LA FEMME NIKITA
Off Profile

#218 "Off Profile"
Written by: David Ehrman
Directed: John Fawcett
Edited by: Richard Wells
Transcript Archived at TWIZ TV.COM
Originally posted at Flash Mission
Transcribed by: Karen H

co-starring:
Andrea Karsov: Céline Bonnier
Belinda: Jill Dyck
Hans Korda: Rene Beau Dean
Lab Tech: Robert Eaton
Mentz: Neno Vojinovit

A = Andrea Karsov B = Birkoff BL = Belinda FT = Female Tech K = Korda LT = Lab Tech M = Michael MA = Madeline MT = Med Tech N = Nikita O = Operations W = Walter


TEASER
INTERIOR - SECTION / VAN ACCESS - NIGHT

The door to Van Access swings opens and two Med Techs hurriedly push a gurney through carrying a wounded Operative.

[MT1] Clear the way!

[MT2] Apply the pressure bandage to ....

Another wounded Operative, limping and assisted by a fellow Team member, follows close behind. Michael and Nikita bring up the rear. Michael's face, as usual, reveals nothing, but Nikita gives him several hooded looks, knowing he's not pleased about some aspect of the Mission, which obviously ended in failure. They are 'greeted' as soon as they enter Section by Operations, hands in his pockets, who is not a 'happy camper.'

[O] Why did you abort?

Michael turns to face Operations, Nikita standing behind him.

[M] We had to. We went critical ten minutes into the Mission.

[O] We lost Korda. We'll have to start from scratch.

[M] Deployment was off by a factor of two. The Mission Profile was faulty.

[A] (VOICE) No.

Michael, Nikita and Operations turn to see a diminutive redhead dressed in black walking down the corridor towards them. She exudes arrogant self-assuredness.

[A] There was nothing wrong with the Profile.

Michael turns back to Operations, his tone quiet, but revealing his dislike in being challenged.

[M] Who is this?

[Now, this surprises me. It was my understanding that the Team Leader always met with the Mission Profiler at least once before launching the Mission. Again, I realize we are looking at a 'convenient plot device,' made to build the episode around, but Michael's attitude seems to suggest he thinks Operations waited till he wasn't looking, then switched Profilers on him.]

[O] Andrea Karsov. A new Mission Profiler.

[A] (TO MICHAEL) The flaw was in your execution.

[O] Check the tapes, get this settled. You'll be going out again soon.

Operations stalks away. Michael briefly moves aside to let Andrea pass, then follows behind her. Nikita is bringing up the rear. She stops a moment to pull off a glove while she studies their backs, trying to identify the undercurrents.


INTERIOR - SECTION / SYSTEMS

One of the Systems' flat mounted monitors show a tape of the failed Mission [actually, it is "Rescue's" Mission where Michael is wounded and left behind. The portion shown is in the Teaser, where Section enters the chemical plant's grounds.]

[A] (VOICE) Look at Sector Five.

Michael and Andrea are reviewing the tapes together. Nikita is back with Birkoff, leaning over his shoulder to look at his monitor.

[A] They didn't penetrate, as the plan required.

[M] The couldn't. The perimeter was unsecured.

[A] For less than thirty seconds.

[M] That's unacceptable.

[A] We'd have captured the target.

[M] No. The window was too narrow.

Both Nikita and Birkoff are watching the stalemated 'discussion.' Both also seem more than happy not to join in the debate. [I think part of their 'fascination' is that they've never seen anyone, except Operations or Madeline, disagree with, much less stand up to, Michael over Mission strategy.]

[A] The window was wide enough for two units to make an entry.

Operations enters, surprised that no decision has been reached pertaining to the Mission failure.

[O] Hasn't this been resolved yet?

Michael turns to look at Operations, somewhat 'displeased' Andrea is not backing down.

[M] Not yet.

[O] Deal with it later. Right now, we need a new Mission design.

Michael walks over to stand near Operations.

[M] I want a different Profiler. ... She doesn't have any field experience. Her designs are too theoretical.

Andrea still refuses to bend.

[A] My designs are correct.

Operations takes a moment to study both Operatives.

[O] (THOUGHTFUL) Field experience might be useful.

Operations reaches a decision and hands out new orders.

[O] Michael, she's on your Team for the next Mission. Make the necessary arrangements.

Once again, though unable to read anything in Michael's voice or face, his air indicates that Andrea is not a welcomed addition to the Team.

[M] We can't protect her out there.

[A] (TO MICHAEL) I can take care of myself.

Operations stares, first at Michael, then Andrea, his look indicating that whether Michael likes it or not, Andrea is now part of his Team, before walking out of Systems. Michael watches Operations leave, then glances at Andrea, who returns his stare for a couple seconds, then returns her attention to the monitor displaying the Mission tape. Nikita watches them both, not knowing what to make of the sparks flying between them.


SECTION / BRIEFING AREA

Operations is briefing Michael, Andrea, Birkoff and two other Operatives on the Mission's status. [I found it interesting that Nikita is not present at the briefing, particularly since you don't see these Operatives again in the episode. This happened several times in the last four episodes from Season Two.] As he speaks, he brings up a Blue Screen depicting the genetic codes being discussed.

[O] Six weeks ago these genetic codes were stolen from a lab in Zurich. These codes could be used to manufacture designer viruses.

[A] Designer viruses?

[O] Plagues genetically programmed to attack specific ethnic groups.

Operations changes the Blue Screen, so that it now shows the Profile of the man they need to capture.

[O] This is Hans Korda ..., a geneticist .. connected with the group who stole these codes. The aborted Mission .. not only failed to capture him, it exposed our intentions.

As Operations speaks, Michael and Andrea trade a brief look - both gazes probing and unemotional. Operations disengages the Blue Screen as he brings the briefing to an end.

[O] You leave in two hours. (TO MICHAEL AND ANDREA) No mistakes this time ..., in design or execution. (ORDER) Bring back Korda.

Having made it perfectly clear that everyone better 'play nice,' Operations leaves, which signals the briefing's end.


SECTION - MUNITIONS (WALTER'S AREA)

Walter is seated at his worktable, tinkering on something he's viewing through a magnifier mounted on a stand.

[O] (VOICE) Walter.

When he hears Operations' voice, Walter turns, his expression devoid of any emotion. Walter obviously hasn't forgotten or forgiven Operations' part in Belinda's death.

[O] George called. .. Oversight believes we used the Winchester Protocol in Afghanistan last month.

Walter thinks back, mentally going over the Mission in question.

[W] Yeah, we did.

[O] Well, since its been forbidden numerous times at the highest levels, our position is that we didn't.

Walter's face now shows an almost contemplative expression, as he realizes the reason for Operations' visit.

[O] George is coming here .. to interview the Tactical Group. .. Birkoff has agreed to support us. .. We expect your cooperation as well.

Walter says nothing, just looks back at his worktable. Operations realizes this is not a good sign. He looks down briefly, giving a sigh of almost impatience, before moving nearer to Walter.

[O] Walter, I've told you ..., I regret what happened to Belinda. .. But it was standard .. procedure. It wasn't personal.

Walter's eyes widen for a second when he hears Operations 'apology' over Belinda, but still refuses to look at him.

[O] Will you support our position? ... I need to know I can count on you.

Walter finally looks up at Operations.

[W] I'm not sure you can.

Operations nods and moves away, Walter's answer disappointing, but not unexpected. A austere expression drops over Operations' face

[O] (THREAT) I strongly advise you to reconsider.

Walter's response is to give Operations a cynical smile.

[W] (TAUNT) What are you gonna do, cancel me?

Walter looks up and sees the Answer in Operations' face.

[W] Go ahead.

Walter gets back to work, plainly uncaring what the 'head honcho' decides to do. Operations is stymied, realizing that threats will no longer work with this Operative. He stares at Walter a moment, before turning and leaving Munitions. Walter looks up and watches Operations walk away, a satisfied gleam in his eye. He then gives a melancholy sigh, staring off into the distance.


SECTION - CORRIDOR OUTSIDE MADELINE'S OFFICE

Madeline and Operations walk past Systems on their way to Madeline's office. They are discussing Walter's mindset.

[MA] Obviously, he still blames you for Belinda's death.

[O] I had no choice. She was in Abeyance.

[MA] You might have postponed the final order for a few days.

The door to Madeline's office slides open and they enter.

[O] Why postpone the inevitable?


SECTION - MADELINE'S OFFICE

Operations' hands are in his pockets as he saunters in behind Madeline.

[O] Besides ..., nobody asked him to marry someone with a weak performance record.

Madeline takes a seat behind her desk, while Operations remains standing on the other side.

[MA] He'll put it behind him, in time.

[O] We don't have time. The investigation is proceeding.

Madeline thinks a moment, then offers another solution.

[MA] We could cancel him.

[O] I don't want to do that. ... He's been here as long as I can remember.

Madeline unemotionally voices another, and probably the real, reason.

[MA] And if a .. key member .. of the Tactical Team dies just before he's questioned .., it will only complicate things further.

Operations nods his head briefly, his expression affirming Madeline's insinuation.

[O] That, too.

[MA] We have a few days before George arrives. Let me work on it.

[O] I'd appreciate that.

Operations gives her a small smile in thanks, then leaves her office. Madeline watches him go, her mind already turning over possible scenarios.


INTERIOR - SECTION / MUNITIONS

Nikita sticks a small round patch behind her shoulder blade, which hooks her into Section's Comm System, plus enables Birkoff to track her. She looks up, sees Andrea having trouble placing the patch and walks over to help. As she helps Andrea, Walter walks out of his storeroom, holding their requested weapons.

[A] (TO NIKITA) Thank you.

Walter places Andrea's gun down on his worktable in front of Andrea, not that happy with her choice.

[W] Most Field Ops prefer to use a lighter weapon.

Andrea gives a small smile as she checks the gun's chamber for ammunition, then slides it into her holster.

[A] I trained with this.

Walter still tries to change Andrea's mind.

[W] Shooting at people isn't the same as shooting at holograms.

[A] Why is that?

Nikita can't help joining in the discussion, giving one of her usual quips.

[N] Umm, people shoot back.

Andrea has a 'quip' of her own.

[A] Not if they're dead.

Andrea looks at Nikita, effectively ending the discussion, then walks out of Munitions, ignoring Walter completely. Walter and Nikita share a look - satirically acknowledging they have been 'put in their place' - before they both turn to watch Andrea walk away.


INTERIOR - BUILDING LOBBY - DAY

Michael, Nikita and Andrea enter a high, narrow hallway, with Michael leading. All are dressed in black, with Andrea being the only one not wearing sunglasses. They smoothly walk up to the guard on duty in the Lobby Reception. The guard is about to take a sip of coffee, but stops when he sees them approach. Before he can do more than stand, Michael pulls out a tazer and shoots him with a dart. The jolt of electricity is powerful enough to throw the guard against the wall before sliding to the floor, unconscious. Andrea quickly removes her long black coat to reveal a uniform identical to the guard's. She walks behind Reception and quickly logs into the guard's computer. The computer screen reads-

ENTER SECURITY ACCESS CODE:
LOG IN: GN-76266894

It pauses, then-

CONFIRMING PASSWORD ....

The screen blinks a moment, then clears to read-

PASSWORD VERIFIED

Andrea pulls out a newly authorized security card and hands it to Michael.

[A] You're clear to go.

[M] Keep the position clean.

Nikita and Michael turn and walk to the elevator banks. As they do this, Andrea checks the security monitors for signs of other personnel.


BUILDING / ELEVATOR

Michael and Nikita enter an old fashioned looking elevator, and Michael pulls the two gate doors shut. Once secured, he slides the security card down the card slot located next to the door. The elevator immediately starts descending to the basement. As the elevator continues down, Michael moves to stand next to Nikita at the rear of the elevator.


LOBBY / RECEPTION

Andrea has located the other security guards on the monitors, including those guarding Korda.


ELEVATOR

Nikita chambers a round in her gun as Michael checks in with Andrea.

[M] Position and number of hostiles inside location.


BUILDING / LOBBY

[A] Two guards at the entry point .., plus the target.


BUILDING / KORDA'S ROOM

Except for a leather chair and television set, the room resembles a janitor's storage area. It is packed with cleaning equipment, boxes and stepladders. Korda is seated watching a movie on the television, a remote in one hand. Behind him is a short stairway leading to a raised hallway on one side, the front door at the other. One security man is leaning against the door while the second has one of his feet propped up on the stairway banister. Their attention is focused on the movie Korda is watching. The security man leaning against the banister straightens and walks down the open hallway to use the bathroom, located off a room at the far end of the hallway. [All I can say about the security measures taken is that it looks like a businessman set them up. No self respecting terrorist group would make it so easy to get to Korda.]


BUILDING / BASEMENT HALLWAY

Michael and Nikita reach the basement and exit the elevator. They turn right and walk down a hallway lined with pipes running along its ceiling.


BUILDING / KORDA'S ROOM

With the remote still in his right hand, Korda uses his teeth to open a small sealed envelope, spitting out the torn top. The television screen shows a bus ramming into exploding cars.


BUILDING / BASEMENT HALLWAY

As they near Korda's hiding place, Nikita looks behind them to make sure they are not being followed and checks closed doors they pass.


BUILDING / KORDA'S ROOM

Without removing his eyes from the television, Korda reaches out and gets ready to drop what looks like an antacid tablet into a glass of water.


BUILDING / LOBBY

One of the monitors at the guard's desk show Michael and Nikita have arrived at Korda's room. The other shows the second guard has not returned, leaving only one guard on duty, still leaning against the door, his concentration focused on the television.


BUILDING / KORDA'S ROOM

The television screen now has the bus involved in a crash that causes a loud series of explosions.


BUILDING / BASEMENT HALLWAY

Michael waits until the noise from the television escalates, then kicks the door open.


BUILDING / KORDA'S ROOM

Korda drops his antacid tablet into the water at the same time Michael kicks the door open. Michael's kick drives the door into the guard, propelling him into the nearby side wall. Michael then holds the door open, effectively pining the guard behind it. While Michael keeps the guard pinned, Nikita shoots through the door twice, hitting the guard on the other side. The second guard hears the commotion and starts to enter the hallway, still fastening his pants. Michael shoots him before he can draw his gun. [Actually, you never see the guard's gun when he enters the hallway here. I'm just assuming that, being a bodyguard who hears gunfire, he has the intelligence to bring his gun with him. But, then, this is a bodyguard who hears gun shots and walks into the line of fire still zipping up his zipper!] As soon as Michael kicks the door open, Korda leaps up from his chair and turns around, hands raised, one of them still clutching the remote. Michael keeps his gun trained on the scientist while Nikita approaches, gun also aimed at Korda. She walks around to stand behind him, patting him down for hidden weapons at the same time. When Michael sees Nikita has stationed herself behind Korda, gun to his back, he lowers his gun and checks in with Andrea.

[M] We have Korda.


BUILDING / LOBBY

One of the guard's monitors show two more security men racing down the fire exit stairs.

[A] Two guards in the stairwell. Headed down.


BUILDING / KORDA'S ROOM

[M] They're yours.


BUILDING / LOBBY

Andrea pulls out her gun and gets up.

[A] Hold and wait for my signal.

Andrea, gun drawn, stands on the other side of the door leading to the stairwell, listening for Korda's men.


BUILDING / KORDA'S ROOM

Meanwhile, Nikita jabs her gun into Korda's neck, pushing him toward the room's exit.


BUILDING / STAIRWELL

Andrea waits until she hears the guards running past the door to the lobby, then shoves the door open and starts firing. The guards have just begun to descend the next stairs and Andrea is able to take out the second guard. The first guard shoots back, forcing Andrea to take cover behind the balustrade. He takes this opportunity to continue down the stairs, with Andrea now in pursuit. She leans over the banister and manages to wound him, then descends halfway down the stairs to finish him off. Before she can do so, the guard takes one more potshot at her. It just misses her head, but the woman doesn't even flinch, just pumps two more bullets into him. The guard falls backward and rolls down the stairs, coming to a halt on the next landing. Andrea follows to make sure the man is dead before checking in with Michael.

[A] Stairs are clear.

Michael enters the stairwell followed by Nikita who is pushing Korda in front of her. As they start to climb, another guard appears behind Michael and Nikita, ready to fire. Before he can shoot, however, Andrea turns and coldly blows him away. Michael and Andrea briefly hold a look before Andrea turns and leads the way out of the stairwell.

[M] (TO NIKITA) Let's go.


INTERIOR - SECTION / VAN ACCESS

The Team enters Section, Andrea leading, followed by Michael. Nikita and another Operative enter last, escorting a bound and gagged Korda [Korda's gag looks similar to the one they used on Kessler].

[M] (TO ANDREA) Good work.

[A] It was a simple enough Mission.

[M] First time under fire is never simple.

Once inside, Michael turns and gives Nikita and the other Operative instructions.

[M] Prepare him for interrogation.

For once, Michael acts as if Nikita is invisible, saying nothing more to her, just turns back to follow Andrea.

[M] (TO ANDREA) Would you like to join me for dinner?

Hearing Michael, Nikita turns and stares after him, her expression seeming to ask "just what are you up to now?"

[A] Umm, no, thank you. I don't go out much.

Michael has caught up to Andrea, and refuses to accept her refusal.

[M] With anyone, or ... only Operatives?

Andrea turns and looks up at Michael, obviously unimpressed with the invitation.

[A] With anyone, especially Section Operatives.

[M] We got off on the wrong foot. It was partly my fault. I'd like to make amends.

[A] It was nobody's fault. No amends necessary.

[M] No amends then. Just pleasure.

[A] Forget dinner, Michael. Its not gonna happen.

[M] Okay.

Michael nods, then walks around to her other side.

[M] How about a cup of coffee? .. I'd like to know you better.

Andrea gives up, realizing Michael won't quit until he has his way. She nods her agreement, and they walk off together. At the other end of the corridor, Nikita shakes her head, a small, but cynical smile on her face as she turns to follow the Operative holding Korda.


INTERIOR - SECTION / COMM - EARLY MORNING

Nikita enters the Common Area and is surprised to see Birkoff already working in Comm. She walks over to greet him.

[N] Morning, Birkoff.

Birkoff doesn't bother to look up, but returns her greeting.

[B] Hi.

[N] You're here early.

Nikita sits on the desk next to Birkoff.

[B] The Bahrain situation is heating up. Your Mission is, too.

[N] Did Madeline interrogate Korda?

[B] She's doing it now. He won't put up much of a fight. Most of these scientists are pretty lame.

Birkoff now looks up, giving her a grin.

[B] (SHRUGS) I'm an exception.

Nikita quietly chuckles, appreciating his wit, when she hears steps and looks up to see Andrea enter Comm. Seeing the Profiler has her thinking of someone else.

[N] Have you seen Michael this morning?

[B] Yeah, he came in.

Birkoff immediately gets back to work, knowing what is coming next. It is apparent that Nikita doesn't want to ask - but can't help herself.

[N] Alone?

Birkoff refuses to look up.

[B] I didn't really notice.

However, like Nikita, thinking of one Operative leads to thinking of another. Birkoff glances up at Nikita's face before asking the next question.

[B] What do you think of the new Profiler?

[N] Andrea? (REFLECTIVE) I don't know. .. A little arrogant, maybe.

[B] Yeah. Profilers think they know it all. (SIGHS) Sometimes they do.

[N] Does she?

[B] Too early to tell. She just transferred in from the Asian Sector.

[N] What's her reputation?

[B] Asia thinks she walks on water. Totally dedicated to Section.

[N] Perfect Operative.

[B] That's what they say. Nothing gets to her. Nothing and nobody.

Nikita looks pensive, wondering if Andrea's ever met a "nobody" like Michael, before standing and walking out of Comm.


SECTION / COMM

Andrea is busy at her station when Michael enters the Common Area. He immediately joins her, standing at the side of her desk, studying Andrea, before greeting her.

[M] Good morning.

Andrea doesn't bother to look up.

[A] Hi.

Michael waits a moment, then when Andrea doesn't look up, continues talking and moves to stand in front of her desk.

[M] I had a great time last night.

Andrea is not impressed. She makes it glaringly apparent she isn't about to throw herself at Michael.

[A] You talked me into coffee, then you managed to talk me into dinner. But that's as far as it goes.

[M] Why?

Andrea now looks up and meets Michael's gaze.

[A] Because I like it here. ..

Andrea drops her gaze back down to her monitor.

[A] Most people hate Section, or pretend to. But I like it.

[M] So do I. Doesn't mean we can't enjoy ourselves.

Andrea again looks up at Michael, wanting to make her point clear.

[A] Section isn't exactly about "enjoyment." The cyberware, the weapons, the Missions ..., those are real. Everything else is an illusion. People who forget that don't last long.

[M] Everything is as real as we make it ..., no more, no less. Its up to us.

Michael slowly moves to walk behind Andrea, pausing when he is standing behind her. [It always fascinates me how both Michael and Madeline keep moving when questioning someone, not giving the other person a real chance to zero in on them.]

[M] If you change your mind, let me know.

Invitation given, Michael walks away, giving Andrea something to think about.


SECTION / MADELINE'S OFFICE

Operations enters to find Madeline at her stand-alone reviewing the tape of Walter's Three Year Review. (WOMAN'S VOICE) What's the most important day of the week?

[W] (VOICE) It's either Tuesday or Thursday.

(WOMAN'S VOICE) Choose one.

Operations can now see the monitor, which shows Walter sitting, connected to electrode sensors.

[W] (MONITOR) (IRRITATED) Tuesday!

(WOMAN'S VOICE) Which would you prefer to kill, a cat or a monkey?

The tape doesn't spark a memory, so Operations asks Madeline what she is viewing.

[O] What's this?

[MA] A tape of Walter's three year review.

[W] (VOICE) (IRRITATED) I don't know. I guess ...

[O] In your opinion ...

[W] (VOICE) I'd probably say ....,

[O] Is he really willing to die?

Madeline reaches over and turns the tape off before answering Operations. She then turns and gives her opinion.

[MA] Yes.

That said, Madeline gets up and returns to her desk.

[O] There must be some way in.

[MA] I'm working on it.

Operations slowly paces Madeline's office, thinking.

[O] What about Korda?

[MA] He works for a German businessman named William Glasser.

[O] Businessman?

[MA] It's purely a commercial venture. He intends on selling the viruses to the highest bidder.

[O] So we eliminate the lab .. before the sale can take place.

[MA] (NODS) Birkoff's working on a package. He's meeting with the Team now.

[O] Good.

Operations leaves so Madeline can continue her research on Walter.


SECTION / SYSTEMS

Birkoff is seated at the computer controlling the holograph. Michael, Andrea and Nikita are standing around the holograph table, the other Team members standing behind Michael.

[B] Korda didn't know the location of the lab, but he said Glasser calls it twice a day from a secure phone in his office.

Birkoff pulls up a holograph of Glasser's office complex.

[B] He's hosting a charity fund raiser tonight. Two hundred guests, security should be focused on the main floor. That should give us an opening.

Andrea now assumes control of the briefing. As she speaks, she moves so she is standing next to Michael.

[A] Team One will secure the perimeter. (TO NIKITA) You, Michael and I will work the inside.

Nikita had been looking at the holograph, but now focuses her attention on Andrea.

[N] What's the configuration?

[M] I'll work with Andrea. You'll work solo.

Again, Michael surprises Nikita. Before it has always been Nikita who worked with Michael. She now knows Michael has a hidden agenda embedded in this current Mission. However, knowing that Michael's sudden interest in Andrea is probably "work," doesn't make Nikita feel any happier about it.

[M] Get ready. We leave in an hour.

Nikita stares after Michael and Andrea as they leave to get ready, before following them.


INTERIOR - GLASSER OFFICE / PARTY ROOM - NIGHT

The party is in full swing. It seems more like an art exhibition than a party. Most of the lights are focussed on the walls and small clusters of people are spread across the room, quietly conversing. People are dancing, but the music is soft and not intrusive. Nikita is wearing a blue dress with an almost sheer white sweater decorated with tiny blue embroidered flowers. Her hair is fashioned in a dreadlocks style and she's wearing tinted blue glasses (which conceal a Section camera). As she circles the party she makes eye contact with Mentz, part of Team One, who acknowledges her look with a corresponding nod as he walks past her. Michael now enters, holding hands with Andrea, who is dressed in a revealing long black evening dress. As Michael leads Andrea onto the dance floor, he makes eye contact and trades nods with another Team Operative, Snow.


INTERIOR - SECTION / COMM

Birkoff is watching the various monitors.

[B] Nikita, twenty degrees to the left.

Birkoff's monitor shows Nikita's cam view, which has two men standing and talking in front of a framed flower lithograph. It then slowly pans left and gives Birkoff a side view of the room as Nikita nears her target.


GLASSER OFFICE / PARTY ROOM

Nikita continues to stroll through the room, listening to Birkoff's directions.

[B] (VOICE) Use the South Entrance. Soon as the guard moves away you go.


SECTION / COMM

[B] Shouldn't be long.


GLASSER OFFICE / PARTY ROOM

Michael lets Birkoff know he and Andrea are in place.

[M] Okay, Birkoff, we're in position.


SECTION / COMM

[B] Nikita, the sequence is under way.


GLASSER OFFICE / PARTY ROOM

Nikita starts walking toward a staircase that will lead her to the guarded door. [As she crosses the room you see one of our 'Where's Waldo' Murrin twins standing near a wall, watching Nikita.] As Nikita walks she can't help repeatedly looking over at Michael and Andrea. They seem oblivious to everything and everyone but each other. Nikita has climbed the first tier of stairs and leans against the balustrade on the landing leading to the second tier. From here she can keep an eye on the man guarding the entrance to the restricted area. Holding this position, she checks in with Birkoff.

[N] Got it.

Once again, Nikita is unable to keep her gaze off of Michael and Andrea. As she watches, Michael takes his hand and slides it caressingly down Andrea's arm. Birkoff has to jolt her attention back to the Mission.


SECTION / COMM

[B] Nikita, where are we?


GLASSER OFFICE / PARTY ROOM

Nikita immediately looks up and realizes that while she's been concentrating on Michael and Andrea, the guard has moved away from the door.

[N] I'm going through.

Nikita walks up the remaining stairs to stand in front of the door. Once there, she leans against the door, pretending to apply lipstick. As she pushes open the door with her back and enters the restricted area her last glance is at the couple on the dance floor.


GLASSER OFFICE / RESTRICTED AREA

Nikita quickly walks down the dark, deserted corridor retrieving a flashlight from her purse to light her way. At the end she once again uses her keycard to enter Glasser's locked office. Nikita walks behind Glasser's desk, puts her purse on the desk top and places the flashlight in her mouth. Now able to use both hands, she disconnects the desk phone's handset, pulls the replacement out of her bag, and attaches it. That done, she places the original handset into her purse.


GLASSER OFFICE / PARTY ROOM

Michael, still dancing with Andrea, checks in with Birkoff on Nikita's status.

[M] Birkoff, how long?


SECTION / COMM

[B] Twenty seconds.


GLASSER OFFICE / RESTRICTED AREA

Nikita finishes, turns off the flashlight and leaves the office.


SECTION / COMM

[B] We're clear.


INTERIOR - SECTION / VAN ACCESS

The door opens to Van Access. Michael and Andrea enter Section first. Nikita is behind them with another Operative from Team One. She can't help looking at the two people in front of her. There is no conversation between them, but it is glaringly apparent that they are a 'couple.' As Nikita follows them down the corridor she meets Birkoff coming from the other direction.

[B] Nikita. Madeline wants to see you in her office.

[N] (SURPRISED) Madeline? Why?

[B] She didn't say.

Nikita takes a final look at the couple turning the corner and passing out of sight before turning and following Birkoff in the other direction.


SECTION / MADELINE'S OFFICE

Nikita enters, hands in her pants pockets. Madeline is seated at her desk, waiting for her.

[MA] The Mission was successful?

[N] Yes.

[MA] Good. ... Have you talked to Walter lately?

Nikita takes a seat across from Madeline. [I thought the body language Peta gives Nikita here very interesting. She doesn't slouch in the seat as is her usual practice. She is sitting straight, feet lined up in front of her, hands folded in her lap. Nikita realizes she hasn't been called into Madeline's office for just a 'chat.' She knows Madeline's forte is getting under people's guard, so she's keeping alert and on guard.]

[N] I talk to him all the time.

[MA] Has he mentioned Belinda?

Nikita pauses a moment, before giving an answer.

[N] He misses her very much.

[MA] Does he talk about Operations? Make any comment about him?

Nikita now realizes the reason for this visit and has her answer ready. She looks down at her hands and shakes her head.

[N] Nope.

Madeline studies Nikita, suspicious of her quick response.

[MA] You sure?

Nikita gives her one quick look.

[N] Positive. ... Is that all?

Nikita rises, getting ready to leave. Unfortunately, Madeline isn't finished with her.

[MA] No. ... No, it isn't.

Madeline turns and pulls up something on her monitor. It is a tape from Nikita's cam while on the Mission. It shows Michael and Andrea dancing. Madeline keeps magnifying a portion of the tape, till a frozen shot of the couple fills the screen.

[MA] You let your Camm view drift ... for a full three seconds.

Nikita refuses to be ruffled.

[N] No harm resulted.

[MA] Nevertheless, it was a lapse.

Nikita still refuses to rise to the bait.

[N] I'll be more careful next time.

However, Madeline has not made her point. She turns and studies the couple on the monitor.

[MA] They work well together. ... They may even be entering into a relationship.

Nikita is now forced to look at Michael and Andrea, but still manages to hide her feelings.

[N] (SNIFFS) I wouldn't know.

[MA] I hope they are ..., for their sake .., and for yours.

Nikita looks over at Madeline with a questioning look.

[N] For my sake?

[MA] It's better for Operatives to find relationships that won't affect their work. ... Your passion for life is very strong, Nikita. ... It enables you to accomplish things that no one else can. It can also destroy you.

Nikita hears what she is saying, but refuses to comment on it. Her only acknowledgement that she has 'gotten' Madeline's message is a small nod of her head.

[N] Now are we done?

[MA] Yes.

Nikita turns and leaves. Madeline watches her go, then turns her attention back to the screen, where Michael and Andrea are frozen together, before disengaging the screen.


INTERIOR - ANDREA'S APARTMENT

The room looks like it is bathed in early morning light. On a small table sits a teapot, burning incense - and two guns. A bed comes into view behind the table, where Michael and Andrea are making love. Unlike his times with Nikita, where their lovemaking is explosive and no holds bared, making love to Andrea is quiet and controlled. Even during this act, they both seem to be holding back, not willing for the other to see them more vulnerable than necessary. Afterwards, Michael lies on his back, one hand trailing across Andrea's hip, who is on her side, one hand propping up her head. While Michael seems to be somewhere else, his gaze looking up at the ceiling, Andrea is studying his face.

[A] Michael ..., anything wrong?

[M] Everything's fine.

Andrea picks up the hand resting on her hip and starts to run it though her fingers as she continues to study him. Michael moves his gaze from the ceiling to their intertwined hands.

[A] I think I could love you. ... It's Nikita, isn't it.

Michael doesn't meet her gaze.

[M] What do you mean?

[A] You had a relationship with her. At least, that's what people say. Is it true?

[M] Yes.

[A] Did you love her?

Michael pauses a moment before responding.

[M] Does that matter?

[A] It does to me.

Michael looks over and meets her gaze, his expression open, his answer short and frank.

[M] Yes, I loved her.

[A] And now?

Michael doesn't answer Andrea at once, but reaches up and cups her face with his hand.

[M] (SIGH) Now there's you.

Andrea pulls her face down so she can kiss the hand caressing it. As Michael continues to gaze at Andrea, his look becomes distant, as if he's thinking of something, or someone else.


INTERIOR - NIKITA'S APARTMENT

Nikita has just finished her shower, and is laying on the rug in her living room. Her look, too, seems far away, but it shows a hint of sadness as her thoughts take her to where Michael probably is - and with whom.


INTERIOR - SECTION / WALTER'S OFFICE

Walter enters Munitions from his supply room to find Nikita waiting for him.

[N] Hey, Walter. So, what's doing on with you?

Walter looks over at Nikita and gives her a small smile.

[W] Nothing much.

Walter walks over and starts fiddling with something at one of his small cabinets lining the walls. Nikita, however, is not deflected and joins him.

[N] That's not what I've heard.

Walter trades looks with her before taking a seat at his work table.

[W] (TIRED) Operations wants me to lie to Oversight.

[N] Lie about what?

[W] (UNCARING)What difference does it make?

Nikita moves over to join Walter at his work table, ignoring the fact Walter has started working in order to get rid of her.

[N] The difference between life and death.

Surprised at this answer, Walter gives Nikita a swift look before turning his gaze away.

[W] You of all people are telling me to lie?!

Nikita bends and leans on her elbows, bringing her head level with Walter's.

[N] No. I'm telling you to survive.

Walter gives a small tired and cynical laugh, and shakes his head.

[W] Well ..., I'm really not interested in surviving any more. What I am interested in is living. That's where the real difference is. ... (TIRED) Oh, hell .., I've been hanging around this place too long already.

Nikita grabs Walter's head in a gentle head lock, so his forehead is leaning against her cheek.

[N] (WHISPER) Walter.

[W] Hmmm?

[N] Don't talk like that again.

Walter gives a sad smile, his affection for Nikita unmistakable.

[W] (SHAKES HEAD) It's just like I've always said. You're one of the good ones. ... (WHISPER) Don't change.

Before Nikita can answer they are interrupted by Madeline beeping Walter's on his intercom.

[MA] (VOICE) Walter.

Nikita pulls away so Walter can respond. Before answering, he takes a big breath, as if readying himself for whatever Madeline has planned for him.

[W] Right here.

[MA] (VOICE) I would like to meet with you.

Nikita and Walter straightens and starts to get up, as he confirms where he thinks the meeting will take place.

[W] Sure thing, In your office ...?

[MA] (VOICE) No. In the White Room.

Walter stops, surprised - and disturbed - at this answer.


SECTION / WHITE ROOM

The door opens to show Walter and Madeline standing in the threshold. The only items occupying the room is 'The Chair' and a small movable missile-shaped computer standing next to it. Walter studies the room, obviously reluctant to enter.

[W] Killing me I can understand. But ..., torture ....?

[MA] Please sit down.

As Walter takes a seat in 'The Chair,' Madeline starts her usual circling. This time, however, there is a different agenda.

[MA] You're not going to be tortured. And you're not going to be killed. ... Whatever you tell George tomorrow ..., we'll just have to deal as best we can.

Walter somewhat cynically looks around the room.

[W] Then why am I here?

Madeline pulls her hands out from behind her back and shows Walter a small CD.

[MA] We'd like you to take a look at something.

Walter takes the CD and studies it, completely at sea to what it might contain.

[W] What's on this?

[MA] Play it ..., and you'll see.

Madeline gives Walter one of her Mona Lisa smiles, then leaves the room, closing the door behind her. Walter briefly looks around the room, as if searching for hidden cameras, before loading the CD into the machine. As soon as the program loads, the room lights dim and an circle of light appears on the floor in front of Walter. As the circle rises from the floor, a figure begins to take shape in its center. When the circle is hovering about six feet off the floor, the figure focuses into - Belinda! The energy generating her seems to be made of a translucent fluid. The figure may be a holograph, but it has all of Belinda's mannerisms. Walter gasps, thinking for a moment he's seeing a ghost.

[BL] Hello, Walter.

[W] (SHOCK) Belinda?!

[BL] Yes, its me. Well, almost me. I've missed you terribly, but I'm back now. I hope you're glad to see me.

Walter stands, needing to get closer.

[BL] Obviously, it can't be the way it was .., but we can have something together. Do you want that, Walter?

Walter can't help himself, he reaches out and touches the holograph. His fingers go straight through, causing a ripple effect - the same way if you put your hand in the middle of a reflection you see in a pool of water.

[BL] I do. I .. love you.

Still not able to believe what he's seeing, Walter slowly walks around the holograph. The holograph doesn't change positions, just continues to stare straight ahead.

[BL] And I want to do this again ..., as often as you want. I hope we see each other soon.

The circle of light now descends, and when it reaches the floor, the holograph first fades, then disappears. For a moment, Walter can only stare at the space, eyes wide with shock. He then closes his eyes and takes a deep breath, needing to gather himself.


SECTION / COMM, ANDREA'S STATION

Michael joins Andrea at her station. His demeanor is cold and unapproachable, but Andrea doesn't pick up on this. [This really shows me Andrea's true feelings for Michael - or lack thereof. No matter what Nikita was doing, she would immediately realize Michael had shut her out. Here, Michael actually has to spell it out before Andrea gets a clue what's going on.]

[A] Hi.

[M] Do you have the security workup?

[A] Yes. They have an unusual package. Heartbeat I.D.

[M] We'll need one other people

[sic] with the appropriate clearance. [I think Roy meant to say 'person' here, instead of 'people.']

[A] We already have him. We'll imprint his EKG on the digital patch.

[M] Good, let me see the lap.

Andrea walks over and takes a seat at her computer, pulling up the requested information. Michael stands behind her and reads the Intel on the screen.

[M] Make sure the secondary egress is adequate coverage.

[I] I will.

Andrea still hasn't picked up any different vibes from Michael, and invites him to lunch, leaning back in her chair and looking up at him as she does this.

[A] I'll be finished here in an hour. Get something to eat?

[M] (COLD) I'm busy.

Andrea still is not aware of anything being 'off.' Michael has turned to leave when she makes another suggestion.

[A] How about later?

Michael turns back and looks at Andrea, is face blank and cold. [I know, what a surprise.]

[M] Its ... a bad time right now.

Now Andrea realizes something is wrong.

[God! I thought I could be dense, but Andrea takes the cake!]

[A] What do you mean?

[M] Just what I said.

Andrea thinks, then quickly rises, now realizing Michael is purposely freezing her out.

[A] Did I do something wrong?

[M] Its nobody's fault. Some things are not meant to be.

Andrea's expression shows she feels like she's just been kicked in the stomach. She swallows, and takes a quick look around, before responding.

[A] Let's at least talk about it.

[M] (COLD) We have.

As far as Michael is concerned the matter is closed, the relationship over. He turns and walks away, leaving Andrea staring after him, in shock over this callous behavior.


INTERIOR - NIKITA'S APARTMENT

Nikita is in the middle of her yoga exercises when she hears a knock at her door. When it repeats, she takes a cleansing breath, slowly gets up and answers it. It is Andrea.

[N] Hey.

Andrea just gives Nikita a cold stare and enters the apartment uninvited. Nikita looks at Andrea's back as she closes the door. Once closed, Nikita leans against it and offers the other woman a belated invitation.

[N] Come in.

Andrea's first remark explains her rude behavior.

[A] Is he here?

[N] Who?

[A] You know who ..., Michael.

Now knowing the reason for Andrea's behavior, Nikita walks past her and takes a seat on her sofa.

[N] No ..., he's not here.

[Interesting that, while Andrea was more than willing to believe that Michael could fall so quickly in love with her, she immediately thinks he's dropped her for Nikita. This woman obviously hasn't had a great deal of experience in relationships. Her arrogance led her to believe that Michael would stop what, I'm sure everyone told her, has been a complicated, passionate and involved relationship with Nikita to be with her. However, what she really can't admit to herself is the possibility that Michael would drop her just because she no longer interested him.] Andrea paces in front of Nikita's kitchen counter, running her hand over the lower counter.

[A] He won't see me anymore. ... One minute everything was wonderful; the next, he was cold. ... He doesn't want anything to do with me.

[N] Did he say why?

[A] No. ...

Andrea stops and looks over at Nikita.

[A] What's going on?

Nikita is genuinely surprised, not knowing what Michael could be up to.

[N] I don't know.

[A] Did he get through to me just to prove he could? Is he that much of a monster? Is that what he did to you?

[N] Andrea ....

[A] Its not right! Its just not right.

Nikita is unable to let Andrea go on thinking Michael is such a cold and chilling man - without a reason. [This almost sounds as if Nikita is summarizing her relationship with Michael. If so, it sounds as if, subconsciously at least, Nikita never thought she ever had a chance of any kind of future with Michael; that Simone's ghost would always stand between them.]

[N] I don't pretend to understand him, but ... he lost someone a while ago. ... It scarred him. ... He might not want to get too close again.

The only thing Andrea hears, however, is that Nikita is standing up for Michael.

[A] You're making excuses for him.

[N] (DEFENSIVE) I don't think so. I'm just being realistic.

Nikita curls up, wrapping her arms around her legs, her last statement about Michael a little too realistic for herself as well.

[A] He can't do this.

Andrea steps closer to Nikita, her thoughts only on one thing - revenge.

[A] We can't let him get away with it.

[N] What does that mean?

[A] I mean, we have to do something.

Nikita is out of her depth. The conversation has changed from giving comfort, to fending off a woman seeking vengeance.

[N] Such as ...?

Before Andrea can answer, Nikita's cell phone rings. She gives Andrea another look before getting up and answering it. As Nikita moves around Andrea to reach the kitchen counter she keeps her eyes on her, almost as if she were unwilling to turn her back on the woman.

[N] Hello?

[M] (VOICE) Josephine.

Andrea turns around and meets Nikita's gaze, realizing from her expression who just called Nikita in.


INTERIOR - SECTION CORRIDOR

Walter is leaning against the wall, waiting outside the office George is using to conduct his interviews. He gives out a big sigh, his expression contemplative - and unreadable. The door opens and Birkoff leaves, giving Walter one brief look before returning to Comm. The door opens again and Operations appears. He is hiding it well, but you can see that Walter's testimony has him worried. [Not knowing what the older man will say doesn't give him the option of preparing a contingency plan - or rebuttal.]

[O] George is ready for you now.

Walter, his expression still unreadable, says nothing, just enters the room. Operations stands a minute, pulling off his glasses and tapping them on his hand, before following Walter in and shutting the door.


INTERIOR - SECTION / SYSTEMS

Andrea, Nikita, Snow and another Operatives are sitting around the holograph table. Michael is standing, briefing them on the next Mission phase.

[M] I'll handle demolition. Nikita will ensure Egress. Since Birkoff is working on the Bahrain Mission .., Andrea will provide Tactical. Any questions?

Nikita seems tense as she watches Michael and Andrea. Her past conversation with the woman makes her wonder if Andrea is the right choice to provide Tactical. Her concerns are justified with Andrea's 'question.'

[A] I have a question. Who the hell do you think you are treating me like this?

[I thought it was a real hoot how everyone sitting at the table seems to mentally go, "I'm outta here" and leave. Makes you wonder how many times this happens between Michael and female Operatives.] Nikita starts to rise, joining the other Team members moving out of the line of fire, when Andrea stops her.

[A] Nikita, stay. This concerns you, too.

Having started the conversation in front of everybody, it now seems funny that Andrea waits until the other Operatives have left before continuing. Even though Michael is still standing, she doesn't bother to rise, but remains seated. [Thought this another indication of Andrea's arrogance. She doesn't think she needs to 'level the playing field' before crossing swords with Michael.]

[A] You toyed with me like a cat with a mouse. I won't tolerate it.

[M] I didn't toy with you.

[A] Then what were you doing?

[M] Investigating.

While Michael and Andrea are 'having it out,' Nikita sits, head bent, her body language showing she wishes she were anywhere else but this room.

[A] Investigating what?

[M] You.

[A] Why?

[M] You were suspected of leaking Intel to Red Cell. I needed access to your personal files.

[A] I've never leaked Intel to anybody.

[M] I know that. .. The suspicions were unfounded.

Andrea still needs Michael to spell it out for her.

[A] Then you never cared for me at all.

[M] I respect you as a colleague.

[Well, the only thing I think he could have said that would be worse would be if he had asked her if they could still be friends.] Andrea gives a small, cynical laugh.

[A] I see. Investigation's over now?

[M] Yes. You've been cleared.

Andrea stares at Michael a moment more, nods her head, then gets up to leave.

[M] I'm sorry.

This has Andrea swinging around and staring at Michael. Her look infers that he hasn't started being as sorry as he will be when she's through with him. They stand staring at each other for a moment, then Andrea turns and leaves Systems. Michael doesn't bother to look down at Nikita.

[M] (TO NIKITA) The Mission begins in an hour. Better get ready.

Nikita nods her head, then purses her lips as she gets up, more than willing to leave what was a very embarrassing scene for her to witness.


SECTION / MADELINE'S OFFICE

Madeline is seated at her desk, while Operations stands opposite, discussing ongoing projects.

[O] Once we've secured funding for the Eastern Region, we have to make sure that we have to ....

The door opens to reveal Walter. Both Operations and Madeline turn to look at him.

[O] I was going to stop by later to thank you for your cooperation. You saved us a great deal of inconvenience.

Walter says nothing, just walks over and stands next to Madeline's desk. He's holding the CD Madeline had made for him in his hands. Madeline notices the CD.

[MA] If you're getting tired of that one, we can have others made up.

Walter drops the CD on Madeline's desk. His expression shows that he doesn't think much of either Operations or Madeline.

[W] I erased the disk. Don't .. make .. up .. any .. others. (TO OPERATIONS) And don't .. ever .. mention .. Belinda's .. name .. again!

Neither Operations nor Madeline say anything. They let Walter make his demands and leave. When the door closes behind Walter, Madeline looks over at Operations. He is confused and shows it, taking off his glasses and sitting down.

[O] If the disk didn't make him cooperate ..., what did?

[MA] I've studied his file very carefully. Reviewed his evaluations; assessed his psychological profile in great detail.

[O] And?

Madeline smiles and shakes her head, as perplexed as Operations.

[MA] I don't know.

Operations sighs and nods his head, just relieved that Walter backed them up - whatever the reason.


SECTION - CORRIDOR TO VAN ACCESS

Michael and Nikita are dressed in Mission gear. As Nikita follows Michael down the hall, she acts as if something is on her mind that she needs to discuss with him, but is not sure how to phrase it. As she starts to pull on her gloves, she finally mentions what is bothering her.

[N] Have you spoken to Andrea since the briefing?

[M] No.

[N] Maybe you should.

Michael stops, but doesn't look at her, just waits for Nikita to continue.

[N] She's more than just angry, Michael ..., she's dangerous.

Michael turns and looks at Nikita.

[M] What can she do?

[N] (SHAKES HEAD) I'm not sure. Just be careful.

Michael doesn't agree or disagree with Nikita, just stands looking at her a moment, before turning and walking through the Van Access portal. Nikita watches for a couple seconds, then follows.


INTERIOR - LABORATORY / LOADING DOCK - NIGHT

Two guards are overseeing a truck being unloaded. When the driver had backed the truck into the dock, he gets out to help unload, not seeing Michael and Nikita sneak in under the closing bay gate. The driver opens the back and pulls out a cart loaded with cylindrical canisters. Michael watches from hiding as the driver and another employee move the cart up a ramp.


INTERIOR - SECTION / COMM

Andrea is in Comm, overseeing the Mission.

[A] Begin the sequence. Perimeter Team, take your position.


LABORATORY HALLWAY

The driver and his support staff wheel the cart up to the cargo entrance. There is another guard at this entrance, who raises the security gate to let the two men push the cart through. Michael and Nikita hide behind a nearby low wall, and watch the cart disappear inside. As the gate starts to descend, the man posted is no longer guarding the entrance, but unconscious on the floor next to a closing door. [I'm assuming this is the entrance for employees and visiting assault teams.]


LABORATORY

The men pushing the cart enter the laboratory, don thick rubber gloves and start to unload the canisters. As they start moving the canisters you see Lab Techs dressed in protective masks, caps and gowns working at various lab benches. The lab is lined with seethrough cold storage lockers. When both men are away from the cart, Michael and Nikita station themselves behind it. When the first man returns and bends down to get another load, Michael moves in behind and takes him out. The Lab Techs are busy with their various projects and don't notice the small contained commotion at the other end of the room. By the time they do notice, its too late. Michael walks into the lab, gun mounted with laser targeter drawn. He quickly shoots two Techs, one before the man can do more than turn around, the other just as he is reaching for a phone. A third Tech hears the gunfire and runs into the room, only to face Michael's gun aimed right at him. Michael doesn't fire, just seems to wait to see what the Lab Tech will do. Unfortunately, this seems to be a 'mentally challenged' Tech [i.e., the wheel is moving, but the hamster's dead], because he reaches out and tries to hit the alarm button. The moment Michael sees him move he shoots him.


SECTION / COMM

Andrea's monitor shows the diagram of a safe lined with reactor rods. Andrea hits some keys and the screen reads over the diagram --

DISARMING FAILSAFE

The safe's rods turn from red to green. Andrea keys in other codes, so that the rods slowly slide away from the safe. Now over the diagram are the words -

FAILSAFE DISARMED


LABORATORY

Michael walks over to the safe. It is as large as a bank vault.


LABORATORY / SAFE

He opens the door and steps into a small accessway. At the other end is another locked door. He keys in a code into the combination lock, then stands still as the mechanism reads the heartbeat I.D. he's wearing on his chest. After just a few seconds, the other locked door swings open. Michael walks into a small room encased in glass-like shielding.

[M] I'm in.

He opens and starts coding the device that will be used to detonate the explosive.


SECTION / COMM

Andrea keys into some other codes, then holds one of her fingers over the 'enter' key, as if waiting for something to happen.


LABORATORY / SAFE

Michael finishes coding the detonator and attaches it to one of the steel columns in the room. The moment the detonator is locked into place, it immediately starts its countdown.


SECTION / COMM

Andrea wears a grimly satisfied smile as she hits the 'enter' key. The monitor shows the safe rods immediately beginning to slide back across the safe, and, over the diagram, appears ...

REACTIVATING FAILSAFE


LABORATORY / SAFE

As Michael starts to leave the second room, the lights go off, the door swings shut and alarms go off all over the building. Michael immediately tries to contact Andrea to find out what is wrong.

[M] Andrea, what's happening?


SECTION / COMM

[M] (VOICE) I'm locked in. ... Andrea ..., Andrea ...

Andrea ignores Michael, removing her Comm Link so she can't hear him.


LABORATORY / SAFE

Michael looks around him, realizes Andrea has locked him in on purpose - and time is running out. The timer gives him just one minute and forty-eight seconds, not only to get out of the safe, but also the immediate area. The explosive will not only destroy the safe, but the entire laboratory.


LABORATORY

Nikita has remained hidden behind the cart while Michael set the explosives.

[M] (VOICE) Nikita, I need your help.

Before she can move she hears approaching guards. She ducks back down behind the cart as two guards run past her. She waits until they are several feet in front of her before moving out into the open. The guards hear her, but before they can do more than turn around, Nikita takes them both out. She has just reached where the guards fell, when she hears another guard rounding the corner and turns in time to take him out as well.


SECTION / COMM

Andrea's monitor now reads -
DETONATOR {P3} SET >
REMOTE: ACTIVE

In red, with -

DETONATION SEQUENCE COMPLETE IN
01.23.0

Andrea reaches over and turns the monitor off, before getting up and calmly strolling out of Comm.


LABORATORY / SAFE

Nikita enters through the still open exterior door to the safe. The inner door has a small window, so she can see Michael.

[M] We need a heartbeat.

Nikita turns and looks at the locking device, then back at Michael, who is wearing the only I.D. on the Team.

[M] See if any technicians are alive.

They hold a look for a second, then Nikita runs out to find a living key to open the safe.


LABORATORY

The first two Techs she checks are dead, but she finds another one - the last one Michael shot - alive and trying to crawl away. When she turns him over, the Tech starts pleading for his life.

[LT] Please ..., help me.

Nikita shuts her mind off to what she needs to do and drags the wounded Tech over to the safe.


LABORATORY / SAFE

Once there she holds him up while keying in the code. That done, she props him next to the locking mechanism. As the mechanism unlocks the door, Michael pulls it open just in time to shoot a guard who has appeared at the exit door. Nikita swings around to see the falling guard, dropping the Tech, who lies in a heap on the vault floor. She can only stand looking down at the man, until Michael pushes her out of the vault ahead of him. The time now reads "00.16" seconds.


LABORATORY

Nikita leading, they make a dash across the laboratory, needing to be through the laboratory shielded doors before the detonator goes off. More guards arrive and start firing. Michael reaches out and pushes Nikita's head down as they continue their sprint to the door. When they leap through the opened door, Michael breaks the electronic eye beam, closing the door after them. Almost as soon as the door closes the laboratory goes up in flames.


INTERIOR - SECTION / VAN ACCESS

Michael, as usual, enters first, with Nikita following. Now they are back at Section and alone, Nikita brings up the problem at the safe.

[N] Michael ... We deactivated the failsafe on the way in.

Michael turns and faces Nikita.

[M] Yes.

[N] Then, why did the door close behind you?

Michael doesn't answer, just stares at Nikita.

[N] 'Cause the failsafe was reactivated. ... There's only one person who could have done it.

Nikita is almost toe-to-toe with Michael. His expression doesn't change as he acknowledges her scenario.

[M] I know.

That said, Michael turns and continues down the corridor. Nikita can't let it go so easily, however.

[N] Michael, she tried to kill you! What are you going to do about it?

Again, Michael turns and looks back at Nikita.

[M] Nothing.

[N] Why not? Because you feel guilty?

Michael doesn't answer her, just continues down the corridor. Still, Nikita can't let it go.

[N] (CALLS) What if she tries again?

This time Michael doesn't stop, just rounds the corner, leaving Nikita conflicted over what to do. She stares after him a moment, then turns and walks away in the opposite direction.


INTERIOR - SECTION / BRIEFING AREA

Nikita is leaning back in one of the briefing chairs, hair falling over its back, her feet propped up on another chair. She is so deep in thought that Operations is able to approach her from behind without Nikita hearing him.

[O] Is anything wrong?

Nikita shakes her head and pulls herself up straight in the chair.

[N] No, I'm fine.

Operations moves closer.

[O] Andrea has been canceled.

Nikita lets her head fall back so she can look up at Operations. Her expression shows neither surprise nor remorse, as she shakes her head.

[N] So you knew she tried to kill Michael.

[O] Yes. We were disappointed .., but not surprised. ... We arranged a test .., she failed.

This does surprise Nikita.

[N] A test?

[O] We knew she wasn't guilty of treason. But we did suspect her of being emotionally unstable. ... Obviously, we were right.

Nikita slowly stands.

[N] So ..., were you testing me, too? See if I'd report what I knew?

[O] There was no need to. You'd have told us.

[N] How can you be so sure?

[O] We've been watching you very closely, Nikita.

Operations gives a small smile, knowing how Nikita will take his next sentence.

[O] You're one of us now.

That said, Operations walks away, leaving Nikita with his last words ringing in her head.


END OF EPISODE