CUPID

"Pilot"

By
Rob Thomas

TEASER

FADE IN:

INT. CUPPA JAVA - NIGHT

The Single's GROUP is in session. They are in the middle of a discussion.
WOMAN #1
.... I mean a guys gotta be pretty hopped up on testosterone to hit on you in a grocery store.

MIKE
Wait a minute, wait a minute. I read in Dr. Allen's column that grocery stores are a safe place to encounter relationship material.

CLAIRE
What I said regarding grocery stores was this: they afford you the opportunity to subtly note commonalities, okay. Say you're vegan and he's toting half a pound of veal, cross him off. If he's holding a pint of humus, Italian mineral water and a bouquet of gladiolas, cross him off.
NICK and MIKE laugh, the others are confused.
WOMAN #2
What?

YOUNG MAN
Why?

NICK
He's gay!

GROUP
(getting it) Oh.

MIKE
Gay, gay, gay!

CLAIRE
At least that's been my experience.
CLAIRE's cell phone rings. She pulls it out.
WOMAN #1
Once I was in the produce section and this man asked me to squeeze his.....

WOMAN #2
His what?
GROUP discussion fades into the background.
CLAIRE
(to phone)
Yeah what is it. I'm in a meeting.

VOICE (on phone)
We need you down here. Tonight if possible.

CLAIRE
(to phone)
Why? McCormick's on call.

VOICE (on phone)
Yeah, but you don't want to miss this one. It's right up your alley.

WOMAN #2
.... reveals the level of degradation men has reduced us to.

CLAIRE
(looks at the group, then to phone)
It might take me a while.
INT. HALLWAY OF HOSPITAL - SAME NIGHT (JUMP CUT)

CLAIRE and a man in a lab coat (Dr. GREELEY) are walking down the hallway. CLAIRE is reading notes in a folder as they walk along.
CLAIRE
It says he was picked up at Erie and Clark for drunk and disorderly. Why isn't he sleeping it off in some precinct house?

GREELEY
There was no point. The breathalyzer was negative. They found him brawling with a pimp. It seems the fellow was standing at the corner offering to find people dates.

CLAIRE
The pimp?

GREELEY
(laughs) No, the patient. The pimp took umbrage.

CLAIRE
Naturally you thought of me.

GREELEY
There's more to it than that, but you'll see for yourself.

CLAIRE
Well I assume his name isn't John Doe.

GREELEY
That's good instincts Claire. Now, you've been working on that follow up to your first book for a long time now. How's it coming?

CLAIRE
Honestly, it's not. I'm still researching, you know...... considering returning the advance money. I hate to admit this but love and romance from a scientific standpoint may be a dry well. Why do you ask?
A swinging door opens and hits CLAIRE. A NURSE, who is giggling, comes out.
NURSE
(trying to stop giggling) Sorry.
Through the doorway we see a MAN, dressed in a suit. He is sitting on an examination table. Sitting on either side of him are a couple of nurses. They are giggling. The MAN is making a paper rose.
MAN
(finishing up the paper rose) .... It's a Valentine's day conspiracy. I don't blow my own horn so I end up on wrapping paper looking like a fat winged baby. (gives finished rose to a nurse) There you go, look at that, huh. I used to teach.....
Back out to CLAIRE and Dr. GREELEY.
CLAIRE
He thinks he's Cupid.

GREELEY
Keep your advance money. There's your bestseller.
Back in the room.
TREVOR
.... never worn a diaper in my life. You'll never hear me go "scupe" (does a archer motion) I'll never be that guy. (nurses giggle)

FADE OUT

END OF TEASER

ACT ONE

FADE IN:

INT. CLAIRE'S OFFICE - NIGHT

CLAIRE is sitting at her desk. She has her reading glasses on and is holding a pen ready to write note. The MAN who thinks he's cupid is sitting across from her. He's dressed in his suit.
CLAIRE
Name?

MAN
Cupid.

CLAIRE
I've got all night.

MAN
Tremendous. I'm free too. Maybe we should hang the "do not disturb" sign.

CLAIRE
I'll ask you to refrain from that sort of innuendo.

MAN
You will? When?

CLAIRE
Now.

MAN
Okay.

CLAIRE
(points to herself) Doctor. (points to MAN) Patient. Are we clear?

MAN
Yes in deed. One of my favourite games ever. (raises his hand) I've got a hernia.

CLAIRE
I can't help you, unless you let me.

MAN
You want to help me?

CLAIRE
Mm-hmm.

MAN
Get me out of here. I've got a job to do. I can't do it in here.

CLAIRE
Understand this.... I am your ticket out.
(beat)
Now, tell me your name.

MAN
(sighs) The name.... is Cupid.
EXT. CHICAGO SIDEWALK, IN FRONT OF A FLOWER SHOP - DAY (JUMP CUT)

A flower shop worker (MADELINE) is tending to the flowers. Her co-worker (LAURIE) is reading CLAIRE's article in the newspaper. A homeless man is standing next to MADELINE.
LAURIE
Hey, according to Dr. Allen, the number one reason women don't date much once they've hit thirty is because they expect perfection. Do you think that's true?

MADELINE
(puts a flower in man's lapel) Good luck with the ladies today, huh, Charlie. (to LAURIE) No, I don't think that's true, Laurie. I think the reason we don't date that much is because of all those chicks who made finding Mr. Right a priority at twenty-four.

LAURIE
(reading aloud from the article) "'All of the good ones are taken.' is the frequent repost of women whose ideal man exists only in Camelot and Merchant-Ivory films."

MADELINE
Let me see that.
MADELINE grabs the paper. LAURIE giggles and heads back into the shop. MADELINE reads the article for herself.

INT. CLAIRE'S OFFICE - DAY (JUMP CUT)

CLAIRE is at her desk, reading glasses on and pen in hand. The MAN who thinks he's Cupid is pacing back and forth. He's now dressed in a hospital gown and robe. An orderly (HECTOR) is standing behind him.
MAN
Before we begin today a word about the accommodations. I couldn't find the concierge, so you're the lucky one. Jot this down. Why am I asking you this. That's all you do. You jot. Number 1 - new tailor...(points to his clothing) I'm Papillon. Number 2 - new chef. Number 3 - new clientele. There is a gentleman out there who is hiding ping pong balls in a place where..... let's just say that I won't be signing up for the tournament.

CLAIRE
(to orderly) Uh, Hector, I'm fine here. Thank you.

HECTOR
You sure?

CLAIRE
Yeah.
HECTOR exits. Just as he's about to walk through the door....
MAN
I need you in goal tonight, Hector.

HECTOR
Right. (closes door behind him)

CLAIRE
Yesterday you mentioned a job?

MAN
(takes a seat) You know, your hair would look better down.

CLAIRE
(stands) When you decide you're ready to get serious why don't you let one of the bell hops, those are the large fellows with the white suits, know.
CLAIRE exits.
MAN
It's more like a punishment.
CLAIRE's head pops through the doorway.
CLAIRE
Excuse me?

MAN
It's more like a punishment. It's not a job, it's a punishment, one hundred couples matched up before I'm allowed back.
CLAIRE enters.
CLAIRE
Back where?

MAN
Mt. Olympus.

CLAIRE
Of course.

MAN
You asked.
CLAIRE takes her seat, so that her legs are visible.
CLAIRE
Ah, so, this is a punishment. That's an interesting choice of words. Did you do something wrong?

MAN
At the expulsion hearing they yammered on about me relearning my craft, (looks at her legs) the screwed up state of love and romance, blah, blah, blah, blah, blah, blah.
CLAIRE notices where his eyes are and swivels her chair so that her legs are behind her desk.
MAN
Frankly I found the whole thing..... (*laughing*) *ridiculous*.

CLAIRE
Hmm, why's that?

MAN
A hundred couples, I used to knock that out before lunch.

CLAIRE
Really?

MAN
Yeah.

CLAIRE
How'd you pull that off?

MAN
My bow....my arrow....they're magic.

CLAIRE
Um, did you have those with you now?

MAN
Right now? At this moment?

CLAIRE
Yeah, maybe-- maybe you can shoot me and I'd more fully understand this magic.

MAN
(sarcastic) Do you see a bow?

CLAIRE
If you don't have a bow and arrow, then how can you claim to be Cupid?

MAN
Try to follow. They sent me back...solo, on my own, no weaponry, no magic.

CLAIRE
Oh, that is convenient. Uh, so you said a hundred couples, right?

MAN
Correct.

CLAIRE
So how long do you think that'll take you, bowless?

MAN
Two weeks, max.

CLAIRE
Two weeks? (writes something down)

MAN
Yeah...eleven days. Nine days. Put-- put five. Put five. Make-- make-- I can do it in five.

CLAIRE
What is it?

MAN
Put five. I think I can do it.
INT. HOSPITAL RECREATION ROOM - DAY (JUMP CUT)

The MAN who thinks he's Cupid is sitting at a card table with three women. They're playing strip poker. He's down to his undershirt and pajama bottoms. He also has on a black toque. He looks like he hasn't shaved in awhile. The way the woman are dressed, who can tell they're losing. HECTOR comes in.
MAN
McLucky, what've you got there, Barb? Oh a pair of 3's won't do it and you're out of socks. Now comes the top.

HECTOR
Hey, Cupid, get your clothes back on before I write your crazy ass up. Dr. Allen's waiting. Come on! Lets go! Dr. Allen's waiting.

MAN
(puts on his robe) Okay, all right. Look at Charlie hustle. Look at Charlie hustle.

HECTOR
Charlie hustle. Charlie hustle.
They start walking along.
MAN
Hey, you know what? Hector...

HECTOR
Yeah?

MAN
Guess who was checking you out at breakfast?

HECTOR
Who?

MAN
Eleanor.

HECTOR
The nurse? B-wing Eleanor?

MAN
Yes.

HECTOR
No way.
CLAIRE is standing behind a dividing wall. She overhears the conversation. She listens as she walks along.
MAN (O.S.)
(to someone passing by) Watch out, Chuck, he's crazy!

HECTOR (O.S.)
Never mind that. So-- so what do I do about Eleanor?

MAN (O.S.)
You reel her in.

HECTOR (O.S.)
What, reel her in, just like that?

MAN (O.S.)
Yeah, yeah. First thing you do, you talk about her smile, right? After she laughs that up, tell her the best part of your day is when she touches your hand when she laughs.

HECTOR (O.S.)
Okay. Yeah.
HECTOR and the MAN pop out into the hallway. They are in the background. In the foreground, CLAIRE stops at the corner and keeps listening. The two men are oblivious to CLAIRE's presence.
MAN
Okay, then you tell her you like looking at her silhouette when she medicates the old timers at the big bay window at dawn.

HECTOR
(laughs) You notice that, huh? Yeah, but I can't just walk up to her and say it.

MAN
Why can't you do that. You like her lips, Hector?

HECTOR
Oh yeah.
They start to walk towards CLAIRE's position.
MAN
Tell her you want-- you long-- you long to taste them and that you're sure they're some rare combination of honey and wine and you lie awake in bed at night and you remember the way she smells and there's something sexy about her stealthiness, right? The way that she walks heel to toe in her size 8's Minlo Blahniks, never suspecting that you're constantly aware of her....
CLAIRE pops around corner and is standing behind the MAN.
CLAIRE
All right.

MAN
... presence.

CLAIRE
And they're 7's. Do what he tells you, Hector, and you'll probably end up facing sexual harassment charges. (notices the MAN's toque) Nice hat.

MAN
Thank you.

NURSE (O.S.)
Dr. Allen.

CLAIRE
Excuse me.
CLAIRE walks over to where she's being called.
MAN
(with CLAIRE gone) Hector who you gonna believe? God of love for 3000 years or Madame Rorschach?

HECTOR
Well she is the relationship expert.

MAN
Sh-- she's the what?
INT. CLAIRE'S OFFICE - DAY (JUMP CUT)

CLAIRE is at her desk, reading glasses on and pen in hand. The MAN who thinks he's Cupid is sitting on the window sill, looking out.
CLAIRE
Olympus, tell me about it.

MAN
Non stop clothing optional party, everyone's beautiful, drinking wine, chasing nymphs. An amazing place, you have no idea.

CLAIRE
I saw "Boogie Nights". Okay. Neptune, details.

MAN
Gives me a team of oxen and a handful of sheep every year for my birthday.

CLAIRE
Gee, that's interesting but not what I meant, though.

MAN
I see what you're doing. (moves to the seat across her) Okay, Neptune - Jupiter's older brother, he helped defeat the Titans, rules of the seas, does a real nice job.

CLAIRE
Venus and Mars.

MAN
Mom and dad, come on.

CLAIRE
We started easy. Romulus.

MAN
Founder of Rome.

CLAIRE
Minotaur.

MAN
Nasty creatures, bull's head, man's body.

CLAIRE & MAN (simultaneous)
Peleleos.

MAN
Theban leader during the Trojan War. Lactose intolerant.

CLAIRE
Okay, okay, so you know your mythology. Anyone can study a book. So tell me, how did Psyche react when the gods sent you back to earth?

MAN
Who?

CLAIRE
Psyche. Cupid's wife.

MAN
My what?

CLAIRE
His wife. She was mortal. He fell in love with her despite the gods' objections. This is one of Cupid's best known myths. You don't know about this?

MAN
That never-- that never happened. I...

CLAIRE
Well it's right here. (turns pages a book) It's right in the book. I mean, I can let you see it right there.

MAN
I'm telling you it never happened.

CLAIRE
Chapter fourteen. There's a picture. It must have happened.

MAN
(looking at the page) So your saying Cupid was married.

CLAIRE
Yes.... he was.
INT. HEARING ROOM - DAY (JUMP CUT)

It looks like a court room except in the place where a judge would be, there is panel of four competency COMMITTEE MEMBERS. There are tables that lawyers would sit at. The MAN who thinks he's Cupid is sitting at one. He's wearing his suit and is clean shaven. CLAIRE is standing beside him. There are other people in the room, presumably waiting their turn to bring up their cases.
CLAIRE
In summary, after weeks of therapy I believe this patient is no danger to himself or others. Therefore I am recommending to this competency committee his immediate release. Additionally he has taken great strides in overcoming his delusional state. He no longer believes he's Cupid.

COMMITTEE MEMBER #1
And yet you still have no idea as to his true identity? No name?

MAN
(stands, surprising CLAIRE) It's Trevor. Trevor Hale. (sits back down)

COMMITTEE MEMBER #2
Well good, that eases one of my qualms. Does he have any money, a place to go?

CLAIRE
Uh, uh, well, when we found him he had $170 with him. There are a number of shelters that we work with, as you know....

COMMITTEE MEMBER #1
$170 isn't going to last very long in this city.

CLAIRE
Well if you review the documents I've prepared you'll see his aptitude scores are off the charts. He'll have no trouble finding employment.

COMMITTEE MEMBER #1
Are you prepared to take responsibility for that?

CLAIRE
(thinks for a moment) I am.

COMMITTEE MEMBER #1
Good. I think I can speak for the committee when I say we all approve the release of .... um.... (reads her notes) Trevor Hale, under the following conditions. One - he find employment and two - you continue to regularly monitor his progress.

CLAIRE
But...

COMMITTEE MEMBER #2
Good work as usual Dr. Allen.

CLAIRE
Uh... my-- my case load is such that I...

COMMITTEE MEMBER #1
Thank you, Dr. Allen. (to clerk) Next case, please.

CLAIRE
Thank you.
EXT. FRONT OF HOSPITAL - LATER THAT SAME DAY (JUMP CUT)

TREVOR exits the building. It's drizzling so he opens up his umbrella.
TREVOR
(to someone O.S.) Thank you for all your help, then. See you later. Get that pilots license.
CLAIRE exits the building, opens her umbrella and catches up to TREVOR.
CLAIRE
Excuse me! Uh...there you go. (presents him a card) Uh, Tuesdays and Fridays...

TREVOR
(takes card) You got a card? That's great.

CLAIRE
I-- I-- yes I have a card. I-- I mediate a group, it's a singles group and I think that might be a good place to deal with some of your issues...

TREVOR
A singles group. Like fish in a barrel, perfect. (pockets card)
TREVOR walks to vending man. CLAIRE follows him.
CLAIRE
What are you saying?

TREVOR
I'm saying I got a job to do. A hundred couples before I'm allowed back. Wasn't going to get it done in there, know what I mean.

CLAIRE
Look, Trevor, I just staked my entire professional reputation on you.

TREVOR
Which was sweet..... pretzel? (gets a pretzel from the vending man)

CLAIRE
No-- you are not a god, okay, you're not Cupid. You're obviously a man who has issues and problems....

TREVOR
(to someone O.S.) Hector, Eleanor have a great weekend.

ELEANOR (O.S.)
Oh thanks, you too.

TREVOR
They're going riverboat gambling. Put that in your notes. See you tonight. These people need me.
TREVOR walks away.
TREVOR
Oh, can you get this for me, (referring to his pretzel) I only have a hundred. Thank you.
TREVOR continues on his way leaving CLAIRE with the bill for a pretzel.

FADE OUT

END OF ACT ONE

ACT TWO

FADE IN:

INT. HOSPITAL NEAR THE FRONT DOOR - SAME DAY (JUMP CUT)

CLAIRE walks up to the security counter. She calls over the head of security (PHIL).
CLAIRE
Hey, Phil.

PHIL
Dr. Allen. Something I can help you with?

CLAIRE
Yeah I think maybe there is. Can you run a missing person check for me?

PHIL
Not a problem. Name?

CLAIRE
Trevor... Hale. It's a long shot.

PHIL
Sure.
INT. CUPPA JAVA - NIGHT (JUMP CUT)

The Single's GROUP is in session. The regulars are there. TREVOR is just entering. He takes notice of MADELINE, who is speaking at the moment.
MADELINE
Yeah, I hear what you're saying but I do get lonely from time to time now, but it still seems better to me than a life spent with a guy who's not gonna rock my world.

CLAIRE
When I say women expect to much, I'm not suggesting that we settle. What I am suggesting is that we have been raised on fairy tales and we have come to expect one of our own. True? Go ahead we've all shared ours.

WOMAN #2
Railroad track, Canadian mountie.

WOMAN #1
Hot day, Good Humour man.

MADELINE
Uh, okay, um, there's this thing, "The Way We Were".... you know, when Robert Redford sees Barbara at the fraternity party with James Woods. And he gives her this look, you know, and the way he crosses the room with purpose, and it's like he's just found the answer to a question that he's never even asked before and they dance and um.... then he just leaves without saying a word....... no one dances anymore.

CLAIRE
Yeah I know. That's a great fantasy, now you're going have to let it go because it won't happen. Okay, it doesn't happen. It's a movie. Lasting relationships are built on friendship and compatibility.
TREVOR laughs. Everyone turns and looks at him.
CLAIRE
Group, this is Trevor... Hale. He's new. Trevor maybe you should just audit the session this week.

TREVOR
Uh, it's gonna happen. She's gonna see her dream man from across the room. She will, but there'll be this problem. Some bozo who shares her same interest in ornithology will have his arm draped around her shoulder.

CLAIRE
Oh, and-- and this man with the Robert Redford walk, maybe he, uh, doesn't want kids and she does, maybe he's unemployed, maybe he lives with his mother.

TREVOR
So?

CLAIRE
So, that is unacceptable for most woman.

TREVOR
Maybe he had to take care of his invalid mother, maybe he had to quit his job to conquer Sparta.

CLAIRE
So you would tell this woman to wait for someone who reminds her of this perfect looking man in perfect lighting.

TREVOR
Love may not be that, exactly. But I tell you what it won't be. It won't be something that stops to check off items on an ideal mate list. It's not compatibility, it's the chemistry and the heat...

CLAIRE
Yeah ,okay, you know what, for six months if you're lucky. Then it's negotiation, compromise, and friendship.

TREVOR
(laughs) Then you die.
NICK laughs.
CLAIRE
I think this is as good a place as any to stop.

TREVOR
Stop? We're finally getting to something here, I mean, this is a pop-psychology, sensitivity awareness festival. Make a move, get in the game. What, you gonna get hurt? Have a beautiful train wreck. By the way, speaking of love (walks down the row pointing at various members) --treadmill--clearasil--happy pill....

MIKE
(stands and stops him) All right.... (to everyone) Don't forget tonight is open-mic night across the street at Taggerty's. Dr. Claire don't forget you promised you'd come this time.

CLAIRE
Yes, I remember.

MIKE
And I want everyone to sing tonight.
Everyone starts to exit. CLAIRE stands and walks them out.
CLAIRE
Okay thanks guys. Trevor stay.
TREVOR goes to the front and sits in CLAIRE's chair. Once everyone is gone CLAIRE turns back to him.
CLAIRE
(clears throat) Fifteen years of training has prepared me to help this people.

TREVOR
Being the Roman god of love for three thousand years has prepared me for what? Desk job at Hallmark?

CLAIRE
Okay, you know what, let's say for the moment that you are Cupid. Remind me again how you made your matches..... oh, that's right, you shot them! Huh? Random people falling madly in love, they had heat, they had chemistry. Take a good look around you, Eros, the divorce rate, the personals.... your methodology did not work...........So-- so why don't you let someone with a little insight take a shot.

TREVOR
Fire away.

CLAIRE
Okay.

TREVOR
Jump on in.

CLAIRE
I shall (begins to leave, then returns) I forgot my bag.
CLAIRE grabs her bag and exits. TREVOR just smiles.

EXT. IN FRONT OF TAGGERTY'S - SAME NIGHT (JUMP CUT)

We hear tires screech and a car horn as a car stops just before hitting TREVOR. We also hear the driver curse. TREVOR wasn't paying attention to the traffic, instead his focus is on the bar. There is a long line of people waiting to get in.
MAN IN LINE
Think we'll get in.
TREVOR walks pass the line and attempts to enter the bar. But the bouncer (CHAMP Terrace) stops him.
CHAMP
Whoa there, cowboy. Let me explain to you the theory of a line...

TREVOR
This place authentic? 'Cause you're not exactly lookin' Irish there, Seamus.

CHAMP
(faux Irish accent) Fair play, T, but you never heard me and lads on the border and pipes. We're bleedin' deadly.
A beautiful woman walks by which catches both their attention.
TREVOR
(watching the woman walk by) I stand corrected ... carry on.
As CHAMP watches the woman walk by, TREVOR passes him and enters the bar.
CHAMP
(to TREVOR) Hey! Wait!
INT. TAGGERTY'S - CONTINUOUS

The place is crowded. Sounds of conversations, beer glasses clinking and generally good times fill the air. On stage, the house band plays while WOMAN #1 sings Pat Benatar's "Love is a Battle Field". CHAMP is walking through a crowd looking for the door crasher.
WOMAN #1
Love is a battle field.....
MIKE and MADELINE are getting beers at the bar.
MIKE
(to bartender) Keep it. (hands MADELINE a glass) Sixteen ounces of liquid courage. (sips his own beer)

MADELINE
There is no way I'm getting up there.

MIKE
Come on all the cool kids are doing it.
They walk back to their table. As they walk along we see TREVOR standing with WOMAN #2.
TREVOR
Know what I like about darts?

WOMAN #2
The way they embody the Olympic spirit?

TREVOR
No. The fact that you only need one hand to play.
TREVOR grabs a glass of dark ale from waitress' tray as she walks by. Then without looking at the dart board and using the ale as a mirror, he throws the dart and scores a bull's-eye.
TREVOR
Ha ha ha. Spreading the love!
TREVOR throws another dart in a similar fashion and scores another bull's-eye.
NICK
What are you, some kind of professional?
TREVOR notices CLAIRE making her way through the crowd. As she heads to the bar we hear....
MC
....next up we got Jerry Ramsey. Jerry come on, get up here.

JERRY
Yeah woo hoo.
JERRY bumps CLAIRE on his way up to the stage. CLAIRE goes to the bar. The YOUNG MAN from the group is also at the bar. He stares at her. A big GUY goes to the bar and stands in between CLAIRE and the YOUNG MAN so that the YOUNG MAN is now staring at the GUY.
GUY
(to bartender) Yo, babes little help?
The GUY notices the YOUNG MAN staring at him. In an intimidating manner...
GUY
Got a problem buddy? Something you need to get off your chest?
The YOUNG MAN looks away.
GUY
(back to bartender) Hey lady, little help down here!
The GUY looks back at the YOUNG MAN who is now looking away from him.
GUY
Didn't think so.

CLAIRE
Small penis.
The GUY turns around and looks at her.
CLAIRE
Acting out in public often stems from feelings of sexual inadequacy.

GUY
You think?
The GUY grabs her face.
GUY
Maybe we should test your little theory, see how inadequate I am.
TREVOR comes up from behind him.
TREVOR
Bad move, brother.

GUY
Later, pal. We've got a budding romance here.
TREVOR puts the pointy end of a dart up the GUY's nose and pulls him close to him.
TREVOR
You ever watch fame? You know what I have in common with Bruno, Leroy and Coco? I'm gonna live forever. What about you, you gonna live forever? See it would saturate my pleasure glands to rip your skin off and make ponchos for the kids, so keep your paws of my shrink here because I'm a frustrated taxidermist and I'd love to go deep on ya. We on the same team butter bean?
TREVOR lets the GUY go. He goes off holding his nose. CLAIRE is relieved nothing bad happened, then realizes something TREVOR said.
CLAIRE
Fame?

TREVOR
Mm-hmm.

CLAIRE
You get cable on Mt. Olympus?

TREVOR
Omniscience, baby. Look it up.
The bartender/owner of the bar (LINDA) comes up to them.
LINDA
Well done, love. I have to get you a beer on the house.

TREVOR
Actually what I need is a job. (looks around at the crowd) Looks like you could use the help, too.

LINDA
Know anything about bartending?

TREVOR
Well, scotch and soda thing always throws me, but....

LINDA
Let me get you the recipe. (offers a handshake) The name is Linda.

TREVOR
(accepts the handshake) Hey.

LINDA
Consider this an audition. (tosses him an apron)

TREVOR
All right, nice to meet you. (to CLAIRE) She must recognize my aptitude. What can I get you for? (CLAIRE is stunned) Think about it, I'll be back.
INT. TAGGERTY'S - LATER THAT NIGHT (JUMP CUT)

MIKE and MADELINE are walking through a crowd. They're carrying beers. MIKE is trying to talk her into singing. She's reluctant.
MIKE
Come on, if you don't you'll hate yourself tomorrow.

MADELINE
No, no. If I do people will point and stare.

MIKE
(his gaze follows a pretty woman walking by) Yeah, well there's always that chance.
MADELINE gives MIKE a disapproving look for his wandering eyes.
MIKE
What?
They join the other members who are at the table along with CLAIRE. WOMAN #2 looks over at TREVOR who is working the bar.
WOMAN #2
So Claire, who is that new guy?

CLAIRE
Oh, just someone I know from work.

WOMAN #2
A doctor?

CLAIRE
No, just a guy.

WOMAN #2
He's kinda sexy.

CLAIRE
Sexy how?

WOMAN #2
"Sexy" in that "I'd like to have sex with him" kind of way.

CLAIRE
No, he's not.
View pans over to a man (DAVE) sitting at the bar. He looks depressed. In the background we hear singing.
TREVOR
Let me guess... woman did that to ya.

DAVE
I haven't had a love life for two years.

TREVOR
Hoping you just said "two beers".... Dream girl, describe her to me. See what we can do.

DAVE
Dream girl? Uh, warm, uh......

TREVOR
Warm - fuzzy, on fire? You know, gotta do better than that. Give me a type... geisha, amazon, naughty schoolmarm....

CUSTOMER (O.S.)
Bartender can I get a drink.

TREVOR
Think about that. (attends his bartending duties)

DAVE
Okay.
DAVE sips his drink. Looks over at the stage then does a double-take. MADELINE is the one singing. She looks a little nervous but is doing fine.
MADELINE
You
Made me leave my happy home
You took my love, and now you're gone
Since I fell for you
Well it's too bad
And it's too sad
I'm in love with you.
As the song ends we hear applause. We see DAVE is staring at her. TREVOR appears behind him.
TREVOR
My man, ever see "The Way We Were".
INT. TAGGERTY'S - LATER THAT NIGHT (JUMP CUT)

LINDA is on stage. She's doing a rendition of Barbara Streisand's "The Way We Were", from the movie of the same name. People are slow dancing. Members of the group, including CLAIRE are sitting and talking at their table. DAVE walks across the room, his eyes are fixed on MADELINE. She notices but doesn't think anything of it until he's standing in front of her, offering his hand. She takes it and he pulls her up and to the dance floor. They dance to the music.
LINDA
Memories, like the corners of my mind
Misty water-coloured memories
Of the way we were
Memories may be beautiful yet
What's too painful to remember
We simply choose to forget
Oh, so it's the laughter, yes
We will remember
Whenever we remember, yes
The way we were
The way we were
The way we were
Just as the song ends DAVE escorts MADELINE back to her seat, then walks away. All this happens without a word said between them. EXT. FRONT OF TAGGERTY'S - LATER THAT NIGHT (JUMP CUT)

DAVE is standing at the curb. He's whistling and snapping his fingers. MADELINE exits the bar. She looks around then sees DAVE. She walks up to him.
MADELINE
Excuse me.

DAVE
Yeah.

MADELINE
I think that you should know that I left a slipper in there with the bartender, I'm expecting you to track me down.

DAVE
I usually get stuck with a wicked step sister. (gathering his courage) Uh... listen, I know-- I know it's late, and I'd understand if you don't want to go but maybe we can go somewhere and talk....... (faltering) that was a bad idea.

MADELINE
No....

DAVE
No, I'm serious....

MADELINE
No-- no.... I mean where do you wanna go considering it's 2:30 in the morning.
TREVOR exits the bar and watches them.
DAVE
Actually there's a place I know. They do a great Civil War reenactment but they're only open till three. Plus there's bowling and you can wash your clothes there too, ha ha.

MADELINE
(pause) Ha, ha, ha. Can you get some coffee there?

DAVE
Stonewall Jackson brings it right to the table.

MADELINE
Before we do any laundering, I'm gonna have to insist on a name.

DAVE
Uh, I'm Dave. (offers handshake)

MADELINE
(accepts handshake) Dave. I'm Madeline.
A taxi pulls up. DAVE opens the door for MADELINE. A big grin grows across TREVOR's face. Then he goes back in.

INT. TAGGERTY'S - CONTINUOUS

The band is playing. People are dancing. CLAIRE is dancing with the YOUNG MAN. TREVOR walks up to CLAIRE and.....
TREVOR
I just found Madeline her humble gardener. (walks to the bar)
CLAIRE pauses for a moment, then follows.
CLAIRE
You did what?

TREVOR
They just left in a cab together.

CLAIRE
You can't just.... she left with a stranger....

TREVOR
Did Madeline seem warm to you. She seemed warm to me, but then again without fifteen years of experience...

CLAIRE
Don't start! You!

TREVOR
Kudos to who ever got you to dress like a woman tonight. Must be someone here you hope to impress.
CLAIRE is left speechless. TREVOR just laughs, then goes to the back.

EXT. A BRIDGE IN CHICAGO - LATER THAT NIGHT (JUMP CUT)

DAVE and MADELINE are walking and talking.
DAVE
Uh.... best....um, best product sold through a comic book?

MADELINE
Sea monkeys.

DAVE
Sea monkeys?

MADELINE
No, no, no. The hovercraft. That build-it-yourself hovercraft.

DAVE
Of course, the hovercraft. That's my favourite.

MADELINE
Best.... conquistador?

DAVE
Ponce De León.

MADELINE
Really? I'm more of a Vasco De Gama girl.

DAVE
Vasco De Gama, huh? That's cool. Best pipe dream?

MADELINE
White picket fence.

DAVE
I was gonna say (*faux British accent*) *international rock star* but it's uh, kinda, well, a little shallow, so I-- I think like yours better.
MADELINE leans in and kisses him.
MADELINE
I'm sorry. I-- I don't know...I got a little...

DAVE
No-- no. It was me. I was just a little, uh......It's been a long time since I felt.... uh, felt anything like that.
A pause then, DAVE leans in and kisses her. She kisses back.

FADE OUT

END OF ACT TWO

ACT THREE

FADE IN:

INT. STAIRWELL OF AN APARTMENT BUILDING - SAME NIGHT (JUMP CUT)

TREVOR and CHAMP are walking up the stairs.
CHAMP
It's just up here to the right.

TREVOR
No doorman, no elevator. I can see why your roommate skipped out on you.

CHAMP
Well, I don't know how I let you talk me into this, so don't push it, all right. Where were you living before here?

TREVOR
Lakeview Emotional Wellness Centre and Treatment Facility.

CHAMP
You mean a hospital.

TREVOR
They didn't believe I was really Cupid.
CHAMP stops, TREVOR walks on.
CHAMP
We better have a little chat before beds are assigned.

TREVOR
Top bunk!
INT. CLAIRE'S HOME - DAY (JUMP CUT)

CLAIRE's computer is on. Her tape recorder is by the keyboard playing. CLAIRE is standing in the background listening.
MADELINE (on tape recorder)
..... to a question that he's never even asked before and they dance and um.... then he just leaves without saying a word....... no one dances anymore.
CLAIRE takes a seat in front of her computer and turns off the tape recorder. She looks at the text on the screen. She sighs, then highlights all the text on the screen and deletes it.

INT. TREVOR & CHAMP'S APARTMENT - DAY (JUMP CUT)

TREVOR's room. He's hanging up a string of beads, the kind you'd find in a pool hall. He is hammering in a nail when....
BANG! BANG! BANG!

CHAMP
(enters) Yo!

BANG! BANG! BANG!

CHAMP
Yo! Olympus Fats. Tell me you're not opening up a pool hall up in here.

TREVOR
(stops hammering) No, (points to the beads) this'll let me know when it's time to go home. No offence but this place sucks.

CHAMP
Ah, Chicago will frappe your ass.

TREVOR
I meant Earth.

CHAMP
Oh yeah, that's right you're on a .... how'd you put it last night... a mission. So what? You get a point every time a couple of yours you hook up gets to (slaps his fist into his hand) knocking boots.

TREVOR
I wish it were that easy but nope. Got any more nails?

CHAMP
So how are you supposed to know when that happens. Yeah, in the kitchen.

TREVOR
It doesn't matter if they say they're in love, doesn't matter if they get married. It only counts if the gods decide it's true love. Those beads just help me keep score.
TREVOR walks into the kitchen and searches a drawer for nails, CHAMP is on his way back up to his room when TREVOR picks up a trophy cup.
TREVOR
Hey, what's this?

CHAMP
Put that down. (runs and grabs it from him) That's my Student Tony.

TREVOR
Student what?

CHAMP
Tony, for best actor. "Cook County Performing Arts Magnate, 1985". That's what I do, I'm an actor.

TREVOR
Oh yeah, you were, uh, very convincing last night as that bouncer. I enjoyed your looming presence.

CHAMP
(puts his Tony back in its place) All right, watch it. Just so you know I can be sipping Dom at Spago's right now if I played the game.

TREVOR
What game is that?

CHAMP
The black actor game. You know-- folky wisdom provider-- cocky boxing opponent-- (TREVOR not getting it) sacrificial Star Trek crew member...

TREVOR
Ah, okay, all right, I gotcha.

CHAMP
Well you won't see me at any auditions that specifically says "black actor".

TREVOR
Oh, I get it. So you're not interested in working then.

CHAMP
That's not true. You know what I won that Tony for?

TREVOR
Student Tony.

CHAMP
Whatever. Odysseus.

TREVOR
Odysseus?!

CHAMP
Yes.

TREVOR
I'd love to see that. Can you show me a little bit of it.

CHAMP
I ain't showing nothin'....

TREVOR
Come on. Let me see a little bit....

CHAMP
Please, get out of here...

TREVOR
Are you an actor or what?

CHAMP
(thinks for a moment) All right.

TREVOR
All right.

CHAMP
(in his most eloquent voice) "Fair Penelope, sail not with these ships from Sparta, theirs is a cursed lot...."

TREVOR
(laughs) I'm sorry, I'm sorry. It's just I-- I know the guy. He had a limp and a lisp. That was tremendous, but in real life he would have more like - (hops on one foot and in a lisp) "F-f-f-air Penelope, thail not with these thips from thparta, theirs is a cursed lot. You were def-f-f-feated..." (sprays spit on CHAMP's chest).

CHAMP
How long are you gonna be here, huh?..... on Earth?

TREVOR
Uh... I don't know, it's hard to say.
TREVOR starts back to his room.
CHAMP
I think I better get that first week in advance.
TREVOR smiles.

INT. CUPPA JAVA - NIGHT (JUMP CUT)

The Single's GROUP is in session. The regulars are all there. TREVOR is sitting at the back with a newspaper in front of him.
MADELINE
So where do you go if you want to impress somebody?

MIKE
Most romantic spot in Chicago? Without a doubt, upper deck, Wrigley Field.

WOMAN #2
(sarcastic) Yeah, on a clear day I hear you can see Milwaukee.

MIKE
(taking it literal) No you can't.

CLAIRE
For a view, there's always drinks at the, uh, Hancock or what about a carriage ride down Michigan Avenue.

TREVOR
(putting down his paper) Do you people know nothing about romance.

CLAIRE
Ah, the chair recognizes Trevor's id.

TREVOR
For a place to be truly romantic it's got to sneak up on you. If it advertises that it's romantic you know it's not.
(beat)
I know this place.....
EXT. CHICAGO WALKWAY ALONG THE LAKE - DAY (JUMP CUT)

A great view of the city sky line is the background. DAVE and MADELINE are walking and talking.
MADELINE
I hate trying. The whole putting on lipstick and....

DAVE
Yeah, I hate that.

MADELINE
(giggles) Acting all coy.... Makes me feel ridiculous.... So, how is it you made it through these thirty odd years without popping the question to some sweet, young thing.

DAVE
Well, actually I did once.

MADELINE
Really? What happened?

DAVE
Well, when I proposed I made a big production out of it, you know. Skywriting was involved, the whole bended knee thing and I got her a ring... an emerald ring that was my grandmother's...and then my mom's.......uh, she acted like I pulled it out of a Cracker Jack box.
Silence for a moment.
MADELINE
Good riddance.

DAVE
You know you never asked me what I do for a living.

MADELINE
Does it involve the internet and credit cards?

DAVE
Ha, no.

MADELINE
Then I'm not sure that I really care. You know, I have to say, I think you're the first guy I've ever known who doesn't act like what he does is who he is.

DAVE
You know, I play first base for the Sox.

MADELINE
Frank Thomas plays first base for the Sox.

DAVE
(stops and looks at her) Uh, what did you say?

MADELINE
He won first league MVP in '93.
DAVE pulls her to him and kisses her. She giggles and....
MADELINE
.327 career batting average.
DAVE kisses her again.
MADELINE
Five time all-star.
DAVE kisses her again.
MADELINE
They nick-named him "the Big Hurt".
They kiss, again.

INT. HOSPITAL HALLWAY - DAY (JUMP CUT)

CLAIRE and Dr. GREELEY are just walking pass the security counter. They're in mid-discussion.
GREELEY
....the patient is merely envious of the piano player's ability.

CLAIRE
Yeah, that's a good one.

PHIL
Hey, Dr. Allen.

CLAIRE
Yeah? (turns) Oh, hey Phil. What did you find out?

PHIL
I think you'll find this interesting. An R. T. Hale of Manhattan was reported missing four years ago.

CLAIRE
R. T.?

PHIL
Apparently it's just "R. T.". It doesn't stand for anything. Hale was a professor at Columbia University. They were investigating him for misconduct. Something about a relationship with a female student.

CLAIRE
I don't suppose you found out what subject he taught, did you?

PHIL
(apologetic) No.

CLAIRE
That's fine. Thanks Phil.

PHIL
Yeah.

CLAIRE
(to Dr. GREELEY) Ten to one it was mythological literature.
INT. CHICAGO BAR - DAY (JUMP CUT)

TREVOR and DAVE are playing foozball while having a conversation.
TREVOR
Where you gonna take her?

DAVE
Dinner at her place tonight.

TREVOR
So you gonna bust the piñata?

DAVE
We still don't know much about each other.

TREVOR
(stops playing and looks at him) You know what, you're starting to piss me off, man. At this rate...

DAVE
(looks back) At this rate what?

TREVOR
Nothing, you can rifle through her dossier later. (they resume playing) What do you know?

DAVE
She's the first thing I've felt passionately about, other than work, since.... well, ever maybe.

TREVOR
All right. Shut up and quit analyzing it.
DAVE scores a goal.
TREVOR
That's my boy. That's what I need from you. That's the kind of thing I need.
INT. CLAIRE'S OFFICE - SAME DAY (JUMP CUT)

MADELINE is sitting on the couch. CLAIRE is sitting on a chair across from her.
MADELINE
So I really have to thank you because before I started coming here I-- I had totally taken myself out of the game.

CLAIRE
That's very kind, I...

MADELINE
I have to thank Trevor too, actually.

CLAIRE
Ah, Trevor?

MADELINE
Yeah if it weren't for him I wouldn't have met Dave.

CLAIRE
Oh, um, was there something in particular you wanted to ask me?

MADELINE
You know, it's about Dave. Um, he's driving me crazy. I-- I'm like jelly around him. It's like I would do anything he wanted me to do.

CLAIRE
Are you asking me permission to seduce him?

MADELINE
Yes.

CLAIRE
Often in the beginning of relationships the participants don't talk about the big issues, okay. They-- they talk about the movies they like or their favourite restaurant. But they don't stop long enough to ask the big questions.

MADELINE
The big questions?

CLAIRE
Very big questions. We'll make a list, if those check out, I say jump him.
INT. MADELINE'S APARTMENT - NIGHT (JUMP CUT)

There's a candle lit dinner on the dining table. MADELINE is sitting on DAVE's lap and they're in a passionate embrace. They're kissing and talking.
MADELINE
(in between kisses) ....so...um ...does...um....spirituality important to you?

DAVE
(in between kisses) ...uh-huh.

MADELINE
(in between kisses) ...politics?

DAVE
(in between kisses) ...uh, yeah, I vote.
DAVE picks her up and heads for the bedroom. They bump into things on their way.
MADELINE
(in between kisses) ...uh, kids?

DAVE
(in between kisses) ...are they important?

MADELINE
(in between kisses) ...do you want them?

DAVE
(in between kisses) ...yeah, some day. (tries a door)

MADELINE
(in between kisses) ...that's the closet.

DAVE
(in between kisses) ...sorry.

MADELINE
(in between kisses) ...uh, housework?

DAVE
(in between kisses) ...uh, 50-50.

MADELINE
(in between kisses) ...dogs?

DAVE
(in between kisses) ...good.

MADELINE
(in between kisses) ...casual sex?

DAVE
(in between kisses) ...there's nothing casual about this.
We hear MADELINE laugh with glee as they finally reach the bedroom.

INT. TAGGERTY'S - SAME NIGHT (JUMP CUT)

It's around closing time. The bar is empty except for a few people. TREVOR is clearing up a table when CLAIRE enters.
TREVOR
Hey looking for Mr. Goodbar? Craftini over there says he fantasizes about doing it with a mousketeer. I know a costume shop down the street. If you put the ears on you can do a mean little....

CLAIRE
Trevor! (sits on a bar stool) Can we talk?

TREVOR
You mean like two people talking or doctor-patient?

CLAIRE
Well, I've got a love story I want to share with you.

TREVOR
Oh great, I got a break coming up, we can grab some food, take a walk. How about you...

CLAIRE
No, no, you know the rules.

TREVOR
Doctor-patient, how could I forget. (takes his apron off and sits with her)

CLAIRE
Now stop me if you've heard this one before.

TREVOR
Okay.

CLAIRE
It's about a scholar.

TREVOR
Mm-hmm.

CLAIRE
A university professor.

TREVOR
Gotcha.

CLAIRE
Anyway, he falls for one of his students.

TREVOR
Uh-huh, old story.

CLAIRE
Mmm, this one's a little different. He falls madly in love with her. She reciprocates but the semester ends. For her it was a passing fling. For him it was much more.

TREVOR
Like I said, old story.

CLAIRE
Mmm, maybe it doesn't end there. See, he can't stop thinking about her. Follows her, shows up at her house in the middle of the night, leaves drunken messages on her machine. She reports him to the university, he's forced to resign in disgrace. He snaps. He gets as far away from her as possible. Changes his identity. Eventually he can't remember who he is anymore. He tells people he's the god of love.
There's a silence for a moment.
TREVOR
(serious tone) Okay, it's not bad. I got a better one though. Let's take your college professor, this time let's say he's a real ass hound. Just can't stop picking up coeds for a little private tutoring. Then unexpectedly falls for one of them. This vain, pompous man finally finds someone who completes him, someone who makes him the man he was supposed to be.

CLAIRE
Go on.

TREVOR
(serious tone) Then some jealous coed he tossed away the year before decides to make it her mission to destroy his happiness. Tells the woman about all the girls he seduced. The professor's lover can't take it, wants to escape, wants to sleep until it doesn't hurt anymore. Finds a bottle of pills. Figures the more she takes the longer she'll sleep. Then our Prince Charming finds her in his bed but..... no matter how many times he kisses her, she won't wake up.
(beat)
Drips with poetic justice doesn't it? Or is it irony?

CLAIRE
Trevor, I know I can help you.

TREVOR
(light hearted) You know what, I don't know about your ending, sorta hackneyed. Instead of the whole insanity thing, he should travel village to village wrestling minotaurs for sacks of gold.

CLAIRE
Trevor, Hector and Eleanor broke up today. There was a big scene at the hospital.
(beat)
You have no magic.
(beat)
You are not a god.

TREVOR
No bow and arrow. I explained it to you. Can't make you believe me. After tonight ask Madeline and Dave. They'll say they believe in Cupid.
INT. MADELINE'S BEDROOM - LATER THAT SAME NIGHT (JUMP CUT)

DAVE and MADELINE are in bed. She's asleep. He's awake and he has a troubled expression on his face. DAVE sighs.

FADE OUT

END OF ACT THREE

ACT FOUR

FADE IN:

INT. MADELINE'S BEDROOM - DAY (JUMP CUT)

MADELINE is just waking up. She notices DAVE is gone. She also sees a note on the pillow DAVE was on. She reads it. After reading it, she begins to cry.

INT. HEARING ROOM - DAY (JUMP CUT)

The same hearing room that was used earlier. A DOCTOR is making his case to the COMMITTEE. CLAIRE is in back preparing her own case.
DOCTOR
That's correct. At this time we are not certain whether the violence manifested this past week at the ward is a sign of dissociative behaviour or bi-polar. I'd like to get him on some Lithium if it's dissociative and maybe a good mood stabilizer, like Tegretol, if it's bi-polar.
CLAIRE looks up and notices the plaque above the COMMITTEE. She reads it:
(plaque) "AND LOVE SHALL MAKE THE EARTH TREMOR AS IT'S REBORN IN A STORM OF FIRE AND HAIL"

DOCTOR
Either way, I'm not confidant coming down with that decision. While at the outset we believe the patient was presenting.....
The DOCTER fades into silence as CLAIRE focuses on the: "TREMOR HAIL" part of the plaque. Then she remembers from TREVOR's hearing.....
COMMITTEE MEMBER #1 (V.O.)
And yet you still have no idea as to his true identity? No name?

TREVOR (V.O.)
It's Trevor. Trevor Hale.
It echoes in her mind.

INT. CUPPA JAVA - NIGHT (JUMP CUT)

The Single's GROUP is in session. The regulars are there as well as TREVOR, who is sitting in the back.
YOUNG MAN
No, no. But my question is-- is monogamy ever assumed. Do women figure that's the case once you're, you know, sleeping together.

WOMAN #2
Condom or no condom?

CLAIRE
Excuse me?
TREVOR giggles. Then MADELINE bursts in. She is very upset.
MADELINE
You. (pointing to TREVOR)

TREVOR
Yeah.

MADELINE
You're to blame for this. You pushed him my way.

TREVOR
Yeah I did. What's going on?

MADELINE
He's married.
TREVOR is speechless.
CLAIRE
Oh Madeline the pain you're feeling right now...

MADELINE
(turns to CLAIRE) What about the pain I'm feeling right now? You-- you treat love like it's some kind of math problem. What can you possibly tell me about my feelings? You sit up there like some kind of a god, and we just suck it all in. Well, here I am. A disciple..... and look what it got me.
MADELINE exits, crying. TREVOR and CLAIRE look at each other.

INT. TAGGERTY'S - NIGHT (JUMP CUT)

TREVOR is working behind the bar. DAVE walks up. TREVOR has a less than pleased expression on his face.
DAVE
You heard, huh?

TREVOR
Why don't you work another bar, all right. I so much as catch you glancing at a woman in here...

DAVE
It's not like that Trevor. My marriage died along time ago.

TREVOR
Divorce is still legal in this country.

DAVE
And mine will be final in a hundred and twenty days. (takes a seat) The thing that gets me is I was the one trying to keep it together.

TREVOR
Really? Kinda like how Yoko was with the Beatles.

DAVE
You have no idea what you're talking about. I stuck it out two years after her affair, okay. I suggested therapy, I gave her space, I waited for her to fall back in love with me. I'd say that was trying.

TREVOR
Please tell me you didn't come here looking for sympathy.

DAVE
No, I came here to explain this was not an affair. This is the real thing.
TREVOR looks at him thoughtfully, for a moment.
TREVOR
Madeline's not real high on you right now, buddy.

DAVE
I know, but I'm gonna make her understand that I love her, even if it's pointless. I'll be like the guy who pushes a rock up the hill.

TREVOR
Sisyphus.

DAVE
Sisyphus. That'll be me.

TREVOR
Then why wait.
INT. FLOWER SHOP - DAY (JUMP CUT)

Louis Jordan's "Is You Is Or Is You Ain't My Baby" is heard. A man wearing a teddy bear suit with a red bow with white polka dots around his neck enters the shop. He's carrying a cassette player. The bear puts the cassette player down and starts dancing for MADELINE.
(music)
I got a gal who's always late
anytime we have a date
but I love her
yes, I love her
He then hands MADELINE a small box. She opens it and pulls out an emerald engagement ring.
(music)
I'm gonna walk right up to her gate
and see if I can get it straight
She looks at the bear and shakes her head. Then she puts the ring in a coffee cup holding pencils.
(music)
'cause I want her
I'm gonna ask her
The bear puts his paws to his head and shakes it in distress. He turns and begins to walk out.
(music)
Is you is or is you ain't my baby...

MADELINE
Hey.
The bear stops.
MADELINE
Yeah, you with the mask, take it off. (he does, it's CHAMP)

(music)
Way you're actin' lately makes me doubt...

CHAMP
Forgot, this is for you also.
He hands her an envelope. She passes him his cassette player.
CHAMP
Thank you. Bye. (exits)
MADELINE just holds the envelope.
(music)
A woman is a creature that has always been strange...
EXT. CHICAGO WALKWAY ALONG THE LAKE - NIGHT (JUMP CUT)

The music from earlier continues into this scene. DAVE standing there looking around for someone. But no one else is there.
(music)
Just when you're sure of one
You'll find she's gone and made a change
Is you is or is you ain't my baby.
(ends)

TREVOR (O.S.)
It's not moping, you'll know it when I mope.
The view on the lake and DAVE pulls back to....

INT. TREVOR & CHAMP'S APARTMENT - CONTINUOUS

TREVOR's room. He's sitting on his window sill. You can see the lake view (as well as DAVE). TREVOR's on the phone.
TREVOR
My previous joyous existence was the antithesis of this sludge. For thousands of years, I just shot people, sat back and laughed at the result. (moves over to an easy chair) It was a game, an easy game. Oh man, I prefer the easy game. Mortality must be a pain in the ass. I don't know how you do it.
INT. CLAIRE'S HOME - CONTINUOUS (CUT BETWEEN SCENES AS NECESSARY)

CLAIRE is at her computer and is holding her phone.
CLAIRE
You'll get used to it, Trevor.

TREVOR
Work sucks, weather sucks, getting yelled at sucks... I've got to get back.

CLAIRE
I'm thinking of disbanding the group.

TREVOR
What? You can't do that.

CLAIRE
No, Madeline was right. I just needed a focus group, guinea pigs for my next book.

TREVOR
You know what, who cares about your original motivations, at least you give a damn. I look around the room I think - "buddy get a dog, order the complete cable package".

CLAIRE
There's someone for everyone, Trevor.

TREVOR
You know, when you say that, even though I know better I-- I somehow almost believe you.

CLAIRE
You've never been in love?

TREVOR
Not for more than twenty minutes.

CLAIRE
Well, it's going to take someone.... patient. (TREVOR laughs) But there is a woman out there for you.

TREVOR
A mortal, not likely. They would never let me back. And sister, I am going back as soon as I can.
TREVOR stands and walks over to his beads. All of them are hanging on one side.
CLAIRE
Cupid fell in love with Psyche. She was mortal.

TREVOR
Stop saying that. It didn't happen. (walks away from his beads) I'm telling you, the weather, the work, getting yelled at. It would all be a little more tolerable if I could just get a decent Italian meal.

CLAIRE
There's great Italian food in Chicago. I know a dozens places.

TREVOR
Okay, let's go.

CLAIRE
Uh... look Trevor, we've been through this. I just don't think it.....

TREVOR
You-- you know, I could use the counselling... Dr. Allen. (goes and sits on his window sill)

CLAIRE
(taken aback) Doctor? Suddenly you're having doubts about your identity.

TREVOR
No. Look, from what I hear you're the best shrink around, and it may take awhile, but, you know, with the, uh, right treatment, around the clock availability, you just may be able to cure me of this
(beat)
homesickness.
CLAIRE looks at her screen. It has the title of her new book, "Love Jungle: Myths of Mating by Dr. Claire Allen". She erases it and types....
TREVOR
Claire?
(beat)
You there?

CLAIRE
Yeah, Trevor, I'm here.
..."In Search for Cupid by Dr. Claire Allen". Music starts to play. "Love Rescue Me" by U2.
CLAIRE
Uh... why don't you meet me at the Clark Street "L" stop.

TREVOR
Uh-huh, good. Listen, after that, I want you to take a look at the stain on my ceiling.

CLAIRE
Trevor!

TREVOR
Don't get all sweaty-palmed on me, snack-top. Professional curiosity. The shape, I think it's an abstract representation of innocence lost.

CLAIRE
Or?

TREVOR
A ducky.

CLAIRE
(giggles) A ducky?

TREVOR
Ha, ha.

CLAIRE
Uh, how does, uh, thirty minutes sound?
Something gets TREVOR's attention, he is looking up. He stands up and walks over to the centre of the room. He is looking at.....
CLAIRE
Trevor?
(beat)
Hello?
...his beads. One bead is sitting by itself away from the rest.
TREVOR
You sure you wanna do this?

CLAIRE
Sure, Trevor.
TREVOR looks at the bead which is by itself.
TREVOR
I'll be there.

CLAIRE
Okay. Bye.
TREVOR exits. Through TREVOR's window we see MADELINE entering the scene.
(music)
Sha la
Sha la la
Sha la la
la la la
Love, rescue me...
EXT. CHICAGO WALKWAY ALONG THE LAKE - CONTINUOUS

MADELINE and DAVE are standing a couple of metres apart. They stare at each other as the music swells and......
(music)
Love
Rescue me.

FADE TO BLACK

THE END