CSI: MIAMI 2X03: HARD TIME ORIGINAL AIR DATE ON CBS: 10/06/2003 TRANSCRIBED FROM DVD Written by: ELIZABETH DEVINE Directed by: DERAN SARAFIAN Transcript by Intrepid Courtesy of http://www.kilohoku.com/ Do not archive this transcript without permission from the Transcriptionist. RATING: TV-14-V HDTV ========================== DISCLAIMER: ========================== "CSI: MIAMI", "CRIME SCENE INVESTIGATION", "CSI" and other related entities are owned, (TM) and (c) by ANTHONY E. ZUIKER, JERRY BRUCKHEIMER Television, CBS Worldwide Inc., Alliance Atlantis Corporation, CSI Productions and CBS Productions, All Rights Reserved. For Fair Use, for entertainment and for educational purposes only. This transcript was made without their permission, approval, authorization or endorsement. Any reproduction, duplication or distribution of this material in any form is expressly prohibited. It is absolutely forbidden to use it for commercial gain. CONDITIONS OF USE: (1) Do not alter the content of this file. (2) Leave the headers/disclaimers intact because it lists all those who have made this transcript possible for your enjoyment. (3) Provide a link back to the site where this file originated: http://www.kilohoku.com/ Contact the Transcriptionist at (intrepidly002@yahoo.com) ========================== SUMMARY: A rape victim is found in an isolated scene, beaten and left for dead. Horatio and the team learn that their main suspect is only a day away from being released out on parole. ========================== CSI: MIAMI 2X03: HARD TIME ========================== COLD OPEN: [EXT. VARIOUS MARINA (STOCK) -- DAY] [EXT. VARIOUS HOTEL (STOCK) -- DAY] [INT. CONDO - BEDROOM -- DAY] (A bare-chested man in briefs picks up a magazine from the table. He walks over to the window near his bed and removes the plastic wrap around his magazine.) (He sits on the bed, covers himself with the white sheet and looks at the pictures in the magazine.) (Camera pushes in on the man reading the magazine and we hear soft crackling sounds. The man hears the sounds also. He puts the magazine down and listens for a moment.) (He sits up in bed and looks up at the ceiling light - the source of the crackling sounds. He gets up and stands on the bed to get a closer look at the ceiling light.) (He reaches up and tilts the ceiling light to look inside and maggots fall on his head and onto the bed.) (He steps back screaming as he brushes the maggots off him.) (The camera zooms up to the ceiling light, through the ceiling to the floor above and onto the unmoving woman on the floor. The camera moves around the woman to show the large bloodied wound on the back of her head infested with maggots.) (Camera zooms out and we see that the floor above is under construction, the walls and windows open, the ceiling still unfinished.) DISSOLVE IN: [INT. CONDO - CRIME SCENE -- DAY] (Alexx walks up to the body carrying her kit. She puts her kit down and opens it.) (On the side, Horatio puts his kit down as he waits for Alexx.) HORATIO: By the way, I thought Eric had the call-out. CALLEIGH: He got caught in traffic. HORATIO: Just him? (Hagen steps up.) JOHN HAGEN: Look at this place. They should fire their decorator. CALLEIGH: It's South Beach. It could have been the way they wanted it. Mmm. I smell decomp. (Calleigh steps aside.) JOHN HAGEN: Yeah, neighbor thought it was from the pipes till a couple hundred maggots fell on his head. First officer pronounced 0800. (Hagen shows Horatio the victim's wallet.) We got ten dollars, credit cards. ID says her name's Peg Donovan, but the condo owner says this unit's vacant. (The driver's license shows: The Sunshine State License number: D333A-325-75-465-0 PEG DONOVAN 5421 COLTER AVENUE MIAMI SHORES, FL 33138 Birth Date: 8-02-75 Sex: F Hgt: 5-8 Rest: R Endorse: Y Issued: 08-02-02 Expires: 8-02-04 Duplicate: 12-12-75 HORATIO: Peg Donovan from Miami Shores. That's over ten miles from here. Alexx, what do we have? ALEXX: Massive head trauma. Pronounced ecchymosis. Probably blunt force. HORATIO: The flies didn't waste any time, did they? (Alexx picks up a maggot and put it in a sample container with other maggots.) ALEXX: Hmm. Based on the life cycle of these blowflies, she's been here over 72 hours. HORATIO: Seventy-two hours. So she's been here since Monday. ALEXX: (puzzled) Her corneas aren't clouded. Beautiful green eyes. HORATIO: Okay, Alexx, wait a second. Shouldn't those be clouded? ALEXX: Liver temp will give us a closer TOD. HORATIO: Hang on a second. This woman has perspiration on her. Check her. (Alexx looks at the woman's face and notices a drop of sweat falling down her cheeks.) ALEXX: Oh, my God. HORATIO: Alexx, she's still alive. CUT TO END OF TEASER ROLL TITLE CREDITS (COMMERCIAL SET) FADE IN. [EXT. VARIOUS MIAMI (STOCK) -- DAY] [EXT. CONDO - FRONT - DAY] (Horatio walks alongside the moving gurney carrying Peg Donovan to the ambulance.) HORATIO: Peg, my name is Lieutenant Horatio Caine. You're all right now. You're safe. PARAMEDIC: Lieutenant, she's unconscious. HORATIO: I understand. Peg, I want you to take care now. CALLEIGH: Horatio. HORATIO: Yeah? CALLEIGH: Alexx gave me Peg's bag, and I found these on the inside. (She shows him the items.) HORATIO: Okay, so we've got some O.C. spray, a whistle and a switchblade. CALLEIGH: Self-defense and self-preservation. We all know what that means. HORATIO: It means she's a rape victim. CALLEIGH: Two times a victim. If she doesn't have bad luck, she's got no luck at all. HORATIO: You know what? Nobody could be this unlucky. CALLEIGH: Are you saying this isn't random? HORATIO: Somebody wants us to think it is, and nobody knows she survived, right? I want to play this as a murder. CALLEIGH: All right, I'll let people know. HORATIO: Okay. (Horatio turns and walks away.) CUT TO: [INT. CONDO - CRIME SCENE -- DAY] (Speedle walks into the crime scene as Alexx is removing her gloves.) SPEEDLE: So, I missed all the excitement, huh? ALEXX: A thousand bodies under my belt, and I don't notice a live one. SPEEDLE: First officer didn't either. I mean, who can blame him? Place smells like decomp. Covered in maggots. (He looks down at the maggots squirming in the puddle of blood on the floor.) ALEXX: I'm an MD. I'm trained to know the difference. SPEEDLE: All right, Doc, explain the smell. ALEXX: It's from the blood pool, not from tissue decaying. Girl's wound was clean as a whistle. Technical term is "maggot debridement." (Quick CGI POV of: Extreme close-up of the open wound. Flies appear and land on the wound.) ALEXX: (v.o.) Flies are always first witness to a crime. Smell blood from a mile away. (The flies deposit the eggs in the wound.) SPEEDLE: (v.o.) The flies lay their eggs in her exposed wound. (Cut to: The maggots feed on the flesh.) ALEXX: (v.o.) Which hatched into maggots. Maggots ate the necrotic tissue, killing any bacteria, preventing an infection. (End of CGI POV. Resume to present.) ALEXX: So, the maggots kept her alive. I'll get this to our entomologist, get us a timeline. (Speedle looks at some boxes on the side of him.) SPEEDLE: This wood should help. It was delivered four days ago. And the spatter indicates that it was delivered prior to the attack. (Quick flash of: Someone comes up behind the woman and hits her over the head. She grunts. Blood spatters on the boxes. He hits her over the head again. More blood spatters.) (End of flash. Resume to present.) (Alexx looks at Speedle and smiles.) ALEXX: Hey, thanks for the head start. (He nods.) CUT TO: VARIOUS CUTS AND FLASHBACKS (The IV drips.) (Peg Donovan is on the hospital bed as she has flashes of her rape - fingers clawing against an unknown man.) (On her hospital bed, Peg Donovan's fingers twitch.) (Camera pulls back.) [INT. GRACE MEMORIAL HOSPITAL - HALLWAY -- DAY] (The Doctor walks up to Horatio, who is at the reception desk.) DOCTOR: Lieutenant Caine? (Horatio turns around. The doctor is carrying a white plastic bag.) HORATIO: Yeah? DOCTOR: You, uh, wanted her clothes for your investigation? HORATIO: Yes. Thank you, Doctor. Doctor, were there any physical findings? DOCTOR: Her skull is fractured. She's got subdural hematoma and cerebral edema, but, uh, no, no evidence of rape. HORATIO: What are her chances realistically? DOCTOR: Well, the swelling in her brain goes down, she might be okay. HORATIO: I told her she'd pull through. DOCTOR: The AMA doesn't advertise it, Lieutenant, but, uh, sometimes a patient just hearing it can make it so. HORATIO: All right, thank you. DOCTOR: Sure. (Horatio takes the white plastic bag and leaves.) CUT TO: [INT. CONDO - CRIME SCENE -- DAY] (Speedle and Calleigh are at the crime scene looking for evidence.) CALLEIGH: This Kleenex is good for DNA. (Speedle sweeps the flashlight along the floor.) SPEEDLE: There's got to be ten different shoe patterns here. (Calleigh picks up the Kleenex and puts it in a bindle.) CALLEIGH: I say photo them all and sort them out later. (She puts the bindle aside and picks up her camera to look at a shoeprint.) I think this one gave me a bonus. (She snaps a photo of the shoeprint with a large chunk of unfamiliar dirt left behind.) (Speedle looks around and finds a large two-by-four. He sees something and picks it up.) SPEEDLE: Well, I don't need a scope to see that there's a chunk of scalp here. (Close-up of: On the side of the two-by-four are bits of flesh and hair.) SPEEDLE: Hundred pounds per square inch to do that. (Speedle heads over to Calleigh and stops when he sees something up on the ceiling.) SPEEDLE: Hey, look at that. (Above him, a bit of the ceiling is ripped as if something hit it.) SPEEDLE: Looks like the weapon hit the ceiling. (Quick flash of: The ceiling is intact. As the attacker swings, the wood hits the ceiling, causing the rip. End of flash.) (Speedle looks around the area.) SPEEDLE: So a 2x4-- construction site. It's a weapon of opportunity. CALLEIGH: So, our prior rape victim goes to a deserted construction site, is beaten and left for dead. SPEEDLE: There's no evidence that she was taken here against her will. CALLEIGH: I think she had to have come with someone she trusted. CUT TO: [EXT. MIAMI CITY (STOCK) - DAY] [INT. POLICE DEPARTMENT -- DAY] (Yelina is working at the computer when Horatio walks up to her.) HORATIO: Buenas dias. YELINA: (smiles) Hello. HORATIO: Do you have a whereabouts on Detective Hagen? YELINA: He's running down the e condo owner. Called ahead. Said you wanted to run Peg Donovan through the database. HORATIO: That's right. We believe she was a rape victim. YELINA: You mean in the past? HORATIO: Mm-hmm. YELINA: Well, then she should be in here. (Yelina runs a search and doesn't find a match.) YELINA: Nothing locally. HORATIO: Try statewide and adjacent states, please. YELINA: Georgia. (She finds something. The victim information reads: Donovan, Peggy Age: 19 Previous Address: 3141 Driftwood Lane Miami, FL 33136 Date of Assault: Jan 1st, 1994 ) HORATIO: January 1. YELINA: I remember this case. Miami coed at a bowl game, Southern Georgia. HORATIO: Raped January 1 by one Mason Shaw. (The suspect information reads: MACON COUNTY SHAW MASON 03 15 72 64846258 01 1 94 Suspect: Mason Shaw | Age: 30 Previous Address: 82 Alabaster Lane, Macon, GA 31206 Convicted: October 3, 1994 One Count Sexual Battery One Count Assault. Sentence: 15 years Housed at South Georgia Correctional Facility ) HORATIO: Mason Shaw was convicted October 3, remanded to the South Georgia Correctional Facility. YELINA: 15 years is a long time. HORATIO: When is Mason eligible for parole? YELINA: Well, he had his first hearing October 2000. Parole denied. HORATIO: Parole denied. Okay, when's his next hearing? YELINA: October 2003 -- this month. HORATIO: This month. Did we just find our motive? YELIN: What are you thinking? HORATIO: Here's what I'm thinking. Somehow, Peg ... Peg is involved in these hearings. CUT TO: [INT. CSI - HALLWAY -- DAY] (The elevator bell dings. Delko steps out of the stairway and hurries through the hallway, glancing at his watch. Calleigh steps out of the elevator just behind Delko. She's carrying a couple of packages of evidence. Delko turns and sees her.) DELKO: Hey, Calleigh. CALLEIGH: Hey. DELKO: Hey, listen, thanks for taking that DB call-out at that condo. I really appreciate it. CALLEIGH: Sure. DELKO: You know how traffic's a bitch getting over to Biscayne. (They walk into the evidence room.) [INT. CSI - EVIDENCE ROOM - DAY - CONTINUOUS] CALLEIGH: Yeah. People say. DELKO: Everything go okay? CALLEIGH: Uh, let's see. We may have a timeline off some wood, got some shoe prints, possible DNA off of Kleenex (Calleigh puts the paper evidence bags on the table.) CALLEIGH: ... oh, and the dead girl wasn't dead. DELKO: (surprised) What? CALLEIGH: No, she was hanging on by a thread. DELKO: You're kidding. (Calleigh doesn't say anything.) DELKO: Where is she? CALLEIGH: Over at Grace Memorial. By the grace of God, I might add. (Delko quietly turns and leaves Calleigh.) CUT TO: [EXT. VARIOUS SOUTH GEORGIA CORRECTIONAL FACILITY (STOCK) - DAY] VARIOUS CUTS OF THE INMATES OUT ON THE COURTYARD VARIOUS CUTS OF THE INMATES OUT ON THE WORKLINE WHILE GUARDS WITH GUNS WATCH OVER THEM [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY - ROAD -- DAY] (While standing outside the fence, Horatio talks with one of the guards, who hands him a file folder to look at.) HORATIO: All righty. (The guard leaves Horatio.) HORATIO: Appreciate the help. GUARD: You're welcome. (Horatio heads into the facility.) CUT TO: [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - INTERVIEW ROOM -- DAY] (Horatio looks through the file folder.) GREG BRENNAN: Anything else you need, Lieutenant, you just let me know. (Sergeant Greg Brennan turns and leaves the room. He walks past Officer Roy Bailey and inmate Mason Shaw.) HORATIO: Thank you, Sergeant. (He closes the door behind him.) MASON SHAW: Notice how he tilts his head to the left? That guy's stone-deaf in his right ear. Too vain to wear his hearing aid. That guy behind the glass -- he's into his bookie for a grand. The one next to him -- his wife's banging his brother. Family scandal. Who else you want to know about? HORATIO: I would like to know about you, Mr. Shaw. Now, Mr. Conroy of the Parole Board tells me you have a very, very big hearing tomorrow. MASON SHAW: Got a good feeling about it. HORATIO: Very good. It's important to be confident. How do you feel about Peg Donovan? (Mason Shaw shrugs.) HORATIO: Peg Donovan -- I understand that she was at your hearing three years ago, and her testimony ... her testimony kept you behind bars. MASON SHAW: (nods) Yeah. I hear she's not going to make it this time. HORATIO: That is quite true. Someone ... someone beat her to death in Miami. MASON SHAW: Tough break. HORATIO: Yes, it was. Were you involved, Mr. Shaw? MASON SHAW: (chuckles) It's not possible, man. Look at me. (half-whispers) I'm behind bars. HORATIO: Why would that stop a smart guy like you? MASON SHAW: Prove it. HORATIO: Working on it. FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY -- DAY] (Horatio talks on his cell phone.) HORATIO: (to phone) Listen, I'm going to run down our rapist's cell mates, phone records and visitors -- see what he's got in his back pocket. INTERCUT WITH: [INT. CSI - LAB - DAY] CALLEIGH: Okay, I've got some shoe prints that might be able to help us. I'll show you when you get back. HORATIO: I'm not coming back anytime soon. CALLEIGH: You're not? HORATIO: Tomorrow is Shaw's parole hearing. If it goes his way, they're going to crack those gates immediately. CALLEIGH: Yeah, and you want to be there. HORATIO: With enough evidence to put him right back in. CALLEIGH: Okay. Working as fast as we can. HORATIO: Take care. CUT TO: [INT. CSI - EVIDENCE ROOM -- DAY] (Speedle is hanging up clothes on the wire grill. Delko walks up to him.) DELKO: Drying out Peg's clothes? SPEEDLE: Well, I can't process the evidence unless I do. Weren't you supposed to be in court on that quadruple? DELKO: A continuance. I looked up the file on Peg Donovan's rape case from nine years ago. And this Shaw -- he didn't just rape her. He broke both of her arms, then she crawled out to the motel hall where the maid found her, her eye hanging out of its socket. SPEEDLE: A tough girl. DELKO: Yeah. You know I flaked out on the crime scene, right? SPEEDLE: Yeah, but, you know, you called, and Calleigh covered, so it worked out. DELKO: Yeah, but if Calleigh hadn't covered, and it's up to me, I mean, she might have died. SPEEDLE: Then I guess it's a good thing it wasn't up to you. I mean, what do you want me to say? Every day is like a surprise party with you. (Speedle hands something to Delko to hang up.) Here. So, is Calleigh mad at you? DELKO: I don't know. I can't tell. SPEEDLE: Well, then, she's probably mad at you. (Delko glares at Speedle.) CUT TO: [INT. CSI - LAB -- DAY] (Calleigh examines a shoe print under the magnifying glass. John Hagen walks into the lab just as Calleigh puts the print under the scanner.) JOHN HAGEN: Hi. Got a bad guy in there? CALLEIGH: Maybe. Do you ever knock? (Hagen sits on the counter.) JOHN HAGEN: You don't like guys who knock. CALLEIGH: I've got three unidentified heel prints with a distinct chevron pattern. I'm just waiting to see what the database comes up with. Would you stop staring at me? (Busted. Hagen smiles and stops staring at her. The computer beeps.) (He hops down from the counter and looks at the results. Calleigh also steps nearer to the computer.) JOHN HAGEN: Grip tread 2000. That should help. CALLEIGH: Well, not really. It's actually as common as a cold. JOHN HAGEN: So this heel gives us nothing? CALLEIGH: Only class characteristics, but the dirt I've recovered may give us more. Do you have something of your own, Detective? JOHN HAGEN: Oh, yeah. (He digs into his pocket for his notebook.) It seems our victim was a prisoner in her own home. Worked there, lived there. Never ventured out. Except to this place. Three blocks from the crime scene. CALLEIGH: That's great. Okay, I'll drop this off by Trace on our way out and have Speedle run it. (Calleigh heads out.) CUT TO: [EXT. MIAMI BEACH RAPE CRISIS CENTER (SIGN) -- DAY] [INT. MIAMI BEACH RAPE CRISIS CENTER - DAY] (John Hagen and Calleigh enter the Rape Crisis Center. Nicole Arthur stands up from behind the reception desk to meet with them.) JOHN HAGEN: Ms. Arthur? We spoke on the phone about Peg Donovan. NICOLE ARTHUR: IDs, please. (She looks at both their IDs.) CALLEIGH: Was Peg Donovan a regular? NICOLE ARTHUR: Never misses. Missed. JOHN HAGEN: We think she was killed after the meeting Monday night. Do you document who attends? NICOLE ARTHUR: No. It's too confrontational for some of our members. JOHN HAGEN: Anyone new join the group recently? NICOLE ARTHUR: One woman. Didn't get her name. She did participate in the, uh, fast defense training class that I teach. The one with the ammo guy suit. CALLEIGH: The ammo guy suit? NICOLE ARTHUR: Technical name, like the Michelin Man. This new woman -- she volunteered to play my "victim." I started the demonstration, she freaked. Said it was too soon. JOHN HAGEN: Too soon? NICOLE ARTHUR: Since her attack. Peg tried to calm her down. In fact, they left together. CALLEIGH: Well, that makes this lady the closest thing to a bad guy we got. Would you mind getting the ammo guy suit? We might be able to get DNA off of it. NICOLE ARTHUR: It's in the back. CUT TO: [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY (STOCK) -- DAY] [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - HALLWAY -- DAY] (Horatio is waiting at the reception desk. He turns and sees a line of inmates chained together, headed out into the sun under the watchful eyes of the guards nearby.) (Mason Shaw sees Horatio and smiles at him.) MASON SHAW: You still here, Caine? ROY BAILEY (GUARD): Hey, no talking in line on the chain gang. MASON SHAW: Hey, you want a picture, Caine? One more day, and I wake up, and I'm out of here. HORATIO: You sure about that? (Mason points at Horatio as he heads out.) ROY BAILEY (GUARD): Hey, move it! (Sgt Greg Brennan brings a log book to Horatio.) GREG BRENNAN: Visitors log you wanted. Only goes back six months. HORATIO: Thank you. (Horatio looks through the log book and finds the same name under September 24, 2003; September 25, 2003; and October26, 2003: Crystal Sherwood. He also finds the same name for October 1, 2003, and October 2, 2003. She's there to visit Mason Shaw.) (Horatio grabs his phone and speed dials.) HORATIO: (to phone) Hey, it's me. Listen, Macon County is about to send us the transcript and the court records for Shaw's '94 rape case. [INT. POLICE DEPARTMENT - DAY] YELINA: Here to Miami? HORATIO: Yeah. They will only send it to my official address. Here's what I need -- the original court reporter, witnesses and jury members. Anybody connected to the trial. YELINA: You have a suspect in mind. HORATIO: Yeah, I do. CUT TO: [EXT. MIAMI CITY (STOCK) - DAY] [INT. CSI - LAB -- DAY] (Valera walks into the lab to report her findings to Calleigh.) MAXINE VALERA: Got the DNA results from the Kleenex from the condo. No match to the victim. CALLEIGH: Okay. But it did match the DNA of the self-defense suit. Okay, so the mystery woman was at the scene of the crime. MAXINE VALERA: That's good, but she's still a mystery woman. (Calleigh glares at Valera.) I'm just saying. (Valera turns and leaves the lab. Yelina walks in.) YELINA: Not a mystery woman for long. Horatio checked Shaw's visitor list. Lawyer, family, and no less than eight women who visit him regularly. CALLEIGH: That is so weird how certain women seek out criminal celebrity. Were you able to get any of the groupies? YELINA: Only need one. Crystal Sherwood. Guess how she met Shaw. (Yelina shows the file to Calleigh.) CALLEIGH: Well, just when I think I've seen everything. (Yelina smiles.) CUT TO: [INT. CSI - INTERVIEW ROOM -- DAY] (Crystal Sherwood sits down at the interview table opposite Calleigh and Hagen.) JOHN HAGEN: According to our records, you visit Mason Shaw in prison every week. CRYSTAL SHERWOOD: (shrugs) Feel bad for him. Losing everything. His wife walked out on him. He missed seeing his son grow up. CALLEIGH: Did your sympathy for Mason Shaw begin during or after you served as a juror on his trial? CRYSTAL SHERWOOD: How did you ... ? CALLEIGH: Court records, visitor logs. CRYSTAL SHERWOOD: Mason Shaw and I fell in love after his trial. JOHN HAGEN: He was working you from the defense table. Guys like that always do. CRYSTAL SHERWOOD: Mason's a sensitive guy. A very sensitive guy. CALLEIGH: Yes, he's so sensitive, in fact, that he had Peg Donovan killed so she couldn't appear at his parole hearing tomorrow. CRYSTAL SHERWOOD: What? She's ... ? JOHN HAGEN: Mm-hmm. The leader of the rape support group ID'd you from a photo. You impersonated a rape victim to snare Peg. You were the last person she was seen with. (Quick flashback to: [NIGHT] Crystal Sherwood and Peg Donovan talk.) CRYSTAL SHERWOOD: I don't know why I got so weird. PEG DONOVAN: Rape is over in a moment. Memories last a lifetime. You want to go grab some coffee? Talk? Okay. (They turn to leave.) (End of flashback. Resume to present.) CALLEIGH: And I think we both know that sample you just gave us is going to place you at the crime scene. (Quick flashback to: [OUTSIDE CONDO HALLWAY - NIGHT] Peg hands Crystal a Kleenex tissue. Crystal opens the condo door.) CALLEIGH: (v.o.) When you showed her your place, Peg Donovan's antenna must have gone up. CRYSTAL SHERWOOD: (shrugs) I'm remodeling. Security. (Suspicious, Peg follows Crystal inside.) (End of flashback. Resume to present.) CRYSTAL SHERWOOD: Just took her there and left. JOHN HAGEN: Somebody used a two-by-four on her. CRYSTAL SHERWOOD: Not me, I swear. (Calleigh takes out a tape measure.) CALLEIGH: Could you stand up? CRYSTAL SHERWOOD: Why? What's going on? CALLEIGH: Going to find out if you're telling the truth. (Calleigh measures Crystal.) CUT TO: [INT. CSI - CRIME LAB -- DAY] (Calleigh and Speedle listen to the technician, Sam Belmontes.) SAM BELMONTES: You do know I had to destroy the pattern to identify the components in the soil. SPEEDLE: You're already making excuses? CALLEIGH: I think it's all right, 'cause we're all on the same team. Hey, did you find anything instructive in the dirt from the boot? SAM BELMONTES: Clay, hay, excrement and ... CALLEIGH: ... onion. SAM BELMONTES: Well, yellow granex type F hybrid onion, to be specific. SPEEDLE: Horse skat and common supermarket onions. That's what you got? SAM BELMONTES: Turns out they're not so common. Sucrose at high concentrations. Vidalia onions. CALLEIGH: Vidalia onions. There's only one place in the world they grow -- the southern counties of the state of Georgia. SPEEDLE: That's where our suspect's incarcerated. CUT TO: [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY -- DAY] (Under the watchful eyes of the prison guards, the prison work line digs along the side of the road. ) (Horatio steps out of the vehicle and shuts the door. He watches the prisoners work. Mason Shaw notes Horatio's arrival, then continues to work.) (Officer Roy Bailey rides his horse toward Horatio.) HORATIO: Nice boots ... Officer Bailey. ROY BAILEY: They're prison issue. So I'm told. HORATIO: I'm also told you're the only C.O. on the equestrian patrol. ROY BAILEY: So? HORATIO: Ever been to Miami? ROY BAILEY: No. HORATIO: Well, your boots say different, fella. You're coming with me. FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY (STOCK) -- DAY] [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - INTERVIEW ROOM -- DAY] (Horatio interviews Roy Bailey.) HORATIO: El Roy, you broke the cardinal rule, didn't you? ROY BAILEY: What rule? HORATIO: Mmm ... never -- and I mean never -- let an inmate know anything about you. That rule. ROY BAILEY: I do not fraternize with inmates. HORATIO: Really? I hear, Roy, that your wife is expecting twins. That must've been a shock. ROY BAILEY: What is this ... ? Well, how do you know ... ? HORATIO: I heard it from Shaw. ROY BAILEY: Well, I never told Shaw nothing. (Quick flashback to: [BREAK ROOM - DAY] A large cake with the words "CONGRATULATIONS ON YOUR TWINS". The cake is presented to Roy Bailey as the other guards clap and celebrate with him.) GUARD: Congratulations on your twins. GUARD: Hey, hey, yeah! GUARD: Yeah, all right! GUARD: All right! (He turns and sees Mason Shaw walking past the break room. Mason is smiling at him.) (End of flashback. Resume to present.) HORATIO: Did you kill Peg Donovan? ROY BAILEY: Who? HORATIO: Come on, Roy, come on. This is a private prison with no training, less salary. You are vulnerable in this area. You have motive. ROY BAILEY: Look, I told you, I ain't never been to Miami, and I was fishing on Monday. HORATIO: All right, here's what we're going to do. You're going to let me look at your bank deposits, and I may believe you. ROY BAILEY: My bank deposits? HORATIO: Yes. I want to see if you're supplementing your income. ROY BAILEY: Well, I think you're going to have to get a warrant for that. HORATIO: Minutes away, Roy. Minutes away. (Horatio leaves.) CUT TO: [INT. CSI - INTERVIEW ROOM -- DAY] (Hagen and Calleigh question Crystal Sherwood. Hagen slides a photo of Roy Bailey across the table for her to look at.) DELKO: Recognize him? CRYSTAL SHERWOOD: He's one of the guards from Mason's prison. CALLEIGH: We found his boot prints at the crime scene. Is he the one that met you there? Did he beat Peg with a two-by-four? CRYSTAL SHERWOOD: I told you, I didn't even know someone was there. I locked her in and I left. That's all Mason asked me to do. (Quick flashback to: [CONDO - NIGHT] Peg Donovan is in the empty condo when the door slams shut and locks behind her. She turns and tries to get the door open.) (Someone carrying a two-by-four walks up to her. He hits her over the head with it.) (End of flashback. Resume to present.) CRYSTAL SHERWOOD: I didn't know someone was going to kill her. (Calleigh looks at Hagen. Hagen shakes his head.) CUT TO: [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - INTERVIEW ROOM -- DAY] (Horatio is on the phone.) HORATIO: (to phone) Speed, it's H. SPEEDLE: (from phone) Hey. HORATIO: (to phone) Now, listen, Shaw has an 18-year-old son who just stopped visiting about a month ago. INTERCUT WITH: [INT. CSI - LAB - DAY] SPEEDLE: (to phone) Were you able to see him? HORATIO: No. He's a freshman of the University of Miami. Go get in his face, will ya? SPEEDLE: All right. I'll take a uniform. CUT TO: [INT. UNIVERSITY OF MIAMI - PRACTICE RANGE -- DAY] (Chuck Shaw practices hitting baseballs thrown from the machine. Speedle watches for a moment.) SPEEDLE: You Chuck Shaw? CHUCK SHAW: Yeah. I got ten minutes left, man. SPEEDLE: Well, maybe you can get your money back. (Chuck Shaw turns around. Speedle shows him his badge.) CHUCK SHAW: What do you want? SPEEDLE: Have you seen Peg Donovan lately? CHUCK SHAW: I called her a few times. SPEEDLE: Is that why you came down to Miami? CHUCK SHAW: No. I got a scholarship. Academic. Marine biology. SPEEDLE: When's the last time you saw Peg? CHUCK SHAW: Never. I told you, I phoned her. My father's parole hearing is coming up, and I asked her to go easy. SPEEDLE: Shook things up last time she testified, huh? CHUCK SHAW: She told that story again ... those lies ... about how my father raped her. SPEEDLE: Lies? CHUCK SHAW: I know my dad cheated on my mom, but it wasn't rape. It was just sex. SPEEDLE: Hey, Chuck, do you have a ... an allergy? (Speedle notices the red rash on Chuck's left cheek.) CHUCK SHAW: It's poison oak. SPEEDLE: It's pretty hard to get that down in Miami. It's really humid. You want to try again? CHUCK SHAW: (chuckles) I don't remember. SPEEDLE: You know, it's all ... it's all over your face, but it's not on your eyes. Mind if I take a sample of that? CHUCK SHAW: Go ahead. (Speedle turns and opens his kit.) CUT TO: [INT. CSI - LAB -- DAY] VARIOUS CUTS OF SPEEDLE PROCESSING THE SWAB SAMPLE [INT. CSI - INTERVIEW ROOM - DAY] (Speedle talks with Chuck Shaw.) SPEEDLE: Okay, the burn on your face is from pepper spray. Found 15% oleoresin capsicum, which is identical to Peg Donovan's pepper spray, so ... you attacked her. CHUCK SHAW: No. SPEEDLE: Well, do you want to explain that? CHUCK SHAW: She was, uh, taking out the trash last week. I, uh, walked up to her, told her to stop lying about my dad. (Quick flashback of: Peg Donovan throws some trash away when Chuck Shaw rushes up to her.) CHUCK SHAW: Hey. Why would you want to do that to my fath ... ? (She sprays him with pepper spray. He screams as he puts an arm up to protect his face.) (End of flashback. Resume to present.) CHUCK SHAW: She just started freaking out ... spraying me, so I ran. (chuckles) That crazy bitch. (sighs) She ruined my whole family. SPEEDLE: How old were you when, uh, your dad was arrested? Nine? CHUCK SHAW: Eight. SPEEDLE: You should take a look at something. (Speedle puts photos on the table. Chuck Shaw looks away.) Those are photos of Peg's sexual assault, and the files related to the case. I want you to look at those, and I want you to tell me that you think that's consensual sex. CUT TO: [EXT. MIAMI CITY (STOCK) - DAY] [INT. GRACE MEMORIAL HOSPITAL -- DAY] (BLUR IN: Calleigh talks with Peg Donovan, who has just woken up.) CALLEIGH: Hi. I'm Calleigh Duquesne, Miami-Dade, CSI. Your doctor told us you were awake. (Peg nods.) Do you think you're up to looking at some pictures? (Calleigh opens the file folder and shows her a photo of Crystal Sherwood.) PEG DONOVAN: It's Crystal. She took me to her place. Locked me in. (Quick flashback to: [INT. CONDO - NIGHT] The door slams and locks shut behind Peg. Peg turns and tries to open the door, pounding on the wood and rattling the doorknob.) PEG DONOVAN: Crystal, open the door! (She continues to pound on the door, trying to get it open and doesn't notice that there's someone else in there with her. She turns and looks around. The person steps out from behind the hanging plastic.) (End of flashback. Resume to present.) CALLEIGH: We believe the person that assaulted you may have been waiting inside. Do you think you can look at one more? PEG DONOVAN: I didn't see anyone. It was ... it was dark inside. Sorry. CALLEIGH: It's all right. Are you okay? PEG DONOVAN: I'm supposed to be somewhere. I just can't remember where. CUT TO: [INT. CSI - INTERVIEW ROOM -- DAY] (Chuck Shaw looks at the photos Speedle put out on the table of Peg Donovan's assault.) (The file he's looking at has an article from the NEWS section of a SOUTH GEORGIA newspaper. The headline reads, "LOCAL FOOTBALL STAR ACCUSED OF RAPING CO-ED".) (CLOSE-UP of a report: SAMPLE TISSUE FROM FINGERNAILS (CLOSE-UP of a report: SAMPLE SALIVA FROM BREAST (CLOSE-UP of a report: SAMPLE HAIR FROM CLOTHES (CLOSE-UP of a report: RESULT POSITIVE MATCH (CUT TO: A photo of Peg Donovan, her face bruised.) (CLOSE-UP of a report: SAMPLE SEMEN FROM -- (CLOSE-UP of a report: RESULT POSITIVE MATCH (CUT TO: Chuck Shaw continues to go through the file folder findings.) (CLOSE-UP of a report: RESULT POSITIVE MATCH (CLOSE-UP of a report: SUSPECT MASON SHAW (CLOSE-UP of a second report: SUSPECT MASON SHAW (CLOSE-UP of a third report: SUSPECT MASON SHAW (CLOSE-UP of MASON SHAW'S arrest photo: MACON COUNTY SHAW MASON 03 18 72 64846258 (Chuck is shaken by what he's seen.) SPEEDLE: You finished? (Chuck Shaw doesn't say anything.) SPEEDLE: My crime scene reconstruction indicates that you were tall enough to swing that 2x4 to kill Peg Donovan. CHUCK SHAW: I didn't. SPEEDLE: I know. Homicide just found out you were on a boat at the time of the murder. CHUCK SHAW: Marine biology trip. (He looks at the photos on the table.) I think my dad's playing me. Totally fronting. He set me up. I ... I think I might have paid for it. SPEEDLE: What are you talking about? CHUCK SHAW: Peg Donovan's murder. My ... dad said if I ... if I brought him a- a little money every week, it would help ... keep these guys off him, pay for his protection. All through high school, I-I brought him money. SPEEDLE: Prisoners aren't allowed to handle money. CHUCK SHAW: I know. I gave it to a C.O. To pass to my dad. I think his name was, uh ... SPEEDLE: Bailey? (Quick flashback to: Roy Bailey sits on his horse as he watches over the prison workline.) (Cut to: Roy Bailey pats Chuck Shaw down. He takes the white envelope from him.) ROY BAILEY: Now, you can collect this when you leave. (End of flashback. Resume to present.) CHUCK SHAW: (nods) How'd you know? SPEEDLE: My boss. CHUCK SHAW: (upset) I just wanted to help my dad. I didn't know it was to kill her. I swear. FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY -- DAY] (The walls open for the bus to drive through.) [EXT. SOUTH GEORGIA CORRECTIONAL FACILITY - DAY] (Horatio sits in his car. He glances at his watch as he listens to the radio.) RADIO DJ: (from radio) ... was low overnight, and we're expecting temperatures in the high 90s with 94% humidity. You're listening to WHGA, southern Georgia's finest. And now we'll hear from Merle Haggard and the Bakersfield Strangers playing their hit rendition of ... (Horatio sees that the bus has arrived.) CUT TO: [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - HEARING ROOM -- DAY] (Horatio talks with the Parole Board Member.) PAROLE BOARD MEMBER: You want me to push his hearing back? HORATIO: Just until I can get my evidence together. PAROLE BOARD MEMBER: A parole hearing is to ascertain whether the man has paid his debt to society. It is not to prosecute him for a second alleged attack. HORATIO: I understand that, but I can't file the new case yet. Drag your heels. PAROLE BOARD MEMBER: The State of Georgia doesn't cotton to dragging its heels for the State of New Jersey. I'm sorry. The State of Florida. HORATIO: So what you're telling me is that you're comfortable putting a violent sex offender back out on the street. PAROLE BOARD MEMBER: If the board so determines. HORATIO: But you're a senior member of the board. You can make this happen. PAROLE BOARD MEMBER: What we have here is a failure to communicate. (Horatio chuckles.) PAROLE BOARD MEMBER: I always liked that movie. HORATIO: Me, too. PAROLE BOARD MEMBER: Shaw's hearing is at 4:30 today. HORATIO: I'll be here. CUT TO: [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - LOCKER ROOM -- DAY] (Horatio passes by the row of lockers in the hallway and sees the set of boots on top of the locker.) (He walks up to the locker and notices that it's BAILEY's locker.) (Horatio looks around at the white assignment board behind him. It reads: HEYNEY | 2300-0700 |------ DEVINE | OFF | OFF | 0700-1500 SCOTT | OFF | OFF | 1500-2300 LOPEZ | OFF | OFF | 2300-700 SMITH | OFF | 0700-1500 | --- BAILEY | OFF | 1500-2300 | --- (Horatio smiles.) CLOSE-UP: SMITH | OFF | 0700-1500 | --- BAILEY | OFF | 1500-2300 | --- CUT TO: [MASON SHAW] (Mason Shaw takes extra care with his appearance.) [EXT. VARIOUS SOUTH GEORGIA CORRECTIONAL FACILITY (STOCK) - DAY] [CLOSE-UP: MASON SHAW'S ARREST PHOTO] (The suspect information reads: MACON COUNTY SHAW MASON 03 15 72 64846258 01 1 94 (Camera moves down to a photo of CHUCK SHAW.) [INT. CSI -- LAB] (The various known people involved in the attempted murder are up on the board including photos of Crystal Sherwood and Roy Bailey.) (Calleigh, Speedle and Delko are in the lab looking over the evidence.) SPEEDLE: There's got to be something that ties this case to Shaw. We're going to have to go back over the evidence. CALLEIGH: Okay, 2x4, heel print, clothes ... DELKO: (bursts out) The emergency room is not the medical examiner! SPEEDLE: You got Tourette's or something? DELKO: No, look. When a ... when a victim goes to the morgue, the ME bags and tags everything, right? Fine-tooth comb, 'cause it's evidence. (Calleigh nods.) The ER, on the other hand ... CALLEIGH: Is only concerned with saving lives. They're not concerned with the evidence. DELKO: Exactly, and the ER doctors at Grace must have been all over Peg. (Quick flash of: The doctors and nurses are bustling as Peg Donovan is wheeled in on the gurney.) VOICE: One head trauma. VOICE: Move it, move it, come on! VOICE: All right, we're going to start this line. VOICE: Losing blood. VOICE: Okay, cut away, come on, let's go! (The nurses cut the clothes off of Peg.) VOICE: That. Right there. VOICE: ... Go! (Blood dribbles off the table onto the nurse's shoes.) VOICE: ... 89 percent. (Peg's hand rolls out from under the blanket. Someone grabs it and tucks it back under.) (The voices continue.) (The machines start beeping.) (They continue to cut her pants off.) VOICE: ... blood gas. (End of flash. Resume to present.) SPEEDLE: (nods) Well, her clothes are drying out in the evidence room. CUT TO: [INT. CSI - EVIDENCE ROOM -- DAY] (Delko looks at Peg's shoes while Calleigh looks at the clothes hanging on the line. Delko finds something.) DELKO: Yo, check this out. CALLEIGH: Cell phone. Emergent situation. DELKO: Yeah, the ER nurses must have hid it in there to keep it from getting lost. (Quick flash of: In the middle of the emergency room bustle, the nurse removes Peg's shoes and tucks her cell phone inside.) VOICE: Let's get started. (End of flash. Resume to present.) CALLEIGH: Check the history. DELKO: Yep. Here we got a 911 call made 9:44 on Monday night. (The information reads: OUTGOING CALLS EMERGENCY 911 9:44 PM SEPT.29TH CALLEIGH: Well, that makes sense. I would use a cell phone over pepper spray any day. DELKO: Yeah, but PD didn't give us any tapes from 911. CALLEIGH: Maybe the call didn't get through. DELKO: It had to go through to be on the call memory. CALLEIGH: Well, maybe it got dropped. Either way, we know what time the call was made. DELKO: Well, let's get the tapes and see what we can hear. CUT TO: [INT. CSI - A/V LAB -- DAY] (Calleigh and Delko stand behind Tyler Jensen, who sits in front of the console.) DELKO: So dispatch recorded one 911 hang-up at 9:44. Nobody on the other end. CALLEIGH: See if there's anything in the background. TYLER JENSEN: Yeah, let's give it a try. DISPATCHER: (recording) 911. What's your ... (A grating, high-pitched whine blocks out the rest.) CALLEIGH: Ooh! What was that? TYLER JENSEN: Uh, let me try to isolate the sound. (He isolates and plays the grating high-pitched tone again.) DELKO: It sounds electronic. TYLER JENSEN: Yeah, 140 decibels. Probably radio frequency interference. CALLEIGH: The crime scene was a construction site. I didn't see anything electronic. DELKO: Mm, no, maybe it was outside or next door. TYLER JENSEN: It had to have been pretty close to react with the frequency of the cell phone. DELKO: Okay, how close? TYLER JENSEN: In the room -- one or two feet away from the phone. DELKO: Well, she got locked in the room, and she grabbed her cell phone to make the call. (Quick flashback to: [EMPTY CONDO - NIGHT] Peg Donovan pounds on the door and struggles with the doorknob. She stops and looks around.) (She takes out her cell phone and dials.) (End of flashback. Resume to present.) DELKO: I mean, if the electronic device was within a foot of her at that time, it had to be on the suspect. (Quick flashback to: Peg Donovan makes the call. Her phone beeps.) DISPATCHER: 911. What's your ... (The attacker steps up from behind and just before he hits Peg, there's a high- pitched, grating tone.) (The board connects with the back of Peg's head and she falls to the floor.) (End of flashback. Resume to present.) [INT. VARIOUS SOUTH GEORGIA CORRECTIONAL FACILITY - HALLWAY -- DAY] (Horatio is on the phone.) HORATIO: (to phone) An electronic device? INTERCUT WITH: [INT. CSI - LAB - DAY] DELKO: (to phone) Interfered with her cell phone. HORATIO: Okay, cell phone. What kind of cell phone exactly? DELKO: It's a Travelcell tc 90. Tyler said he can match the sound on the tape if we find the electronic device her attacker was carrying. HORATIO: Okay, here's what I want you to do. Have him get his gear, and you two get up here immediately. Immediately, Eric. CUT TO: [INT. SOUTH GEORGIA CORRECTIONAL FACILITY - INTERVIEW ROOM -- DAY] (Horatio is in the room when Sergeant Greg Brennan walks in.) GREG BRENNAN: They told me you were looking for me. (In his right hand, Horatio is holding his open cell phone while looking at the open visitor logs on the table.) HORATIO: Yeah. I'm, uh, I'm having trouble deciphering these visitor logs. GREG BRENNAN: See what I can do. HORATIO: Appreciate it. (In the next room, Delko and Tyler set up the laptop and software as they wait for Horatio.) GREG BRENNAN: Let me take a look at these. New phone, huh? HORATIO: Yeah, it's, uh ... it has the oddest ring. GREG BRENNAN: Hmm. HORATIO: You want to hear it? GREG BRENNAN: Yeah. (Horatio puts the phone next to Brennan's ear. A high-pitched, grating tone sounds.) GREG BRENNAN: God! God! (In the next room, the tone is recorded and matched perfectly with the pre- existing recording. Delko stands up.) HORATIO: See what I mean? (Horatio tosses the cell phone on the table.) HORATIO: Here's the bottom line, Sergeant. We can prove that your hearing aid was within inches of Peg Donovan's cell phone while she was being attacked. (Delko walks into the room.) GREG BRENNAN: I never meant to hit her that hard. It was that noise. (Quick flash to: [EMPTY CONDO - NIGHT] Brennan steps out from behind the plastic sheeting while Peg Donovan is dialing her phone.) DISPATCHER: 911. What's your ... (He lifts the wood just as the grating, high-pitched tone sounds from the phone.) (Camera zooms in on Brenner's hearing aid. The sound is grating.) (Brenner grunts as he swings the 2x4 at Peg Donovan. He hits her on the back of her head. She drops the phone and falls to her knees.) (Brenner hits her again.) (Panting, he drops the piece of wood.) (End of flashback. Resume to present.) DELKO: Why'd you try to implicate Bailey? HORATIO: He tried to implicate Bailey because he could, right, Sarge? GREG BRENNAN: I knew Bailey had two days off. HORATIO: And you had access to his boots. (Quick flash of: Roy Bailey finishes up for the day and puts his boots on his locker. He turns and leaves. Brenner walks up quickly and grabs the boots. He leaves with them.) (End of flash. Resume to present.) HORATIO: And you knew he was taking money from Shaw, which would make him the perfect patsy. Here's the thing I can't figure out though. I can prove through your bank statements that you weren't taking money. So what does he have on you? (Brennan sits down.) GREG BRENNAN: There was this woman. She was there on a conjugal. I guess her old man couldn't deliver. (Quick flashback to: Carrying a stack of towels, Mason Shaw pushes open the door and finds Brennan with the woman. Brennen and Shaw look at each other.) (End of flashback. Resume to present.) BRENNAN: I didn't want to lose my job. See, my ... my wife ... Shaw said we'd be even if I did him a favor. Shaw said. HORATIO: Shaw said. Take a look at that. (Horatio slides file folder CASE #03-55839 with a photo of Peg Donovan in it across the table.) That was some favor, Sarge. (Horatio turns and leaves.) CUT TO: [INT. PAROLE BOARD - DAY (4:30P)] (Mason Shaw sits in front of the Parole Board.) PAROLE BOARD MEMBER: This meeting of the Parole Board is in the, uh ... in the matter of inmate number 41720. Welcome back. MASON SHAW: It's good to be here, sir. PAROLE BOARD MEMBER: Before we proceed, Lieutenant Caine has requested a word. (Horatio leans against the window.) HORATIO: Thank you. Mason Shaw, you're under arrest for conspiracy to commit murder, and the attempted murder of a witness. MASON SHAW: Attempted? You told me she was dead. HORATIO: Well, I guess I misled you, huh? How does it feel to be kept in the dark? PAROLE BOARD MEMBER: I should have been apprised of this before the hearing, Caine. HORATIO: So I apologize for that, but that's the problem with these places -- loose lips. (Horatio hands the papers to the Senior Parole Board Member.) This is a notice of extradition signed by the State's Attorney of Florida. You, my friend, are about to stand trial. Get up. Get up. (Mason Shaw stands up as the officer steps forward to put handcuffs on him.) MASON SHAW: I'll be acquitted. (whispers) You got nothing. HORATIO: On the contrary, I have confessions from every major player, including your son. Your son. You see, Mason, the problem with manipulation is that people can turn on you. (The officer cuffs him.) PAROLE BOARD MEMBER: Well, Shaw, this hearing is over. And, in what may be the biggest understatement of my career -- parole denied. CUT TO: [EXT. VARIOUS MIAMI CITY (STOCK) - DAY] [INT. GRACE MEMORIAL HOSPITAL --ROOM -- DAY] (Horatio stands near the window as Peg Donovan wakes up. She looks at him.) PEG DONOVAN: You were the one that found me. HORATIO: That's right. That's right. How you feeling? PEG DONOVAN: Scared. They told me you got him. HORATIO: You know what, Peg? We did. We got him. PEG DONOVAN: How long do I have? HORATIO: Peg, he's never getting out. Ever. No parole. PEG DONOVAN: No parole? HORATIO: No. Ever. (Peg's nose starts to bleed. Horatio digs into his pockets for a handkerchief.) PEG DONOVAN: What? HORATIO: Don't worry. It's okay. (He dabs at her bleeding nose.) PEG DONOVAN: Sorry. HORATIO: There you go. No big deal. PEG DONOVAN: I'm still scared. HORATIO: (quietly) I know. I know. FADE TO BLACK. ========================== THE END ========================== [Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group at WGBH access.Wgbh.Org] Courtesy of http://www.kilohoku.com/ Transcript by Intrepid Beta: DianeM Contact the Transcriptionist at (intrepidly002@yahoo.com) Do not archive this transcript without permission from the Transcriptionist. ========================== TITLE/OPENING CREDITS ========================== CSI: MIAMI 2X03: HARD TIME ORIGINAL AIR DATE ON CBS: 10/06/2003 TRANSCRIBED FROM DVD Starring: DAVID CARUSO as Horatio Caine EMILY PROCTER as Calleigh Duquesne ADAM RODRIGUEZ as Eric Delko KHANDI ALEXANDER as Alexx Woods with RORY COCHRANE as Tim Speedle Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN Starring SOFIA MILOS as Det. Yalina Salas HOLT McCALLANY as Det. John Hagen MATTHEW LAWRENCE as Chuck Shaw MICHAEL JAI WHITE as Officer Roy Bailey DON MICHAEL PAUL as Mason Shaw SAMANTHA SHELTON as Crystal Sherwood CRISTIAN DE LA FUENTE as Sam Belmontes BRIAN POTH as Tyler Jensen EDEN ROUNTREE as Peg Donovan CHRISTOPHER ALLPORT as Deke Conroy SARAIN BOYLAN as Nicole Arthur Music Composed by: GRAEME REVELL Edited by JOHN C. BALDWIN Production Designer: CAREY MEYER Director of Photography: DERMOTT D. DOWNS Co-Producer: GINA LAMAR Co-Producer: SUNIL NAYAR Co-Producer: BRUCE GOLIN Producer: STEVEN MAEDA Producer: JOE CHAPPELLE Producer: ELIZABETH DEVINE Supervising producer: SHANE BRENNAN Consulting Producer: JONATHAN GLASSNER Produced by: SCOTT SHIFFMAN Co-Executive Producer: DANNY CANNON Executive Producer: JONATHAN LITTMAN Written by: ELIZABETH DEVINE Directed by: DERAN SARAFIAN ========================== END CREDITS ========================== Executive Producer: JERRY BRUCKHEIMER Executive Producer: ANN DONAHUE Executive Producer: ANTHONY E. ZUIKER Executive Producer: CAROL MENDELSOHN JERRY BRUCKHEIMER Television Alliance Atlantis Productions Inc. CBS Productions, Inc. Co-Starring BOTI BLISS as (Maxine) Valera JODY WOOD as Sergeant Greg Brennan ROBERT ALMODOVAR as Dr. Vanderman KRISTOPHER SHEPARD as Chris Paolo Line Producer: DON TARDINO Associate Producer: SCOTT LAUTANEN Casting by: NAN DUTTON SELLS Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER, C.S.A. Executive Story Editor: MIKE OSTROWSKI Story Editor: ILDY MODROVICH Story Editor: LAURENCE WALSH Unit Production Manager: ROBERT ROTHBARD First Assistant Director: SAM HILL Second Assistant Directors: ANDY SPILKOMAN Costume Designer: JULIA SCHKLAIR Forensics Consultant: JOHN HAYNES Production Sound Mixers: DONOVAN DEAR Script Supervisor: CLAUDIA YARMY Special Make-Up Effects: MATTHEW W. MUNGLE / CLINTON WAYNE Art Director: COLIN DE ROUIN Set Decorator: DAVID KONEFF Construction Coordinator: MIKE CLARK Special Effects Coordinators: DAVID KELSEY Property Master: RANDY ERIKSEN Property Master: DAVID SCOTT Key Grip: JOEY KRAFT Gaffer: RUSS CALDWELL Department Head Make-up and Special Make-up Effects: CHERI MONTESANTO-MEDCALF Key Make-Up Artist: LANA SHARPE Camera Operator: MARCIS COLE 2nd 2nd Assistant Director: ANYA ADAMS Production Coordinator: AMY ELLIOTT Location Manager: BRIAN O'NEILL Costume Supervisor: KATHY KANN Transportation Coordinator: TIM RYAN 2nd Unit Coordinator: ERIC MIRICH Associate Producer: CORINNE MARRINAN Colorist: PAUL WESTERBECK Supervising Sound Editor: MATTHEW SAWELSON Music Supervisor: JASON ALEXANDER Assistant Editor: MICHAEL FRIEDLANDER Post Production Supervisor: MELISSA BLACK Loop Group: THE REEL TEAM Dialogue Editor: TODD NIESEN ADR Editor: RUTH ADELMAN Sound Effects Editor: BRAD KATONA Re-Recording Mixers: YURI REESE / BILL SMITH Music Editor: ASHLEY REVELL Visual Effects Supervisors: ANDREW ORLOFF Digital Effects by ZOIC Computer Playback and Graphics by ZOIC High Definition Post Production by THE POST GROUP Film Laboratories by FOTOKEM Post Production Sound Provided by TODD AO STUDIOS Filmed at RALEIGH MANHATTAN BEACH STUDIOS PANAVISION "Won't Get Fooled Again" by Pete Townshend Performed by The Who cbs.com The persons and events portrayed in this film are fictitious. Any similarity to actual persons, living or dead, or any events is unintentional. (c) 2003 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc. All Rights Reserved. CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of this program for the purposes of copyright and other laws. Dated:09/09/2005~lky http://www.kilohoku.com/