CSI: MIAMI
1X10: A HORRIBLE MIND
ORIGINAL AIR DATE ON CBS: 11/25/2002
TRANSCRIBED FROM DVD
Written by ILDY MODROVICH & LAURENCE WALSH
Directed by GREG YAITANES
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LV
HDTV
==========================
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==========================
SUMMARY: A University Professor with extreme teaching methods is found dead,
his tortured body swinging high up a tree. Horatio, Calleigh and Speedle
investigate this bizarre murder. Delko and Megan investigates the death of a
man found locked in the trunk of a car found under water in the canal. This is
the last episode Megan appears in.
==========================
CSI: MIAMI
1X10: A HORRIBLE MIND
==========================
COLD OPEN:
[EXT. VARIOUS MIAMI SCENES (STOCK) -- DAY]
[EXT. WOODS - DAY]
(We hear a woman panting.)
(Cut to: A woman jogs in the park. She runs through the brush and over tree
roots.)
(She trips and falls to the ground.)
(She gets to her feet and sees the body hanging in front of her. She looks up,
gasps and runs back where she came from.)
(The camera lingers on the thick rope tied around the body's ankles.)
DET. BERNSTEIN: (v.o.) Sixteen years on the job ...
TIME CUT TO:
[EXT. WOODS - DAY]
DET. BERNSTEIN: ... and this is the most bizarre thing I've ever seen.
HORATIO: It's a new one for me, too.
(Both men stand on the ground looking up at the body hanging above them.)
DET. BERNSTEIN: Cross-country runner found him when she was training. Thinks
he might be a professor at the university.
(From what we can see, the rope that ties the body's ankles also ties the hands
behind its back.)
HORATIO: So, no ID yet?
DET. BERNSTEIN: No, we're working on it.
(Horatio removes his sunglasses. Both men study the injuries to the body of the
man hanging above them.)
DET. BERNSTEIN: Auto-erotic?
HORATIO: I don't think so. Too much violence.
DET. BERNSTEIN: No way is it suicide.
(Horatio points to the rope.)
HORATIO: It's not a suicide. You see the knots? See how elaborate this is?
DET. BERNSTEIN: Where does this leave us now?
(Horatio puts his sunglasses back on.)
HORATIO: Up a tree.
FADE TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
[EXT. VARIOUS MIAMI CITY (STOCK) -- DAY]
[CAMERA VIEW]
(Through the camera lens, we follow the rope up the tree.)
(The shutter clicks and we get several flashes of the rope which changes to a
view of the chains.)
(In the background, we hear garbled police radio transmissions.)
[EXT. WOODS - DAY]
(Calleigh is standing on the ladder, the camera in her hand.)
CALLEIGH: Rust has spread to the tree. This block and fall's been here a
while.
HORATIO: A pulley system.
(Speedle works the ground in the area while Horatio and Alexx look up at the
body hanging above them.)
HORATIO: Now what is that doing here?
ALEXX: Looks like trauma from head to toe.
HORATIO: You think it was inflicted before or after he was strung up?
ALEXX: Don't know... yet.
(Speedle finds a piece of fabric on the ground. He picks it up and looks at
it.)
SPEEDLE: Fabric and blood.
(Horatio looks down at the path in front of him.)
HORATIO: There's an awful lot of foot traffic for such an out-of-the-way place.
CALLEIGH: The campus isn't far. Maybe the kids come here to party, make out.
(Horatio walks over to Speedle.)
HORATIO: You got something, Speed?
SPEEDLE: Yeah, take a look at this.
(Speedle is looking at the dirt. Horatio crouches down next to him.)
HORATIO: Is that canine?
(We see that he's found some bones buried in the dirt.)
SPEEDLE: Some kind of animal sacrifice? Weird cult?
(Speedle and Horatio both look up at the hanging body.)
HORATIO: It's in the same shape as our victim -- mutilated and dead.
(Det. Bernstein walks up to them. Horatio stands up to see what he's got.)
DET. BERNSTEIN: I got an ID. Adam Metzger, cultural anthropologist. Teaches
at the university.
HORATIO: Well, he just took a permanent sabbatical, didn't he?
(Horatio and Det. Bernstein both turn and look up the hanging body.)
CUT TO:
[INT. CSI CRIME LAB - FORENSIC LAB - DAY]
(Alexx goes over the body with Horatio.)
ALEXX: Eyes open. Implies he died quickly.
HORATIO: But his wounds don't make sense.
(Alexx looks at the body's eyes.)
ALEXX: I've got signs of retinal burn.
(Quick flash to: Camera zooms into a close up of the eyes and even closer to
the retinas to the burns inside. End of flash. Resume to present.)
HORATIO: You mean like snow blindness?
ALEXX: Yeah.
HORATIO: How could he get snow blindness in Miami?
(Alexx checks the eyelids and finds she can't close his eyes.)
ALEXX: His eyelids are glued open.
(Quick flash of: Someone glues the eyelids open. End of flash. Resume to
present.)
HORATIO: Somebody wanted to make sure he saw something.
ALEXX: Or, based on the damage to his retina ...
HORATIO: ... saw nothing.
(Alexx sighs.)
ALEXX: All right ... one wound down.
(Alexx jots something down on a clipboard.)
HORATIO: Want to get started?
ALEXX: Yeah.
(Dissolve to: Various close-ups of the wounds on the body's chest.)
ALEXX: Puncture wounds, six inches deep. Size and shape of an ice pick; nine
total.
(Alexx notes the injuries on the clipboard.)
ALEXX: Twelve-inch contusions indicating blunt force -- eight such wounds.
(Alexx notes the injuries to the body's feet and legs.)
ALEXX: One- to two-inch cuts. Could be a razor blade -- fourteen of those.
(Alexx looks at the wounds on the bottom of the feet.)
HORATIO: Are those needle marks?
ALEXX: Puncture wounds. You said you were thinking cult?
HORATIO: Maybe. Maybe like a life-size voodoo doll.
ALEXX: Counting those as one, we have a total of sixty-two wounds, all
antemortem.
HORATIO: All that blood, and yet he didn't die of exsanguination, did he?
ALEXX: No. No, whoever killed him managed to avoid every major blood vessel.
HORATIO: Sixty-two wounds, and not one of them meant to kill him.
ALEXX: Cause of death was asphyxiation.
HORATIO: So, he was mutilated for who knows how long.
ALEXX: This looks to be one of the oldest wounds.
(She looks at the wounds on the palms of the body's hands.)
ALEXX: Antemortem abrasions have four stages of healing:
(Quick CGI flash of: As she speaks, the wounds on the hands heal.)
ALEXX: (v.o.) Scab formation, epithelial regeneration, hyperplasia, and
regression of granulation tissues.
(The wounds disappear.)
(End of flash. Resume to present.)
ALEXX: These scrapes were at the second stage. So, his body went through four
to six hours of healing.
HORATIO: (nods) Or four to six hours of torture.
CUT TO:
[EXT. CANAL -- DAY]
(Just under the water near the surface is a car.)
(The car is being pulled out of the water. Det. Adell Sevilla stands on the
edge and watches the car rise out of the water.)
DELKO: Hey.
(Delko walks over to Adell.)
DET. ADELL SEVILLA: Hey.
DELKO: How you doing?
DET. ADELL SEVILLA: Underwater recovery called with a stinker.
DELKO: Classic insurance job with a twist, I'm sure.
(Delko puts his kit down on the ground.)
DET. ADELL SEVILLA: Bring you back to the days when you were drinking murky
canal water and dining on rusty car parts?
DELKO: Yeah, don't knock it. Underwater recovery gets all the chicks.
(Delko takes out his camera and starts taking pictures. He looks at the road
around the area.)
DELKO: No skid marks.
DET. ADELL SEVILLA: Which means it wasn't an accident.
DELKO: Which means somebody probably pushed it in.
(He takes more pictures. A diver climbs out of the water and onto the canal
bank. He smiles at Delko in recognition.)
JERRY: Eric Delko.
(Delko laughs.)
JERRY: The man who went on to bigger and better things.
DELKO: Hey, how are you, man?
(He grabs Jerry's hand and gives him half a hug.)
JERRY: I'm still wet, man.
DELKO: Yeah, you are. Somebody called in a shadow?
JERRY: Yeah. This was what we got.
DELKO: Windows wide open. It looks, uh, it looks hinky.
JERRY: Well, she sunk fast.
(Quick flash of: [NIGHT] The car rolls off the canal bank and into the water.
End of flash. Resume to present.)
(Delko opens his kit. He takes out a screwdriver and walks over to the car's
trunk.)
DELKO: Silt layer's pretty thin. Hasn't been here long. Three, maybe four
weeks.
(Jerry watches as Delko breaks into the car's trunk.)
JERRY: Aren't you supposed to be on the other side of the law now?
DELKO: Why don't you get on the other side of this car and help me out with
this?
(Delko gets the trunk open and they immediately smell it.)
JERRY: Oh!
DELKO: Ah!
(Inside the trunk is a dead body. Adell clears her throat. The smell is
strong.)
DELKO: Ah, man.
JERRY: Yeah, no problem. Look, I'm ... going to go secure the tow.
(Delko looks at the body.)
DELKO: Bacteria's filled his body with rancid gas. Ah, guy's twice his normal
size.
DET. ADELL SEVILLA: Yeah, it's a trunk job. It could be a mob hit.
DELKO: Yeah, or drug related. We'll know more once we get him out.
DET. ADELL SEVILLA: Yeah, could you see if there's any more surprises in that
trunk?
DELKO: Yeah, we got to be really careful with these guys. It's really easy for
them to burst.
(The tow crane starts up and the car jerks.)
DELKO: Oh, whoa, Jerry, whoa!
(The car lurches and we hear a squishy sound. Hard to say whether the body
burst or what, but Delko drops the trunk hood and takes a step back away from
the car trying to get Jerry to stop moving the tow crane.)
DELKO: Oh, relax!
CUT TO:
[INT. CSI - LAB -- DAY]
(Calleigh is looking at the rope when a lab tech walks in with a book.)
LAB TECH (MAN): Okay, I think I might have it. Handcuff knot.
(He shows her the knot in the book.)
CALLEIGH: Military.
LAB TECH (MAN): Used to tie prisoners. (beat) And professors.
(Quick flash to: Camera close up of the rope tied around the body's wrists and
the knot used between them. The creaking sounds of rope tightening is heard.
End of flash. Resume to present.)
CALLEIGH: A hundred and ninety-one countries in the world, seven-eighths of
which have armed forces.
LAB TECH (MAN): Well, at least that narrows it.
CUT TO:
[INT. CSI - CRIME LAB/HALLWAY -- DAY]
(Speed walks through the lab when Horatio steps down from the stairs into the
lab.)
HORATIO: Speed, what have you got?
SPEEDLE: DNA results from the fabric at the tree. (He hands Horatio the lab
results.) The blood doesn't match the professor's. I don't know, maybe it's
our killer.
HORATIO: Or killers. We've got thirteen different types of wounds here.
(They exit the lab and walk through the hallway.)
SPEEDLE: That means thirteen different weapons.
HORATIO: Not yet identified. (Horatio hands a file folder to Speedle who looks
at it.) Take a look at these.
SPEEDLE: What is that, a tattoo?
(Speedle is looking at a photo of a red mark found on the victim's body.)
HORATIO: It's a contact burn; look closer.
(Camera close-up to the center of the burn wound.)
SPEEDLE: Streaming nuclei.
HORATIO: Those are micro-blisters normally associated with an electrical burn.
Now, I thought taser, but the marks are too large.
SPEEDLE: Maybe an electric baton?
HORATIO: Possibly.
SPEEDLE: What part of the body are we looking at?
HORATIO: Scrotal sack.
SPEEDLE: Thirteen weapons, thirteen wounds ... thirteen different killers?
HORATIO: It's the appropriate number for a cult, right?
(They walk out of camera frame.)
CUT TO:
[EXT. UNIVERSITY CAMPUS - SIDEWALK -- DAY]
(Horatio and Det. Bernstein interview Hernandez while walking along the sidewalk
on campus.)
DEAN HERNANDEZ: People's feelings for the professor ran pretty much hot or
cold. No in-betweens with that guy.
DET. BERNSTEIN: Start with his students.
DEAN HERNANDEZ: Loved him; thought he was a genius. Wish I could agree.
HORATIO: Okay, so that's where the cold came in.
DEAN HERNANDEZ: Look, I'm sorry to hear that Adam was murdered, but in a way,
I'm not surprised.
DET. BERNSTEIN: Why is that?
DEAN HERNANDEZ: The guy was a whack job.
(Quick flashback to: [CLASSROOM] Prof. Adam Metzger teaches a class.)
ADAM METZGER: Hatred is inherent. It is instinctual.
(End of flashback. Resume to present.)
DEAN HERNANDEZ: For every student that loved him, there were two parents and
another professor who couldn't stand him. He was as controversial as they come.
(Quick flashback to: [CLASSROOM] Prof. Adam Metzger teaches. On the monitor
on the wall is a large picture of the KKK.)
ADAM METZGER: Man is not man without hate.
(End of flashback. Resume to present.)
HORATIO: Tell me more about his extreme teaching methods.
DEAN HERNANDEZ: Sure, let's see. He came to class one day dressed as Hitler.
Wrote serial numbers on everyone's forearm. A couple of weeks ago he brought in
a grand dragon of the KKK and a Colombian prison interrogator to give guest
lectures.
(Quick flashback to: [CLASSROOM] Prof. Adam Metzger teaches a class. He
stands in front of the class in front of the photo projected onto the wall.)
ADAM METZGER: Pain moves us into the process of becoming whole ... healthy.
(End of flashback. Resume to present.)
DEAN HERNANDEZ: The other day I walked in he was showing some home movies.
Slaughter, torture, lynchings, you name it.
(Quick flashback to: [CLASSROOM] Prof. Adam Metzger teaches a class.)
ADAM METZGER: Pain is necessary. Pain is vital ... for survival.
(End of flashback. Resume to present.)
DET. BERNSTEIN: We're going to need to talk to his class.
DEAN HERNANDEZ: On the way there now.
(They stop walking. Horatio puts his sunglasses back on.)
HORATIO: One more question, Dean. How many students did the professor have?
DEAN HERNANDEZ: Thirteen. Why?
HORATIO: Thirteen.
CUT TO:
[INT. METZGER'S CLASS -- DAY]
(Horatio puts the swab on the table next to the other twelve swabs.)
HORATIO: I have a very interesting lesson plan for today, class. It's called
"How to take a DNA swab."
(Horatio turns and faces the classroom.)
HORATIO: So who's going to be first?
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI SCENES (STOCK) - DAY]
[INT. CSI - INTERVIEW ROOM -- DAY]
(Ned Sante is questioned by Horatio and Det. Bernstein.)
HORATIO: Ned Sante, you're here because we matched your DNA swab to a piece of
bloody fabric at the crime scene, and that three of your fellow students claimed
you threatened to kill the professor.
NED SANTE: I didn't want him dead, okay?
HORATIO: You just wanted to torture him.
NED SANTE: It's not like that at all. He was going to kill me. I mean, not
really. I'm so freaking confused! One minute, I ... hated him so much. Now I
see it was just all part of his lesson.
HORATIO: Part of his lesson? You mean hanging 101?
NED SANTE: It was a mock lynching.
(Quick flashback to: [NIGHT] A group pushes Ned Sante through the tall
overgrowth. They yell as they go.)
NED SANTE: No!
(End of flashback. Resume to present.)
NED SANTE: Metzger was making some point about normal people following social
norms.
HORATIO: You mean like the Stanford Experiments?
NED SANTE: My friends turned on me in, like, two seconds.
(Quick flashback to: [NIGHT])
ADAM METZGER: Strip him.
(The other students in the class grab at Ned Sante's clothes, ripping it off his
body. Ned screams in fear. We see that he's blindfolded. Adam Metzger stands
on the side holding onto a thick chain dangling from above. He smiles.)
(End of flashback. Resume to present.)
HORATIO: That sounds degrading. Did he treat other students badly?
NED SANTE: (swallows) His research papers won awards.
HORATIO: Ned, don't you think that a human being should have greater value than
a research paper?
(Ned nods and hangs his head.)
CUT TO:
[EXT. METZGER'S RESIDENCE - DAY]
(Horatio and Speedle carry their kits toward the home. They see the front door
open.)
HORATO: Hmm ... this is not good.
(They approach the door.)
HORATIO: Hello?
[INT. METZGER'S RESIDENCE - DAY - CONTINUOUS]
(Horatio peers into the open door and pushes it open. He sees a grad student
inside the office.)
HORATIO: Excuse me.
(She turns around. Horatio and Speedle step into the home.)
HORATIO: Excuse me, but what are you doing here?
TERESA: Oh ...
(The girl looks down and runs into the other room where the others are.)
(Horatio follows.)
HORATIO: Miss, miss ... you in the sweater.
(There are other students in the room.)
HORATIO: What are you guys doing here?
GINNY TAYLOR: He had an open-door policy. Plus, we all had keys.
HORATIO: Why didn't you mention this before?
GINNY TAYLOR: Our relationship with our professor is none of your business.
HORATIO: Okay. You want to tell me more about this open-door policy?
(Ginny glances back at the others in the room.)
GINNY TAYLOR: Sometimes he needed help typing up a paper.
TERESA: Sometimes we would take his laundry to the cleaners.
GINNY TAYLOR: We were all really close.
SHORT TIME CUT TO:
[INT. METZGER'S RESIDENCE - OFFICE - DAY]
(Horatio and Speedle look around Metzger's office. As Speedle closes the door,
Horatio stands in front of the cabinet where dozens of post-its hang.)
HORATIO: Listen to this:
(He pulls off a particular post-it and reads.)
HORATIO: "No man chooses evil because it is evil. He only mistakes it for
happiness." Wollstonecraft.
SPEEDLE: Why anyone needs to prove that evil exists is beyond me.
HORATIO: Took us six hundred years to classify slavery as evil.
SPEEDLE: Got a lot of paper here shredded for a pack rat.
(Horatio walks over to a large box tied up with chains.)
HORATIO: Maybe he's got an awful lot of secrets. You got the bolt cutters in
the truck?
SHORT TIME CUT:
(Speedle cuts the locks off the chains around the box. They open the box and
find the stash of torture devices.)
HORATIO: Nice. Very nice.
CUT TO:
[INT. CSI - FORENSICS LAB - DAY]
(Alexx speaks into the mike.)
ALEXX: Jade ... Honey, stop there and photograph.
(Down in the CAT scan room, Jade Horowitz, the technician, manipulates the body
on the table.)
(Quick close-up of the brain. CGI goes through the layers of skin and hair to
the skull beneath to show the fractured skull in an x-ray view.)
(End of flash. Resume to present.)
ALEXX: Circular fracture of the cranial vault.
DELKO: So his head hit something.
ALEXX: Or something hit his head.
CUT TO:
[INT. CSI -WAREHOUSE - DAY]
(Delko and Megan examine the car.)
DELKO: Adhesive tape ... something was here on the dash. This car was
stripped. Not of its parts, but, uh, emptied out.
MEGAN: This guy was traveling light, too. There's no wallet.
DELKO: Maybe I can get an ID from the VIN number.
MEGAN: You think he drove his own car to his death?
DELKO: No. I think somebody cracked his skull to knock him unconscious, shoved
him in the trunk, and then chauffeured him to a watery grave.
(Megan takes out the contents of the pockets.)
MEGAN: A wad of paper ... $1.50 and a car key.
(Delko takes note of the VIN number.)
(Megan puts the change in an envelope. She tries the key in the car. The
engine clicks.)
MEGAN: Oh ... this alters your theory, Delko. Whoever drove him to his watery
grave ...
DELKO: Handed him the keys first.
(Quick flash of: Someone handing someone else the car key. End of flash.
Resume to present.)
(Delko and Megan resume looking at the car.)
DELKO: Something happened at that canal.
(In the back of the trunk is a CD player with a CD on it. Megan reaches into
the trunk to take the CD out. She can't reach the player and steps into the
trunk to reach it. She grabs the CD and reads the title.)
MEGAN: Neil Diamond CD. Love songs.
DELKO: Oh, now we know why he was killed.
(Megan notes the nail marks on the inside of the trunk.)
MEGAN: He was alive in there.
(Quick flash to: [INT. TRUNK] Someone gasps as the trunk fills with water. He
yells and scratches the trunk door trying to get it open.)
(End of flash. Resume to present.)
(Delko's cell phone rings. He answers it.)
DELKO: Eric Delko. (pause) Yeah. Yeah, go ahead. (pause) Okay. All right,
thanks.
(He hangs up.)
DELKO: Autopsy concurs. Cerebral anoxia and ventricular tachycardia.
MEGAN: Death by drowning.
CUT TO:
[INT. CSI - LAB -- DAY]
(Horatio swabs the torture tools found in the box. He boxes the swab.)
[INT. CSI - HALLWAY - DAY]
(Horatio exits the lab. He sees Calleigh and calls out to her.)
HORATIO: I'm going to run the blood.
(Down the hallway, Calleigh pushes a tray with the tools and blocks on it down
the hallway toward the lab.)
CALLEIGH: I'm all over your toolmarks.
[INT. CSI - LAB - DAY]
(Calleigh stands in front of the board when Speedle walks into the lab.)
CALLEIGH: Sixty-two wounds and not one nicked bone or cartilage for a nice
toolmark.
SPEEDLE: An educated torturer. I guess you're going to have to settle for the
old wound comparison.
CALLEIGH: All right. Time to get medieval.
(Speedle leaves Calleigh.)
(Cut to:
VARIOUS SEQUENCES
(Calleigh tests the tools, front and back.)
(Speedle is in another lab and pulls out the paper shredded out from an evidence
bag. He spreads it out on the table and starts putting the papers together.)
(Various sequences of: Calleigh tests the tools one by one.)
(Various sequences of: Speedle continues to put the shredded pieces of paper
back together.)
CUT TO:
[INT. CSI - LAB - DAY]
(Horatio looks at the various photos up on the wall monitor. Calleigh studies
the photos of the markings found on the body.)
CALLEIGH: These tools don't match the wounds.
HORATIO: And worse than that, the blood on him is canine.
(Close-up of a photo of the spotted wounds on the body.)
HORATIO: So what in the hell dug into the professor?
CUT TO:
[INT. REED METAL WORKS -- WAREHOUSE -- DAY]
(Det. Adell Sevilla and Delko walk into the warehouse and approach someone
putting with a golf club, his back to them.)
DET. ADELL SEVILLA: Lorenzo Castanotto?
LORENZO CASTANOTTO: Call me Larry.
You guys found my car?
DELKO: Yeah, Larry, we found your car at the bottom of Snapper Creek Canal.
You know how it got there?
LORENZO CASTANOTTO: Somebody stole it. I already got paid by the insurance.
DET. ADELL SEVILLA: Did you give the thief your car key?
LORENZO CASTANOTTO: You found the car key?
DET. ADELL SEVILLA: Inside the pocket of the dead man stuffed in your trunk.
DELKO: Hey, we haven't ID'd him yet, but maybe you could help us out. Take a
look.
LORENZO CASTANOTTO: Yeah, sure.
DELKO: Be warned, he's a ... a little bloated.
(Delko holds out the photo. Lorenzo Castanotto looks at it and drops the
photo.)
LORENZO CASTANOTTO: Oh, my god.
DET. ADELL SEVILLA: What's the matter, Larry? You don't recognize him?
LORENZO CASTANOTTO: Uh-uh.
(Delko picks up the photo and sees the dashboard hula girl on the table. He
picks it up and checks under it. There's a tape marking on the bottom.)
(Quick flash to the tape on the car's dash. End of flash. Resume to present.)
DELKO: Mind if I take this, Larry?
LORENZO CASTANOTTO: No, you can't take my hula girl.
(Larry grabs the hula girl from Delko.)
DET. ADELL SEVILLA: That's all right. We'll come back with a warrant.
LORENZO CASTANOTTO: Knock yourself out.
DET. ADELL SEVILLA: See you later, Larry.
(She and Delko leave.)
CUT TO:
[EXT. REED METAL WORKS -- WAREHOUSE - DAY - CONTINUOUS]
DET. ADELL SEVILLA: Who removes a hula girl from their car right before it's
stolen?
DELKO: The same guy that smacked our vic on the head before he stuffed him in
the trunk.
DET. ADELL SEVILLA: That's right. Keep me posted.
(Det. Adell Sevilla heads for her car.)
DELKO: All right. Be safe.
(Delko heads for his.)
FADE TO:
[INT. CSI -- LAB]
(Close-up of the iron spikes of one of Metzger's torture tools. Camera pans
over the other tools on the table.)
DISSOLVE TO:
[INT. CSI - LAB]
(Horatio and Calleigh study the wounds found on the dog.)
HORATIO: Well, that looks like a match, doesn't it? Metzger tortured this dog,
didn't he?
CALLEIGH: And then someone tortured him.
(Calleigh puts one of the tools down on the table and picks up another tool.)
HORATIO: We need to figure out who this dog belongs to.
CALLEIGH: How?
HORATIO: Hang on a minute.
(Horatio finds something. He clicks on a hand-held machine and it whirrs.)
HORATIO: Oh, okay.
(He puts it down and picks up a tweezer from the tray next to him.)
HORATIO: Okay ...
(He digs into the side of the dog and finds something.)
HORATIO: Well, there you have it.
(EXTREME CLOSE-UP: Identification chip.)
HORATIO: An identification microchip.
CALLEIGH: Lojack for dogs.
HORATIO: Mm.
SHORT TIME CUT TO:
[INT. CSI - LAB]
(Horatio looks up the chip in the POWER TRACKER II, All Weather Extended Range
Multi Tag Reader.)
(The screens read:
[SCREEN 1]
Look up tags
Any of the following inputs will be understood for the tag AVID
.001.234.567
AVID .001.234.567
- 1234567
- 01234567
avid 001234567
avid 001 234 456
ENTER MICROCHIP NUMBER: 053 865 576
[SCREEN 2]
Owner's Name: Ginny Taylor D. Foster G.Sni-
Address: 1021 Laurence Street. Apt 16c
Miami FL, 33139 Phone: (305) 555 013-
(305) 555-0159
Pet Name: Fisher. Sex: M D.O.B. 1/26/96
Species: Dog Y Dalmation Black and White Spotted
Fav. Food: Bacon
Antirobe, anipry 30mg, amoxicillin, bor de vac
Fal o vac, Tresaderm
Veterinarian's Information
Dr. Deirdre Killelea
Killelea, Deirdre DVM 15 Cardinal Park Pueblo
(719) 555-0196 (719) 555-0182
Breeders Name: S. Clementine
Inplanters Details
Dr. J. Monahan
(Calleigh reads the name off the screen.)
CALLEIGH: Ginny Taylor.
HORATIO: Mm-hmm. So now, her relationship with the professor officially
becomes our business. Good.
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI SCENES (STOCK) -- DAY]
[INT. TAYLOR RESIDENCE - DAY]
(Horatio and Speedle question Ginny Taylor.)
GINNY TAYLOR: (crying) Fisher ran away like three weeks ago. I put up signs,
you know. I was just hoping that ... Oh, my god.
SPEEDLE: Do you have any idea how he got to the tree?
GINNY TAYLOR: No, I can't think of ...
HORATIO: Somebody tortured him.
GINNY TAYLOR: Tortured?
HORATIO: That's right, and weapons that we found in the Professor's house
matched to the dog's wounds.
GINNY TAYLOR: What are you saying? Professor Metzger ... killed Fisher?
SPEEDLE: His artifacts were under lock and key. So he was the only one who had
access.
HORATIO: Ginny, the professor had a very serious interest in human cruelty,
didn't he?
GINNY TAYLOR: The professor was a genius, okay? And he taught us ...
HORATIO: About hatred. Right?
GINNY TAYLOR: It's more than that. The professor proved to us that violence is
natural. Without it humanity would become ... unbalanced.
HORATIO: Ginny, was the professor hurting you?
GINNY TAYLOR: (crying) He ... he was ... (voice low) He once asked me to kiss
his shoes and I did.
(Horatio nods.)
HORATIO: Who killed him?
GINNY TAYLOR: I don't know.
CUT TO:
[INT. CSI - HALLWAY - DAY]
(Det. Adell Sevilla reports her findings to Delko.)
DET. ADELL SEVILLA: Dug through recent teletypes of local missing persons and I
found one guy that fits bloater boy's general height and coloring.
DELKO: Okay, and the mystery man is?
DET. ADELL SEVILLA: Doug Reid. Now, he lived with a girlfriend who reported
him missing after the car was stolen. We're trying to locate family members,
but in the meantime, the girlfriend is ...
(And right on cue, the elevator bell dings. The doors open and a woman steps
out into the hallway in front of them.)
DET. ADELL SEVILLA: Right on time.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Delko and Det. Adell Sevilla interview Caroline Lorente. She holds a photo of
Doug Reid, unbloated.)
CAROLINE LORENTE: That's the only picture I have left. I ripped up most of the
others.
DELKO: You were living together, right?
DET. ADELL SEVILLA: Caroline, how long were you with him?
CAROLINE LORENTE: (smiles) Really long ... Like three months. And he was so
romantic. You know that song, "Sweet Caroline"? By, um ...
DELKO: Neil Diamond.
CAROLINE LORENTE: Yeah. He used to sing that to me all the time, and we were
going to go to Aruba ... but when he left, I figured all my hints about
vacations must have freaked him out.
DELKO: What about enemies?
CAROLINE LORENTE: None. As far as I know.
DISSOLVE TO:
[INT. CSI - LAB]
(Delko sits in front of the computer with the photos of Doug Reid bloated and
unbloated on screen. Jade Horowitz stands nearby.)
JADE HOROWITZ: How's the autopsy photo I brought?
DELKO: It's not looking so good for an I.D.
(Jade walks around him.)
DELKO: Wait a second.
(Delko leans in.)
DELKO: Earplugs. I wonder if they're custom.
JADE HOROWITZ: Thank god for ears.
(He chuckles.)
DELKO: Pure cartilage.
JADE HOROWITZ: Only thing on a bloater that holds its shape.
DELKO: That's right.
(In the photo that Caroline brought, Doug is wearing his work uniform. Delko
enhances the patch on the overalls.)
DELKO: Hang on. Reed Metal Works? Reed Metal Works, that's Larry's place.
JADE HOROWITZ: Larry?
DELKO: Suffice it to say, Jade, the world just got really small.
CUT TO:
[INT. REED METAL WORKS - LOCKER ROOM -- ]
(Delko opens the locker and finds a container with some ear plugs inside.)
CUT TO:
[INT. CSI - FORENSICS LAB]
(Delko bursts into the lab waving the ziploc baggie with the ear plugs inside.
He finds Alexx writing in a file folder on her empty examining table.)
DELKO: Hey, I've got my glass slipper. Now where is my Cinderella?
ALEXX: Cremated yesterday.
DELKO: No, come on, you didn't do that to me.
ALEXX: Yeah.
DELKO: Please don't tell me you did that to me.
(Alexx puts a hand on Delko as she walks away.)
CUT TO:
[INT. CSI - A/V LAB]
(Delko snaps several photos of the ear plug. He sits at the computer and
digitizes the ear plug.)
(From the photo, he digitizes the victim's ear from the autopsy.)
(On the monitor, he fits the digitized ear plug into the digitized ear.)
(He smiles, satisfied.)
CUT TO:
[INT. CSI -- LAB]
(Calleigh walks into the hallway and finds Horatio.)
CALLEIGH: Hey.
HORATIO: Hey.
CALLEIGH: I tested for epithelials on the rope, and no go, but I did just
identify the rope itself. It's Guadua Augustifolia.
HORATIO: That's bamboo.
CALLEIGH: Bicolor variety, colombian bamboo.
HORATIO: Okay, well, the Dean did say the professor had interesting guest
lecturers, didn't he?
CALLEIGH: One of whom was a Colombian prison interrogator, which is just a
really nice way of saying "torturer."
HORATIO: Torture can be interesting. Let's bring him in.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Horatio, Calleigh and Det. Bernstein question the Columbian Interrogator.)
HORATIO: Tell me about your relationship with Metzger.
CALLEIGH: Señor barbosa, cuando fue la primera vez que usted contacto al
profesor? Que tipo de relacion tenia con el profesor?
COLUMBIAN INTERROGATOR: Usted es una muy buena estudiante, señorita.
HORATIO: She is not a student. She's a police officer, so I suggest you
answer her questions before you have to answer mine.
COLUMBIAN INTERROGATOR: We're all his students ... in one relationship or
another.
HORATIO: So you do speak english.
COLUMBIAN INTERROGATOR: The professor ... did he suffer? Was he left in a ...
humiliating position?
HORATIO: This is about power for someone like you. A narcissistic fantasy in
which you degrade somebody until they lose their identity and their soul.
(Quick flash of: [EXT. WOODS -- NIGHT] Prof Metzger is willingly bound and
being strung up.)
METZGER: (gasps) Higher.
(End of flash. Resume to present.)
COLUMBIAN INTERROGATOR: Abuse is more than power. It is ... intimacy. You'd
be surprised at how attached prisoners can get to their jailers ... their
teachers.
HORATIO: So you see yourself as a teacher, is that it?
COLUMBIAN INTERROGATOR: (chuckles) Teachers, parents, mentors. It is how they
start to view us.
HORATIO: That's true. But most of us, Señor, arrive at that position through
respect and not force.
COLUMBIAN INTERROGATOR: An intelligent assessment, lieutenant. It is not what
you do to people.
(He turns and looks directly at Calleigh.)
COLUMBIAN INTERROGATOR: It's what you get them to do for you.
HORATIO: Through pain?
COLUMBIAN INTERROGATOR: Mental skill, not weapons is your most important tool.
CALLEIGH: Yes, and it requires an enormous amount of mental ability to slice
someone up and tie them in a tree.
HORATIO: I would agree. I would ... agree.
(Horatio puts the photos on the table in front of the Columbian Interrogator.)
HORATIO: Take a look at those ... Señor. Are these an example of your skill?
(He looks at Horatio.)
COLUMBIAN INTERROGATOR: I'm really sorry to disappoint you, Lieutenant.
HORATIO: How's that?
(The Columbian Interrogator puts his completely useless right hand on the
table.)
COLUMBIAN INTERROGATOR: Yo soy inocente.
CUT TO:
[INT. CSI - LAB]
(Calleigh, Speedle and Horatio look at x-rays of the Columbian Interrogator's
right hand.)
CALLEIGH: The flexor tendons in his hand are severed. He couldn't even pick up
a pencil.
HORATIO: Let alone string a man up in a tree.
CALLEIGH: A gift to the new regime from the old, I suppose, courtesy of a
machete.
SPEEDLE: Torture the torturer. It makes sense.
(Horatio looks at the monitor with the camera view into the interview room.)
HORATIO: So he's not our killer.
(The Columbian Interrogator turns and looks directly at the camera back at
Horatio.)
HORATIO: Hmm.
(Horatio turns and leaves.)
CUT TO:
[INT. CSI -- LAB]
(Delko opens the refrigeration unit and takes out a small packet with the paper
inside. He starts opening it when Det. Adell Sevilla walks into the lab.)
DET. ADELL SEVILLA: Oye. How'd the hula girl match up?
DELKO: Dead on.
DET. ADELL SEVILLA: And speaking of the dead?
DELKO: Doug is indeed Doug.
(Delko hands the file photo to Adell. It's of the computerized ear and ear plug
match and of the real ear plug, Evidence Tag #680417-A.)
DET. ADELL SEVILLA: Okay. So what's that?
DELKO: A piece of paper Megan found in bloater boy ... Doug's pocket.
(He opens it.)
DET. ADELL SEVILLA: A travel brochure.
DELKO: Yeah, for Aruba. Doug wasn't gun-shy after all.
DET. ADELL SEVILLA: Mmm.
(Inside the brochure, there's another slip of paper.)
DET. ADELL SEVILLA: There's writing.
DELKO: And directions. (reads) "Take bus 15 to F.R."
DET. ADELL SEVILLA: F.R.? Flip it over.
DELKO: I don't know if I can without ripping it. I'll try. Let's see.
(Delko flips it over and finds a deposit ticket for:
Lorenzo Castanotto
8513 Trolley Way
Miami, FL 33193
account # 021000089 6084485111.)
DET. ADELL SEVILLA: Well, hello, Larry.
CUT TO:
[INT. CASTANOTTO RESIDENCE - NIGHT]
(Larry opens the door and finds Adell and Delko out on his porch.)
LORENZO CASTANOTTO: Officers. What can I do you for?
DET. ADELL SEVILLA: Well, you can start by answering a few more questions.
DELKO: Yeah, we identified the body in your trunk and it turns out he used to
work for Reed Metal Works, too.
(Larry steps away from the door. Adell and Delko step into the residence.)
DET. ADELL SEVILLA: We also found your name on a deposit slip inside the guy's
pocket.
LORENZO CASTANOTTO: I don't know what you're talking about.
DET. ADELL SEVILLA: Insurance fraud gets two to six.
DELKO: Murder's quite a bit more.
LORENZO CASTANOTTO: Okay, yes. Doug and I were going to make some money on my
car, but I did not kill the guy, I swear to god.
DET. ADELL SEVILLA: You got an alibi? Yeah. I was at the dog track, Flagstone
Ridge. I even paid with a credit card, you can check it out.
DELKO: That's handy. I swear, Doug was my friend. I would have no reason
whatsoever to kill the guy.
(Caroline Lorente walks in through the door. Suddenly, Larry doesn't look so
certain anymore. It’s obvious that he and Caroline know each other.)
DELKO: Is that right?
CUT TO:
[INT. CSI - LAB - NIGHT]
(Speedle is still working on the shredded pieces of paper. Horatio walks into
the lab.)
HORATIO: Hey. Go home. Get some rest.
SPEEDLE: I can't. (takes a deep breath) At this point I'm addicted.
HORATIO: What do you got?
SPEEDLE: (reads) "The experiments with the dog exceeded my expectations.
Standing under the tree taking notes I could feel my assistant breaking."
[From what we see, the piece of paper reads:
... twice more. Dominance was no longer the point. Subservience was.
The experiments with the dog exceeded my expectations. Standing under the
tree, taking notes, I could feel my assistant breaking. It was clearly too
much. And what's fascinating is that it took someone else's pain to finalize
the experiment. Sympathy can be a powerful weapon.
Whether the outcome of my deliberation will subsequently warrant any public
statement will be at the discretion of humanity. Though people discuss an
assortment of issues, the ethics of experimenting on humans ... ]
HORATIO: So maybe torturing the dog was designed to torture someone else.
(Quick flashback to: [NIGHT] Metzger's assistant writes in the notebook and
cries. In the background, we see Metzger working on the dog.)
(End of flashback. Resume to present.)
SPEEDLE: I actually felt sorry for this guy.
HORATIO: All right, so they all did things for him, but who was the assistant?
SPEEDLE: Maybe the person that shredded all these notes.
HORATIO: Or maybe whoever it was that typed them up in the first place.
SPEEDLE: Computer keyboard has at least twenty-six places.
HORATIO: Yes, for nervous hands to leave sweaty fingerprints.
FADE OUT.
FADE IN.
[EXT. VARIOUS MIAMI CITY SCENES (STOCK) - MORNING]
[INT. METZGER'S OFFICE - DAY]
(Calleigh dusts the keyboard.)
SPEEDLE: (o.s.) Maybe there are more torture items than in the closet.
HORATIO: There's no prints on the keyboard.
CALLEIGH: Everything's wiped down.
(Horatio, Calleigh and Speedle are back at Adam Metzger's home office going
through the things.)
(Horatio shines the flashlight on the desk's contents, over a "Cannibals"
magazine and various other items normally found on a desk - thumb tacks,
staplers, tape, staple remover. Horatio puts the flashlight down as he thinks.)
HORATIO: Okay, folks, this is what I think happened. I don't think the
assistant was wiping down for prints. I think the assistant was wiping down for
blood.
(Calleigh turns around and takes out the ALS from her kit. She sprays the
staple remover, pencil sharpener, tape dispenser, thumb tacks, ice pick -- and
finds that they're all positive for presence of blood.)
(Horatio picks up the ice pick and hands it to Calleigh.)
HORATIO: And there is the six-inch ice pick.
CALLEIGH: There's no way that's more than five inches.
HORATIO: Metzger's body must've caved under the thrust of it.
(Quick flash of: [CROSS SECTION OF THE SKIN ON THE BODY] The ice pick pierces
through a cross section of the skin, causing the skin to bunch up and depress
under the pressure.)
CALLEIGH: Leading naturally to an overestimate on the weapon.
SPEEDLE: Hey, you might want to take a look at this.
HORATIO: Okay.
(Speedle shows Horatio to the face impression on the copier glass.)
SPEEDLE: Maybe the retinal damage was caused by staring in the incandescent
light for a hundred copies.
HORATIO: Well, that would explain the Miami Snow blindness, wouldn't it?
CALLEIGH: I found Metzger's eye opener. Super glue
(Speedle closes the copier and makes a copy of the print impression left on the
glass. Horatio looks at the image.)
HORATIO: That ... is a death mask.
SPEEDLE: Too bad the killer didn't leave a picture of himself.
HORATIO: Or herself.
(Horatio notices something.)
HORATIO: Wait a minute. Shine your light right there.
(Caught on the edge of the copier are some fibers. Horatio picks it up.)
HORATIO: It's cotton. Who wears cotton sweaters in eighty degrees?
CUT TO:
[INT. TERESA'S ROOM -- DAY]
(The door opens.)
TERESA: Yes?
SPEEDLE: Hi, Teresa, I have a warrant for your taser.
TERESA: Taser?
SPEEDLE: Look, there's, uh, two ways we can do this.
(Teresa goes to her bag and removes the taser. She gives it to Speedle.)
SPEEDLE: Thanks.
(He tries it out against the door.)
SPEEDLE: Clever.
CUT TO:
[INT. CSI - LAB - DAY]
(Horatio walks into the lab. Delko sits at the computer working.)
HORATIO: Hey.
DELKO: Hey.
(Horatio sits down.)
HORATIO: So ... we got an accident reconstruction program.
DELKO: Yeah, but the two people who look guilty have air-tight alibis -- and
somehow, my vic got in his car and that car went in the river.
HORATIO: Okay.
DELKO: Now, the center of gravity is forward because of the engine and the
slope. But when I run the coefficient of friction, even with Doug in the trunk,
the car doesn't move.
HORATIO: What was the condition of the ground that night?
DELKO: I programmed it in as rocks and dirt.
HORATIO: Rocks and dirt.
(Delko nods.)
HORATIO: Wet or dry?
DELKO: I'll check the weather report.
HORATIO: Let's do that.
(Horatio pushes his chair away, stands up and leaves as Delko gets to work on
it.)
CUT TO:
[EXT. CANAL - DAY]
(Delko and Megan are back at the site.)
DELKO: There was a hard rain that night.
MEGAN: Love those computers, but it's always better to see the crime in
context.
DELKO: So, I'll be Doug, okay? So, my plan is to dump the car, I take my buck-
50, I hop on bus 15 back to Kendell, return the key to Larry, collect my money,
and purchase a vacation for my girlfriend.
MEGAN: So, he tries to dump the car, but ends up in the trunk instead. Let's
find out why.
DELKO: Okay. Um ...
(Delko gets behind the wheel and shifts the car into gear.)
DELKO: The car's in neutral ... and the emergency break is off. (He leaves the
car.) Mud slippage changes the coefficient of friction from point seven to
point three.
MEGAN: So you, Doug, get out of the car and is about to push it in.
DELKO: When I go to the trunk to open it. Why?
MEGAN: Neil Diamond.
(Delko chuckles.)
MEGAN: Hmm?
DELKO: You're right. You're right. I'm a hopeless romantic and I'm listening
to "Sweet Caroline" while I'm preparing to take a vacation with my own Caroline.
MEGAN: So ...
(The open the trunk.)
MEGAN: You open the trunk, but can't reach behind the cd changer.
DELKO: Okay, so I climb in ...
(Delko starts to climb into the trunk to reach for the CD.)
MEGAN: mm-hmm.
DELKO: And slip ...
MEGAN: Wait a minute.
(Megan sees something. Protruding out from the inside trunk hood is a thick
screw and bolt.)
MEGAN: (points) There's your blunt-force trauma right there.
(Quick flashback to: [NIGHT] It's raining. Doug gets out of the car. He puts
the car into gear preparing to push it into the canal. He opens the trunk. The
car slips forward a little.)
(Doug climbs into the trunk to reach for the CD. He slips on the muddy ground
hitting his head on the protruding screw. The trunk hook slams shut on him.)
(He groans. The car starts to roll forward. It falls front first into the
canal. The car quickly fells with water as it slips below the surface. Doug
pounds on the trunk hood trying to get out.)
(The car slips under the water. Doug drowns inside the trunk of the car.)
(End of flashback. Resume to present.)
DELKO: Things we do for love.
CUT TO:
[INT. CSI - INTERVIEW ROOM -- DAY]
(Horatio interviews Teresa. The camera records the interview. )
HORATIO: Metzger was a very demanding man, wasn't he, Teresa?
TERESA: Everyone thought he was a genius. They thought he was funny and
inspiring.
HORATIO: But he wasn't on a mission to torture them, was he?
TERESA: What do you mean?
HORATIO: I think you know. Over the course of the last year he broke you down.
He took a happy, healthy young woman and turned her into a destructive creature,
didn't he?
TERESA: (shakes her head) No.
HORATIO: No? Take a look at your arms.
(Teresa tugs her sweater sleeves down over her wrists. The movement is
telling.)
(Quick flashback to: [METZGER'S OFFICE] Prof Adam Metzger lights the blow
torch and heats up the points of the grappling hook. Teresa stands at the table
waiting for him.)
(End of flashback. Resume to present.)
TERESA: I respected him so much.
HORATIO: And that's what he depended on.
(Quick flashback to: [WOODS - NIGHT] As Teresa takes notes and cries, Adam
Metzger works on the dog. He stops and looks up at her noting her reaction.)
(End of flashback. Resume to present.)
HORATIO: He started with the dog.
TERESA: Who am I to correct a professor?
HORATIO: Teresa, we matched burn marks on the professor to your taser.
TERESA: Why would I do that?
(Quick flashback to: [METZGER'S OFFICE] Metzger holds Teresa's papers in his
hands. She sits at the desk as he yells at her.)
METZGER: This is what you call writing?! You're a mental defective, do you
understand me?! You've got no brains at all! You're a trust-fund-baby bimbo!
(Teresa snaps. She grabs the taser from her bag and zaps him.)
TERESA: Shut up! Shut up!
(Adam Metzger cries out and falls to the ground. Teresa grabs the ice pick and
stabs Metzger.)
TERESA: Huh? Am I a moron?!
(End of flashback. Resume to present.)
HORATIO: We have also matched his lacerations to the staple remover.
(Quick flashback to: [METZGER'S OFFICE] Teresa rips open Metzger's shirt and
stabs him with the ice pick again. She grabs the staple remover and hits him
with it. He cries out in agony.)
(She smashes his face down onto the wooden floors over and over again. She hits
him over and over again till the fight has gone completely out of Metzger.)
(She puts eye drops in his eyes sealing them open. She puts him face-down on
the copier machine and turns it on. She waits as she catches her breath.)
(End of flashback. Resume to present.)
HORATIO: So you walked him out to the woods, filled with anger and adrenaline,
and strung him up in the tree.
(Quick flashback to: [WOODS] Teresa pushes Metzger through the woods.)
TERESA: Come on! Take it off! Right now!
ADAM METZGER: Okay!
TERESA: I said strip!
(Metzger takes his pants off.)
TERESA: Get down. Get down!
(She pushes him down and ties him up.)
(She wraps the rope on the pulley and pulls Metzger high up into the air. She
grabs his clothes and runs leaving him dangling there.)
(End of flashback. Resume to present.)
HORATIO: I would imagine that the worst part for you was finding out that you'd
been an experiment all along.
TERESA: Had I known that I was a test, that he didn't mean all those things
that he said, I wouldn't have snapped. But I'm glad he's dead.
HORATIO: After six hours of torture, I bet he is, too.
FADE TO BLACK.
==========================
THE END
==========================
[Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group
at WGBH access.Wgbh.Org]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CSI: MIAMI
1X10: A HORRIBLE MIND
ORIGINAL AIR DATE ON CBS: 11/25/2002
TRANSCRIBED FROM DVD
Starring:
DAVID CARUSO as Horatio Caine
EMILY PROCTER as Calleigh Duquesne
ADAM RODRIGUEZ as Eric Delko
KHANDI ALEXANDER as Alexx Woods
with
RORY COCHRANE as Tim Speedle
and
KIM DELANEY as Megan Donner
Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN
Starring
WANDA DE JESUS as Det. Adell Sevilla
MICHAEL WHALEY as Det. Bernstein
LENNY VON DOHLEN as Professor (Adam) Metzger
VICKI DAVIS as Teresa
HEATHER McCOMB as Ginny Taylor
IAN REED KESLER as Ned Sante
PAOLO SEGANTI as Larry Castanotto
DIANE MIZOTA as Jade Horowitz
AARON D. SPEARS as Jerry (diver)
JESSE CORTI as
EDUARDO YANEZ as Columbian Interrogator
Music Composed by: GRAEME REVELL
Edited by MARK C. BALDWIN
Production Designer: CAROLS BARBOSA
Director of Photography: WALT LLOYD
Co-Producer: FRANK BALLOU
Co-Producer: BRUCE GOLIN
Co-Producer: LOIS JOHNSON
Co-Producer: STEVEN MAEDA
Consulting Producer: MARK ISRAEL
Consulting Producer: ELIZABETH DEVINE
Co-Executive Producer: LAURIE McCARTHY
Co-Executive Producer: DANNY CANNON
Co-Executive Producer: SAM STRANGIS
Executive Producer: JONATHAN LITTMAN
Executive Producer: NANCY MILLER
Written by ILDY MODROVICH & LAURENCE WALSH
Directed by GREG YAITANES
==========================
END CREDITS
==========================
Executive Producer: JERRY BRUCKHEIMER
Executive Producer: ANTHONY E. ZUIKER
Executive Producer: CAROL MENDELSOHN
Executive Producer: ANN DONAHUE
JERRY BRUCKHEIMER Television
Alliance Atlantis Productions Inc.
CBS Productions, Inc.
Co-Starring
DAMIAN PERKINS as Damon Wyatt
CHRISTINA SOUZA as Caroline Lorente
JOSH KEMBLE as Doug Reid
RANDY HUNTER JOHNSON as Safety Driver
Line Producer: JEAN HIGGINS
Associate Producer: GINA LAMAR
Casting by: RICK MILLIKAN, C.S.A.
Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER,
C.S.A.
Story Editor: GWENDOLYN PARKER
Unit Production Manager: JEAN HIGGINS
First Assistant Director: KEVIN WILLIAMS
Second Assistant Directors: NANCY P. TOWNSEND
Costume Designer: CYNTHIA BERGSTROM
Forensics Consultant: JOHN HAYNES
Production Sound Mixers: DONOVAN DEAR / JOHN COFFEE
Special Make-Up Effects: MATTHEW W. MUNGLE / ANGIE WELLS
Location Manager: MAC GORDON
Construction Coordinator: JOHN KERSEY
Script Supervisor: CLAUDIA YARMY / CARILINE DAVIS-DYER
Art Directors: TIM BEACH
Set Decorator: DANIELLE BERMAN
Key Grips: RANDY TAMBLING / DALE ALEXANDER
Stunt Coordinator: TIM DAVISON
Gaffer: RUSSEL CALDWELL
Transportation Coordinator: BOB CAWLEY
Special Effects Coordinator: FRANK CEGLIA
2ND 2ND Assistant Directors: ROBYN WILLEY
Property Master: SCOTT AMBROSE
2nd Unit: SCOTT LAUTANEN / MICHAEL PHIRMAN
Key Make-Up Artist: PEGGY TEAGUE
Ms. Delaney's Make-Up: STEPHANIE FOWLER
Key Hairstylist: YVONNE DE PATIS-KUPKA
Costume Supervisor: SUZANNE BANNITT-HAINES
Colorist: GARETH COOK
Supervising Sound Editor: MATTHEW SAWELSON
Music Supervisor: JASON ALEXANDER
Assistant Editor: MICHAEL FRIEDLANDER
Post Production Supervisor: MICKIE REUSTER
Loop Group: THE REEL TEAM
Dialogue Editor: TODD NIESEN
ADR Editor: RUTH ADELMAN
Sound Effects Editor: BRAD KATONA
Re-Recording Mixers: YURI REESE / BILL SMITH
Music Editor: ASHLEY REVELL
Visual Effects Supervisors: LARRY DETWILER / MARC LEIDY
Digital Effects by STARGATE DIGITAL
Computer Playback and Graphics by E=MC2
High Definition Post Production by ENCORE
Film Laboratories by FOTOKEM
Post Production Sound Provided by TODD STUDIOS
Filmed at EL SEGUNDO STUDIOS
"Won't Get Fooled Again"
by Pete Townshend
Performed by The Who
The persons and events portrayed in this film are fictitious. Any similarity to
actual persons, living or dead, or any events is unintentional.
(c) 2002 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc. All Rights
Reserved.
CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of
this program for the purposes of copyright and other laws.
Dated:09/14/2004~lky
http://www.webphilia.com/~anthology/wnp.htm