AM


[NEXT SCENE: The Black residence. Jordan's bedroom. Jordan is still in bed,
sick. Catherine dampens a towel and takes her temperature.]

  Catherine: "So, how you feeling?"

  Jordan: "Okay."

[She takes the thermometer from Jordan's mouth and looks at it.]

  Jordan: "What's it say, Mommy?"

  Catherine: "It says you're still sick, sweet face."

  Jordan: "Aren't you going to work today?"

  Catherine: "I'm going to stay home from work today."

[She places the damp towel on Jordan's forehead.]

  Jordan: "Why?"

  Catherine: "So I can be home with you."

  Jordan: "Why?"

  Catherine: "Because you're my sweet little girl."

  Jordan: "Why?"

[They both begin giggling.]

  Catherine: "Because I love you and I'm going to
  tickle you silly if you keep asking me why!"

[She tickles her and they both laugh again.]

[Frank arrives home and calls out from downstairs.]

  Frank: "Anyone home?"

  Jordan: "Daddy and Uncle Tom are home."

  Catherine: "Mommy'll be right back."

[She kisses Jordan's hand and heads for the door.]

  Jordan: "Mommy?"

  Catherine: "What is it, Jordan?"

  Jordan: "Why is he so mad?"

  Catherine: "Why is who so mad?"

  Jordan: "The man who's making Aunt Helen cry."

[Catherine turns and stares at her daughter as Frank comes into the bedroom
to greet Jordan.]

  Frank: "Hi, sweetie."

  Jordan: "Hi, Daddy."

  Frank: "Hi."

[Frank smiles at her and turns toward Catherine. His smile dissolves into
concern when he sees her expression.]

  Frank: "Catherine?"

[She doesn't say anything. She just looks from him to Jordan.]

[NEXT SCENE: The Green residence. The police are putting handcuffs on
Richard Green and taking him into custody. The Mark of Lucifer can be
seen on his left arm as they take him away.]

  Giebelhouse: "Let's go."

[Frank arrives.]

  Bletch: "There were traces of Green's blood in the
  cabin. He's our guy, but he's still not talking.
  We found these tools in his room."

[He shows Frank the bag of tools Green tried to leave the house with
earlier.]

  Bletch: "He had this wig in his dresser drawer."

[He shows Frank a wig in an evidence bag.]

  Frank: "That's not why you called me here."

  Bletch: "No. There is something else. I think
  you should take a look."

[Bletch and Frank go out to the Green backyard.]

[Police have cordened off several areas of the yard. Two officers are using
metal detectors. Another two are sifting a segment of dirt. And still others
are digging a hole. Everything is carefully marked and labeled.]

  Bletch: "Forensic techs found a plastic clothes
  bag buried under six inches of sod."

[Bletch tries to make a path through some officers who are busily making
notes.]

  Bletch: "Excuse us, guys."

  Tech: "Let's see what we've got here."

[One of the techs is about to remove a plastic covering from something 
in the dug hole. Frank bends to get a closer look. Before the covering is
lifted he turns to Bletch and says... ]

  Frank: "It's not her."

[Frank walks away. Bletch leans over to take a look at the revealed body and
sees a decomposed corpse that could not possibly be Helen Black.]


5:15 PM


[NEXT SCENE: The police department. Tom is holding Helen's ring, still
in an evidence bag. Frank takes it from him.]

  Tom: "Where is she?"

  Frank: "They're still questoining him in there.
  He insists he doesn't know where she is."

[Peter arrives.]

  Frank: "Peter."

  Peter: "We examined the remains at Green's
  house. Something interesting... "

[Frank is hesitant to let Tom see whatever Peter has brought with him.]

  Tom: "I want to see."

  Frank: "Tom."

  Tom: "I can take it."

[Frank gives in and nods to Peter.]

  Peter: "Here."

[They move over to use a desk lamp and view several Polaroids Peter has
taken of the remains. Peter shows the photos to Frank while Tom has to
peek over Peter's shoulder.]

[The photos show the hole, clearly marked and its sections labeled. The
body still in the hole in various stages of being unearthed.]

  Peter: "The wrappings on the victim preserved
  the body exceptionally well. Judging from the
  decay, this woman would have died nine or ten
  years ago predating Green's incarceration.
  Like the victims previously identified as his,
  she was sexually assaulted, mutilated."

  Frank: "What did you want me to see?"

  Peter: "Here."

[The last photo is of the victim, her mouth wide open. There is a burn mark
visible. It resembles the Mark of Lucifer.]

  Peter: "The roof of the victim's mouth."

  Frank: "They're burn marks."

  Peter: "Probably from a cigarette, it's hard
  to tell. It appears to depict a star surrounded
  by a circle."

  Frank: "That's the same symbol burned into
  Green's arm. We have to go back to Green's
  house. There's something we missed."

[They drive back to the Green residence. Bletcher has just arrived too.
They all get out of their cars and head for the front door. Police are
already on the scene and inside the house.]

  Bletch: "You want to let me in on the secret,
  Frank?"

  Frank: "Richard Green didn't kill her at the
  cabin, Bletch."

  Bletch: "We got his blood at the scene."

  Frank: "You've had him under surveillance since
  Sunday. He only had the opportunity to move her
  once. If he killed her, he would have had to do
  something with the body."

[They open the door and enter. Mrs. Green rushes over to try and stop them.]

  Green's Mother: "What is it now? What do you
  people want?"

  Bletch: "Bear with us, Mrs. Green, huh?"

[Frank gestures for Tom to join him as he begins pounding the walls,
searching for a hollow spot.]

  Bletch: "You're not making sense to me here,
  Frank."

  Frank: "Those tools you showed me were clean.
  They weren't part of his torture kit, Bletch.
  He was using it to hide the body."

[Peter Watts calls out to Frank from the basement.]

  Peter: "Frank!"

[Frank grabs Tom's arm and runs to join Peter.]

[Peter is running his hand along a wall. He can still feel the residue from
recently used the wallpaper paste.]

  Peter: "This is new."

[Peter punches a hole in the wall with his fist, then uses a flashlight to
see what's inside.]

  Peter: "No."

[He finds nothing in that area. Frank then begins pounding away at another
area with his forearm and shoulder. Peter, Frank and Tom tear and yank at
bits of dry wall until they reveal a bound, gagged and unconscious Helen.
Tom begins crying, fearing that she's already dead. Frank reaches in to find
her hand.]

  Frank: "She's warm."

  Bletch: "Mother of God! Let me get a paramedic!"

[Bletch runs off to get help as Tom, moaning and crying, moves in to free
his wife from her restraints and to remove the tape from her mouth.]

  Tom: "Oh, baby! Oh, God!"

[Helen's mouth is covered with blood as Tom and Peter continue to try and
remove her from the wall.]

[Frank is on his knees, helping, when he looks up and sees Green's father
looking down on them from the top of the stairs. He rises and continue
to look at the man who is defiantly smoking a cigarette, completely
dispassionate and removed from what's happening around him. This triggers
a brief recurrence of the vision Frank had earlier. He again hears Richard
Green screaming, surrounded by fire, the mark of Lucifer burned into the
man's arm, blood. He knows the truth about Richard's father.]


FEBRUARY 20
TWO WEEKS LATER


[NEXT SCENE: The Black residence. Frank sits outside on his porch, on the
top step. Bletcher drives up, and goes up to the house.]

  Bletch: "Hi, Frank."

  Frank: "Hey, Bletch."

[He joins Frank on the step.]

  Bletch: "I just wanted to give you the rundown
  before Tom and Helen came back from the hospital."

  Frank: "Bad news?"

  Bletch: "The old man's got a good attorney. Can't
  prove his involvement one way or the other."

  Frank: "He used his son to procure his victims.
  He was the Devil that Green couldn't escape."

  Bletch: "Yeah, his... Green's shrink is working
  on him now but his testimony won't be worth much."

[Frank shakes his head.]

  Bletch: "I'm sorry, Frank."

  Frank: "You saved Helen's life, Bletch. It's
  your surveillance that forced him into hiding
  her in his house."

[Tom and Helen drive up. As Tom gets out of the car, Jordan and Catherine,
who is carrying the baby, come out of the house and speak with Bletcher.]

  Catherine: "Hi, Bob."

  Bletch: "Hi, Catherine. Hi, Jordan. How're you
  doing? I heard you were sick."

  Catherine: "She's much better now."

[Tom walks over to open the door for his wife and help her out of the car.
Frank steps over to the curb to meet them. She looks weak but is recovering
from her ordeal.]

[Catherine brings the baby to Helen and places him in her arms.]

  Catherine: "Here's the little man you've been
  waiting to see."

[Deep bite marks can be seen on Helen's left cheek as she holds and smiles
at her son.]

[Frank looks at Jordan, who is clutching at her mother's side. He walks
over to her and stretches his hand out to her.]

  Frank: "Come on, sweetheart. Let's take a walk."

[Father and daughter walk off together, hand in hand as his brother's family
is reunited.]


[The credit fades in from black... ]


Executive Producer: Chris Carter


---------  commercial segment  ---------


[End titles roll]


Ten Thirteen Productions
in association with

20th Century Fox Television (R)
A News Corporation Company

Co-Starring

Lorena Gale (Dr. Patricia Moss)
Daphne Goldrick (Green's Mother)
French Tickner (Store Clerk)
Ken Roberts (Green's Father)
Liz Bryson (Helen Black)

Casting by Rick Pagano/Debi Maniwiller, C.S.A.
Vancouver Casting by Coreen Mayrs
Original Casting by Randy Stone, C.S.A.
Production Manager: Kathy Gilroy-Sereda
First Assistant Director: Craig Matheson
Second Assistant Director: Jerald Schoenroth
Set Decorator: Louise Roper
Art Director: James Steuart
Construction Coordinator: Mike Rennison
Script Supervisor: Kimi Webber
Location Manager: Danny McWilliams
Hair Stylist: Brenda Gibson
Makeup Artist: Natalie Cosco
Special Effects Makeup: Lindala Makeup Effects, Inc.
Costume Designer: Diane Widas
Head Painter: Jenny Seinen
Sound Mixer: Rob Young
Camera Operators: Rod Pridy, Mike Wrinch
Gaffer: Blair MacDonald
Key Grip: Brian Smith
2nd Unit Director of Photography: Les Erskine
Property Master: Kimberley Regent
Special Effects Coordinator: Bob Comer
Stunt Coordinator: Lou Bollo
Transportation Coordinator: James Perenseff
Extras Casting: Lisa Ratke
Assistants to Chris Carter: Mary Astadourian, Joanne Service
Production Coordinator: Isabel Johnson
Post Production Supervisor: Julie Herlocker
Casting Associate - Los Angeles: Alfred Gomez
Casting Associate - Vancouver: Heike Brandstatter
Post Production Sound: West Productions, Inc.
Supervising Sound Editor: Mark R. Crookston
Re-Recording Mixers: James G. Williams, Bryan Gladstone, Don MacDougall
Re-Recording Engineer: Steven Coxer
Scoring Mixer: Larold Rebhun
Music Editor: Jeff Charbonneau
Assistant Editors: Robert Hudson, Jim Thomson
On-Line Editor: Brian C. Baxter
DaVinci Colorist: Philip Azenzer
Visual Effects by Area 51
Visual Effects Supervisor: Glenn Campbell
Visual Effects Producer: Tim McHugh
Main Title Sequence by Ramsey McDaniel/Storm Media
Processing by Gastown Labs
Telecine by Gastown Post
Electronic Assembly by Encore Video
Cameras and Lenses by Clairmont Camera
Vehicles Provided by Chrysler
Filmed on Location in British Columbia, Canada
Presented in Dolby Surround TM where available

Copyright (c) 1997
Twentieth Century Fox Film Corporation
All Rights Reserved #4C14

Twentieth Century Fox Film Corporation is the author of this motion
picture for purposes of copyright and other laws.

The characters and names depicted in this photoplay are fictitious. Any
similarity to actual persons, living or dead, is purely coincidental.

Ownership of this motion picture is protected by copyright and other
applicable laws, and any unauthorized duplication, distribution or
exhibition of this motion picture could result in criminal prosecution
as well as civil liability.

========================================================
Millennium
Copyright and TM, 1997 -- FOX Broadcasting Company
========================================================

Last Updated: April 14, 1997
Copyright (c) 1997 -- Nightowl Productions
Webmaster: Maria Vitale -- E-mail: nightowl@nyct.net