CSI: MIAMI
1X21: SPRING BREAK
ORIGINAL AIR DATE ON CBS: 04/28/2003
TRANSCRIBED FROM DVD
Written by STEVEN MAEDA
Directed by DERAN SARAFIAN
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LV
HDTV
==========================
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==========================
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==========================
SUMMARY: Horatio and Speedle investigates women being raped and murdered during
Spring Break when all the college kids flood to the beaches for two weeks of
vacation. Calleigh and Delko investigate the death of a college boy found at the
bottom of a hotel pool.
==========================
CSI: MIAMI
1X21: SPRING BREAK
==========================
COLD OPEN:
[EXT. VARIOUS MIAMI-DADE CITY LIGHTS (STOCK) -- NIGHT]
[EXT. HOTEL -- POOLSIDE PARTY - NIGHT]
DEEJAY: South Beach, are you ready to party?! It's going to be off the hook!
Spring break is here!
(The crowd cheers.)
(The pool party is on its way. The beer is being passed around, the music
pulsates. College kids are in the pool. Hand-held video cameras record the
party.)
[VIDEO CAM POV]
(The video camera records the following: women dancing, small cups of food
being passed around and feminine butt shots.)
[RESUME VIEW]
(Kids in the pool play games. Kids behind the glass kiss.)
[EXT. ROAD - NIGHT - CONTINUOUS]
(Convertibles carrying women parade slowly down the middle of the street. The
roadside is lined with young men carrying their video cameras.)
[VIDEO CAM POV]
(The women ride in the back of the convertible.)
[RESUME VIEW]
(Carson Mackie, carrying a video camera, shouts out to the women in the
Convertible.)
CARSON MACKIE: All right, ladies, this ... this is for Babes on Break. You got
to show America what you got.
(Men with video cameras gather around the women in the convertible.)
CARSON MACKIE: All right? Ready? One ... two ... three!
(The women lift their tops. The guys around the convertible cheer and whistle.)
MAN: Oh, my god.
CARSON MACKIE: I got a t-shirt.
(Carson Mackie gives one of the girls a t-shirt. She takes it and puts it on.
It reads: BABES ON BREAK.)
(She raises her arms and dances for the video.)
FADE TO:
[SUNRISE (STOCK)]
[EXT. SHORE - MORNING]
(The waves break on the shoreline.)
(A couple of guys on lounging pool chairs get wet from the incoming waves.)
(They wake up.)
DUDE 1: Dude ... where's the car?
DUDE 2: Dude, where are we?
(Dude 1 laughs. They continue to get wet.)
DUDE: My god.
(They get up and walk over to the woman in a bikini on the beach.)
DUDE 1: Hey! You better get up. Tide's coming in.
(They reach her and try to get her to move.)
DUDE 2: Hey, wake up.
DUDE 1: Hey, what...?
(Dude 1 reaches out to nudge the woman and her head twists back unnaturally.
Her eyes are still open.)
DUDE: Whoa! My...!
DUDE: Geez!
DUDE: What the...?
DUDE: Oh, geez!
DUDE: Let's get out of here!
(Both shout and leave.)
FADE TO WHITE:
FADE IN.
[EXT. BEACH – DAY]
(Alexx rolls the woman's body over as Horatio watches. A small crowd has
gathered outside the crime scene tape.)
ALEXX: Hate to state the obvious, but her neck's been broken.
(Alexx checks her head.)
ALEXX: Sunburn says she's a tourist. You know what that means.
HORATIO: Mm-hmm. Come down here, looking to blow off steam and they think the
rules don't apply.
ALEXX: Welcome to spring break. (to the body) How'd this happen, Sugar? All
you wanted was a week of fun and sun. Good times, hanging out with your
friends.
HORATIO: Should've been the time of her life, Alexx ... instead of the end of
it.
FADE TO
END OF TEASER
ROLL TITLE CREDITS
FADE IN.
[EXT. VARIOUS MIAMI BEACH (STOCK) - DAY]
[EXT. MIAMI BEACH -- DAY]
(Various camera shots of the body.)
(The Coroners prepare to bag the body. The gurney is ready.)
CORONER: Help me with this body bag, will you?
DET. FRANK TRIPP: Guys who found her, slept out here last night, twenty feet
away. They didn't see or hear anything.
HORATIO: Drunken, passed-out kids; I guess that's possible. (to the Coroners)
Hang on a second, guys. Hang on. I want a new one, and let's put her in the
VIP room, please. All right?
CORONERS: New body bag-- copy that.
(The Coroner takes a new body bag still in its plastic wrap and takes that out
instead.)
DET. FRANK TRIPP: Maybe she was dumped.
HORATIO: Nope. No drag marks. It means she was killed right here.
DET. FRANK TRIPP: This time of year, all the nuts roll downhill to South
Florida.
HORATIO: Speed?
(Speedle stands near the crime scene tape and yells back to Horatio.)
SPEEDLE: Big party.
HORATIO: How do you figure?
SPEEDLE: It's motor oil.
(Camera zooms in to the black liquid on the sand.)
SPEEDLE: Only snowbirds would be dumb enough to park way out here. They're
lucky the tide didn't take their vehicle.
HORATIO: Okay, let's set a grid ten yards in both directions. See what we get.
SPEEDLE: You got it.
HORATIO: All right.
(The Coroners put the woman's body on the body bag.)
CUT TO:
[EXT. MIAMI BEACH (STOCK) - DAY]
[INT. HOTEL - POOLSIDE - DAY]
(Hand-held video camera view of a woman's chest.)
(More cuts of women dancing, a woman passed out on a couch, a large breasted
women in a bikini being tossed a t-shirt.)
(A man in bed signals to the camera.)
(A woman puts on her Babes on Break t-shirt.)
CUT TO:
(Camera is on Calleigh's back.)
MAN WITH VIDEO: Hey, Blondie. You're hot. Flash me.
[RESUME VIEW]
(Calleigh is walking to the crime scene while a guy with a video camera follows
her.)
MAN WITH VIDEO: Why don't you show me something? Come on, flash me. Flash me.
You know you want to.
(Calleigh turns around.)
[VIDEO CAMERA POV]
(Calleigh opens up her jacket and shows him her gun tucked in her holster with
her badge.)
CALLEIGH: Is this hot enough for you? Or you want to see my weapons permit?
[RESUME VIEW]
(The guy with the video backs off.)
MAN WITH VIDEO: Hey ... I didn't mean anything.
(Calleigh turns and heads up the stairs. He watches her go.)
CUT TO:
[BOTTOM OF POOL]
(There's a dead boy on the bottom of the pool.)
DET. BERNSTEIN: Motel Manager called it in.
(Det. Bernstein, Calleigh and Delko stand just pool side and inside the crime
scene taped around the pool. College kids in swim suits hang around and watch.)
DET. BERNSTEIN: Says there were a hundred kids out here last night, and no one
saw anything.
CALLEIGH: Was our vic staying here?
DET. BERNSTEIN: It's hard to say. They pack these kids, eight, ten to a room.
Got to go finish up with the manager.
DELKO: Hmm.
(Det. Bernstein leaves.)
DELKO: He hasn't been down there long. It usually takes a while for the body
to float. Body gasses have to have time to build up.
CALLEIGH: Well, it looks like somebody's getting wet.
DELKO: Music to my ears.
(Delko takes off his shirt covering over his dive suit. The girls watching hoot
and cheer. He puts his shirt aside and reaches down to remove his feet gear.)
GIRLS: Whoo-hoo!
GIRLS: Hey!
GIRLS: Ow!
GIRLS: Whoo!
[BOTTOM OF POOL]
(Delko dives into the pool and grabs the body. He pulls the body up.)
[POOL TOPSIDE]
(The girls near Calleigh kneel down to get her attention.)
GIRL: Excuse me, ma'am?
(She turns and smiles.)
CALLEIGH: Yeah?
GIRL: Could we talk to you?
CALLEIGH: If you promise not to call me "ma'am".
GIRL: Your friend is totally hot. Do you know if he has a girlfriend?
CALLEIGH: Uh, not currently.
GIRL: Well, how old is he?
(Calleigh looks from the pool ... to back at the girls.)
SHORT TIME CUT TO:
[POOLSIDE]
(Delko and Calleigh are kneeling on the deck, the body between them. Delko
glances over his shoulder at the girls nearby.)
DELKO: Cute girls.
CALLEIGH: Yeah, they thought you were cute, too.
DELKO: Oh, yeah? What'd they say?
CALLEIGH: They were wondering if you had a younger brother.
(Calleigh stands up. Delko chuckles.)
DELKO: Funny.
(Calleigh looks at the scrapes on the dead man's feet. Delko puts his hand on
the dead man's chest and presses.)
DELKO: Nah, I don't think he drowned. There's no foam around his nostrils or
his mouth. Means there's no water in his lungs.
CALLEIGH: He's got scratches on his feet. His arms are bruised. I don't know,
it looks like he's been beaten.
DELKO: He might've been wasted, too. Check out the tag on his trunks, on
backwards.
CALLEIGH: Something's not right. We should get him down to autopsy.
(Calleigh stands up.)
DELKO: Yeah.
CUT TO:
[EXT. MIAMI-DADE CITY (STOCK) - DAY]
[INT. CSI - FORENSICS LAB -- DAY]
(Horatio is looking at the body while Alexx is washing something. He puts the
magnifying glass aside. He starts to scrape her hair, when he stops.)
ALEXX: You find something?
HORATIO: Mm-hmm.
(He removes a small flower hair clip.)
HORATIO: Still a little girl, isn't she?
(Alexx dips the sponge in water and squeezes out the excess water. She starts
to rub the sand off of the body. On the body's upper thighs, she finds
something.)
ALEXX: Take a look at this, Horatio.
HORATIO: We've got a biter.
ALEXX: At least six sets of marks, avulsed. Most dramatic type. Bites like
this don't just happen.
HORATIO: So, he's a predator. Let's see if had a history.
ALEXX: I'll swab for saliva and semen. See if there's anything for CODIS.
HORATIO: Okay, and I will call the Odontologist.
CUT TO:
[VARIOUS CUTS OF MIAMI BEACH - DAY]
[EXT. MIAMI BEACH -- DAY]
(Speedle is out at the crime scene digging up the motor oil. A man in white
runs out toward him.)
TED ZINK: Hey! Buddy! Hey! You want to get this moving!
(Speedle stops digging and looks at him.)
TED ZINK: Hey! Ted Zink, Matraca Tequila. You're in my party area.
SPEEDLE: Your what?
TED ZINK: We're hosting a big event for the Greeks. Part of our spring break
marketing package: Uh, Lauderdale, Daytona, Miami Beach. We take the party
wherever the kids are. You know, you hook them young, they're yours for life.
SPEEDLE: Sir, can you read the yellow tape right there? It says "crime scene."
TED ZINK: Hey, I got permit to be here.
SPEEDLE: Oh ... you got a permit.
TED ZINK: Yeah, that's right. From parks and rec.
(Speedle walks over to him and takes out his cell phone. He starts dialing.)
SPEEDLE: Well ... (He clears his throat.) I'm going to let you tell that to
the family of the girl that got murdered here last night.
TED ZINK: Whoa, hold on ...
SPEEDLE: I'm going to let you tell them that we can't process this crime scene
because you have a permit for a party.
TED ZINK: You misunderstood me ...
SPEEDLE: Then I'm going to arrest your cheap, tequila-pushing ass and have you
spend the night in lockup with all the drunk-and-disorderlies, and you can smell
the vomit of the fraternity boys.
TED ZINK: You know what? Maybe I-I ... maybe I should just wait until you're
finished.
SPEEDLE: That's a capital idea, Ted.
(Ted nods. He backs off and leaves. Speedle returns to work.)
CUT TO:
[INT. CSI - LAB -- DAY]
(Horatio types in information for a search.)
DATA SEARCH BOX:
Sex: Female
Age: 22
Location: Beach
(The results start appearing on the monitor.)
(In the background, we hear voices. Horatio looks back and finds Yelina Salas
smiling at him. She waves. He smiles back.)
DET. YELINA SALAS: I think we have enough to write a paper ... good job, guys.
(The computer continues to pop-up results.)
DATE & TIME OF OCCURRENCE: August 5, 1987 @ 12:56 am
LOCATION OF OCCURRENCE: Cocoa Beach
NAME: KELLY UMBER McBRIDE
ADDRESS: 627 BEDLINGTON DR., MEDNOY, WI
***: 08/15/1985
TYPE OF DEATH: RAPE/MURDER
CAUSE OF DEATH: MULTIPLE STAB WOUNDS
*** 1 SEXUAL ASSAULT KIT
*** 5 SANDLES, PURSE & DRAWSTRING BAG
HORATIO: (to himself) Hmm, three months ago. Similar murders.
(Yelina walks up to the wall and looks into the lab at Horatio. She takes out
her phone to make a call.)
DET. YELINA SALAS: (muffled) Yes, hello.
(Suddenly, she leaves.)
(Horatio's cell phone rings. He answers it.)
HORATIO: (to phone) Horatio.
INTERCUT WITH:
[INT. CSI - FORENSICS LAB]
ALEXX: (to phone) It's Alexx.
HORATIO: (from phone) Hey. How bad is it?
ALEXX: (to phone) Bad.
HORATIO: (from phone) Couldn't recover any semen?
ALEXX: (to phone) Oh, I recovered it. Sent it on to CODIS. Findings are
postmortem. The vaginal tears at five, six and seven. No resistance or
compliance by our victim.
HORATIO: (to phone) Was she unconscious?
ALEXX: (from phone) I was hoping for that, too. So I swabbed her wounds. No
blood was circulating at the time of penetration. She was already dead.
HORATIO: (to phone) All right, Alexx, thank you.
(Horatio hangs up.)
(Camera lingers on the body on the table as seen through the overhead monitor.)
CUT TO:
[EXT. MIAMI BEACH - DAY]
[VIDEO CAMERA POV]
(Camera close-up of a woman wearing a Babes on Beach t-shirt. Focus on her
breasts. Cut to: Another woman in a bikini and the Babes on Beach t-shirt.)
[RESUME POV]
(Speedle continues to sift through the sand on the beach.)
(He finds something. It's a Michigan Driver's license.)
SPEEDLE: Rachel Moon.
(He looks around the area.)
CUT TO:
[INT. CSI -- LAB]
(Speedle takes the Driver's license he's found to the tech for further
examination.)
(He looks at it. It reads:
MICHIGAN
OPERATOR'S LICENSE P 865 760 021 781
EXPIRES 03-09-2006
RACHEL MOON
1850 RABBIT RUN LANE
LANSING, MI 48911
DATE OF BIRTH 03-09-1979
SEX F
HEIGHT 505
EYES BRN
TYPE 0
ENDORSEMENTS CY
CORRECTIVE LENSE
/S/
J092120
SPEEDLE: That's her picture. The birth date says 1979. There's no way she's
24 years old.
TECH: Well, if it's a fake, it's a good one. There's no glue lines, no bumps.
Lamination thickness is dead-on.
SPEEDLE: Whatever happened to just stealing your older sister's I.D.?
TECH: These days, you don't have to. Any college kid with a color printer and
a high-rez scanner can rip these things out.
(The tech puts it on the overhead and looks at the license under different
colored lights.)
TECH: This is quality work. State seal. Ultraviolet ink. Security layer.
Man, this guy's good.
(He finds the "Sample" driver's license underneath.)
TECH: Got him. He missed the third layer of the laminate.
(He removes the license and peels it off.)
CUT TO:
[INT. CSI - HALLWAY - DAY]
(Speedle reports to Horatio.)
SPEEDLE: We traced the license back to a Rachel Moon, Michigan State. (He
sighs.) We faxed her a picture of our victim. She I.D.'D her. Some girl in
her dorm. Tiffany Heitzenrader.
HORATIO: How old is Tiffany?
SPEEDLE: Just turned 19. She's homecoming queen. Varsity soccer. Dean's
list.
HORATIO: All-american girl.
(Speedle sighs.)
SPEEDLE: Yeah, her sister's flying in. Her parents are just too broken up.
HORATIO: Let me know when she gets here.
CUT TO:
[INT. CSI - LAB]
(Horatio runs more searches.)
[COMPUTER MONITOR]
LOCATION OF OCCURRENCE: Pompano Beach
NAME: MAYRA ADA DEBUNZIA
ADDRESS: 752 BLDG. W. CRANDON BLVD, FL
***: 02/15/1981
CAUSE OF DEATH: HOMICIDE
*** OF DEATH; GSW TO CHEST AREA
(Quick flashes of:
KELLY UMBER MCBRIDE
MULTIPLE STAB WOUNDS
Sex: Female
Age: 16-22
Location: Beach
KELLY ANNE BUSTAMONTE
DROWNING
Sex: Female
Age: 16-22
Location: Beach
LESLIE COLLINS CERIONI
Location: Beach
(Horatio continues to run searches. More pop-up window results appear on the
monitor.)
(He sits down.)
(Det. Frank Tripp walks into the room.)
DET. FRANK TRIPP: CODIS got a hit on the semen from our beach victim.
HORATIO: You get a donor?
DET. FRANK TRIPP: Carson Mackie, 28. Owns a video company. New Jersey
address. Convicted of statutory rape in '93. He was 19, she was 17.
HORATIO: State police make contact?
DET. FRANK TRIPP: No, no. He's on a business trip. You want to guess where?
HORATIO: A hotel on Collins.
DET. FRANK TRIPP: The Silver Palm. Steps away from the ocean.
HORATIO: Let's go talk to Mr. Mackie.
DET. FRANK TRIPP: Let's do.
CUT TO:
[EXT. THE SILVER PALM - POOLSIDE - DAY]
(The kids are playing near the pool.)
[VIDEO CAMERA POV]
(Various shots of women in bikinis.)
[RESUME VIEW]
(Carson Mackie video tapes the women in the pool.)
CARSON MACKIE: All right now, ladies ... spring break comes but once a year.
What are you going to show me?
GIRL IN POOL: Will you see our faces?
CARSON MACKIE: Oh, believe me, if you take off your top, people won't be
looking at your face. Come on, come on, you can do it. Show me something.
GIRL IN POOL: I don't know.
DET. FRANK TRIPP: (o.s.) Carson Mackie?
(Horatio appears on the video camera and waves to the cameraman.)
CARSON MACKIE: (to the girls) There's no pressure, you know. If you want some
privacy, we can go in the cabana.
(Det. Frank Tripp shows Carson Mackie his badge.)
DET. FRANK TRIPP: MDPD. We need a few words with you.
CARSON MACKIE: Yeah, I'll be with you in ... in a minute. (He turns and sees
that his cameraman isn't taping anymore.) Hey ... hey, hey, hey, guys, guys.
Keep rolling, keep shooting.
HORATIO: Hey, Carson. That's a wrap.
(He looks from Horatio to Det. Frank Tripp.)
[INT. CABANA - DAY - CONTINUOUS]
(Carson walks back to his cabana.)
CARSON MACKIE: So what is this about?
(Carson sits down and rolls the video.)
DET. FRANK TRIPP: So you, uh ... you bird-dog girls for babes on break? Is
that how it works?
CARSON MACKIE: I own the company. I invite girls to be on camera. My crew
shoots it.
HORATIO: May I?
(Horatio takes the controller from Carson and turns the set off.)
DET. FRANK TRIPP: Well, hell, you're a regular corporate giant.
HORATIO: Yes, sir, he's a CEO.
(Horatio shows Carson a copy of Tiffany Heitzenrader's fake ID photo.)
HORATIO: Do you ... recognize this young lady, Tiffany Heitzenrader?
CARSON MACKIE: No.
HORATIO: Pretty girl ... figured you might remember her.
CARSON MACKIE: Girls like her are a dime a dozen in my world.
HORATIO: Here's how this one is different. Somebody recently broke her neck,
and now she's dead.
CARSON MACKIE: That's too bad.
HORATIO: You seem concerned. Here's the other difference. We found your semen
inside of her.
DET. FRANK TRIPP: Medical examiner says physical evidence was postmortem. Do
you know what that means, Fellini?
CARSON MACKIE: No ...
HORATIO: It means you had sex with a dead girl.
DET. FRANK TRIPP: After you snapped her neck.
CARSON MACKIE: Whoa, whoa, whoa ... whoa, whoa. (Carson stands up.) I-I
didn't ... I didn't snap her neck. I thought she was drunk. I mean, it's
spring break, right? I'm not the first guy to find a girl passed out on the
beach.
(Quick flashback to: [NIGHT] Tiffany Heitzenrader is dead on the beach.
Carson Mackie approaches her and unzips his pants. End of flashback. Resume to
present.)
HORATIO: So you want me to believe that you're capable of having sex with a
dead young girl?
CARSON MACKIE: That's how it happened, man.
HORATIO: You know, it makes one wonder what else you're capable of. Detective?
(Det. Frank Tripp puts Carson Mackie in handcuffs.)
(Camera holds on Horatio.)
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI CITY (STOCK) - DAY]
[INT. CSI - FORENSICS LAB -- DAY]
(Delko walks into the lab carrying a file folder.)
DELKO: Just got a hit on AFIS. Pool boy is Trey Hanson, 19 years old, from
Indianapolis.
(Alexx is writing on a clipboard.)
CALLEIGH: Why was he in the system?
DELKO: Prior for possession. Under an ounce.
CALLEIGH: Well, you were right. Mr. Hanson didn't drown.
DELKO: Then what killed him?
ALEXX: Subarachnoid hemorrhage.
DELKO: Had an aneurysm?
ALEXX: Weak spot in the artery swells up like a balloon. Any kind of pressure
inside the head -
(Quick CGI POV: Various dissolves from A person's head ... to a skull ... to
the brain inside. Camera zooms in to the brain down to the vein inside. It
beats faster and faster ... then pops.)
ALEXX: (v.o.) a bump, a sudden jerk, a sneeze, and the balloon goes ...
(End of CGI POV. Resume to present.)
ALEXX: Don't know if it was born, formed, or caused by trauma. It's likely he
didn't even know he had it.
DELKO: What about the scratching and the bruising?
(Camera zooms in to the body's feet.)
ALEXX: Most of it's old. Days and weeks. If he was getting beaten up, it was
regularly, except for this one.
(she shows the bruising on the body's head.)
ALEXX: It's perimortem. Can't tell if it was before or after death, but it may
have been what caused the aneurysm to burst.
DELKO: Poor guy probably didn't know what hit him.
CALLEIGH: Maybe someone else did.
CUT TO:
[EXT. MOTEL -- DAY]
(Delko and Calleigh follow the motel manager to the room.)
DELKO: This the one?
CALLEIGH: Yeah, the front desk told Bernstein that Trey Hanson was registered
in room 206.
DELKO: Him and some friends.
(Delko knocks on the door.)
[INT. MOTEL - ROOM 206 - DAY - CONTINUOUS]
(Inside, the kids are playing video games.)
JACK: I got it.
(He opens the door.)
JACK: Yo, what took you so long? Your ad said a half hour.
DELKO: Officer Delko and Duquesne, Miami-Dade Crime Lab. Mind if we come in?
JACK: Yeah, sure. Yeah, come on in.
(They step into the hotel room. Matt, one of the guys playing a video game,
punches the roommate on the arm.)
JACK: Sorry about that. Thought you were the pizza guy.
DELKO: Yeah, no worries. We just came here to ask you some questions about
your roommate.
JACK: Trey? Oh, he-he's not here, man.
CALLEIGH: It's a mighty tidy room.
DELKO: Know where he is?
JACK: No. No. I haven't seen him since last night. You guys?
(Matt and their roommate play a video game.)
MATT: Dude, you can't get a power booster in the middle of the game.
ROOMMATE 2: Can, too.
MATT: Can not.
ROOMMATE 2: Can, too. Oh, yeah. Two for flinching.
(Roommate 2 punches Matt on the arm twice.)
MATT: Oh, yeah?
ROOMMATE 2: I like it. Thank you.
JACK: You know, I think Trey might have hooked up with that blonde girl from
I.U. I saw them dancing by the pool last night.
(Calleigh walks past them and heads for the next room.)
DELKO: Know what time?
JACK: I don't know. Last night was pretty much a blur, if you know what I
mean.
CALLEIGH: Maybe y'all's clothes from last night can help clear that up.
JACK: What?
(Delko turns the tv off.)
DELKO: Look. Your friend is dead. Okay, now, what we need are the clothes you
had on the last time you were with him. Let's go.
(The guys stand up and head for their closets.)
CALLEIGH: The bruises on y'all's arms look an awful lot like Trey's. Did you
guys have a flinch game that got out of hand?
DELKO: Is that how he ended up at the bottom of the pool?
(Delko's phone rings. He answers it.)
DELKO: Delko. Yeah. How high? Okay. Thanks.
CALLEIGH: Is that tox?
DELKO: Trey Hanson's THC levels were 200 nanograms per mil.
CALLEIGH: Whoa. That is out of control. Did you guys smoke marijuana with Trey
last night?
ROOMMATE: Nah.
JACK: No.
MATT: No.
CALLEIGH: Then you won't mind if we search the room for narcotics.
DELKO: Take a walk, boys. Go stand outside with the officer.
(The boys drop their clothes and head for the door.)
CUT TO:
[INT. CSI - INTERVIEW ROOM -- DAY]
(Carson Mackie waits in the interview room with Det. Frank Tripp.)
CARSON MACKIE: What's taking so long?
DET. FRANK TRIPP: Why? You going somewhere?
CARSON MACKIE: Lake Havasu next week. South Padre the week after that. I got
a business to run. My videos are going to be a national brand before I'm
thirty.
(Horatio and a Tech walk into the room.)
HORATIO: Mmm! With all that travel ... when was the last time you saw the
dentist?
JON GRIZEL (DENTAL TECH): Let's start with the occlusal surfaces.
CARSON MACKIE: W-what are you talking about?
HORATIO: This ... is your chance. Open wide.
(Horatio pushes Carson's chair forward toward the table. The Dental Tech sets
up his instruments on the table.)
CUT TO:
[EXT. MIAMI (STOCK) - DAY]
[INT. CSI - HALLWAY -- DAY]
(Horatio meets with Marie Heitzenrader, Tiffany's sister.)
MARIE HEITZENRADER: They told us her neck was broken on the phone.
HORATIO: I'm sorry about your sister.
MARIE HEITZENRADER: I don't understand how that could happen. Tiffany rides
horses. She mucks stalls. I-I've seen her get thrown and pop right back up
again. She's such a strong girl.
HORATIO: Yeah?
MARIE HEITZENRADER: Was. She was so excited for this trip. She worked all
Christmas just to pay for it. Who would do this to her?
HORATIO: Well ... we're working on that. But here's what I want you to do.
This is my cell phone number. If you need to talk, you call me, day or night.
All right?
MARIE HEITZENRADER: Thank you.
HORATIO: All right. Hang in there.
MARIE HEITZENRADER: Lieutenant?
HORATIO: Yeah?
MARIE HEITZENRADER: When can I take Tiffie home?
HORATIO: We can't release her to you ... until we're finished, but as soon as
we can, I'll let you know.
(She nods.)
HORATIO: All right.
(Horatio leaves.)
CUT TO:
[INT. CSI - FORENSICS LAB -- DAY]
(Various camera shutter clicks of the dental bite marks on Tiffany
Heitzenrader's body.)
(The Dental Tech works on the bite marks.)
(Horatio watches from above.)
(The Dental Tech puts the camera aside and makes a mold of the bite marks.)
CUT TO:
[INT. CSI - HALLWAY - DAY]
(The Dental Tech reports to Horatio.)
HORATIO: Are you sure about this?
JON GRIZEL (DENTAL TECH): There aren't enough concordant points to match Carson
Mackie's teeth to your victim's bites.
HORATIO: But what about these premolars?
JON GRIZEL (DENTAL TECH): Some similarity in the interproximal surfaces, yes,
but that could be any one of a million guys.
HORATIO: Okay, Jon, this guy stinks.
JON GRIZEL (DENTAL TECH): May be, Horatio, but the courts only care how the
evidence smells.
HORATIO: Mm ... thank you.
[INT. CSI - INTERVIEW ROOM - DAY -- CONTINUOUS]
(Horatio walks into the interview room.)
HORATIO: Nope.
CARSON MACKIE: I told you I didn't kill that girl.
HORATIO: Mm-hmm.
(Carson stands up.)
CARSON MACKIE: Now, where do I go to sign out? I got a business to get back
to.
HORATIO: Your business just got a whole lot harder to run, so sit down.
CARSON MACKIE: What?!
HORATIO: Abuse of a dead body is a second-degree felony. You're about to
inherit a jacket for necrophilia.
DET. FRANK TRIPP: Not only that, we're going to let every law enforcement
agency in Florida know about it. So, every town you roll into, every time you
set up shop, the law's going to be looking over your shoulder, chasing away the
babes.
HORATIO: So why don't you put that in your video?
(Speedle opens the door.)
SPEEDLE: Hey... you ought to check this out.
HORATIO: Okay.
(Horatio turns and leaves.)
CUT TO:
[INT. CSI - LAB -- DAY]
(Speedle and Horatio look at the monitor as Tyler works.)
SPEEDLE: Tyler here's been working on a new database.
HORATIO: Okay.
TYLER JENSON: I'm still beta-testing, but it's pretty accurate. We ran with
what you started. Scanned every sexual assault/murder in Florida in the last
three years.
SPEEDLE: Then we cross-referenced -- kept only the ones that occurred on the
beach. Then we eliminated every one but the biters and the broken necks. Left
us with three cases. Daytona, Panama City, Key West, and now Miami.
HORATIO: All spring break destinations where the girls are most vulnerable.
SPEEDLE: This guy's calculating.
HORATIO: Yes, he is, and he has plenty of opportunity because we've got two
weeks left to go.
(Horatio's phone rings. He answers it.)
HORATIO: Hang on a second. Yeah. (pause) Okay. That was beach patrol. We
have another victim.
SPEEDLE: They notify M.E.?
HORATIO: That would be premature. This one's still alive.
FADE OUT.
FADE IN.
[INT. BEACH -- NIGHT]
(The beach is filled with kids partying. Music plays as they dance. Speedle
and Horatio are on the beach.)
HORATIO: Is this her over here?
SPEEDLE: Yeah.
(They head for the girl sitting on the back of an open car.)
HORATIO: Her name's Amy?
(Horatio walks toward Amy while Speedle heads elsewhere.)
HORATIO: Amy? I'm Horatio Caine. I'm with the Crime Lab. You doing all
right?
AMY GORMAN: No.
HORATIO: What happened?
AMY GORMAN: I was with all my friends at this tequila party up by the hotel.
And I guess I did too many shots, 'cause I felt like I was going to heave, so I
walked on the beach, and I must've passed out.
HORATIO: What happened after that?
AMY GORMAN: I thought I was dreaming of sharks. I opened my eyes, and this guy
is biting me. So I yelled my damn head off, and I kicked him as hard as I
could, and I must've connected, because he ran away.
HORATIO: Did you get a look at him?
AMY GORMAN: No, it was totally dark out there. Plus, I was pretty drunk.
HORATIO: Are those from him?
AMY GORMAN: Does this go in some kind of record, or something?
HORATIO: No. None that your parents will ever see.
AMY GORMAN: Those are from body shots.
(Quick flash of: A woman lies down and drink is poured over her. Others drink
off of her.)
ALL: Go, go, go, go!
(End of flash. Resume to present.)
HORATIO: Did you know these guys?
AMY GORMAN: The whole idea of spring break is to meet new people. Do you think
one of those guys was my attacker?
HORATIO: I don't know. Do you have any other bite marks?
(She starts crying.)
AMY GORMAN: He was so freaky.
HORATIO: Amy, listen to me. I know this is difficult. But you see, teeth
marks are like a fingerprint, and it could really help me go after this guy.
You understand?
(She nods.)
(She moves the towel covering her upper thighs and shows him the teeth marks.)
HORATIO: Okay. You can cover those.
(She cries.)
AMY GORMAN: It wasn't supposed to be like this.
HORATIO: I know. I know. (He holds her as she cries.) You're safe now, Amy.
You're safe. You're safe.
CUT TO:
[EXT. MIAMI CITY LIGHTS (STOCK) - NIGHT]
[INT. MOTEL - ROOM 206 - LIVING ROOM/BATHROOM -- NIGHT]
(Various cuts of: Calleigh and Delko look through the motel room.)
(Calleigh walks into the bathroom and searches it. Delko continues to go
through the living room. Tucked under the sofa, he finds a bong.)
(Calleigh finds the zip locked bag in the bathroom tank.)
(She shows it to Delko.)
CALLEIGH: Four on a bong?
DELKO: DNA'll be able to answer that. Maybe trace can tell us what these white
flecks are.
(Camera zooms into the white flecks on the glass.)
CALLEIGH: I'll call Bernstein and tell him to let the boys back in.
CUT TO:
[EXT. BEACH -- NIGHT]
(The Madraca Tequila Party continues. Ted Zink manages the bar. He has a
tequila shower set up.)
TED ZINK: Madraca tequila! Right here! All you can swallow! Madraca, the
only tequila!
(On the far side of the beach, Speedle continues to look through the sand.
Horatio watches the party lights.)
SPEEDLE: How's Amy?
HORATIO: She's shaken up. She's shaken up. A SART nurse just took her to the
ER.
SPEEDLE: Did you get anything off her bites?
HORATIO: No. You know how that is. You know how bruises are.
SPEEDLE: Blood rushes to the bites, swallows them, diffuses them; you can't get
a match.
HORATIO: We're back to square one.
SPEEDLE: Well, maybe not. Check this out. It's a memory stick. Plugs into
one of those digital camcorders.
(Speedle shows Horatio a memory stick.)
HORATIO: Mm-hmm?
SPEEDLE: See all these yahoos shooting video all day?
HORATIO: Our attacker could be on that, couldn't he? Let's take a look at it.
Nice going.
CUT TO:
[INT. CSI - LAB -- NIGHT]
(Delko joins Calleigh in the lab. The guys clothes are on the table in front of
her.)
DELKO: Hey, DNA just paged me. Found all four guys on the mouthpiece of that
bong.
CALLEIGH: I'm not surprised; it seemed like they were lying. What about the
white specks in the bong chamber?
DELKO: High pleghm content and traces of HCl.
CALLEIGH: Stomach acid. Who threw up?
DELKO: Well, the vomit matches our dead body, Trey.
CALLEIGH: Probably a symptom of his aneurysm.
DELKO: Mmm. Or, the aneurysm is the result of a trauma.
CALLEIGH: You up for a dog and pony show?
DELKO: Absolutely.
CUT TO:
[INT. CSI - INTERVIEW ROOM -- NIGHT]
(Calleigh and Delko interview the three boys.)
CALLEIGH: Okay, this is what we know: Y'all were smoking out of the bong, your
friend Trey got very stoned, he vomited, and then he died.
DELKO: So the question is, guys, did somebody force him to smoke?
JACK: We didn't force him to do anything.
DELKO: So, how do explain the THC levels?
JACK: (shrugs) Bong olympics.
CALLEIGH: Say again?
ROOMMATE: Uh, it's a game.
CALLEIGH: Oh, you mean like punching each other? You see how much weed you can
smoke?
ROOMMATE: No, not how much, how long.
(Quick flashback to: [HOTEL ROOM] The guys are sitting around the table.)
JACK: All right, the first one to exhale ... buys a round tonight.
(He lights up, inhales and holds it. The next guy inhales it and holds it.)
JACK: You're up, man.
(Trey inhales and holds it.)
JACK: Come on, dude! Come on, dude!
VOICE: Don't let it out.
VOICE: Don't let it out!
ALL: Hold it in, hold it in!
(He gets sick and throws up in the bong.)
VOICE: Oh, my god!
(End of flashback. Resume to present.)
MATT: Trey got sick, so we went swimming to clear his head, make him feel
better.
DELKO: So, you admit you went with him to the pool.
JACK: Actually, we ... we took a shortcut.
(Quick flashback to: [MOTEL] The four boys jump off the roof and into the
pool.)
(End of flashback. Resume to present.)
CALLEIGH: Okay, so the four of you left the hotel room. You walked upstairs to
the roof, and then you jumped off the roof.
JACK: Yeah. Hundreds of people saw us, just ask anyone.
CALLEIGH: Well, that's convenient. Okay. Sit tight.
(Calleigh and Delko leave the room.)
CUT TO:
[INT. CSI - A/V LAB - NIGHT]
(Tyler works on the memory stick.)
TYLER JENSON: Memory stick you guys found was pretty dinged up. I had to run a
few recovery utilities just to get this.
GIRL: (from video) Come on, Amy, go for it.
SPEEDLE: There's Amy, the girl that was attacked last night.
HORATIO: This looks like something Carson Mackie shot, or one of his cameramen.
AMY GORMAN: (from video) I didn't do anything.
GIRL: (from video) Totally showed your thong.
AMY GORMAN: (from video) Shut up! You are so dead!
HORATIO: Wait a second. What was that?
AMY GORMAN: (from video) Shut up! You are so dead!
(There's a flicker on the monitor.)
TYLER JENSON: Stop-and-start. Just a flicker between takes.
HORATIO: Can we slow that down?
TYLER JENSON: Yeah.
(Tyler rewinds and pauses the tape on the flicker. On the monitor, there's a
partial overlay of another picture. Horatio recognizes her.)
HORATIO: That's Tiffany. Can we see more of her?
TYLER JENSON: There should be a residual charge stored on the capacitor. We
could get lucky.
(Tyler rewinds the tape.)
TIFFANY HEITZENRADER: (from video) I'm not going to show you that, okay? I'm
a good girl.
SPEEDLE: This had to be recorded last week.
CARSON MACKIE: (from video) Why don't you show us just how good you are?
TIFFANY HEITZENRADER: (from video) No. Stop it.
SPEEDLE: That's Carson's voice.
HORATIO: He's bird-dogging somebody else without realizing it. Look at her
eye-line.
CARSON MACKIE: (from video) You said you'd do it. I'm holding you to it.
TIFFANY HEITZENRADER: (from video) All right, but I'm only doing this for a
free shirt.
SPEEDLE: She never looks at the camera.
HORATIO: No. And that's because this is not Carson's crew, it's our killer.
CARSON MACKIE: (from video) Here you go. There's your shirt. Say good-bye.
HORATIO: And we're looking right ... through his eyes.
TIFFANY HEITZENRADER: (from video) Good-bye.
(On the video, Tiffany blows a kiss to the cameraman.)
TIFFANY HEITZENRADER: (from video) I'm sorry, mom and dad.
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI (STOCK) - DAY]
[INT. CSI - FORENSICS LAB -- DAY]
(Calleigh and Delko slide the body out of the cabinet.)
CALLEIGH: Okay, so they said the four of them walked across the roof, which got
me thinking: Motel roofs are tar and gravel.
DELKO: He's got the scratches to prove it.
CALLEIGH: On the tops of his feet. And there is only one way that happened.
DELKO: He was dragged.
(Quick flashback of: The kids drag the body up the stairs.)
DELKO: (v.o.) Up the stairs...
(The kids drag the body up on the roof.)
DELKO: (v.o.) ... and onto the roof.
(Camera zooms in to the kid's feet.)
(End of flashback. Resume to present.)
DELKO: His swimming trunks were on backwards and it wasn't because he was
stoned.
CALLEIGH: It was a re-dress.
(Quick flashback to: [HOTEL ROOM] The kids remove Trey's pants and put on his
swimming shorts - backwards.)
(End of flashback. Resume to present.)
DELKO: He died in his room.
CALLEIGH: He died in their room.
(They slide the body back into the morgue cabinet.)
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Delko puts photos on the table.)
DELKO: These are your friend's autopsy pictures.
JACK: You guys crazy, showing us this?
DELKO: Well, we figured if you guys weren't going to tell us the truth, we'd
bring in someone who would.
JACK: Is this some kind of sick joke?
CALLEIGH: No, not at all. Trey's body tells us that he was dead before he hit
the water. So, we're thinking ... maybe your motel room.
DELKO: Eventually, he's going to tell us the truth. Unless one of you wants to
tell us first.
MATT: He just collapsed. We didn't know what to do.
JACK: Shut up, Matt!
MATT: They figured it out! He was on my team. We were down two minutes. I
didn't want to lose.
DELKO: What do you mean, your team?
CALLEIGH: It's another competition.
(Quick flashback to: [HOTEL ROOM] The guys are sitting around the table
smoking.)
MATT: (v.o.) He couldn't hold his stuff. So, I... I helped him.
(Matt pushes Trey's head into the bong.)
VOICE: You can do it!
VOICE: You can do it!
(Trey starts to struggle and fight.)
(Quick CGI POV: Trey throws up back into the bong. He inhales the smoke.)
(Camera zooms into Trey's mouth.)
CALLEIGH: (v.o.) Holding his breath like that is what caused the aneurysm.
(Camera zooms into Trey's brain. Focus on the vein and the pop.)
(Resume view.)
(Trey collapses on the table and on the floor. The other guys are laughing.)
MATT: Oh, my god! He's dead!
JACK: Don't freak out! Don't freak out!
MATT: What do we do, man?!
JACK: I got a plan. All right, guys? I got a plan.
JACK: Drag him over.
(They drag him across the floor.)
(Cut to: Outside, the party continues.)
(The guys drag Trey up the stairs and onto the roof.)
JACK: Make it look real. Are y'all ready?
JACK: Let's go.
(They all jump off the roof into the pool. Everyone in the pool laughs.)
(The party continues.)
(Trey's body sinks to the bottom of the pool.)
(The other guys climb out of the pool.)
MATT: (v.o.) No one noticed that Trey didn't came back up.
(Trey's body remains at the bottom of the pool.)
(End of flashback. Resume to present.)
CALLEIGH: So you passed him off for alive when he was already dead. Matt, why
didn't you call 911?
MATT: I didn't want to get in trouble.
JACK: What's going to happen to Matt?
DELKO: The same thing that's going to happen to the two of you.
JACK: What?
ROMMATE: W-we didn't do anything.
DELKO: You're both accomplices to a homicide. Involuntary manslaughter,
negligent homicide. That's for the state's attorney to decide. The sad thing
is that you could've called 911, if you wouldn't have been so stoned.
CALLEIGH: You might've saved a friend's life ... instead of making a wreck of
your own.
CUT TO:
[INT. CSI - A/V LAB -- DAY]
(Horatio is watching the video.)
CARSON MACKIE: (from video) There's your shirt. Say good-bye.
TIFFANY HEITZENRADER: (from video) Good-bye.
( Blows kiss )
TIFFANY HEITZENRADER: (from video) I'm sorry, mom and dad.
(On the video, the cameraman wipes his lens.)
(Horatio rewinds the video.)
TIFFANY HEITZENRADER: (from video) I'm sorry, mom and dad.
(Tyler Jenson walks into the lab.)
TYLER JENSON: Lieutenant?
HORATIO: Mm-hmm. Come here a second. Tell me if this guy just cleaned his
lens.
(Tyler reaches over. He rewinds and pauses the video.)
TYLER JENSON: Or ... he's giving us the finger.
HORATIO: Yeah, but you know what they say: You point a finger, there's three
pointing back at you. Let's run this through video enhancement and bring up the
ridge detail, okay?
(Horatio leaves. Tyler gets to work.)
(He cleans up the image, lightens it and comes up with a fingerprint.)
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(They fingerprint Kip Miller.)
KIP MILLER: Bet you there are a thousand other guys out there with cameras.
DET. FRANK TRIPP: That may be true. But you're the only one with parking
tickets in the same location and date as each of our victims, Mr. Miller.
KIP MILLER: Coincidence.
HORATIO: Coincidence, maybe. But it is going to be hard for you to explain
away your teeth marks on Tiffany Heitzenrader.
KIP MILLER: Never met her.
HORATIO: You just keep telling yourself that, my friend.
CUT TO:
VARIOUS CUTS OF:
(Dr. Jon Grizel, the Dental Tech, takes a mold of Kip Miller's teeth.)
(He makes an impression from a mold, EVIDENCE KIP MILLER #2121.)
(Dr. Jon Grizel, the Dental Tech snaps photos of the impressions.)
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Horatio looks at a photo, CASE #574685, of Tiffany Heitzenrader, the teeth
marks and of Kip Miller's teeth impression.)
(Alexx walks into the room.)
ALEXX: Hey. Heard you're looking for me.
HORATIO: Yeah. These bite marks we got from Tiffany -- they don't match our
suspect, Kip Miller. Is there any way to get better definition? Maybe excise
the wound track?
ALEXX: Markings on dead flesh degrade, you know that. They're probably in
worse shape now than they were at her autopsy.
HORATIO: Dead flesh, but what about living, Alexx? What about living?
(Horatio walks away.)
ALEXX: Anything I could do to help.
CUT TO:
[EXT. HOTEL - LOBBY -- DAY]
(Amy Gorman is leaving. Horatio follows her through the lobby.)
AMY GORMAN: I swear, I already told you everything I remember, okay?
HORATIO: Amy?
AMY GORMAN: You said my bite marks couldn't help. What's changed all of a
sudden?
HORATIO: Actually, it's not all of a sudden. The blood from the bruising is
absorbed back into the skin over time.
(Quick CGI POV of: Close-up of the teeth marks. Time lapse gives the bite more
definition.)
HORATIO: (v.o.) Giving us a greater definition of the bite mark.
(End of flashback. Resume to present.)
AMY GORMAN: "Teeth are like fingerprints". I know. I can't. I'm sorry. I
just want to go back home and pretend none of this ever happened to me.
HORATIO: And that's understandable.
AMY GORMAN: You think I'm awful.
HORATIO: No, I don't. I think you're a human being and that's okay.
AMY GORMAN: You don't look like it's okay.
HORATIO: Here's the problem. You're the only one who stands between this guy
and his next victim and you're leaving. Do you see why that's a problem?
AMY GORMAN: Why'd you have to be so nice to me out on the beach last night?
HORATIO: Okay. Take those bags out of there, please. Ready?
AMY GORMAN: All right.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Alexx snaps photos of the bite marks on Amy Gorman's thigh.)
[INT. CSI - LAB - DAY]
(Dr. Jon Grizel, the Dental Tech, gets to work on the photos. He compares the
Dental impression from Kip Miller to the Bite Impression recovered from Amy
Gorman.)
(The Results are Inconclusive.
Accuracy Rating: +.78%
No. of Concordant Points 210/439
Total Vertexes: A1-Z78 )
2 POINTS OF REFERENCE MISSING
CUT TO:
[INT. CSI - HALLWAY - DAY]
(Jon Grizel hands Horatio the comparison results.)
JON GRIZEL: Horatio.
HORATIO: "Inconclusive"?
JON GRIZEL: Afraid so. You got more points of concordance than before, but the
bottom line is, it's Carson Mackie all over again.
HORATIO: No, wait a second. Hold on a second. This is dissonance. Does he
wear crowns?
JON GRIZEL: Doesn't present that way. And temps would've come off when we took
his impressions.
HORATIO: Unless he's been doing a little in-home dentistry. Let's find out.
Thank you.
CUT TO:
[INT. CSI - INTERVIEW ROOM -- DAY]
(Horatio is back in the interview room with Kip Miller.)
HORATIO: Stand up, Kip. Stand up.
(Kip Miller stands up.)
KIP MILLER: (sighs) Oh, you're going to have to let me go, aren't you?
HORATIO: Not yet. Smile for me.
KIP MILLER: What?
HORATIO: Smile.
(He smiles a little.)
HORATIO: Aah. You have an overbite. You wear crowns?
KIP MILLER: No.
HORATIO: No? See, I think you do. I think that you wear temporary crowns on
your upper right cuspid and bicuspid.
KIP MILLER: I don't know what you're talking about.
HORATIO: No? Do you take them out before each attack?
(Quick flashback to: [BATHROOM] Kip Miller removes his teeth.)
(Cut to: He finds the woman and bites her thigh.)
(Close-up of: The teeth marks.)
(End of flash. Resume to present.)
HORATIO: Did you put them back with dental cement when the police got on to
you?
(Quick flash to: Kip puts dental cement on his teeth and inserts them back into
his mouth. He smiles as he checks his teeth.)
(End of flash. Resume to present.)
HORATIO: Okay. Smile for me again.
(Kip doesn't smile. Horatio holds up his pen.)
HORATIO: Let me give you a little help.
(He flicks his pen and Kip drops his teeth. It his the table with a clank.)
HORATIO: Oops. Now it matches.
(Horatio lifts up Kip's lip with his pen.)
HORATIO: You're under arrest for the sexual assault of Amy Gorman. Get him out
of here.
DET. FRANK TRIPP: Gladly.
(Kip sits down. Det. Frank Tripp walks around the table.)
DET. FRANK TRIPP: Get up!
(He puts the cuffs on Kip.)
HORATIO: Take care.
CUT TO:
[INT. CSI - HALLWAY - DAY - CONTINUOUS]
(Det. Frank Tripp escorts Kip Miller through the hallway. Speedle and Horatio
turn the corner behind them.)
SPEEDLE: Good crowns. Precision attachments.
HORATIO: Explains why we didn't see them.
SPEEDLE: I wish we could've gotten him on Tiffany and those other murders.
HORATIO: The important thing right now is that he's behind bars.
SPEEDLE: Fools like him, he's going to be giving it away.
HORATIO: He'll forget about us, about forensics, and the most important thing
about Miami.
SPEEDLE: Which is?
HORATIO: We never close.
CUT TO:
[EXT. VARIOUS MIAMI BEACH (STOCK) - DAY]
(Various cuts of the hotel guests walking out of the hotel. One of the girls
picks up a bikini from the ground.)
GIRL: Bikini.
(She laughs and hands it back to the owner who tucks it into her bag.)
[INT. CSI - HALLWAY - DAY]
(Det Frank Tripp opens the evidence envelope and hands the bikini to Maria,
Tiffany Heitzenrader's sister. He steps away. She holds it and cries.)
[EXT. VARIOUS CUTS - DAY]
(Various cuts of: College girls taking pictures.)
[INT. CSI - FORENSICS LAB - DAY]
(Horatio looks at Tiffany Heitzenrader's autopsy photos.)
(Dissolve to: He leaves the lab.)
[INT. CSI - HALLWAY - DAY]
(The three college guys are in handcuffs as they walk into the elevator with
Det. Bernstein.)
(The elevator doors close.)
[INT. CSI - HALLWAY - DAY]
(Horatio and Marie Heitzenrader accompany Tiffany's coffin through the hallway.)
[EXT. CSI - DAY]
(The coffin is put in the back of a car.)
[EXT. HOTEL - DAY]
(Various cuts of: College girls laughing and hugging each other. They toss
their things into the back of their car and drive away from the hotel.)
[EXT. MIAMI BEACH - SUNSET]
(Horatio stands on the beach.)
FADE TO BLACK.
==========================
THE END
==========================
[Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group
at WGBH access.Wgbh.Org]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CSI: MIAMI
1X21: SPRING BREAK
ORIGINAL AIR DATE ON CBS: 04/28/2003
TRANSCRIBED FROM DVD
Starring:
DAVID CARUSO as Horatio Caine
EMILY PROCTER as Calleigh Duquesne
ADAM RODRIGUEZ as Eric Delko
KHANDI ALEXANDER as Alexx Woods
with
RORY COCHRANE as Tim Speedle
Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN
Starring
REX LINN as Det. Frank Tripp
MICHAEL WHALEY as Det. Bernstein
SOFIA MILOS as Det. Yelina Salas
SEAN MAHER as Carson Mackie
ADAM KAUFMAN as Ted Zink
MAGGIE GRACE as Amy Gorman
RILEY SMITH as Jack
TROY WINBUSH as Welch
LAUREN STAMILE as Marie Heitzenrader
BRIAN POTH as Tyler Jenson
Music Composed by: GRAEME REVELL
Edited by JOHN REFOUA, A.C.E.
Production Designer: CAROLS BARBOSA
Director of Photography: ROBERT M. STEVENS, A.S.C.
Co-Producer: FRANK BALLOU
Co-Producer: BRUCE GOLIN
Co-Producer: LOIS JOHNSON
Producer: STEVEN MAEDA
Producer: JOE CHAPPELLE
Supervising Producer: MARK ISRAEL
Consulting Producer: ELIZABETH DEVINE
Co-Executive Producer: LAURIE McCARTHY
Co-Executive Producer: DANNY CANNON
Executive Producer: DAVID BLACK
Executive Producer: SAM STRANGIS
Executive Producer: JONATHAN LITTMAN
Executive Producer: NANCY MILLER
Written by STEVEN MAEDA
Directed by DERAN SARAFIAN
==========================
END CREDITS
==========================
Executive Producer: JERRY BRUCKHEIMER
Executive Producer: ANTHONY E. ZUIKER
Executive Producer: CAROL MENDELSOHN
Executive Producer: ANN DONAHUE
JERRY BRUCKHEIMER Television
Alliance Atlantis Productions Inc.
CBS Productions, Inc.
Co-Starring
BRIAN GROSS as Matt
ERIC DEARBORN As Brandon
STEPHEN MENDEL as Dr. Jon Grizel
TYSON TURROU as Creepy Guy
CHIOKE DMACHI as Deejay
WES RAMSEY as Kip Miller (Camcorder Weasel)
MICHELLE MORGAN as Tiffany Heitzenrader
ALICIA ZIEGLER as Girlfriend #1
STEPHEN REED as College Guy #1
COLIN BEGLEY as College Guy #2
LAUREL MARLANTES as Coed #1
MEGHAN LYNCH as Hot Coed #1
BRANDON JOHNSON as Trey Hanson
Line Producer: JEAN HIGGINS
Associate Producer: GINA LAMAR
Associate Producer: SCOTT LAUTANEN
Casting by: NAN DUTTON SELLS & JOHN A. AIELLO, C.S.A.
Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER,
C.S.A.
Story Editor: GWENDOLYN PARKER
Unit Production Manager: JEAN HIGGINS
First Assistant Director: ALLEN G. Di GIOIA
Second Assistant Directors: NANCY P. TOWNSEND
Costume Designer: MYNKA DRAPER
Forensics Consultant: JOHN HAYNES
Production Sound Mixers: DONOVAN DEAR
Script Supervisor: CLAUDIA YARMY
Special Make-Up Effects: MATTHEW W. MUNGLE / JAMIE KELMAN
Art Directors: TIM BEACH
Set Decorator: CINDY COBURN-ROTH
Construction Coordinator: JOHN KERSEY
Special Effects Coordinators: GARY D'AMICO
Property Master: MIKE SEXTON / GEORGE ASHTON
Key Grip: JOEY KRAFT
Gaffer: JEFF ZUCKER
Key Make-Up Artist: PEGGY TEAGUE
Key Hairstylist: TERRY ROBBINS
Camera Operator: MIKE GENNE
2ND 2ND Assistant Director: ROBYN WILLEY
Location Manager: MICHELLE LATHAM
Costume Supervisor: BRIAN MAHON
Transportation Coordinator: BOB CAWLEY
Stunt Coordinator: TIM TRELLA
2ND Unit: MICHAEL PHIRMAN
Colorist: GARETH COOK
Supervising Sound Editor: MATTHEW SAWELSON
Music Supervisor: JASON ALEXANDER
Assistant Editor: EDWARD R. ABROMS
Post Production Supervisor: MICKIE REUSTER
Loop Group: THE REEL TEAM
Dialogue Editor: TODD NIESEN
ADR Editor: RUTH ADELMAN
Sound Effects Editor: BRAD KATONA
Re-Recording Mixers: YURI REESE / BILL SMITH
Music Editor: ASHLEY REVELL
Visual Effects Supervisors: MARC LEIDY / LARRY DETWILER
Digital Effects by STARGATE DIGITAL
Computer Playback and Graphics by E=MC2
High Definition Post Production by ENCORE
Film Laboratories by FOTOKEM
Post Production Sound Provided by TODD STUDIOS
Filmed at EL SEGUNDO STUDIOS
"Won't Get Fooled Again"
by Pete Townshend
Performed by The Who
The persons and events portrayed in this film are fictitious. Any similarity to
actual persons, living or dead, or any events is unintentional.
(c) 2003 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc. All Rights
Reserved.
CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of
this program for the purposes of copyright and other laws.
Dated:12/23/2004~lky
http://www.webphilia.com/~anthology/wnp.htm