CHARMED
1X22: DÉJÀ VU ALL OVER AGAIN
PROD # 4398021
ORIGINAL AIR DATE ON WB: 05/26/1999
TRANSCRIBED FROM WB
Written by: BRAD KERN and CONSTANCE M. BURGE
Directed by: LES SHELDON
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LSV
==========================
DISCLAIMER:
==========================
"CHARMED", "The Charmed Ones" and other related entities are owned, (TM) and (c)
by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.)
and WB (AOL Time Warner Company). All Rights Reserved. This transcript was made
without their permission, approval, authorization or endorsement. For Fair Use,
for Entertainment and for Educational Purposes Only. Any reproduction,
duplication or distribution of this material in any form is expressly
prohibited. It is absolutely forbidden to use it for commercial gain.
CONDITIONS OF USE: (1) Do not alter the content of this file. (2) Leave the
headers/disclaimers intact because it lists all those who have made this
transcript possible for your enjoyment. (3) Provide a link back to the site
where this file originated: http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
==========================
SUMMARY: The sisters find themselves the victims of a time loop, reliving the
same day over and over again.
==========================
CHARMED
1X22: DÉJÀ VU ALL OVER AGAIN
==========================
FADE IN.
[EXT. APARTMENT BUILDING (STOCK) - NIGHT]
[INT. RODRIGUEZ'S APARTMENT -- NIGHT]
(Inspector Rodriguez sits at the table looking at photos. On the table are
various black-colored candles lit.)
(He stares at a photo of Prue standing in front of a mailbox. He puts the photo
down on the table and stares at the next photo of Piper checking her wrist
watch. He puts that photo down on the table and stares at the photo of Phoebe
looking at her watch.)
(The final photo is of the three girls sitting at a table in their
Conservatory.)
(The flames in the fireplace rise. Rodriguez looks up, his eyes widening as the
flames shoot out from the fireplace engulfing a tall figure in black robes. The
flames disappear leaving the tall figure standing in Rodriguez's living room.
He recognizes him immediately and kneels before the superior demon.)
RODRIGUEZ: Tempus. I never ...
(Tempus turns around and removes the hood from his cloak revealing himself to
Rodriguez.)
TEMPUS: ... expected to see me. Of course not. You were not worthy before
now. What is the name you are using here?
(He motions for Rodriguez to stand up. Rodriguez gets to his feet to answer the
question.)
RODRIGUEZ: Rodriguez.
TEMPUS: Ah, yes. I have been ... sent to you, Rodriguez, ... as a gift.
(He raises his arms with a flourish and the cloak falls to the floor at his
feet.)
RODRIGUEZ: Sent ... by who?
TEMPUS: I think you know who ... and why.
(Rodriguez steps forward, closer to Tempus.)
RODRIGUEZ: (boldly) I can defeat The Charmed Ones on my own. I don't need any
help.
TEMPUS: Really. What makes you think you have actually found The Charmed Ones?
(Tempus turns and walks over to the windows. Rodriguez follows.)
RODRIGUEZ: You kidding? After so many of my colleagues have mysteriously
vanished in San Francisco this year? There can only be one reason why. I posed
as a cop because I believed one was covering for them, and I was right. He was.
That's how I found them. But of course, you already know all that, don't you?
So that makes me so ... worthy now, right?
TEMPUS: Watch your tongue, Rodriguez, lest I split it for you. It's one thing
to have found The Charmed Ones. It's quite another to defeat them. As those
who have gone before you have already discovered. (Tempus glances down at his
pocket watch.) Tomorrow is Wednesday. I want you to get all three witches
together in one place by midnight. Then, give it your best shot. But if you
fail--
RODRIGUEZ: I will not fail.
TEMPUS: Well ... if you do ... I'll be there to help you learn by your
failures. Trust me. Now, how do you expect to get them together?
RODRIGUEZ: (shrugs and smirks) Trudeau.
DISSOLVE TO:
[EXT. STREET (STOCK) - MORNING]
(The paperboy riding his bicycle along the street waves to the driver of a red
convertible as they honk their horn at him. He takes the paper and tosses it
into the Halliwell Manor's yard. A dog barks in the distance.)
[TELEVISION]
(Close of a television set. The WEATHER GIRL is giving the current report.)
WEATHER GIRL: Good morning, San Francisco. Well, it looks like it's going to
be a beautiful Wednesday --
[INT. MANOR - KITCHEN - MORNING]
(Phoebe is on the telephone with Piper.)
PHOEBE: (to phone) Piper, what are you doing at Quake? It's eight o'clock in
the morning.
PRUE: (o.s.) Morning.
(Prue walks into the kitchen.)
PHOEBE: (to Prue) Morning. (to phone) All right. Yes, I'll be there in an
hour. Bye.
(Kit jumps onto the counter and paws at the pepper shaker.)
PRUE: You'll be where in an hour?
(Phoebe hears something hit the counter. She turns and sees Kit playing with
the pepper shaker on its side. Phoebe turns back to answer Prue's question.)
PHOEBE: Uhh ... Quake. Piper's doing that thing for the food network, and she
needs me to bring her another dress because she spilled marinara sauce all over
the one she's wearing.
PRUE: (smiles) Just stay out of my closet.
(Prue turns back to the newspaper.)
PHOEBE: Oh, don't worry. I don't think she'd want to ruin another one of
yours.
PRUE: (reading the paper) I don't believe this.
PHOEBE: I'm kidding. Don't have an aneurysm.
PRUE: No, I'm talking about the paper. Did you see the front page?
(Outside, a car horn beeps, tires screech and a car crashes into something.)
PRUE: Where did you park my car last night?
PHOEBE: In the driveway. I think.
WEATHER GIRL: (o.s.) ... If you're driving south to the san jose-los gatos
area, well, then ...
(Prue grabs the paper and rushes over to the window to check. Phoebe follows
her.)
[INT. MANOR - LIVING ROOM - MORNING - CONTINUOUS]
(Prue looks out the window and sees a jeep stopped in front of an overturned
garbage can on the road.)
PRUE: Mrs. Henderson's car.
PHOEBE: (relieved) Oh, thank god! I mean, that your car's in the driveway,
and I'm not in the doghouse. Is she ok?
PRUE: Yeah. Just a little fender-bender. No big deal.
(Prue turns away from the window.)
PRUE: Phoebe, Andy's in trouble.
PHOEBE: What? Why?
(Prue shows Phoebe the SAN FRANCISCO LEDGER. The Headline reads: INSPECTOR
SUSPECTED IN I.A. MURDER.)
PHOEBE: They think that he killed that Internal Affairs cop? No way.
PRUE: Maybe it's a setup to try and force him to reveal our secret.
PHOEBE: Let me see that.
(Phoebe holds out her hand for the newspaper. Prue hands it to her and Phoebe
gets a premonition when she touches the paper.)
(Quick flash of: [INT. MANOR - LIVING ROOM] Phoebe and Piper kneel next to
Andy who is dead on the floor. Phoebe reaches out and closes Andy's eyes. End
of premonition. Resume to present.)
PHOEBE: Oh, no.
PRUE: What is it?
PHOEBE: I saw ... Andy, Prue. He was dead.
FADE TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
[EXT. VARIOUS SAN FRANCISCO CITY (STOCK) - DAY]
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - SITTING ROOM -- DAY]
(Prue questions Phoebe about the premonition.)
PRUE: Now, you said you didn't see a demon or a warlock in your premonition,
right?
PHOEBE: No, but the way he was hurled across the room, there had to have been
one.
PRUE: This room, here?
PHOEBE: Right here, yeah.
PRUE: Ok, and you're positive that it was Andy?
PHOEBE: Prue!
PRUE: I just want to be sure, all right? This isn't just anybody that we're
talking about, you know.
PHOEBE: I know. And I care about him, too.
PRUE: I know you do. I'm sorry. Um ... all right, why don't fill in Piper and
I'm going to warn Andy.
PHOEBE: How? He said it was too risky for you to be seen with him.
PRUE: Yeah, well, I don't care. Let Internal Affairs find out that we're
witches. Andy's life is a lot more important.
PHOEBE: Ok, just please be careful. We don't know what kind of demon we're up
against here.
CUT TO:
[EXT. POLICE DEPARTMENT (STOCK) - DAY]
[INT. POLICE DEPARTMENT - ROOM 211 -- DAY]
(Darryl is in the room with Andy.)
DARRYL MORRIS: You ask me, I wouldn't be surprised if Rodriguez was the one who
whacked his own partner.
ANDY TRUDEAU: I.A. already cleared him.
DARRYL MORRIS: I.A. clearing I.A. Go figure.
ANDY TRUDEAU: Yeah.
(The door opens; Rodriguez walks into the room.)
RODRIGUEZ: What are you doing here, Morris?
DARRYL MORRIS: Backing my partner, Rodriguez. Something you wouldn't know
anything about.
RODRIGUEZ: This is just between him and me.
(Darryl glances at Andy who nods.)
ANDY TRUDEAU: It's ok, Darryl.
(Darryl leaves the room and closes the door behind him. Andy leans back in his
chair and puts his feet up on the desk, his ankles crossed.)
ANDY TRUDEAU: Just for the record ... I'm not saying anything without my lawyer
present.
RODRIGUEZ: You don't need a lawyer. Not if you're willing to help me.
ANDY TRUDEAU: You want me to help you? (Andy laughs.) What, you can't frame
me yourself, Rodriguez?
(Smiles at the humor.)
RODRIGUEZ: Look, Andy --
ANDY TRUDEAU: (interrupts) Oh, it's "Andy" now.
RODRIGUEZ: I don't think you had anything to do with my partner's murder.
That's right. But what I do think is completely off the record, and I think
you'll understand why.
(Rodriguez shows Andy a photo. We see Andy's reaction to the photo. He glances
at the photo and turns his head at the sight.)
RODRIGUEZ: It's my partner ... or, at least, what's left of him. No human
could've done that to him. I think he was killed by something ... supernatural,
and I think you can help me figure out who or what it is.
ANDY TRUDEAU: Really? What makes you think that?
RODRIGUEZ: Come on. I know all about those unsolved cases of yours, and I know
who's behind them, too -- who you've been covering for. It's very noble.
(chuckles) You must care about her very much to give up your career for her.
Prue Halliwell is a witch.
(Andy glances at Rodriguez.)
ANDY TRUDEAU: A witch, huh? You wait here. I'll go warn the Wizard of Oz.
(Andy gets to his feet. Rodriguez moves to stand in Andy's way. He gets into
Andy's face.)
RODRIGUEZ: I don't have time to screw around, Trudeau. I want you to arrange a
meeting between her and me. It has to be tonight. If she can help me find who
killed my partner, I'll drop all charges against you, and I won't tell anybody
about her. You think about it, but not too long.
(Rodriguez turns and leaves the room. Darryl walks back into the room.)
DARRYL MORRIS: You all right?
ANDY TRUDEAU: I'm not sure. I got to go see Prue.
(Andy grabs his jacket and puts it on.)
DARRYL MORRIS: That's funny. She called, said she had to see you, too.
(Andy turns and nods to Darryl. He heads out.)
CUT TO:
[CUCKOO CLOCK]
(Open on the cuckoo clock in a display window. The clock is at 11:45.)
[EXT. SYMPHONY OF TIME - SIDEWALK - DAY]
(Tempus stands in front of the Symphony of Time display window holding up the
newspaper. He glances sideways and sees Rodriguez approaching.)
(Rodriguez grabs a flower off the vendor as he walks by. Obviously in a good
mood, he smells the flower and makes his way toward Tempus.)
TEMPUS: Well?
RODRIGUEZ: I'm sure I made Trudeau suspicious of me. He'll go to Prue, she'll
have no choice but to meet with me.
TEMPUS: But you have to get all three of them together.
RODRIGUEZ: Trudeau cares about her. He won't let her risk meeting me alone.
He'll insist she have the Power of Three there with her. For protection.
TEMPUS: And you think you have the power to defeat them all?
RODRIGUEZ: You don't think I do, do you? (Tempus turns to look at Rodriguez.)
You think I'll fail.
TEMPUS: Time will tell.
CUT TO:
[EXT. QUAKE (STOCK) - DAY]
[INT. QUAKE - MAIN DINING ROOM -- DAY]
(Phoebe walks into Quake carrying the dry cleaning clothes. She looks around
for Piper.)
PIPER: (o.s.) Phoebe, over here.
(Phoebe turns and rushes over to Piper who stands with a cloth over her
shoulder.)
PIPER: Oh, thank god. The segment producer's going to be here any minute, and
I'm a complete and total wreck.
PHOEBE: Piper--
PIPER: I thought I was gonna have to pull a Celine Dion and wear my dress
backwards.
PHOEBE: Piper, you've got to listen to me. I had a premonition of Andy dying.
PIPER: What? When?
PHOEBE: This morning. Don't you check your voice mail? I called, said it was
important.
PIPER: Oh, no. Where's Prue?
PHOEBE: She's warning him. But in the meantime, we have to figure out who the
demon is.
JOANNE HERTZ: (o.s.) Piper?
(Piper turns to see Joanne Hertz walk into the room. Piper grabs Phoebe and
puts her strategically in front of her to cover the marinara stain.)
JOANNE HERTZ: Piper Halliwell? I would recognize you anywhere. You have not
changed one bit. You don't recognize me, do you? (Piper exchanges puzzled
looks with Phoebe.) It's Joanne! Joanne Hertz. Baker High, class of '92.
PIPER: Oh ... sure. Of course. Joanne. Well ... what are you doing here?
JOANNE HERTZ: I'm the segment producer.
PIPER: You're the segment producer. (to Phoebe) She's the segment producer.
PHOEBE: I heard.
PIPER: Heh ... wow! What A ... small world. I thought you moved to New York.
JOANNE HERTZ: I did. And that's where I met my fabulous husband who had this
crazy idea about starting this little cable show and putting me in charge of
everything, and here we are, the Food Network's most popular show. Talk about
dreams coming true! Anyway ... enough about me. What have you been doing?
(Piper's jaw drops. She waves her hand and freezes Joanne Hertz.)
PIPER: Ah.
PHOEBE: Why'd you do that?
PIPER: What am I supposed to say, that I'm a cash-strapped, single restaurant
manager who still lives in the same house I grew up in with my sisters?
PHOEBE: And the cat. Don't forget our cat.
PIPER: Phoebe, this isn't funny.
PHOEBE: Look, I don't know why you're getting so upset. She is a freak. I'm
sorry, but no one is that successful at age 26. Besides, you are successful.
You're talented, you're creative, and the Food Network is here to see you, not
me, not ... her. You. You feel better now?
PIPER: Very little.
PHOEBE: Good. Then unfreeze that bitch in heels. You've got a segment to
shoot, and we've got a demon to find.
CUT TO:
[EXT. PARK -- DAY]
(Andy and Prue meet in front of the swing.)
ANDY TRUDEAU: Has Phoebe ever been wrong about her premonitions before?
PRUE: No. But the good news is, every other time, we've been able to affect
the outcome. Stop the demon or warlock before ...
ANDY TRUDEAU: Before I get killed. Can I get that in writing?
PRUE: Andy, you just have to be extra careful until we figure out who this
demon is and why he's after you, ok?
(Andy's quiet and thoughtful.)
PRUE: Andy ... ?
ANDY TRUDEAU: I was just thinking. What if the demon is Rodriguez?
PRUE: Why would you say that?
ANDY TRUDEAU: He pulled me into the station house this morning. I thought he
was going to arrest me. What he really wanted was a meeting with you.
PRUE: Meet with me? Why?
ANDY TRUDEAU: Because he thinks his partner was killed by a supernatural being,
and somehow ... I don't know how, Prue. He knows you're a witch.
PRUE: How would he know that unless ...
ANDY TRUDEAU: Unless he's the demon.
(They're both quiet as this makes complete sense.)
PRUE: All right. Uh ... tell Rodriguez to meet me at the manor at six o'clock.
ANDY TRUDEAU: (shakes his head) It's too dangerous, Prue.
PRUE: I don't have a choice. If I don't meet with him, he'll frame you and try
and expose me.
ANDY TRUDEAU: But if he is a demon and it turns out to be a trap?
PRUE: I'll have Piper and Phoebe there to back me up. The Power of Three.
ANDY TRUDEAU: Plus one: Me.
PRUE: No. You can't be there, Andy. That's where you were in Phoebe's
premonition when, uh ... just ... promise me you'll stay away.
ANDY TRUDEAU: I can't do that, Prue.
PRUE: I mean it. Don't make me use my magic on you.
(Liking the wording of that, Andy smiles. Prue smiles back.)
PRUE: I don't want anything to happen to you, Andy. You know how much I still
care for you.
ANDY TRUDEAU: (nods) Okay. I promise.
CUT TO:
[EXT. HALLIWELL MANOR - STREET -- DAY]
(Rodriguez arrives and parks his car curbside.)
(Watching from across the street, Andy ducks down behind the steering wheel and
out of view.)
(Rodriguez exits his car and makes his way up the front walk. Andy watches as
he heads toward the front door. As he passes Kit, Kit lets out an angry growl.)
(Rodriguez turns and looks at Kit. Andy watches from his car.)
CUT TO:
[INT. MANOR - SITTING ROOM / MAIN HALL - DAY]
(Prue, Phoebe and Piper walk through the sitting room to the main hall.)
PRUE: All right. Let's go over the plan again.
PHOEBE: Yeah, let's, because I wanna know why I'm the one answering the door.
PRUE: 'Cause you're the one who knows martial arts, all right? That way if
Rodriguez shows up and tries something right off the bat, you can knock him
down.
PIPER: And then I can come in from the living room and freeze him.
PRUE: And I can come down the stairs and send him flying.
PHOEBE: Still feel like cannon fodder.
(The doorbell rings.)
PRUE: What time is it?
(Piper checks her watch.)
PIPER: Just before six.
(The doorbell rings several more times.)
PIPER: That's a little too anxious. That's not a good sign.
PHOEBE: Which means if he doesn't wanna kill Prue, he wants to date her.
PRUE: All right, come on. Let's get this day over with.
(Piper and Prue turn to take their positions. Phoebe heads for the front door.)
PHOEBE: Okay.
(The doorbell continues to ring.)
PHOEBE: All right, already!
(Phoebe opens the front door. Rodriguez shows Phoebe his badge.)
RODRIGUEZ: Inspector Rodriguez. I'm here to see Prue Halliwell.
(Phoebe turns her back on Rodriguez and heads into the house. Rodriguez steps
into the foyer and closes the door behind him.)
PHOEBE: Yeah, no kidding. Prue! Piper! Company!
(When Rodriguez turns around, his eyes are blood red. Phoebe turns around, sees
Rodriguez's eyes and gasps.)
(Rodriguez powers up an energy ball and throws it at Phoebe. It hits her point
blank in the chest. The impact throws her up and over the stairs where she hits
the far wall, smashing into the framed photos. She hits the floor and falls
down the stairs.)
(Piper steps out from the living room.)
PIPER: Phoebe!
(She sees Rodriguez and freezes him just as he throws a second energy ball at
Piper. The energy ball freezes mid-air.)
(Prue rushes down the stairs.)
PRUE: Phoebe!
(Prue sees Phoebe. She waves her hand and pushes the energy ball back into
Rodriguez. He unfreezes on impact and explodes.)
(Piper turns around to check on Phoebe.)
PIPER: Oh, my god.
(Prue runs down the stairs to check on Phoebe.)
PRUE: Oh, god. Phoebe.
PIPER: Prue, is she okay?
(Prue checks and doesn't find a pulse. She starts to cry.)
PRUE: She's dead.
PIPER: What?
(Piper grabs Phoebe and turns her over.)
PIPER: Phoebe. Phoebe!
(Prue cries. Piper sits back in shock.)
DISSOLVE TO:
[INT. RODRIGUEZ'S APARTMENT -- MIDNIGHT]
(Tempus holds an hour glass in the palm of his hand. He checks his watch: a
minute to midnight. He closes the watch and tips the hour glass over to allow
the sand to spill out into the palm of his hand. He sprinkles the sand into a
cauldron. The cauldron explodes with a cloud of white smoke.)
(Tempus puts the hour glass down on the counter near the window. Through the
glass looking out onto the San Francisco city, we see the sky go from dark back
to light.)
(In the middle of the living room in front of the fireplace, Rodriguez
reappears, his arms stretched up wide and screaming from the pain of the
vanquish.)
RODRIGUEZ: Aaahhh!
(He falls to his knees, panting from exhaustion. Tempus turns around to look at
Rodriguez.)
TEMPUS: Hurts to die, doesn't it? Especially at the hands of a witch.
RODRIGUEZ: Wait ... what happened? Where am I?
TEMPUS: Exactly where you were when you first met me. Time has been reset. Or
rather, I have reset time.
RODRIGUEZ: But they killed me.
TEMPUS: That was Wednesday night. This is Wednesday morning -- all over again.
This is why I have been sent to you, to keep resetting time until you learn from
your failures. Only you will carry with you the memory of what has happened
before. And each time you fail, you will learn more until ultimately you will
kill all of them.
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. STREET (STOCK) - MORNING]
(The paperboy riding his bicycle along the street waves to the driver of a red
convertible as they honk their horn at him. He takes the paper and tosses it
into the Halliwell Manor's yard. A dog barks in the distance.)
[TELEVISION]
(Close of a television set. The WEATHER GIRL is giving the current report.)
WEATHER GIRL: Good morning, San Francisco. Well, it looks like it's going to
be a beautiful Wednesday --
[IINT. MANOR - KITCHEN - MORNING]
(Phoebe is on the phone with Piper.)
PHOEBE: Piper, what are you doing at Quake this early? It's eight o'clock ...
in ... the morning.
(Phoebe hesitates as something feels strange. Prue walks into the kitchen.)
PRUE: Morning.
PHOEBE: (to Prue) Morning. (squints) Wait a minute.
(Phoebe turns around to look at Prue.)
(Phoebe hears something hit the counter. She turns and sees Kit playing with
the pepper shaker on its side.)
(Phoebe stops.)
PHOEBE: Whoa. I am freaking out. (to phone) Okay, I'll be there in an hour.
(Phoebe hangs up.)
PRUE: Be where in an hour?
(Phoebe doesn't answer the question immediately. Something really strange is
going on.)
PHOEBE: Okay, pinch me.
PRUE: What?
PHOEBE: No. I mean it. Pinch me. I wanna make sure I'm awake, because if I
am, I am having one killer deja vu.
PRUE: So it's just a deja vu. Everybody gets them.
PHOEBE: Not like this, they don't. (She walks over to Prue who is reading the
paper.) Look, Prue ... something weird is going on here.
PRUE: I don't believe this.
PHOEBE: Trust me, okay? This has happened before. Everything.
PRUE: I'm talking about the paper. Did you see the front page?
PHOEBE: See, like that. Right there. You said that before, I know it.
(Outside, a car horn beeps, tires screech and a car crashes into something.)
PHOEBE: Okay. And that just happened before, too.
PRUE: Where did you park my car, last night?
PHOEBE: In the driveway, and I told you that already the last time you asked
me.
(Prue takes the paper, stands and heads to the living room to check. Phoebe
rolls her eyes and sighs heavily.)
PHOEBE: I think I'm having an aneurysm.
(Phoebe follows Prue out the kitchen.)
[INT. MANOR - LIVING ROOM - MORNING - CONTINUOUS]
(Prue looks out the window and sees a jeep stopped in front of an overturned
garbage can on the road.)
PRUE: Mrs. Henderson's car. Just a little fender-bender. No big deal.
(Prue turns away from the window and looks at the newspaper.)
PHOEBE: Prue, I am not nuts. Ok, maybe just a little, but that's irrelevant
here.
PRUE: Phoebe, Andy's in trouble.
PHOEBE: What?
(Prue shows Phoebe the SAN FRANCISCO LEDGER. The Headline reads: INSPECTOR
SUSPECTED IN I.A. MURDER.)
PHOEBE: Let me see that.
(Phoebe holds out her hand for the newspaper. Prue hands it to her and Phoebe
gets a premonition when she touches the paper.)
(Quick flash of: [INT. MANOR - LIVING ROOM] Phoebe and Piper kneel next to
Andy who is dead on the floor. Phoebe reaches out and closes Andy's eyes. End
of premonition. Resume to present.)
PHOEBE: Now, that was a premonition which I've had before.
PRUE: Of what?
PHOEBE: Of Andy. Here. Being killed by a demon.
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. POLICE STATION (STOCK) - DAY]
[INT. POLICE DEPARTMENT - ROOM 211 -- DAY]
(The door opens and Rodriguez steps into the office. Darryl and Andy are
there.)
RODRIGUEZ: What the hell are you doing here?
DARRYL: I'm backing my partner. You got a problem with that?
RODRIGUEZ: Get out. (shouts) Now!
(Darryl slowly turns around. Andy, completely aware of Darryl puts a hand out
to stop him from lunging at Rodriguez.)
ANDY TRUDEAU: It's okay, Darryl. I got it.
(On his way out the door, Darryl glares at Rodriguez. Rodriguez continues to
stare at Andy. Darryl leaves. Rodriguez slams the door shut behind him.)
(Andy leans back in his chair and puts his legs up on the table, crossing them
at the ankles.)
ANDY TRUDEAU: Just for the record ... I'm not saying anything without my lawyer
present.
RODRIGUEZ: Forget your lawyer, Trudeau. I'm not screwing around this time.
ANDY TRUDEAU: This time? What are you talking about?
(Rodriguez gets into Andy's face.)
RODRIGUEZ: Bottom line ... I know my partner was killed by a supernatural
being. And I think Prue Halliwell can help me figure out who did it.
ANDY TRUDEAU: Really? Well, I'll just get the commissioner to signal Batman,
and then I'll get right on it.
(Andy smiles and stands up. Rodriguez pushes Andy back into his seat.)
RODRIGUEZ: You think I'm joking? I know everything, Trudeau. Everything,
including the fact that Prue Halliwell is a witch. Now, you're gonna arrange a
meeting with her tonight, you understand? Or else I'm gonna bust your ass and
expose hers.
(Rodriguez turns and leaves the office. Andy stands up just as Darryl walks
in.)
DARRYL MORRIS: What was that about?
ANDY TRUDEAU: I'm not sure.
(Andy turns and grabs his jacket. He walks out the office.)
CUT TO:
[CUCKOO CLOCK]
(Open on the cuckoo clock in a display window. The clock is at 11:45.)
[EXT. SYMPHONY OF TIME - SIDEWALK - DAY]
(Tempus stands in front of the Symphony of Time display window holding up the
newspaper. He glances sideways and sees Rodriguez approaching.)
(Rodriguez rips a flower off the vendor as he walks by. He's livid as he makes
his way toward Tempus, shredding the petals off the flower and furiously tossing
the mess to the sidewalk.)
TEMPUS: Well?
RODRIGUEZ: Trudeau will set the meet. But what I need to know is how to avoid
the pain of getting vanquished again.
TEMPUS: Depends on whether you learned enough to vanquish them first. What do
you remember?
RODRIGUEZ: Last time, I killed the youngest one Phoebe without a fight. But
then when I turned to kill Piper, I think she's the one who has the power to
freeze.
TEMPUS: Adjust. Simply anticipate where she's coming from earlier before she
has a chance to freeze you, then kill Prue.
(Tempus looks at Rodriguez and smirks. Rodriguez nods.)
CUT TO:
[EXT. QUAKE (STOCK) - DAY]
[INT. QUAKE - DINING ROOM -- DAY]
(Phoebe has already told Piper about her premonition.)
PIPER: Andy dies? Are you sure that's what you saw?
PHOEBE: Even worse, I know that I've had the same premonition before. I mean,
before I had it earlier today.
PIPER: You mean like yesterday.
PHOEBE: Yes. I mean ... no. It's not just the premonition that I've seen
before. It's everything. And don't tell me that it's just déjà vu because I
know that it's not.
PIPER: Okay, all right, then what is it?
JOANNE HERTZ: (o.s.) Piper?
(Piper turns to see Joanne Hertz walk into the room. Piper grabs Phoebe and
puts her strategically in front of her to cover the marinara stain.)
JOANNE HERTZ: Piper Halliwell. I would recognize you anywhere. You have not
changed one bit. (Piper shakes her head.) You don't recognize me, do you?
It's ...
PHOEBE: Joanne. Joanne ... Hertz. Right? I'm right, aren't I?
JOANNE HERTZ: I'm sorry. Have we met?
PHOEBE: Yes. I-I mean ... sort of ... before. Uh ... Baker High, Class of
'92 ... although I wasn't in that class.
PIPER: Oh, sure. Of course. Joanne! (puzzled) Phoebe, how did you ...
PHOEBE: (mumbles) That's what I've been trying to tell you. I think we're in
some funky time loop here.
PIPER: Phoebe...
PHOEBE: (whispers) Freeze her. I'll show you.
(Piper waves her hands and freezes Joanne Hertz.)
PHOEBE: Okay. Joanne here is the Food Network Segment Producer. She's about to
brag how she's happily married to some rich guy, how she's following her dreams,
how she's had a really bad nose job -- okay. Added the last part. But this is
all gonna make you feel like you're wasting your life away in comparison.
Unfreeze her. Go ahead. See for yourself.
(Piper unfreezes Joanne.)
PIPER: Are you the, uh, Segment Producer?
JOANNE HERTZ: Why, yes, I am.
(She chuckles.)
PIPER: Uh-huh. Following your dreams, are you? Happily married, stininkin'
rich?
JOANNE HERTZ: Well, I don't mean to brag, but -
(She waves her hand showing off her ring and laughs.)
PIPER: (groans) Oh, god.
(Piper freezes Joanne again.)
PIPER: All right, Phoebe, spill it.
PHOEBE: Okay. The best I could figure is some demon has cast a spell, and I'm
the only one who can sort of see it because my power lets me see things that
have happened in different times. Do you have a better explanation?
PIPER: No. All right, so if you're right, you think this has something to do
with Andy being killed?
PHOEBE: I don't know, but we're never gonna find who the demon is unless we get
to --
PIPER: Book of Shadows. I'm right behind you.
(Phoebe leaves. Piper follows her.)
CUT TO:
[EXT. PARK -- DAY]
(Andy and Prue meet in front of the swing.)
ANDY TRUDEAU: But if he is a demon and it turns out to be a trap ...
PRUE: Then I'll have Piper and Phoebe there to back me up. The Power of Three.
ANDY TRUDEAU: Plus one: Me.
(Prue's quiet.)
ANDY TRUDEAU: What is it?
PRUE: This seems a little familiar to me, that's all. Kind of like deja vu.
Never mind. Um ... Andy, you can't be at the meeting. In Phoebe's premonition,
that's where you were when -- just promise me that you'll stay away.
ANDY TRUDEAU: Prue, I can't do that.
PRUE: I mean it. Don't make me use my magic on you.
(Andy smiles.)
PRUE: And I don't want anything bad to happen to you. You know how much I
still love you.
ANDY TRUDEAU: No. I didn't.
(They hug each other.)
CUT TO:
[EXT. HALLIWELL MANOR - STREET -- DAY]
(Rodriguez arrives and parks his car curbside.)
(Watching from across the street, Andy ducks down behind the steering wheel and
out of view.)
(Rodriguez exits his car and makes his way up the front walk. Andy watches as
he heads toward the front door. As he passes Kit, Kit lets out an angry growl.)
(Rodriguez turns and looks at Kit. Andy watches from his car.)
CUT TO:
[INT. MANOR - MAIN HALL - DAY]
(Prue, Piper and Phoebe stand around the main hallway table looking down at the
open Book of Shadows.)
PIPER: Anything in there about time loops?
PHOEBE: There's a spell to accelerate time, but that's about it. I'm telling
you this is all part of his evil plan. I just haven't had enough time to figure
it out yet.
(The doorbell rings.)
PRUE: What time is it?
(Piper glances at her watch.)
PIPER: Just before six.
(The doorbell continues to ring. They look at each other before Phoebe moves
toward the door.)
PHOEBE: I'll get it.
(Piper and Prue leave to take up their positions. The doorbell continues to
ring.)
PHOEBE: All right, already!
(Phoebe heads to the door, but before she gets there, Rodriguez bursts into the
house. He powers up an energy ball and throws it point blank at Phoebe. It
hits her point blank in the chest. The impact throws her up and over the stairs
where she hits the far wall, smashing into the framed photos. She hits the
floor and falls down the stairs.)
(Piper steps out from the living room.)
PIPER: Phoebe!
(Rodriguez powers up another energy ball and throws it at Piper. He hits her
point blank in the chest. The impact throws her through the glass in the
conservatory doors.)
(Rodriguez turns to throw a third energy ball at Prue who is already descending
the stairs. She waves her hand and sends the energy ball back at Rodriguez. It
hits him in the chest and vanquishes him.)
(Prue rushes over to Phoebe and checks her.)
PRUE: Oh, god, no.
(She turns and scrambles over to check on Piper in the Conservatory.)
PRUE: Piper.
(Realizing that both her sisters are dead, Prue cries. She grabs Piper and
holds her.)
DISSOLVE TO:
[INT. RODRIGUEZ'S APARTMENT -- MIDNIGHT]
(Tempus checks hi watch: a minute to midnight.)
(Cut to: Tempus sprinkles the sand in his hand into a cauldron. The cauldron
explodes with a cloud of white smoke.)
(Tempus puts the hour glass down on the counter near the window. Through the
glass looking out onto the San Francisco city, we see the sky go from dark back
to light.)
(In the middle of the living room in front of the fireplace, Rodriguez
reappears, his arms stretched up wide and screaming from the pain of the
vanquish.)
RODRIGUEZ: Aaahhh! Son of a bitch!
(Tempus turns around to look at Rodriguez.)
TEMPUS: Failed again, I see.
RODRIGUEZ: Yeah, but I learned. This time I got two of them. Third time is
the charm.
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. STREET (STOCK) - MORNING]
(The paperboy riding his bicycle along the street waves to the driver of a red
convertible as they honk their horn at him. He takes the paper and tosses it
into the Halliwell Manor's yard. A dog barks in the distance.)
[TELEVISION]
(Close of a television set. The WEATHER GIRL is giving the current report.)
WEATHER GIRL: Good morning, San Francisco. Well, it looks like it's going to be
a beautiful Wednesday in the bay area -
[INT. MANOR - KITCHEN - MORNING]
(Phoebe is on the telephone with Piper as soon as she hears the WEATHER GIRL
with her report, Phoebe picks up the remote and turns the television set off.)
PHOEBE: (to phone) Don't tell me. I already know. You spilled marinara sauce
on your dress, right? Am I right? Think, Piper, think. Doesn't all of this
seem awfully familiar to you?
(Prue walks into the kitchen.)
PRUE: Morning.
PHOEBE: (to Prue) Freeze. (to phone) No, not you, Piper. (to Prue) Kit
knocks over pepper. Meows.
(Sure enough, Kit knocks over the pepper shaker and meows.)
PHOEBE: (to Prue) Hold that thought. (to phone) Piper you need to get home
as soon as you can . We've got major demon hunting to do. Oh, and if you run
into someone named Joanne from high school, just tell her to go stick it. I
will explain later. Just hurry.
(Phoebe hangs up and turns to look at Prue.)
PRUE: Okay. What's going on?
(Phoebe puts the phone down on the counter.)
PHOEBE: Quick. Follow me.
(Phoebe walks out of the kitchen and heads for the living room. With the
newspaper in her hand, Prue follows her.)
[INT. MANOR - LIVING ROOM - MORNING - CONTINUOUS]
(Phoebe heads over to the window. She pulls the curtain aside and lets Prue
look out to the street.)
PHOEBE: Five, 4, 3, 2, 1. Car honks ...
(Off screen, a car horn beeps ... )
PHOEBE: Skids...
( ... tires screech ... )
PHOEBE: Crashes.
( ... a car crashes.)
(Phoebe lets go of the curtain. Prue turns and looks at Phoebe.)
PHOEBE: Mrs. Henderson's car. Little fender bender. Good thing I parked your
car in the driveway last night, huh?
PRUE: How did you know that?
PHOEBE: Because this has all happened once before, Prue, maybe even more than
once. The day keeps repeating itself. I know it. And every time it happens, I
think I figure it out just little bit faster. It must be my power of
premonition.
(Thinks about it.)
PHOEBE: Premonition ... I'm supposed to be having a premonition right about
now.
PRUE: Supposed to? What do you mean?
(Phoebe glances and sees the newspaper in Prue's hand.)
PHOEBE: The paper. Look at the front page.
(Prue looks at the SAN FRANCISCO LEDGER and sees the headline: INSPECTOR
SUSPECTED IN ... )
PRUE: Andy.
PHOEBE: ... is in trouble. More than you know, Prue. If I touch that paper, I
will have a premonition, the same one that I've had before, where Andy gets
killed here ... by a demon. You have got to believe me.
PRUE: No, I believe you. The question is, what do we do about it?
PHOEBE: Well, you've got to go warn Andy. Keep him away from our house at all
costs. Meanwhile, I've gotta dig through the Book of Shadows, find a way to
vanquish this time demon before he can kill Andy.
(Prue nods.)
CUT TO:
[CUCKOO CLOCK]
(Open on the cuckoo clock in a display window. The clock is at 11:45. A gun
fires and the cuckoo clock in the display explodes.)
[EXT. SYMPHONY OF TIME - SIDEWALK - DAY]
(Rodriguez puts his gun away. He walks up to Tempus who is standing in front of
the Symphony of Time display window holding the newspaper.)
TEMPUS: You really shouldn't have done that. You shouldn't do anything
differently if you expect to succeed tonight.
RODRIGUEZ: (smugly) I will succeed tonight, old man. There'll be no more time
loops. This time I'll kill Prue first, and then the other two. And when they
die, they're gonna feel every ounce of pain they've given me, and then some.
CUT TO:
[EXT. QUAKE (STOCK) - DAY]
[INT. QUAKE - MAIN DINING ROOM -- DAY]
(Piper talks with Joanne.)
PIPER: Uh, Joanne, I'm so sorry, but I can't do the segment right now.
Something's happened. Something bad. I have to go.
JOANNE HERTZ: What, run out of marinara sauce? (She points to the stain on
Piper's blouse.) Kidding.
PIPER: Look, I know I don't have the flashy job or the flashy ring or the
flashy designer suit, but that doesn't make me less than you or anybody else.
And just because I may not have realized my dreams yet like you think you have
doesn't mean I won't find a way to do exactly that. And when I do, you can be
damn sure I'll be doing it with my own nose and not the one some discount doctor
gave me.
(Piper turns and leaves.)
CUT TO:
[EXT. PARK -- DAY]
(Andy and Prue meet in front of the swing.)
ANDY TRUDEAU: A time loop? You mean demons can actually do that sort of thing?
PRUE: None that I've ever seen before. But if it is a demon, it's the most
powerful one that we've ever come up against.
ANDY TRUDEAU: And he's going through all this just to kill me. No way, Prue.
If he's as powerful as you say, then he's got to be after you.
PRUE: Just let us handle this. Whatever you do, you have to promise me that
you'll stay away from the manor.
ANDY TRUDEAU: I can't promise you that, Prue. If you're right, and Rodriguez
is the demon, then it's a trap.
PRUE: Then I'll have Piper and Phoebe there to back me up, all right. The
Power of Three.
ANDY TRUDEAU: What if that's what he wants, all three of you together? What if
that's the reason he set the time loop?
PRUE: We'll just have to take our chances.
ANDY TRUDEAU: You could get killed, Prue.
PRUE: I mean it. This is not your fight. Don't make me use my magic on you.
(Andy doesn't smile.) Andy, I would die if anything happened to you. I love
you.
(Andy smiles.)
ANDY TRUDEAU: I love you, too, Prue.
(They hug each other.)
CUT TO:
[EXT. HALLIWELL MANOR - STREET -- DAY]
(Rodriguez arrives and parks his car curbside. California license plate
#E999004.)
(Across the street Andy watches.)
(Rodriguez exits his car and makes his way up the front walk. Andy watches as
he heads toward the front door. As he passes Kit, Kit lets out an angry growl.)
(Rodriguez turns and looks at Kit, his eyes are blood red. Kit growls. Andy
gasps when he sees Rodriguez's eyes. Kit jumps down from the fence and runs
away.)
ANDY TRUDEAU: Oh, my god. Prue.
(Andy opens the glove compartment and takes out his gun. He opens the car door
and gets out.)
CUT TO:
[INT. MANOR - MAIN HALL -- DAY]
(Prue, Phoebe and Piper stand around the main hall table. Phoebe reads out of
the Book of Shadows.)
PHOEBE: (reading) The Devil's Sorcerer Tempus. He can manipulate time any way
he chooses.
PIPER: Does it say how to vanquish him?
PHOEBE: Uhhh. Take him out of the time that he's in? Whatever that means.
(The front door bursts open as Rodriguez kicks the door open. Prue, Phoebe and
Piper looks up from the book and see Rodriguez power up an energy ball. He
throws it at Prue.)
(Piper pushes Prue out of the way and the energy ball passes harmlessly past
Phoebe where it hits the wall behind her.)
(Prue is knocked over backward and is rendered unconscious. Rodriguez steps
forward.)
(Andy opens the door and runs into the house.)
ANDY TRUDEAU: Nooo!
(Andy fires twice at Rodriguez and hits him in the shoulder. Rodriguez powers
up and energy ball and throws it at Andy.)
PHOEBE: Andy!
(The energy ball hits Andy. The impact sends Andy flying backward where he
crashes into the glass cabinet at the far end of the room. He falls to the
floor.)
(Phoebe looks over at Piper to gets to her feet and promptly freezes Rodriguez.)
PIPER: Are you okay?
PHOEBE: Yeah. Is Prue okay?
(Piper checks Prue.)
PIPER: She's out cold.
(Phoebe turns and looks over at Andy who is on the floor, unmoving.)
PHOEBE: Oh.
(Piper and Phoebe rush over to Andy. Piper checks for a pulse and doesn't find
any.)
PIPER: Oh, my god. He's dead.
(Phoebe reaches out and gently closes Andy's eyes.)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[INT. MANOR - MAIN HALL]
(It's 6:15 pm and the clock bell chimes. The camera swings around low and we
find Rodriguez tied securely to a chair. Piper sits near Prue who is still
knocked unconscious.)
(Phoebe paces and glares at Rodriguez.)
PHOEBE: The only reason you're still alive is because I haven't figured out how
to kill you yet.
RODRIGUEZ: (taunts) Go ahead. Kill me, witch. I don't care.
(Piper stands up and moves near Phoebe.)
PIPER: Phoebe, what are you doing?
PHOEBE: I'm trying to save Andy.
PIPER: Andy?
(She glances at the living room where Andy's body is. They've covered him with
a blue cloth.)
PIPER: You can't save him, Phoebe.
PHOEBE: No? We're in a time loop, aren't we? All we have to do is start this
day over and Andy lives. (Phoebe turns and glares at Rodriguez.) And I'm
willing to bet that his death somehow triggers the time loop.
RODRIGUEZ: I'm impressed. I was told you wouldn't know that.
PHOEBE: Really? Mm-hmm.
(Phoebe leans forward and looks closely at Rodriguez.)
PHOEBE: By who? Tempus? (He looks away.) Yeah, we know about him, too. And
we also know that you're not him, otherwise you would've restarted the day by
now. So where do we find him?
(Rodriguez looks at Phoebe.)
RODRIGUEZ: In your nightmares. Kill me. I dare you.
(Piper pulls Phoebe aside and away from Rodriguez.)
PIPER: Why is he so willing to let us kill him?
PHOEBE: Who cares? He dies, Andy lives. End of story.
PIPER: What if that's exactly his plan? To reset the day and he can kill us
all next.
RODRIGUEZ: It doesn't matter. The day's gonna reset itself anyway. There's
not a damn thing you can do to stop it.
PIPER: Shut up. Come on. We have to wake up Prue.
(Piper and Phoebe kneel down next to Prue.)
PHOEBE: Prue? Prue. Come on. We need your help, Prue.
ANDY: (v.o.) Prue. Prue. Come to me, Prue.
DISSOLVE TO:
[INT. PRUE'S SUBCONSCIOUS]
(Andy walks around a two-seat swing. Prue's sitting on the swing in a white
unknown place.)
PRUE: Andy? What's going on? Where are we?
(Andy looks around.)
ANDY: Not quite sure, really. I hoped I'd end up here, but not so soon. One
thing I do know, though, is that I'm staying. You're not.
PRUE: I don't understand.
(Andy sits next to Prue on the swing.)
ANDY: I broke my promise, Prue. I came to your house tonight. Turns out
Phoebe's premonition was one you couldn't stop, after all. Weren't supposed to
stop.
PRUE: (shakes her head) Wait a minute, Andy. No.
ANDY: It's ok, Prue, really. Trust me. This is my Destiny. I know that now.
Yours is to continue on. Everything happens for a reason, remember? You taught
me that.
PRUE: This isn't fair.
ANDY: You need to go back. You need to keep the time loop from being reset
again, or you and your sisters will be killed and I will have died in vain.
PRUE: I'll kill Rodriguez for this.
ANDY: No, you won't. You're not a murderer, Prue. You're a good person who
does good things.
PRUE: I don't wanna lose you.
ANDY: Don't worry. You won't.
(Andy leans forward and they kiss.)
ANDY: I'll always be there for you, Prue.
(Andy vanishes in a blur of white light.)
PHOEBE: (v.o.) Prue, come on, honey. Prue. Prue.
BLUR IN TO
[INT. MANOR - MAIN HALL]
(Prue regains consciousness. Piper and Phoebe help her up.)
PIPER: Prue, come on. Wake up, sweetie.
PHOEBE: Come on, honey.
PIPER: Come on. We need your help.
PHOEBE: Easy, easy, easy.
PIPER: Okay.
(Piper and Phoebe help Prue to her feet.)
PRUE: Where's Andy?
PHOEBE: Prue, something terrible has happened.
(Prue looks over at the living room and sees Andy's body.)
PRUE: Oh, my god.
PIPER: It all happened so fast, Prue. He ran in the door when Rodriguez
attacked. He was trying to save us.
(Prue takes a couple steps backward and they help her sit down on the hallway
seat.)
(Prue's eyes are glued to Andy. Her eyes shift and she looks at Rodriguez. Her
eyes harden.)
PRUE: And he'll succeed. Where's the Book of Shadows?
PHOEBE: Uh, it's right here.
(Phoebe stands and gets the Book. She takes it back to Prue.)
PHOEBE: Why?
PRUE: Where's the spell that you saw to accelerate time?
(Phoebe flips the page. Rodriguez starts to get nervous.)
RODRIGUEZ: What are you doing?
PHOEBE: There.
RODRIGUEZ: What's going on?
PIPER: We don't want to accelerate time. We want to reverse it.
PRUE: No, we don't. Trust me. The only chance that we have to get rid of
Tempus is to do this by breaking the time loop, ok?
PHOEBE: But if we break the time loop, we won't be able to save Andy.
PRUE: I know.
PIPER: Prue, are you sure?
PRUE: No, I'm not.
(They stand up. Prue looks at Rodriguez, then starts to read the spell.)
PRUE:
Winds of time, gather around.
Give me wings to speed my way.
RODRIGUEZ: Wait a minute.
PRUE:
Rush me on my journey forward.
Let tomorrow be today.
RODRIGUEZ: What's happening?
(All around them, something happens. They wait.)
(Prue looks at the clock and notices that the hands are rapidly moving forward.)
CUT TO:
[INT. RODRIGUEZ'S APARTMENT]
(Tempus stands at the window watching the city outside. The sky changes from
light to darkness.)
(Tempus looks around, then glances down at his pocket watch. The hands on his
watch move rapidly forward.)
(They suddenly stop at 12:01 a.m.)
(Tempus closes the watch and lets out a loud roar.)
TEMPUS: Nooooo!
(Flames engulf him as he is vanquished. The flames glide across the room toward
his robe where it vanishes along with the flames into the fireplace.)
CUT TO:
[INT. MANOR - MAIN HALL -- NIGHT]
(The grandfather clock chimes.)
PIPER: (o.s.) Prue ...
(Prue stares at Rodriguez. Her eyes shift over and she sees Andy's body on the
floor in the next room.)
PRUE: We'll just untie him, get him out of here.
PHOEBE: What?
PIPER: He'll kill us.
PRUE: No, he won't. He doesn't have the power to kill us, otherwise he
wouldn't have needed Tempus.
PHOEBE: I will not untie him, Prue.
(With a wave of her hand, the ropes binding Rodriguez fall away. The handcuffs
come off. Rodriguez glares at Prue as he slowly stands up.)
PRUE: Get out of here before I change my mind.
RODRIGUEZ: You stupid witch.
(Rodriguez turns and heads for the front door. Halfway there, he turns around,
his eyes blood-red. He powers up an energy ball and hurls it at Prue.)
(Prue raises her hand and reflects the energy ball back at Rodriguez where it
hits him square in the chest. Rodriguez yells as pulses of electricity course
through him. Finally, he explodes.)
PRUE: We may not be murderers, but we're no angels, either.
(Prue walks into the next room and kneels down next to Andy's body. Phoebe and
Piper watch as Prue cries. She leans forward and rests her head on his chest.)
(The camera slowly pulls away.)
DISSOLVE TO:
[EXT. CEMETERY -- DAY]
(Police cars, a couple of police officers on bikes and a couple of cars drive
away on the road to the cemetery.)
(Camera moves down and we see Phoebe, Darryl and Piper standing on the side.
Prue stands in front of the coffin and places a single red rose on the closed
casket. She wipes the tears away from her eyes with the palm of her hand.)
(Long shot of Prue standing in front of the casket as the others look on.)
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) -- DAY]
[INT. MANOR - KITCHEN - DAY]
(On the television morning program, the WEATHER GIRL gives the forecast.)
WEATHER GIRL: Good morning, San Francisco. Well, it looks like it's going to
be a gorgeous Monday morning here in the bay area.
(Phoebe picks up the remote and turns the television set off. She looks over at
Piper.)
PHOEBE: She really needs another schtick. That one's getting boring.
PIPER: Maybe she should hire Joanne Hertz, boost her ratings.
PHOEBE: Speaking of the she-devil herself, did you ever call to reschedule your
segment?
PIPER: No. I'm not going to.
PHOEBE: Why?
PIPER: I've decided to quit my job.
PHOEBE: (smiles) What?
PIPER: And actually, I owe it all to Joanne. She made me realize that somehow
I'd forgotten what my dreams were, still are. I always wanted to be a chef and
have my own restaurant, not manage one. It's a good job and the pay's okay, but
it's not my dream job.
PHOEBE: I think that's great. I really do. And don't worry. If you need any
help trolling the classifieds, I am an expert.
(Piper and Phoebe head out of the kitchen to find Prue.)
[EXT. MANOR - FRONT STEPS - DAY - CONTINUOUS]
(Prue sits on the front steps of the manor looking outside. The front door
opens. Piper and Phoebe walk out and join her.)
PIPER: Prue? You all right?
PRUE: Yeah. Actually, I am. Andy's been exonerated. (She shows them the
newspaper.) They're now looking for Rodriguez.
PIPER: Good luck.
PHOEBE: Hey, are you sure you're all right?
PRUE: Yeah. I was just thinking about all that we've been through since we
became witches.
PHOEBE: Hmm? Give you a headache?
PRUE: No. Actually, it gave me a good feeling. I mean, look, it's a hassle.
It can sometimes screw up our personal lives.
PIPER: Amen to that.
PRUE: And we do good things together. Helps offset the bad things.
PHOEBE: I'm going to really miss Andy.
PIPER: It's going to be very sad without him.
PRUE: Something tells me that he'll always be with us. (Prue glances back at
the front door.) We better get ready for work.
(Prue stands up. Piper brushes past Prue and Phoebe on her way back into the
house.)
PIPER: I'll tell her later.
PRUE: Tell me what?
PIPER: Nothing. It's not important.
(Phoebe follows Piper into the house.)
PHOEBE: Nothing. Nothing.
(Prue follows them into the house. She steps into the foyer and contemplates
the open door. With the flick of a finger, she telekinetically pushes the door
shut.)
FADE TO BLACK.
==========================
THE END
==========================
[Captioning made possible by spelling entertainment captioning performed by the
national captioning institute, inc.]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CHARMED
1X22: DÉJÀ VU ALL OVER AGAIN
PROD # 4398021
ORIGINAL AIR DATE ON WB: 05/26/1999
TRANSCRIBED FROM WB
Starring:
SHANNEN DOHERTY as Prudence "Prue" Halliwell
HOLLY MARIE COMBS as Piper Halliwell
and
ALYSSA MILANO as Phoebe Halliwell
T.W. KING as Andy Trudeau
DORIAN GREGORY as Darryl Morris
Created by CONSTANCE M. BURGE
Starring
CARLOS GOMEZ as Inspector Rodriguez
WENDY BENSON as Joanne Hertz
DAVID CARRADINE as Tempus
Consulting Producer: JONATHAN LEVIN
Consulting Producer: TONY BLAKE
Consulting Producer: PAUL JACKSON
Producer: SHERYL J. ANDERSON
Coordinating Producer: BETTY REARDON
Produced by: JON PARE
Supervising Producer: LES SHELDON
Executive Producer: BRAD KERN
Executive Producer: CONSTANCE M. BURGE
Written by BRAD KERN & CONSTANCE M. BURGE
Directed by LES SHELDON
==========================
END CREDITS
==========================
Executive Producer: AARON SPELLING
Executive Producer: E. DUKE VINCENT
Spelling Television (a subsidiary of Spelling Entertainment Group, Inc.
Spelling Television Inc., A Paramount / Viacom Company
WorldVision Enterprises Inc. (a subsidiary of Spelling Entertainment Group Inc.
- Not affiliated with World Vision International a Religious and Charitable
Organization),
Paramount, A Viacom Company
Executive Story Editor: JAVIER GRILLO-MARXUACH
Executive Story Editor: CHRIS LEVINSON
Executive Story Editor: ZACK ESTRIN
Story Editor: EDITHE SWENSEN
Associate Producer: PETER CHOMSKY
Co-Starring
NANCY O'DELL as Weatherperson
Music by: JAY GRUSKA
Casting by: VICTORIA HUFF, C.S.A.
Director of Photography: RICK GUNTER
Production Designer: DEAN MITZNER
Editor: DEREK BERLATSKY
Unit Production Manager: JON PARE
First Assistant Director: TOM BLANK
Key Second Assistant Director: TODD COVERT
Costume Designer: MOLLY HARRIS CAMPBELL
Camera Operator: JUD KEHL
First Assistant Camera: CRAIG ASATO
Chief Lighting Technician: THOMAS THATCHER
Assistant Chief Lighting Technician: BLAISE DAHLQUIST
Set Designer: CATE BANGS
Set Decorator: DONALD W. KRAFFT
Leadperson: ROCKY SLAYMAKER
Property Master: ROGER MONTESANO
Assistant Property Master: CHRISTY McGEACHY
Script Supervisor: SUZAN LOWITZ
Costume Supervisor: JAKE JACOBS
Key Make-Up Artist: KATHRYN MILES KELLY
Key Hairstylist: ENID ARIAS
Visual Effects Supervisor: STEPHEN LEBED
Sound Mixer: JAMES LARUE
Location Manager: BOB BOYLE
Transportation Coordinator: DAVE BASSETT
Production Coordinator: DIANA WEATHERILL
Post Production Coordinator: KRISTEN L. REARSON
Production Accountant: SHARON TAKSEL
Key Grip: DAVID DONOHO
Best Boy Grip: DAVID SALAMONE
Construction Coordinator: BILL HRNJAK
Stunt Coordinator: ERNIE ORSATTI
Special Effects Coordinator: RANDY CABRAL
Executive Associate: RENATE KAMER
Casting Associate: JEFFREY ROTH
Assistant to Constance Burge: AVIVA BARRACLOUGH
Assistant to Brad Kern: MAX JOFFE
Assistant to Les Sheldon: CHELE KNAPP
Assistant Editor: PAUL FONTAINE
Music Editor: NINO CENTURION
Supervising Sound Editor: MARK PETERSEN
Music Coordinator: CELEST RAY
Re-Recording Mixers: LARRY BENJAMIN / BRUCE MICHAELS / EDDIE GILROY
Film and Electronic Laboratory by: LASERPACIFIC MEDIA
Lenses and Panaflex Camera by: PANAVISION
Digital Sound Editing and Mixing: LASERPACIFIC MEDIA
Digital Visual Effects by: ENCORE VIDEO
Executive in Charge of Production: GAIL M. PATTERSON
Executive in Charge of Post-Production: KENNETH MILLER
This motion picture is protected under the laws of the United States and other
countries. Any unauthorized duplication, copying, distribution, exhibition or
use may result in civil liability and or criminal prosecution.
The places and characters depicted herein are entirely fictitious, and any
similarity to any real places or people is purely coincidental.
(c) 1999 by Spelling Television Inc., A Paramount / Viacom company. All rights
reserved.
Country of First Publication: United States of America
Spelling Television Inc., is the author of this film / motion picture for the
purpose of Article 15(2) of the Berne Convention and all National Laws giving
effect thereto.
AOL Keyword: The WB
TheWB.com
Dated:08/08/2004~lky
http://www.webphilia.com/~anthology/wnp.html