CSI: MIAMI
1X13: BUNK
ORIGINAL AIR DATE ON CBS: 01/27/2003
TRANSCRIBED FROM DVD
Written by ELIZABETH DEVINE
Directed by CHARLIE CORRELL
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LV
HDTV
==========================
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==========================
SUMMARY: Horatio and Speedle investigate the cause of a mysterious gas that
causes the death of the neighbors in a low-rent house. Delko and Calleigh
investigate the violent death of a woman with Alzheimers' in an Elderly
Community.
==========================
CSI: MIAMI
1X13: BUNK
==========================
COLD OPEN:
[EXT. VARIOUS MIAMI-DADE COUNTY SCENES (STOCK) - DAWN TO MORNING]
[EXT. COMMUNITY (STOCK) - MORNING]
[EXT. STREET (STOCK) - MORNING]
(Front shot of a house with a brown lawn and an empty garage.)
[EXT. RESIDENCE -- MORNING]
(A cat walks across the lawn and meows.)
RUDY CALDWELL: (o.s.) Here, Max! Come here, Max.
(Rudy Caldwell and Beverly Caldwell head for the house looking for their cat.)
RUDY CALDWELL: Where are you, man?
(The cat takes off and heads for the side of the house.)
[EXT. SIDE OF HOUSE - MORNING - CONTINUOUS]
(The cat meows as it runs to the back of the house.)
(RUDY CALDWELL follows the cat to the back of the house.)
RUDY CALDWELL: Maxie! Max.
(RUDY CALDWELL steps into the back yard and stops. Off to the side, he hears
the cat meow.)
(He turns and heads for the open back door.)
RUDY CALDWELL: Max?
(He pulls the door open.)
RUDY CALDWELL: Maxie!
(The cat meows as RUDY CALDWELL steps into the house.)
[EXT. FRONT OF HOUSE - DAY - CONTINUOUS]
(BEVERLY CALDWELL steps forward and calls out.)
BEVERLY CALDWELL: Rudy?
(She heads for the house.)
CUT TO:
[INT. HOUSE - DAY - CONTINUOUS]
(It's extremely dark inside the house. The cat meows.)
(The cat knocks over something into the sink. The glass breaks and a green-
tinged gas floats up.)
(RUDY CALDWELL steps into the kitchen and sees Max. He reaches for his cat.)
RUDY CALDWELL: Hey, Max ...
(Rudy stops as he breathes in the gas. The gas is now white and continues to
grow stronger.)
(Rudy starts coughing. He staggers a bit, then falls to his knees as he can't
breathe.)
[EXT. SIDE OF HOUSE - DAY - CONTINUOUS]
(BEVERLY CALDWELL peers to the side of the house looking for Rudy.)
BEVERLY CALDWELL: Honey?
[INT. HOUSE - KITCHEN - DAY - CONTINUOUS]
(Rudy groans and wheezes. He's on the floor and can't answer her.)
BEVERLY CALDWELL: (o.s.) Are you okay?
CUT TO:
[EXT. RESIDENCE - FRONT -- DAY]
(The CSI vehicle pulls up front the house. Police personnel are already there,
the area roped off. Speedle and Horatio exit the vehicle. They head for the
house.)
SPEEDLE: Smell ammonia.
HORATIO: Yep, and that's the least of our problems. Anybody inside died
instantly. (to the officer) You were first on scene?
OFFICER: Yes, sir. Wife passed out on the porch trying to get to her husband.
A neighbor saw her and called it in. Paramedics have her now.
(Off to the side, the woman is being checked by the paramedics. She's
hysterical.)
SPEEDLE: So, he's still in there?
OFFICER: I attempted entry ...
HORATIO: ... but you were driven back by the fumes, because this is a clan lab
house.
SPEEDLE: All those chemicals they use in clandestine drug labs -- there's no
telling what's all in there.
HORATIO: Well, we'd better figure it out, and we'd better get it contained
before more people die.
FADE TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
[INT. RESIDENCE -- DAY]
(The door opens. Speedle and Horatio and a couple of other people are dressed
in bio suits. They enter the house and look around.)
(The place is very dark. They see various trash items on the floor. They
continue to look through the house.)
(Speedle gives Horatio a thumb's down sign.)
(Horatio and Speedle look around the area.)
HORATIO: If we find the body ... we find the source. Let's go this way.
(Horatio and Speedle make their way through the house. In the kitchen, they
find Rudy's body.)
(Horatio puts his kit down. He and Speedle walk toward the kitchen where the
body is.)
(Speedle kneels next to the body and puts his kit down. He notices a white foam
near the mouth. He checks for a pulse.)
SPEEDLE: No pulse. We got foam around the mouth, lack of pallor.
HORATIO: Broken glass adjacent to the body, obvious chemical residue ...
SPEEDLE: I'll get a Drager.
(Speedle takes the hand-held machine from his kit and hands it to Horatio. He
flips it on and it starts clicking through static.)
HORATIO: Wow. Nitric acid, 1,800 parts per million.
SPEEDLE: H?
HORATIO: I know. 100 parts per million is fatal.
(Quick flash of: Camera moves in slowly to the broken glass in the sink.)
HORATIO: (v.o.) Chemical residue, plus sunlight created fumes in a closed
environment...
(There's a flash and the fumes rise out from the sink.)
HORATIO: (v.o.) ...slowly accumulating deadly gas.
(End of quick flash. Resume to present.)
HORATIO: Adell, can you hear me?
ADELL SEVILLA: (from radio) Copy that, H.
HORATIO: Okay, listen to me. We're going to evacuate to a one block radius.
This place can blow.
ADELL SEVILLA: (from radio) I'm all over it.
(Horatio puts the Drager down on the counter.)
SPEEDLE: I've got to aerate this room, but it looks like there's steel casing
behind there.
HORATIO: Be careful. One spark, and we can go.
SPEEDLE: All right, I'll get the pilot light on the oven.
HORATIO: The gas has been shut off at the curb. Okay. K-packs. Until we
separate out this glass, Speed, nothing's safe.
(Speedle opens a plastic bag. Horatio hands him the first glass out of the
sink. Speedle puts it in the bag.)
(Horatio takes out the second glass and puts it in the bag Speedle holds open.)
(Horatio picks up the next glass out of the sink.)
HORATIO: Carefully.
(He hands it to Speedle. The glass slips out from their hands and hits the
floor, shattering upon impact.)
(Horatio and Speedle look at each other.)
HORATIO: Take it easy. Speed ... easy.
SPEEDLE: Sorry.
CUT TO:
[EXT. BRECKENHURST RETIREMENT COMMUNITY -- DAY]
(Delko and Calleigh exit the car and head for the building.)
CALLEIGH: So this is Breckenhurst Retirement Community.
DELKO: I'd never put my grandmother in a place like this. When she dies, she's
going to be in my house, with our priest, surrounded by family.
CALLEIGH: Oh, not my grandma. I want every day for her to be new year's eve --
drinking mimosas, giving old men a hard time.
(Delko chuckles as he holds up the tape for Calleigh.)
DELKO: Yeah. Southern.
CALLEIGH: Cuban.
(Calleigh walks under the tape. They turn and shake hands with the detective.)
CALLEIGH: Detective.
DETECTIVE: When I die, I want to go in my sleep. Betty Rosen, 81. Lived with
her sister, Pearl. She's the one that found her.
DELKO: How bad is it?
DETECTIVE: Massacre.
DELKO: Shall we?
(Delko and Calleigh step into the room.)
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S ROOM -- DAY]
(They slowly walk into the room and look around. On the floor are blood drops
and smears.)
(In the next room, near the small table is a large pool of blood on the floor
and more blood drops leading into the next room.)
(In the next room on the floor, they find Betty Rosen's body.)
(They both walk into the bedroom.)
DELKO: I'll take the one-to-ones.
(Calleigh looks around the room and notices all the areas the blood is on.)
(Various quick flashes of: The pool of blood on the floor, the blood spatter on
the wall, the bloody hand smear on the door frame, the blood on the edge of the
marble table, the blood spatter on the walls, the bloody hand smear on the wall
near the door frame, the blood drops and smears on the floor, the blood on the
marble table and more blood on the carpeted floor, and the overturned chair with
the blood on the cushion.)
(End of quick flashes. Resume to present.)
(Calleigh puts her kit down. Delko takes out the camera and starts taking
photos of the crime scene.)
(Calleigh puts on a pair of gloves.)
DELKO: She really took a beating.
(Quick flash of: Betty Rosen hits her head against the marble table. End of
flash. Resume to present.)
(Calleigh puts Betty Rosen's dress down over her legs.)
CALLEIGH: Home invasion ... sexual predator ...
DELKO: Maybe we've got a serial.
CALLEIGH: Yeah.
(Alexx appears in the doorway, looks at the body and scoffs.)
ALEXX: One cold-hearted bastard to prey on the elderly.
(Delko takes a deep breath.)
ALEXX: Oh! Don't give me that look, 'cause it's written all over your faces,
too.
(Alexx steps inside and puts her kit down and opens it. She reaches for the
body and turns Betty Rosen's head so she can check on the injuries.)
ALEXX: All right ... all right.
(Alexx takes a liver temperature.)
ALEXX: Skull is fractured. Probably blunt force trauma. I'll need to clean
her up to see more. Not how you planned to end your golden years, is it, Betty?
(She checks the liver temperature.)
ALEXX: 93 degrees. (She checks her watch.) Puts her time of death at about
... 2:00 A.M.
CALLEIGH: Blood pools indicate time of attack was earlier.
(Alexx removes her gloves.)
ALEXX: Your job, honey. Mine begins with death.
CUT TO:
[EXT. BRECKENHURST RETIREMENT COMMUNITY - OUTSIDE BETTY ROSEN'S ROOM -- DAY]
(Delko snaps a photo of the window and the broken glass on the grass outside.)
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S ROOM -- DAY]
(Calleigh snaps photos of the pool of blood on the floor.)
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S ROOM -- DAY]
(Inside the house, Delko snaps photos of the blood on the carpet near the
overturned chair.)
(He snaps a photo of the blood stain on the overturned chair cushion.)
(He also snaps photos of the blood on the marble coffee table.)
(Cut to: Delko dusts the window frame for fingerprints.)
(Cut to: Inside, Delko puts on a fresh pair of gloves. He sticks his hands in
the pool of blood to remove a piece of paper. He puts it on the piece of cloth
Calleigh pushes near him.)
CALLEIGH: Isolated paper in a pool of blood?
DELKO: It must be important to somebody.
CUT TO:
[INT. RESIDENCE -- DAY]
(A large fan is set up and blows in air in the house. Speedle walks up to the
row of buckets they have set up. He opens one and places the bagged glass
inside.)
[INT. RESIDENCE - KITCHEN -- DAY]
(Horatio is in the kitchen using the Drager unit over the other things in the
sink checking the reading.)
HORATIO: (to radio) Three parts per million. We're clear-- okay, so, we're on
a code four. Let's send the M.E.'S people in, all right?
ADELL SEVILLA: (from radio) You got it.
CUT TO:
[INT. RESIDENCE - LIVING ROOM - DAY]
(The Coroners wheel out the body on a gurney.)
(Out of their suits, Speedle and Horatio stand in the living room.)
SPEEDLE: Crisis averted.
(Horatio looks at the room.)
HORATIO: Tell that to his widow.
SPEEDLE: Okay, so we got to find something that leads us to this cook, right?
HORATIO: Yes, we do. So, if I'm the cook, what do I need to do to do my job?
SPEEDLE: You need goggles, a mask ...
(Horatio sees the gloves hanging on the shelf.)
HORATIO: ... And latex gloves. Let's have a look at that.
(Speedle reaches up and takes the gloves off the shelf.)
HORATIO: Bag it, tag it, and let's see what else is here.
CUT TO:
[EXT. RESIDENCE - FRONT YARD - DAY]
(Adell Sevilla walks with Horatio, his suit helmet under his arm.)
ADELL SEVILLA: I found the landlord, a James Welmont. He said he'll meet us at
CSI.
HORATIO: Okay, keep me posted.
(She holds the tape up for him as he ducks under it.)
ADELL SEVILLA: Yeah.
HORATIO: All right, we'll talk later.
ADELL SEVILLA: I'll see you back there.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Horatio and Adell Sevilla interview James Welmont.)
JAMES WELMONT: I don't own the house by myself. I invest in property with a
group of doctors.
HORATIO: "Diamond sun properties." When you say doctors, do you mean surgeons?
JAMES WELMONT: Well, we're dermatologists. There are three of us. My partner
just removed a carcinoma from my back, as a matter of fact.
HORATIO: As a dermatologist, do you use latex gloves?
JAMES WELMONT: Yeah, all the time.
ADELL SEVILLA: Mind if I take a look around your practice?
JAMES WELMONT: You be my guest.
HORATIO: When was the last time the house on mangrove was rented?
JAMES WELMONT: I believe that house has been vacant for six months. Renters
skipped out on us. It's right there in the records I brought for you.
HORATIO: Yes, I've been taking a look at these, and the rent seemed very cheap
for this part of town.
JAMES WELMONT: Well, I don't make money if the houses are unoccupied.
HORATIO: This one was occupied, though, wasn't it? A man died in it.
JAMES WELMONT: Well, I can't help what tenants do in my houses, just like I
can't help what happens in my houses when tenants leave. I mean, it's an
investment.
HORATIO: Yes. Usually with an investment of this size, though, people take
care of them, don't they?
JAMES WELMONT: All right. You got me. I am guilty of not taking care of my
investment.
HORATIO: And possibly, negligent homicide.
JAMES WELMONT: You arresting me?
HORATIO: Not yet.
JAMES WELMONT: Okay. Next time, I bring my lawyer.
HORATIO: Next time ... you may need one.
CUT TO:
[INT. CSI - FORENSICS LAB - DAY]
(Alexx goes over the Betty Rosen's preliminary with Delko.)
ALEXX: Extent of the ecchymosis suggests she lived several hours after she
sustained her injuries. Confirmed blunt force trauma, skull fracture, subdural
hematoma. No clear weapon; could have been anything. Tox report indicates
therapeutic level of coumadin.
DELKO: Coumadin?
ALEXX: Yeah.
DELKO: Blood thinner. That could explain the excessive blood loss. Was she on
any other medication?
ALEXX: (shakes her head) No. Right arm and both hands are broken.
DELKO: Poor thing, she tried to fight him off.
ALEXX: 81-year-old woman -- doesn't take much to break her bones. Tissue
sections confirmed neurofibrillary tangles.
(Quick CGI flash of: Close-up of brain synapses. End of CGI flash. Resume to
present.)
DELKO: She had Alzheimer's.
ALEXX: (nods) Late stages.
DELKO: Any physical findings?
ALEXX: Diagnosing rape in older females is tricky. Muscles have atrophied,
skin is less elastic. I'll collect a sexual assault kit.
CUT TO:
[INT. CSI - LAB - DAY]
(Speedle is in the lab testing the glass when Horatio walks in.)
HORATIO: Hey.
SPEEDLE: Hey. How'd the post go on Mr. Caldwell?
HORATIO: Death by asphyxiation due to nitric acid fumes. The question becomes:
What was the nitric acid used for?
SPEEDLE: I got to tell you, I'm having a lot of trouble with this.
HORATIO: Well, hang in there.
(Horatio does his own test and the machine beeps.)
HORATIO: Sulfuric acid.
(Horatio walks up to the clear board where there's already some chemical
compounds written on it. He picks up the pen and adds more notes.)
HORATIO: Sulfuric acid. We've got h-2-s-o-4, right?
SPEEDLE: I got something in the amphetamine family here. I don't know, uh,
MDA, maybe meth.
HORATIO: But this doesn't compute, does it?
SPEEDLE: Now you know what I've been doing. These aren't components of any
drug I know.
HORATIO: But they should give us the final product. "M-d-p-2-P."
SPEEDLE: "Methylene-dioxy-phenyl-2-propanone." It's not really a recreational
drug. It's not really anything.
HORATIO: Maybe that means he didn't mean to make it. Go with me here for a
second, Speed. Now, if you sub in formic acid for nitric acid ... you get
ecstasy, don't you?
SPEEDLE: The cook screwed up.
HORATIO: Right. But because the pills were white, he figured he could still
sell them as X.
SPEEDLE: So he replaces one ingredient along the chemical pathway to try to
make something legal.
HORATIO: Yes, he did, and ended up making a chemical so powerful that its fumes
could kill human beings.
SPEEDLE: So what are we chasing, the fumes or the pills?
HORATIO: We're chasing the cook.
SMASH CUT TO BLACK.
FADE IN.
[EXT. VARIOUS MIAMI SCENES (STOCK) - DAY]
[EXT. BRECKENHURST RETIREMENT COMMUNITY -- DAY]
(Calleigh interviews Betty Rosen's sister, Pearl Abrams.)
CALLEIGH: I'm so sorry about your sister, Mrs. Abrams. Uh, you and Betty lived
together?
PEARL ABRAMS: Yes. We take care of each other.
CALLEIGH: But the night she died ...
PEARL ABRAMS: I was in Coral Gables with friends. It got late. I can't drive
at night. I told her I didn't want to go. She said, "go out, have some fun."
CALLEIGH: Can you think of anyone who would want to hurt Betty?
PEARL ABRAMS: Oh, no.
CALLEIGH: She was voted the most popular.
PEARL ABRAMS: Everyone loves her, especially the men. You look a lot like her.
She loved to wear her hair long down her back. Just like you.
CALLEIGH: Did anybody know she was alone that night?
PEARL ABRAMS: Everybody. Betty never could keep a secret.
(Calleigh smiles and nods.)
CUT TO:
[INT. CSI - LAB - DAY]
(Horatio is in the lab testing the glass. Speedle walks in and grabs a lab coat
off the rack.)
SPEEDLE: Sorry I'm late. I got jammed up on the causeway.
HORATIO: No worries. (doesn't look up) Pam again?
SPEEDLE: Yeah, how'd you know?
HORATIO: You got the same clothes on you had yesterday.
SPEEDLE: Uh, so is that glass from the clan house?
HORATIO: Yep.
SPEEDLE: Any hits?
HORATIO: No hits, but I'm about to superglue the discarded glove unless you
want to do it.
SPEEDLE: Yeah, I'll do it.
HORATIO: Go ahead.
(Speedle closes the fume box and the fumes start to blow into the box.)
SPEEDLE: Powdered latex. The easy slide on and off. So they have, uh,
powdered gloves when you were coming up?
HORATIO: No powdered gloves, no cell phones, no DNA.
SPEEDLE: No cell phones?
HORATIO: No cell phones.
(There are fingerprint ridges inside the glove.)
HORATIO: We have a winner.
(Quick flash to: A person puts the gloves on. Close-up of the fingertip. End
of flash. Resume to present.)
SPEEDLE: AFIS?
HORATIO: AFIS.
CUT TO:
[INT. CSI - PRINT LAB - DAY]
(The finger print is running through the AFIS database. Horatio and Adell
Sevilla wait for the results.)
ADELL SEVILLA: I can tell you who it won't be.
HORATIO: Go ahead.
(Adell puts a box of DIAMOND GRIP Powder Free Latex Examination Gloves on the
table.)
ADELL SEVILLA: Dermo doctor uses powder-free gloves. It's a different company
than our discard and they buy by the case. Bulk.
HORATIO: Then why do I like this guy so much?
(AFIS found a match.)
ADELL SEVILLA: AFIS seems to like someone else.
HORATIO: "Gregory Kimble." Now who is this?
ADELL SEVILLA: Let's go find out.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Horatio and Adell Sevilla interview Gregory Kimble.)
HORATIO: Mr. Kimble, let's talk about the trash drugs you've been cooking.
GREGORY KIMBLE: I don't know what you're talking about.
HORATIO: No? Little house over on Mangrove doesn't ring a bell?
GREGORY KIMBLE: Nope.
HORATIO: "Nope." Okay. Well, the problem is, is we recovered your fingerprint
over there.
GREGORY KIMBLE: I party a lot. I might've ended up there one night.
HORATIO: Okay, fair enough. You wear sunscreen?
GREGORY KIMBLE: Everyone in Miami does. Why?
HORATIO: Well, you have some very interesting burn damage around your mouth and
under your nose. Sometimes that can be from a chemical burn, right?
ADELL SEVILLA: You bet.
(Quick flash of: Gregory Kimble cooks with chemicals. He rubs the back of his
hand over his mouth. End of flash. Resume to present.)
HORATIO: You're my cook, aren't you?
GREGORY KIMBLE: Cook? What are you talking about? I'm a part-time student.
HORATIO: Really? You got a job?
GREGORY KIMBLE: Not right now.
ADELL SEVILLA: Well, DMV records show that you drive around in a brand-new
convertible Lex. Why don't you do yourself a favor and tell us who's selling
this stuff once you put it into pill form?
GREGORY KIMBLE: I think I want my attorney.
ADELL SEVILLA: After we process you.
HORATIO: I'm going to need your clothes, too.
GREGORY KIMBLE: What am I going to wear?
(Adell pushes the stack of clothing across the table at him.)
CUT TO:
[INT. CSI - LAB - DAY]
(Delko walks into the lab and greets the tech.)
DELKO: Laura. It's been a while. Welcome back.
LAURA: Well, a year at Quantico is enough. Can't take that weather.
DELKO: Hmm, how was the nightlife?
LAURA: Government compound, 95% male. Hurt me.
DELKO: (chuckles) I'll bet it did. Anything on my victim?
LAURA: Well, the sexual assault kit was positive. Semen was aspermic.
DELKO: So, no little soldiers?
LAURA: No, the guy probably had a vasectomy. P30 indicates recent intercourse.
DELKO: How recent?
LAURA: Eight to twelve hours.
DELKO: That's consistent with time of death.
LAURA: Well, I'll run the DNA through CODIS.
DELKO: Thank you.
(Delko leaves.)
CUT TO:
[INT. CSI - HALLWAY - DAY]
(Delko catches up with Calleigh in the hallway.)
DELKO: Hey, Calleigh. Crime at the condo is virtually nonexistent. They've
had two burglaries in the past five years. The place prides itself on safety.
CALLEIGH: Well, that eliminates the amateurs.
DELKO: That's right. So I ran the names of registered sex offenders within a
three-mile radius of the complex. Name popped up.
CALLEIGH: "Keith Sewell. On parole for rape."
DELKO: Guess where he works? Gardener.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Calleigh and Delko interview Keith Sewell.)
KEITH SEWELL: You haul me in 'cause my prints were on the window? Talk to the
manager. She has me change that glass couple times a month.
DELKO: And she has you do that, why?
KEITH SEWELL: Mrs. Rosen liked to break it. Of course she was a little ...
light in the head, if you know what I mean.
CALLEIGH: She suffered from Alzheimer's.
KEITH SEWELL: Yeah, she told me, uh, her parents wouldn't let her date. So she
had to sneak out to meet her boyfriend. And for the record ... I don't do old
women. Nothing over 25.
CALLEIGH: A convicted rapist with standards.
DELKO: Mr. Sewell, have you ever had a vasectomy?
KEITH SEWELL: No one's snipping on me.
CALLEIGH: We can get a court order to verify.
KEITH SEWELL: I'll verify right now.
(Keith Sewell stands up and moves to take his pants off. Delko stands up and
stops him.)
DELKO: Hey! Sit down!
CALLEIGH: A mouth swab will suffice ... for now.
CUT TO:
[INT. CSI - LAB - DAY]
(Horatio opens the newest machine when Speedle walks in.)
SPEEDLE: An XRF. This thing's got to be 250 grand. When did we get this?
HORATIO: We got it this morning. Courtesy of the ATF.
(Horatio turns the machine on.)
SPEEDLE: Nice. So, the x-ray allows us to examine Greg Kimble's shirt for
chemicals.
HORATIO: Exactly right. And zero in on areas that we can then extract from.
Now, Mr. Kimble claims he has no job and no legitimate access to chemicals,
right?
SPEEDLE: So if we find chemicals on his clothing, we can link him to the drug
lab.
HORATIO: Mm-hmm.
SPEEDLE: But didn't we already do that with the print in the glove?
HORATIO: Yes, we did. But like my old man says, "you don't have a backup, you
don't have a plan."
SPEEDLE: Smart guy.
HORATIO: Okay. Here you go. Look at this. High amounts of carbon, nitrogen
and phosphorus.
SPEEDLE: Components found in our chemical residue at the clan house.
HORATIO: That's right. And it makes Mr. Kimble a what?
SPEEDLE: A liar.
HORATIO: A liar. When mass spec confirms this, let me know, will you?
SPEEDLE: Will do. I'll call you on your "cell phone".
(Horatio leaves.)
CUT TO:
[INT. CSI - HALLWAY TO INTERVIEW ROOM - DAY]
(Horatio walks into the hallway to find the officers letting Gregory Kimble go.)
HORATIO: Adell, w-wait a second. Wait a second. What is going on here?
ADELL SEVILLA: States Attorney cut him loose.
HORATIO: Did he say why?
ADELL SEVILLA: Absolutely not.
HORATIO: Okay. Where is the States Attorney right now?
ADELL SEVILLA: He's up in your office.
HORATIO: In my office. He stays put until I say so.
(Horatio leaves.)
CUT TO:
[INT. CSI - HORATIO'S OFFICE - DAY]
(Horatio talks with the State's Attorney, Dante.)
HORATIO: Dante, I've got this guy dead to his rights. He's my cook.
DANTE: Where? You can't place him at the lab at the Mangrove house.
HORATIO: Of course I can. I recovered his fingerprint there in a latex glove.
DANTE: At a party house. That only proves he was there.
HORATIO: Wearing latex gloves. The fumes from this man's trash already killed
somebody. He may be selling lethal pills.
DANTE: You know that Florida statute 893.03 has a specific list of controlled
substances. Even if we could put him there, he wasn't making anything illegal.
HORATIO: Okay, so, you get to turn him loose and I get to send the victim's
wife a sympathy card. Talk about your déj vu.
DANTE: Your brother was a good cop. This has nothing to do with him.
HORATIO: Interesting that you bring him up.
DANTE: You need to let this go, Horatio.
HORATIO: Why? Why do I need to let this go?
DANTE: It's in the best interest of this case.
HORATIO: And in my best interest, too? Is that what you're saying?
DANTE: Those are your words ... not mine. (Dante stands up.) Let it go.
FADE OUT.
FADE IN.
[INT. CSI - HALLWAY - DAY]
(Horatio walks through the hallway and finds Speedle.)
HORATIO: Speed.
SPEEDLE: Hey, what's up? You wanted to see me?
HORATIO: Yeah, I do. I want to take a look at this doctor again, okay?
SPEEDLE: Yeah, you know what? I got in early this morning, and, uh ... check
out his real estate holdings. (Speedle hands Horatio a file folder.) Welmont
and his partner own a dozen homes in those neighborhoods.
HORATIO: Dangerous neighborhoods, landlocked, near freeways -- under the radar.
(Horatio hands the folder back to Speedle.)
SPEEDLE: Yup. And I talked to a guy from DEA. Says a clan lab can make, like,
500 grand cash.
HORATIO: And you can times that by twelve. I doubt he's even seeing patients
anymore. Nice going. (Horatio speed dials his phone. Speedle leaves.) (to
phone) Adell?
ADELL SEVILLA: (from phone) Yeah?
HORATIO: (to phone) Adell, Horatio. Road trip.
CUT TO:
[EXT. VARIOUS MIAMI-DADE CITY SCENES (STOCK) - DAY]
[EXT. KIMBLE RESIDENCE - DAY]
(Gregory Kimble packs his equipment in the back of his car. He turns and heads
back into the house. He doesn't see Horatio standing in front of his car.)
HORATIO: Setting up shop again, Greg?
(Gregory Kimble turns around and looks coolly at Horatio, Speedle and Adell
Sevilla.)
HORATIO: Check the van, Speed.
(Speed goes to check the chemicals in the back of the van.)
HORATIO: So, we've got a new location.
SPEEDLE: We got some lye, ammonia, some methanol.
(Gregory Kimble puts the buckets he's carrying down.)
HORATIO: And ... a new formula, huh? I guess one death in the neighborhood is
enough.
(Adell dials her cell phone.)
ADELL SEVILLA: If you hang tight, I'll get you a warrant for that stuff.
GREGORY KIMBLE: Uh, it's not against the law to have those chemicals.
ADELL SEVILLA: No, it's not. Really brilliant operation Dr. Welmont has going
on here. He provides the house, the chemicals and the recipe. He pays off a
couple of cooks like you with lux cars. That's peanuts to the guys who sling
the pills. Pills so unusual there's not a law against it, but at the end of the
day, he and his partners split about six million bucks.
GREGORY KIMBLE: It's not six million.
HORATIO: This is where you say, "I don't know any Dr. Welmont."
(Adell's phone rings. She answers it.)
ADELL SEVILLA: Yeah. (pause) Right.
HORATIO: What do you got?
ADELL SEVILLA: That was the Medical Examiner.
HORATIO: Mm-hmm.
ADELL SEVILLA: Just picked up a 19-year-old kid. Overdosed on "E."
HORATIO: Nineteen years old. Nice going.
CUT TO:
[INT. BRECKENHURST RETIREMENT COMMUNITY - DANCE CLASS -- DAY]
(The Dance Instructor leads a group of senior citizens. In the back, Delko and
Calleigh interview Carrillo, the Manager.)
DANCE INSTRUCTOR: That's right, you guys, feel the music. We're all Britney
Spears at heart. Feel the music.
CARRILLO (MANAGER): Sewell lied on his application, but he didn't lie about the
window. Now, Betty had some good days, and she had some bad days. Her memory,
you know.
DELKO: Yeah, we heard that she thought she had a boyfriend.
CARRILLO (MANAGER): Boyfriend? Try boyfriends. This place is high school with
arthritis. And Betty was hot stuff.
CALLEIGH: So, can you point out these boyfriends?
CARRILLO (MANAGER): Betty was a very private person.
DELKO: It's okay, I think we'll, uh, we'll round them all up.
CUT TO:
[INT. BRECKENHURST RETIREMENT COMMUNITY -- DAY]
(Calleigh interviews Herb Rines.)
HERB RINES: Betty was a lot of fun. She and I had a very healthy sexual
relationship. She was not afraid to try new things.
CALLEIGH: Back to the question, Mr. Rines.
HERB RINES: Yeah, no, um, I saw her last night. Uh, left her place about 9:00.
CALLEIGH: Can anyone verify that?
HERB RINES: Yes, Mrs. Meyers was walking her dog.
CUT TO:
[EXT. BRECKENHURST RETIREMENT COMMUNITY - DANCE CLASS -- DAY]
(Delko interviews Leo Kling.)
LEO KLING: Don't tell anyone I told you, but I hear Betty was loaded. She
married one of those Wall Street types back when the market meant something.
Now? We're all in the toilet. Anyway, I think Pearl was counting on Betty's
dough. Rumor has it, she left it all to one guy.
DELKO: Who?
LEO KLING: I don't know.
[EXT. BRECKENHURST RETIREMENT COMMUNITY - POOL SIDE -- DAY]
(Calleigh interviews Marty Gaines.)
CALLEIGH: We're almost finished, Mr. Gaines. Did you see Betty Rosen the night
she died?
MARTY GAINES: Oh, no. She dumped me three weeks ago. Said she needed somebody
more adventurous, you know? At first I thought she got me confused with Herb
Rines.
(Calleigh looks down and notices something green stuck on the underside of Marty
Gaines' shoes.)
MARTY GAINES: Me -- I like to go for coffee, talk, you know? She wasn't going
for it.
CALLEIGH: Mr. Gaines, do you have any ice plant outside your home?
MARTY GAINES: No. I'm not one for succulents.
(She reaches for her kit.)
CALLEIGH: Well ... if that's the case ... (She takes the green plant sample
from Marty Gaines' shoe.) ... This may be a problem. (She takes a swab.) I'm
going to need a DNA sample.
CUT TO:
[INT. CSI - FORESNSICS LAB - DAY]
(Horatio walks into the lab. Alexx is mid-autopsy.)
HORATIO: Better circumstances, Alexx?
ALEXX: You got that right, Horatio. Nineteen years young. Hmm. Detective
said he just got accepted into Vanderbilt busy school working toward a pilot
license. Flew solo for the first time yesterday. Went out to celebrate with
friends. They say he took one tab of "E." When he didn't get high, took a
handful. Collapsed at a club called Fate.
HORATIO: (dry chuckles) ... and the devil laughed.
ALEXX: So, stomach contents. Figured you'd want to be here.
(Horatio holds the disk as Alex squeezes the stomach contents into it from a
plastic container.)
ALEXX: Analysis will determine if it's mdp2p.
HORATIO: I guess I'm hoping that one or two of the pills didn't dissolve before
he expired.
ALEXX: You're hoping for a stamp?
HORATIO: Call me crazy.
ALEXX: All right.
(Alexx peers into the stomach and finds an undissolved pill.)
ALEXX: Stamp familiar?
HORATIO: (to the pill) "Please allow me to introduce myself." (to Alexx)
Nice going.
CUT TO:
[INT. CSI - HALLWAY - DAY]
(Horatio and Speedle walk through the hallway.)
SPEEDEL: If we found a pill with Welmont's company stamp on it, why are we
going to see the cook again?
HORATIO: Because he's weak. Welmont is the target, but Kimble is our
ammunition.
CUT TO:
[INT. CSI - TRACE LAB - DAY]
(Delko and Calleigh go over the clothes from the Residents.)
DELKO: So much gossip coming out of that complex, I don't know what the truth
is.
CALLEIGH: Well, Carrillo confirmed Sewell's alibi, so our sex offender's out as
a suspect. And these guys gave up their clothes way too easily.
DELKO: Yeah, that's never good.
CALLEIGH: I don't know, I mean, you saw the blood in the condo. There is no
way a killer got out of there without getting bloody.
DELKO: And Carrillo confirmed with Mrs. Meyers that Herb Rines left Betty's
place at around nine. She didn't see a drop of blood on him.
CALLEIGH: And the DNA on the semen matches Herb.
DELKO: Which confirms his story. I don't know. Maybe someone saw Betty after
Herb left.
CALLEIGH: I don't know. But then Marty has ice plant wedged in the sole of his
shoe, so he doesn't have time to clean it, yet it's km negative.
DELKO: I can't believe this.
CALLEIGH: It's a dead end.
(He thinks about it and remembers something.)
DELKO: Not quite.
CUT TO:
[INT. CSI - LAB - DAY]
(Delko takes the bloody piece of paper out of the shelf. He puts it on the
counter between him and Calleigh.)
(He logs it on the clipboard. Calleigh scrapes the blood off.)
(Cut to: Calleigh puts the paper in a solution to dissolve the blood off.)
(She towels it dry and hangs it up on the viewbox.)
CALLEIGH: (reading) "This is to inform you the codicil to your will has been
completed and signed and is effective as of November 4, 2002."
(The entire letter reads:
Miami FL 33133
Hello Betty
It was great that you called on Friday. I was just back from my trip to
Hawaii and I stoped (sic) by the office to pick up any upcoming work I was able
to draft the amendment to your Will over the weekend. I'm sure you would be
happy to know that all things will be in good hands. (sic) We have made the
changes you asked for and it's a done deal. Don't worry about this amendment
any farther.
The amendment will read as follows:
This is to inform you the Codicil to your will has been completed and
signed and its effective as of Nov. 04 2002.
I hope this will put a smile on your face as we put this will to rest.
Sincerely
/s/ Stan Silverberg )
(Delko chuckles softly.)
DELKO: Leo Kling was right. Betty changed her will.
CALLEIGH: But Pearl Abrams did not kill her sister.
DELKO: Yeah, well, somebody did.
CUT TO:
[EXT. RESIDENCE - DAY]
(A police car with flashing lights is parked out front. An officer waits near
it. Speedle, Horatio and Adell are on the front porch.)
(Adell knocks on the door.)
ADELL SEVILLA: Kimble, Miami-Dade. Come on out.
(Adell tries the door.)
ADELL SEVILLA: It's locked.
(Horatio looks around the area and sees Kimble in his car, slumped over to the
side.)
HORATIO: Wait a minute.
(Everyone follows Horatio to the car.)
(Horatio opens the door and finds Gregory Kimble dead from a gunshot wound to
his chest.)
HORATIO: This is fresh. Paging Dr. Welmont.
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI-DADE CITY SCENES (STOCK) -- DAY]
[EXT. RESIDENCE - DAY]
(Horatio looks at the wounds on Gregory Kimble's chest.)
HORATIO: Cluster wounds. Right on the money.
(Quick flashback to: [INT. CAR - DAY] The killer stabs Gregory Kimble several
times in the chest.)
(End of flashback. Resume to present.)
(Speedle looks over Horatio's shoulder.)
SPEEDLE: He didn't even have time to fight back.
HORATIO: That's right, because he was sitting with somebody he trusted, wasn't
he? You know what, get the Bullard.
SHORT TIME CUT TO:
[INT. CAR - DAY]
(Speedle uses the Bullard Thermal Imager on the passenger car seat. The Bullard
shows the various heat emissions left behind.)
SPEEDLE: Body heat. Passenger side. It's fading, but it's still evident.
(The Bullard beeps.) Ninety-three degrees. Murderer was just here.
HORATIO: Mm-hmm. Now show me the legs.
(Speedle points the imager down near the seat of the cushion.)
SPEEDLE: Braced himself for the stabbing. Got the outline of a back.
(He sweeps up the chair.)
HORATIO: Probably used it for leverage.
(He finds a patch of black on the heat image.)
SPEEDLE: Wait a minute. I got a disruption.
HORATIO: What the hell is that?
SPEEDLE: You know what? I'm going to get this back to the AV Lab and try to
enhance it.
HORATIO: Do that.
(Speedle shuts the machine off, turns and leaves.)
CUT TO:
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S BEDROOM -- DAY]
(Calleigh and Delko are back in the bedroom crime scene.)
CALLEIGH: When you've eliminated all the suspects and the evidence doesn't make
sense, it's just nice to put it in context.
DELKO: We know all of this blood is Betty Rosen's.
CALLEIGH: So we reevaluate the "how" to get us to the "who."
DELKO: (shrugs) It's a lot of spatter.
CALLEIGH: We don't have to string every drop.
DELKO: I know, just enough to determine the point of origin.
SHORT TIME CUT TO:
[VARIOUS CUTS OF]
(Calleigh and Delko string the blood spatter on the walls and on the floors.)
CUT TO:
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S ROOM -- DAY]
(Calleigh walks over to Delko.)
CALLEIGH: Let's walk it.
DELKO: Yeah. (points to the string) Well, spatter starts high.
CALLEIGH: Consistent with the beginning of the attack blunt force object, the
countertop.
DELKO: Right, now, if she turned and fell laying here for a while where she
created this blood pool.
(Quick flashback to: Betty Rosen hits her head and falls. As she falls, she
hits her head again on the table and falls on the carpet.)
(Cut to: Betty Rosen gets up.)
(End of flashback. Resume to present.)
DELKO: At some point she got up, moved down the hallway ...
(They duck under the string in the living room and enter the hallway.)
DELKO: ... to here.
CALLEIGH: Another blow area. Blood smears here.
(Calleigh indicates the blood smear on the wall.)
(Quick flashback to: Betty Rosen stumbles into the hallway and places her hand
against the wall.)
(End of flashback. Resume to present.)
DELKO: There's another spatter pattern here on the table ... where, again she
fell to the ground.
(He looks down at the circular marble table with the blood smear on the edge of
the tabletop.)
(Just below it is another thick pool of blood.)
CALLEIGH: Making another pool of blood.
(Quick flashback to: Betty Rosen falls and hits her head against the table.
She falls to the ground.)
(End of flashback. Resume to present.)
(Delko walks into the bedroom.)
DELKO: The spatter in this room radiates in a complete circle.
(They look around at all the blood.)
CALLEIGH: Leaving no space for anyone else to be in the room.
(Quick flashback to: Betty Rosen gets to her feet and heads into the bedroom.
She hits her head again against the dresser top. She falls to the floor.)
(End of flashback. Resume to present.)
DELKO: All this blood, unable to move, I guess. She laid there until she died.
CALLEIGH: Mm-hmm.
CUT TO:
[INT. CSI - LAB - DAY]
(Speedle and Horatio look at the Bullard Thermal Imager video.)
SPEEDLE: Well, the stabber was definitely in the seat next to Greg Kimble.
It's only a three degree difference in temperature between the two. My only
problem is that disruption. I don't know why it's there.
HORATIO: Something seems to be impeding the heat absorption. Zoom in on it
again.
(Speedle zooms the video in and pixelates it to a little more clarity.)
SPEEDLE: Is that a ...
HORATIO: That's a carcinoma.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(James Welmont is back in the interview room. Behind him, the Bullard captures
the image of James Welmont's back.)
[INT. CSI - LAB - DAY -- CONTINUOUS]
(On video, Speedle compares the two and it's a perfect match.)
HORATIO: And we've got a match. Good.
[INT. CSI - INTERVIEW ROOM - DAY - CONTINUOUS]
(James Welmont is being interviewed by Horatio and Det. Adell Sevilla. His
lawyer is with him.)
HORATIO: Catching your cancer, Dr. Welmont, has become your undoing.
(Horatio shows the photo to James Welmont.)
LAWYER: What is this?
HORATIO: This is a thermal image that places your client in the murder vehicle.
DET. ADELL SEVILLA: High tech.
LAWYER: He saw an injured man at one of his properties, tried to revive him.
DET. ADELL SEVILLA: That's cute, that's one for my book.
HORATIO: Mm-hmm, me, too. And the pill that killed a 19-year-old boy has his
company logo on it.
(Horatio shows the photo of the image on the undigested pill. The Lawyer looks
at it.)
LAWYER: Diamond sun symbol's as prevalent as "hang ten" in Miami. Besides ...
none of this ties Dr. Welmont to this homicide.
DET. ADELL SEVILLA: How about his knife? We know he carries one for
protection.
LAWYER: He travels into some fairly dangerous neighborhoods to visit his
properties.
DET. ADELL SEVILLA: Did you bring your knife or did you lose it?
(James Welmont smiles at them. The Lawyer takes out the envelope.)
LAWYER: Dr. Welmont is doing everything he can to cooperate in this matter.
(Horatio takes out his gloves and reaches for the knife.)
HORATIO: How commendable.
CUT TO:
[INT. CSI - HALLWAY - DAY - CONTINUOUS]
(Det. Adell Sevilla and Horatio step out of the interview room.)
DET. ADELL SEVILLA: I don't believe this smooth operator would hand over a
knife with traces of blood on it.
HORATIO: I'm not interested in the blood. Speed. (Horatio walks into the lab
where Speedle is. He puts the envelope with the knife in it on the table.)
Digital pictures, every angle, and get them to me.
SPEEDLE: You got it.
CUT TO:
[INT. BRECKENHURST RETIREMENT COMMUNITY - ROSEN'S BEDROOM -- DAY]
(Calleigh and Delko report their findings to Pearl Abrams.)
PEARL ABRAMS: An accident? How can that be?
CALLEIGH: We're so sorry, Pearl.
DELKO: Pearl, um, may we ask you about Betty's will?
PEARL ABRAMS: What will?
CALLEIGH: Betty changed her will and set up a trust commencing at the time of
her death.
PEARL ABRAMS: For whom?
CALLEIGH: For you. Well, you'll be well cared for now.
PEARL ABRAMS: She always did take care of me. I'm the youngest. (to Calleigh)
You look a lot like her. She loved wearing her hair down her back, just like
you.
(Delko glances at Calleigh.)
CUT TO:
[INT. CSI - MORGUE -- DAY]
(Horatio snaps close-up photos of the knife wounds on Gregory Kimble's chest.)
(When done, he pulls the sheet up over the body.)
CUT TO:
[INT. CSI - LAB -- DAY]
(Speedle takes digital pictures of the knife from various angles.)
CUT TO:
[INT. CSI - LAB -- DAY]
(On the monitor are the images of the knife and the images of the wound.)
HORATIO: Okay, now, here we go. Let's highlight the hilt.
(Speedle highlights the knife's hilt.)
HORATIO: Good. Now highlight the bruises on each side of the wound.
(Speedle highlights the hilt marks on the wound.)
HORATIO: Excellent. Now, drag the hilt over to the wound.
(He matches the two perfectly.)
HORATIO: Nice work.
CUT TO:
[INT. CSI - INTERVIEW ROOM -- DAY]
(Horatio re-interviews James Welmont. His lawyer is there.)
JAMES WELMONT: Okay, what am I looking at?
HORATIO: This is the hilt from your knife. It marked every wound. Cluster
stabs up close, fast and furious. You're not shy, are you?
(Quick flashback to: [INT. CAR (PARKED) - DAY] Gregory Kimble and James
Welmont are inside the car.)
GREGORY KIMBLE: I swear I'm never going to tell these guys a thing.
JAMES WELMONT: I know.
(James Welmont turns and quickly stabs Gregory Kimble.)
(Quick CGI Close-up of the knife and the stabbing wounds.)
(End of flashback. Resume to present.)
(Horatio sits down at the table.)
HORATIO: Here's the irony. Had you not been kind enough to provide me with the
murder weapon I would have been stuck with negligent homicide for the neighbor.
But as it stands now, I can charge you with murder. And I haven't even gotten
to the 19 year old who OD'd.
JAMES WELMONT: So what are you saying?
HORATIO: I'm just saying, thanks.
CUT TO:
[INT. CSI - HALLWAY - DAY - CONTINUOUS]
(In slow motion.)
(Horatio steps out of the interview room and pauses out in the hallway.)
(He looks around.)
RESUME MOTION
(Alexx walks up to Horatio holding a clipboard.)
ALEXX: Hey. Forgot to get your signature on the evidence release card. For
the x pill in our nineteen year old.
(Horatio signs the paper.)
HORATIO: You got me.
ALEXX: Heard you nailed the bad guy.
HORATIO: That we did. I guess timing is everything.
(She hears it in his voice.)
ALEXX: All right, wait a minute. You're still unsettled.
(Horatio looks at Alexx. He nods slightly.)
ALEXX: This isn't about our victim, is it?
HORATIO: You know, Alexx, for me it is about the victims. Especially the ones
who die too young, too soon. You know?
(Alexx nods.)
HORATIO: But as always, good work.
(Horatio turns and leaves.)
DISSOLVE TO:
[EXT. VARIOUS MIAMI SCENERY (STOCK) - DAY]
[EXT. CEMETERY - DAY]
(Horatio walks up to a headstone. He looks down. It reads:
Raymond C. Caine
Beloved Son & Brother
October 24, 1968 to March 18, 2001 )
(Camera holds on a far shot of Horatio standing at the headstone.)
FADE TO BLACK.
==========================
THE END
==========================
[Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group
at WGBH access.Wgbh.Org]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CSI: MIAMI
1X13: BUNK
ORIGINAL AIR DATE ON CBS: 01/27/2003
TRANSCRIBED FROM DVD
Starring:
DAVID CARUSO as Horatio Caine
EMILY PROCTER as Calleigh Duquesne
ADAM RODRIGUEZ as Eric Delko
KHANDI ALEXANDER as Alexx Woods
with
RORY COCHRANE as Tim Speedle
Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN
Starring
WANDA DE JESUS as Detective Adell Seville
D.W. MOFFETT as Dr. Welmont
SALLI RICHARDSON WHITFIELD as Laura
TOBY MOORE as Gregory Kimble
BARBARA EVE HARRIS
AL RODRIGO as State's Attorney Ramirez
PAT HEALY as Sewell
VICTOR RIVERS
Music Composed by: GRAEME REVELL
Edited by MARK C. BALDWIN
Production Designer: CAROLS BARBOSA
Director of Photography: MICHAEL D. O'SHEA, A.S.C.
Co-Producer: FRANK BALLOU
Co-Producer: BRUCE GOLIN
Co-Producer: LOIS JOHNSON
Co-Producer: STEVEN MAEDA
Supervising Producer: MARK ISRAEL
Consulting Producer: ELIZABETH DEVINE
Co-Executive Producer: LAURIE McCARTHY
Co-Executive Producer: DANNY CANNON
Executive Producer: DAVID BLACK
Executive Producer: SAM STRANGIS
Executive Producer: JONATHAN LITTMAN
Executive Producer: NANCY MILLER
Written by ELIZABETH DEVINE
Directed by CHARLIE CORRELL
==========================
END CREDITS
==========================
Executive Producer: JERRY BRUCKHEIMER
Executive Producer: ANTHONY E. ZUIKER
Executive Producer: CAROL MENDELSOHN
Executive Producer: ANN DONAHUE
JERRY BRUCKHEIMER Television
Alliance Atlantis Productions Inc.
CBS Productions, Inc.
Co-Starring
CLAIRE MALIS as Adele Alonzo
AARON SEVILLE as Rudy Caldwell
VICTORIA PLATT as Beverly Caldwell
BETTY McGUIRE as Pearl Abrams
MAY BOSS as Betty Rosen
QUINN REDEKER as Herb Rines
WILL ALBERT as Leo Klein
HOWARD MANN as Marty Gaines
DAWN LEWIS as Instructor
DANIEL BETANCES as First Officer
Line Producer: JEAN HIGGINS
Associate Producer: GINA LAMAR
Associate Producer: SCOTT LAUTANEN
Casting by: NAN DUTTON, C.S.A.
Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER,
C.S.A.
Story Editor: GWENDOLYN PARKER
Unit Production Manager: JEAN HIGGINS
First Assistant Director: ALLEN G. GIOIA
Second Assistant Directors: NANCY P. TOWNSEND
Costume Designer: MYNKA DRAPER
Forensics Consultant: JOHN HAYNES
Production Sound Mixers: DONOVAN DEAR
Script Supervisor: CLAUDIA YARMY
Special Make-Up Effects: MATTHEW W. MUNGLE / CHERI MEDCALF
Art Directors: TIM BEACH
Set Decorator: CINDY COBURN-ROTH
Construction Coordinator: JOHN KERSEY
Special Effects Coordinators: GARY D'AMICO
Property Master: MIKE SEXTON / GEORGE ASHTON
Key Grip: RANDY TAMBLING
Gaffer: JACK SCHLOSSER
Key Make-Up Artist: PEGGY TEAGUE
Key Hairstylist: YVONNE DE PATIS-KUPKA
Camera Operator: MIKE GENNE
2ND 2ND Assistant Director: ROBYN WILLEY
Location Manager: MICHELLE LATHAM
Costume Supervisor: BRIAN MAHON
Transportation Coordinator: BOB CAWLEY
2ND Unit: MICHAEL PHIRMAN
Colorist: GARETH COOK
Supervising Sound Editor: MATTHEW SAWELSON
Music Supervisor: JASON ALEXANDER
Assistant Editor: MICHAEL FRIEDLANDER
Post Production Supervisor: MICKIE REUSTER
Loop Group: THE REEL TEAM
Dialogue Editor: TODD NIESEN
ADR Editor: RUTH ADELMAN
Sound Effects Editor: BRAD KATONA
Re-Recording Mixers: YURI REESE / BILL SMITH
Music Editor: ASHLEY REVELL
Visual Effects Supervisors: LARRY DETWILER / MARC LEIDY
Digital Effects by STARGATE DIGITAL
Computer Playback and Graphics by E=MC2
High Definition Post Production by ENCORE
Film Laboratories by FOTOKEM
Post Production Sound Provided by TODD STUDIOS
Filmed at EL SEGUNDO STUDIOS
"Won't Get Fooled Again"
by Pete Townshend
Performed by The Who
The persons and events portrayed in this film are fictitious. Any similarity to
actual persons, living or dead, or any events is unintentional.
(c) 2003 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc. All Rights
Reserved.
CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of
this program for the purposes of copyright and other laws.
Dated:09/26/2004~lky
http://www.webphilia.com/~anthology/wnp.htm