CHARMED
1X21: LOVE HURTS
PRODUCTION #4398020
ORIGINAL AIR DATE ON WB: 05/19/1999
TRANSCRIBED FROM WB
Written by: CHRIS LEVINSON, ZACH ESTRIN, and JAVIER GRILLO-MANXUACH
Directed by JAMES WHITMORE
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LSV
==========================
DISCLAIMER:
==========================
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by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.)
and WB (AOL Time Warner Company). All Rights Reserved. This transcript was made
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==========================
SUMMARY: Leo's secret is out and now the Charmed Ones must help him save an
innocent ... and his life as well.
==========================
CHARMED
1X21: LOVE HURTS
==========================
FADE IN.
[EXT. SAN FRANCISCO BRIDGE (STOCK) - DAY]
[EXT. FREDDY'S MINI-MART - SIDEWALK -- DAY]
(Scene opens on the FREDDY'S MINI-MART sign. DAISY carries a bag of groceries.
She nervously looks both ways before hurriedly crossing the street. She glances
behind her, then looks down as she makes her way to her car.)
(A car horn beeps. Daisy jumps and drops her bag of groceries, the glass
breaking as it hits the concrete curb.)
DAISY: Ohh!
(Daisy kneels and reaches for the bag and cuts her hand on the broken glass.)
DAISY: Ow! Damn it!
(She looks down at the bleeding cut on her hand. Behind her, we hear the
familiar sound of someone orbing in.)
LEO: (o.s.) It's all right, Daisy.
(Leo's hand breaks frame and touches Daisy on her shoulder. She turns and
stands up.)
DAISY: (relieved) Oh, Leo, thank god it's you. I have been so scared.
LEO: You just have to stay strong a little longer, and then you'll be safe.
DAISY: But he's out there, Leo. He's going to find me. I've seen what he can
do, his powers.
(Leo reaches for Daisy's hand. He holds his hand over her bleeding cut and
magically heals the wound. Daisy looks at Leo.)
DAISY: How did you do that? Who are you people?
LEO: You just have to trust me, Daisy.
DAISY: But why me, Leo? I still don't understand.
LEO: You have a very special future ahead of you. That's why I wanted you to
come to San Francisco. I have powerful friends here who can help you.
DAISY: Yeah. What if Alec finds me first?
LEO: He won't be able to. I made you invisible to him.
ALEC: (o.s.) Hello, Leo. (Daisy and Leo turn. They see Alec walking toward
them.) Been looking all over for you. I figured you could only be here for one
reason, hmm? (louder) Where are you, Daisy? I know you're close by.
(Alec looks around.)
LEO: It's ok, Daisy. He can't see you. Don't say a word, just leave quickly.
ALEC: Don't listen to him, sweetie. Don't do it.
(Daisy turns and runs.)
LEO: She's already gone, Aec.
ALEC: I love her, Leo, much like you love your little witch -- what's her name
... Piper?
LEO: Darklighter's aren't capable of love, Alec.
ALEC: This one is. I love Daisy, and you are keeping me from her. It was only
a couple of days ago, all I had to do was think about her and then, bang! I'd
be there with her, right there. Then suddenly she vanishes from my radar,
cloaked by a Whitelighter ... by you.
LEO: Well, if you know I cloaked her, then you also know that you won't find
her as long as I live.
ALEC: (sighs) Yes. Well, I have a solution for that.
(Alec turns and takes a couple of steps away from Leo. He holds out his hand
and a black crossbow appears. With one motion, he turns, raises the crossbow,
aims and fires a single arrow point black at Leo. The arrow pierces Leo's right
shoulder.)
LEO: Unh! Ah!
(Leo looks back at Alec. Alec grins smugly at him.)
(In pain, Leo turns and orbs out.)
(Alec put his crossbow down and smiles.)
CUT TO:
[EXT. HALLIWELL MANOR (STOCK) -- DAY]
[INT. MANOR - MAIN HALL - DAY]
(Phoebe and Prue walk down the stairs carrying the travel bags with them.)
PHOEBE: I can't believe you're wearing your bikini on the plane.
(They reach the main hall and put their bags down.)
PRUE: Time-saver. We have all of 48 hours in Cabo. The minute we land, I'm on
the beach getting all golden brown.
PHOEBE: I know, but you're making me look frumpy. It's like a sign of the
apocalypse.
PRUE: I practically had to beg the guy in accounting to lend us his condo.
There are no warlocks in sight, Andy finally found out our big secret. I'm
going to get crazy.
PHOEBE: It's about time. How long have I been after you to find some new male
blood, preferably tan and buff?
PRUE: Hmm ... with limited verbal skills.
PHOEBE: Hmm. And ...
PRUE/PHOEBE: (together) No strings attached.
PHOEBE: Stella, we are gettin' our groove back.
(They high five each other, deliberately missing.)
PHOEBE/PRUE: Whoo!
(There's a slight pause.)
PHOEBE: Okay, um ... so ... speaking of which, where's Piper?
(They both turn and head past the dining room and into the kitchen.)
PRUE: I think Piper's gonna be in a groove-free kind of mode for a while.
[INT. MANOR - KITCHEN - DAY - CONTINUOUS]
(Prue and Phoebe walk into the kitchen.)
PHOEBE: Oh, she's not seriously ...
PRUE: Taking a vacation from men. Yep. Afraid of falling in love again, I
think.
PHOEBE: So while we're partying all weekend, what is she going to be doing?
PRUE: I don't know. The last I checked, she was in the attic searching for a
suitcase to carry her books in.
PHOEBE: Books? What kind of books?
PRUE: The kind they make into Kevin Costner movies.
PHOEBE: (aghast) Oh, no. We've got to stop the insanity.
PRUE: Maybe we should just let her be. I mean, we're not the ones who fell in
love with a warlock, a ghost, a geographically undesirable handyman, and a very
dorky grad student.
PHOEBE: Maybe she's just in a slump. It happens. (Prue stares at Phoebe.)
All right, it happens to Piper a lot, but celibacy is not the answer.
PRUE: A couple of dates not picking up the check -- that's a slump. This is
more like a sucking void.
(From the attic, there's a loud, heavy-sounding thump and a crash.)
PIPER: (o.s.) Prue! Phoebe!
(Prue and Phoebe both head out of the kitchen.)
[INT. MANOR - HALLWAY TO ATTIC/ATTIC - DAY - CONTINUOUS]
(Prue and Phoebe walk into the attic. They both stop next to Piper who is
staring at something on the floor in front of her.)
(Leo is on the floor in front of them, grunting and writhing in pain from the
arrow in his shoulder.)
LEO: Oh.
PRUE: Leo?
(He grunts with pain.)
LEO: Um ... unh ...
(Prue, Piper and Phoebe stare at him in shock.)
SMASH CUT TO
END OF TEASER
ROLL TITLE CREDITS
FADE IN.
[EXT. VARIOUS SAN FRANCISCO (STOCK) -- DAY]
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - SECOND FLOOR BATHROOM - DAY]
(Prue bursts into the bathroom and scrambles to get the necessary supplies to
help Leo. She opens the drawer, grabs an empty wicker basket and starts dumping
bandages and other random supplies into it. She opens the cabinet under the
sink and grabs bottles and dumps it into the basket as well.)
PRUE: Oh, god.
(She opens the medicine cabinet and randomly adds more things to the wicker
basket.)
PRUE: Oh!
CUT TO:
[INT. MANOR - ATTIC - DAY -- CONTINUOUS]
(Phoebe and Piper help move Leo to the couch.)
PHOEBE: Careful.
PIPER: (angry) I am being careful. I can't believe you knew. (They put Leo
on the couch.) The fact that our handyman, the man I was dating, was
supernatural just happened to slip through your mind.
(Piper gets a pillow and puts that behind Leo.)
PHOEBE: There was no slipping, ok? I told you, but you didn't want to believe
me.
LEO: Piper, I wanted to ...
PIPER: But you didn't.
PHOEBE: Okay, we've got to get your legs up.
(Phoebe grabs Leo's legs and moves him.)
LEO: Don't worry about me. There's someone -- aah!
PHOEBE: We have to get the arrow out.
LEO: No. Don't touch it. It's tipped with poison.
PHOEBE: How are we supposed to pull it out if we can't touch it?
(Prue walks into the attic.)
PRUE: Well, you came to the right girl. Here. (She hands the wicker basket to
Phoebe.) (to Leo) You ready?
(He nods, bracing himself.)
(Using her powers, Prue raises her hand and pushes the arrow out through Leo's
shoulder.)
LEO: Unh! Ah! Ow!
(She flings the arrow clear across the attic where it hits a chest.)
LEO: (panting) Unh!
(Prue and Piper remove Leo's jacket.)
PRUE: Okay, I brought everything that I could find. I just didn't know what to
use on -- what is he again?
LEO: A Whitelighter.
PHOEBE: Yeah. They're sort of like -- you know how Peter Pan has tinker bell?
They're sort of like that, only minus the tutu and the wings. He guides
witches.
(Piper takes some gauze from Phoebe and puts it flat against Leo's wound.)
LEO: And future Whitelighters. That's why I came to you.
PIPER: (to Phoebe) You should have told me.
(Phoebe's momentarily flustered by the accusation.)
LEO: I should have told you. (Piper presses down hard on the gauze covering
the wound. Leo grunts with pain.) Ah!
PIPER: Oh, did that hurt? Good.
LEO: There's a woman -- Daisy. You have to protect her from the Darklighter.
PRUE: A Darklighter? Is that what shot you?
LEO: They, uh ... they seduce innocent women. Their goal is to create evil
through reproduction.
PHOEBE: Great. Generation 666.
LEO: Only he broke the rules. He, uh, he fell in love with one of his victim's
-- a human. (His eyes shift to Piper.) And she loved him back.
PIPER: Until she found out who he really was, right?
LEO: Look, Piper, you have every right to be mad at me --
PIPER: Thanks for the permission. I'll get some more gauze.
(Piper leaves the room.)
LEO: Now, please, you have to find daisy before he does, otherwise she won't be
able to do the good that she's destined to, and she won't be able to become a
Whitelighter.
PRUE: Ok, where is she?
LEO: I don't know. The last time I saw her, she was at a mini-mart in the
Castro, headed for her rental car. If he finds her first, he'll never let her
go, ever.
PRUE: Any tips on how to vanquish a Darklighter, in case we run into him?
LEO: No. Just -- just don't let him touch you. His power is in his hands, and
when he chooses to, he has the power to kill.
PRUE: And we have the Power of Three. All right, call the airline, cancel our
tickets. I'll call Andy, see if he can help me locate her, and Piper should --
PHOEBE: I'll talk to her. Someone's got to stay with Leo.
PRUE: Perfect.
CUT TO:
[EXT. POLICE STATION (STOCK) -- DAY]
DARRYL MORRIS: (v.o.) You enjoying this as much as I am?
[INT. POLICE DEPARTMENT - BULLPEN - DAY]
(Darryl and Andy sit at their desks facing each other. The silence between them
is thick. Andy's reading a file.)
ANDY: What's that?
DARRYL MORRIS: Oh, you know, the silent treatment, the cold shoulder.
(Andy puts down the file and glances behind him at the other detectives standing
at the far end of the office looking at them.)
ANDY: (sighs) I know. It's been a week since Internal Affairs has made a move.
What are they waiting for?
DARRYL MORRIS: I'm not talking about I.A. I'm talking about you and me.
ANDY: I got no problems.
DARRYL MORRIS: Yeah? That makes one of us. I.A.'s on our ass, and I still
don't know why, but I'm pretty damn sure you do. You feel like sharing?
(The telephone rings. Andy grabs it.)
ANDY: (to phone) Homicide. Trudeau.
INTERCUT WITH:
[INT. MANOR - LIVING ROOM - DAY]
PRUE: Andy, hi. I--
ANDY: (interrupts) Hey! Franklin, how are things in forensics?
(Darryl glances at Andy. At the mention of who Andy's talking to, Darryl's look
changes.)
PRUE: You can't talk.
ANDY: No, actually. Why don't you have it checked out by the FBI lab?
PRUE: Look, Andy, I really need your help. It's important. Quake?
(Andy glances at Darryl.)
ANDY: Ok. I'll be there.
(Andy hangs up. He stands up to grab his jacket.)
DARRYL MORRIS: (low voice) Franklin's wife had a baby girl yesterday. (Andy
realizes that he's busted.) Took a week off. Maternity ward? (Darryl stands
up and walks over to Andy.) You don't wanna tell me what's goin' on, fine.
Just don't lie to me, okay, partner?
(Andy fixes his tie. Without a word, he pats Darryl on the arm, turns and
leaves.)
(Darryl looks at the Internal Affairs Investigators standing in the office next
door. He closes the door on them.)
CUT TO:
[EXT. QUAKE (STOCK) - DAY]
[INT. QUAKE - MAIN DINING ROOM -- DAY]
(Prue and Andy sit at an isolated table at the back of the dining room.)
PRUE: Andy, what's going on?
ANDY: (quietly) Internal Affairs is looking into all my unsolved cases, all
the ones that involve the supernatural.
PRUE: All the cases that involve me. (She glances at the door.) Do you think
that they followed you here?
(He also glances around them.)
ANDY: I wouldn't put it past them.
PRUE: Andy, if we-- if I put you in this situation --
ANDY: I put me here, Prue.
PRUE: Yeah, but you had help. Can they force you to tell them?
ANDY: About you? (shakes his head) I won't. But we have to be careful about
being seen together. It has to look like we're still ... friends.
PRUE: Andy, we are still friends. We always will be.
ANDY: You sure I'm not just someone who's keeping your secret, Prue?
PRUE: You know me better than that. (smiles) I'm glad I told you. I am.
ANDY: So am I. Now when you need me, all you have to do is ask.
PRUE: Well, I am asking. I need to find someone. She's in danger, and I have
to get to her before he does.
ANDY: He? You know what? I don't need to know. Specifics always get me into
trouble. Where was the last place she was seen?
PRUE: Headed to her rental car outside a mini-mart.
ANDY: Well, we can get the security cameras from the mini-mart and surrounding
businesses, see if we can get the car's license plates, and see if it leads us
to where she's staying.
PRUE: Thanks.
(Andy smiles at Prue. She smiles back at him.)
CUT TO:
[INT. MANOR - ATTIC -- DAY]
(Phoebe walks into the attic carrying a tray of food. She heads over to Leo.)
PHOEBE: Leo, I brought you some food in case you're -- you do eat, right?
LEO: Yes, Phoebe, I eat. How's Piper?
(Phoebe puts the tray down near Leo.)
PHOEBE: Oh, you know, she's dealing. I mean, it's not every day that you find
out the guy you're seeing isn't human. Although in Piper's case --
LEO: I wish she didn't have to find out about me like this. (sighs) Being
with her broke the rules, but not being with her breaks my heart.
(Phoebe kneels down next to Leo.)
PHOEBE: You know, Leo, it's not like we rushed to tell you that we're witches.
I think Piper understands about those little secrets that we have to keep.
LEO: Any word on Daisy?
PHOEBE: Yes and no. Prue called. Andy thinks he found out where Daisy's
staying. They're on their way there now.
(Phoebe reaches out and gently removes Leo's bandage to check on the wound. He
flinches as she peels the tape off.)
PHOEBE: Ooh, I'm sorry. I'm sorry. Oh ...
(Phoebe takes the gauze off and looks at the wound. It doesn't look good.
LEO: It's ok. I know it's bad.
(Leo looks down at the wound.)
PHOEBE: Eh-heh ... I guess I need to work on my poker face a little bit, huh?
You know, Leo, didn't you tell me that Whitelighters have the ability to heal?
Why can't you just --
(Phoebe dabs at the wound with some cotton.)
LEO: No. My power is for others. I can't use it on myself.
(He starts coughing -- deep-chested coughs that worries Phoebe.)
PHOEBE: Uh, you know, we just -- we just gotta get you better. Then you and
Piper will have lots of time to talk about stuff, when you're well.
LEO: Phoebe, I'm not gonna get better.
PHOEBE: That's ridiculous, Leo. Of course you will. We just have to find
something in the book of shadows.
LEO: No. The Darklighter's poison, it can't be reversed.
(Leo takes a deep breath.)
LEO: It's meant to kill Whitelighters ... and that's what it's doing. It's
working its way through my system. It's just a matter of time.
PHOEBE: How much time?
LEO: Not much. I'm gonna die and there's nothing you can do about it. My
power is ebbing and, with it, my ability to cloak Daisy.
(Phoebe tears off another piece of tape.)
PHOEBE: We're gonna save you both, Leo.
CUT TO:
[INT. MANOR - KITCHEN - DAY -- CONTINUOUS]
(Piper flips through the Book of Shadows. Phoebe walks into the kitchen. She
looks down at her feet contemplating how she's going to talk with Piper about
Leo's condition.)
(Piper throws up her hands in frustration.)
PIPER: I have looked everywhere in this damn Book for something, anything to
help Leo and I can't. (She turns around and looks at Phoebe.) What's that
face? What's the matter?
PHOEBE: Leo's in pretty bad shape, Piper ... and he's getting worse.
PIPER: I know. That's why I need to find an ointment or a cure or something.
(Piper flips through the Book again. Phoebe sits down next to Piper and pulls
the Book away from her.)
PHOEBE: No, you need to listen. Uh ... this is really hard to say ... but I
think you need to hear it. I think that you need to learn to accept the
possibility that maybe we're not supposed to save Leo. Maybe he's not our
innocent. Maybe we're only meant to save Daisy.
(Phoebe grasps Piper's hand. Piper thinks about it for a moment.)
PIPER: We have to save him whether we're meant to or not.
(She grabs the Book of Shadows, stands and leaves the room.)
CUT TO:
[INT. MANOR - ATTIC - DAY -- CONTINUOUS]
(Camera slowly pushes in on Leo who is sleeping, his breath hitching as he
breathes.)
CUT TO:
[EXT. SENATOR HOTEL (STOCK) -- DAY]
[INT. SENATOR HOTEL - ROOM 354 - DAY]
(Daisy closes the door. She walks across the room and puts her grocery bag down
on the table. She turns and stops when sees the bouquet of daisies in a glass
vase on the television set.)
ALEC: (o.s.) I got you your favorite.
(Daisy gasps and turns around. Alec is standing in front of the door inside the
room.)
ALEC: I thought you'd be happy to see me. I miss this ... us.
DAISY: There is no us, Alec. Please, stop!
ALEC: Never. You're the one, Daisy. You're mine. Indian summer -- do you
remember that, Daisy, when it got so hot in the city, you could barely breathe,
and we sat out on your fire escape, taking turns rubbing ice cubes down each
other's necks ... backs ...
DAISY: Stop!
ALEC: That's when you first said you loved me.
ALEC: (in DAISY'S voice) "Forever, Alec, I'll love you forever."
(Daisy grabs the glass vase and throws it at Alec.)
DAISY: Ooh!
(The vase smashes against the wall.)
ALEC: Now is that any way to treat the man who loves you, hmm?
DAISY: You're not a man. You're not even human!
ALEC: Don't make me regret telling you who I really am. Don't you get it,
Daisy? I love you ... and now no one can stop us from being together. Think
about it. I found you. What do you think that means, hmm? (He reaches out and
touches Daisy's cheek with the tips of his fingers.) Yeah, that's right. I've
clipped Leo's wings and soon he will be gone so I can find you whenever I want.
(Someone knocks on the door.)
MANAGER: Hello! Manager! Everything ok in there?
ALEC: I win.
DAISY: No. You only win if I come willingly, and I never will.
ALEC: Then I'll never go away.
[INT. SENATOR HOTEL - HALLWAY OUTSIDE ROOM 354 - DAY -- CONTINUOUS]
(The Manager unlocks the door.)
MANAGER: Hey, I'm coming in!
[INT. SENATOR HOTEL - ROOM 354 - DAY -- CONTINUOUS]
DAISY: (screams) No! Don't!
(The door opens. Alec turns and heads for the door.)
MANAGER: I thought I-what --
(Alec grabs the Manager by his neck, choking him. He pulls the Manager into the
center of the room.)
ALEC: Nobody's gonna keep us apart now, Daisy!
DAISY: Please, stop!
(Alec's hand starts to glow red. The Manager yells as his face blisters.)
MANAGER: Gah-ah-ah!
(With Alec occupied, Daisy turns and climbs out of the open window. Alec drops
the Manager, his dead body falls to the floor with a thud.)
(Alec looks back and finds Daisy gone.)
ALEC: (shouts) You can't run from me!
PRUE: (o.s.) Daisy!
(Prue runs into the room from the hallway; Andy's close behind her. She stops
and sees Alec. She swings her arm and throws Alec up against the far wall. The
mirror on the wall breaks on impact as he smashes against it.)
ANDY: Oh, my...
(Andy watches in shock as Alec sits up and disappears in a cloud of black orbs
that zoom out the open window.)
ANDY: What the hell was that?
PRUE: Welcome to my world.
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - ATTIC -- DAY]
(Phoebe opens the attic door and walks inside where she finds Piper sitting on
the floor next to Leo with the Book of Shadows open.)
PHOEBE: Hey, Prue's home. She just --
PIPER:
What is mine is yours, what is yours is mine,
Let our powers cross the line--"
PHOEBE: (interrupting) I hear rhyming. What are you doing?
(Piper scrambles to her feet to face Phoebe.)
PIPER: Everything I can. Look, we know Leo can't heal himself, but maybe with
his powers, I can.
PHOEBE: What are you talking about?
PIPER: It's a Power-Switching Spell. If Leo and I exchange powers, then I'll
have the healing touch, and maybe I can fix him.
(Prue walks into the attic.)
PRUE: Hey, what's going on?
PHOEBE: Uh, you know, the usual -- made some coffee, read the newspaper, walked
in on Piper switching powers with Leo. You know.
PIPER: I have to save him, Prue.
PRUE: Okay ... is it safe?
PIPER: To tell you the truth, I don't really care. He's slipping away, and if
either one of you has a better idea, then I'm all ears. If not, then I'm
casting the spell, and I'd like to do it with the support of my sisters.
(Both Prue and Phoebe nod.)
PRUE: Cast away.
(Piper turns and kneels down on the floor in front of the Book. She reads off
the page to "Exchange Powers".)
PIPER: (reading)
What's mine is yours, what's yours is mine,
Let our powers cross the line,
I offer up my gift to share,
Switch the powers through the air."
(There is a swooshing sound.)
PHOEBE: Did it work?
PIPER: I don't know.
(Piper stands up just as Kit runs across the attic floor. She waves her hands
at Kit to freeze her, but the cat continues across the room.)
PIPER: I can't freeze.
PRUE: This is a good sign. The spell must have worked. Ok, that means Phoebe
and I --
(Prue turns and puts a hand on Phoebe's shoulder. Instantly, she has a
premonition.)
(Quick flash of: Kit is on the small table next to the lamp. The lamp suddenly
flies off the table, thrown magically against the attic wall where it shatters.
End of premonition. Resume to present.)
(Prue presses her fingertips to her temple.)
PRUE: Oh, god, I think I just had one of Phoebe's premonition thingies.
PHOEBE: Really? What did you see?
(Prue turns and looks around the attic for the table with the lamp on it. She
points.)
PRUE: That ... shattering.
(Piper turns to look at the table. Kit jumps onto the table. Thinking that Kit
causes the lamp to break, Phoebe raises her hand to shoo Kit off the table.)
PHOEBE: Kit, no!
(Kit meows. The lamp behind her is magically thrown up against the attic wall
where it shatters. Prue turns and looks at Phoebe.)
PHOEBE: Did I just do that?
PRUE: Uh ... uh-huh. And I saw it. (Phoebe and Prue turn and glare at Piper.)
So, ok, you're moving things, I'm having premonitions, and Piper can't freeze
anymore. Which means--
PIPER: Am I gonna get yelled at?
PRUE: It switched all of our powers?
PHOEBE: It's a supernatural Freaky Friday.
(The phone rings.)
PHOEBE: Oh, you know what? I'm gonna go get that, and I'm sure you guys will
have all of this worked out by the time I get back.
(Phoebe leaves the attic.)
PRUE: Ooh ...
(Piper turns to stand over Leo.)
PIPER: Okay ... I can do this. Now ... heal.
(She waves her hands. Nothing happens. She holds her hands over Leo. Still,
nothing happens.)
PIPER: Come on ... heal.
(She turns to Prue.)
PIPER: (frustrated) Why aren't these working?
(Prue steps forward and grabs Piper's hands.)
PRUE: Okay, okay, okay. Piper, relax. Remember when we first got our own
powers it took us a while to figure out how to trigger them?
PIPER: Well, I'm doing what I always do.
PRUE: Yes, but maybe you have to find his trigger, not yours.
(Phoebe returns.)
PHOEBE: Hey, that was Andy. A new charge came up on Daisy's credit card
report. She bought a bus ticket twenty minutes ago. She's running again.
PRUE: If she leaves town, we'll never be able to find her. Let's go.
(Prue heads for the attic door; Phoebe stops her.)
PHOEBE: Wait. We have to switch our powers back.
PIPER: Not until I heal Leo.
PRUE: Piper, we have to go get Daisy.
PIPER: (insistent) And I have to heal him. I'm not losing him again!
PRUE: Okay, you know what? You stay here. We have to find Daisy before the
Darklighter does. We'll just have to do it using each other's powers. Come on.
(Prue and Phoebe leave.)
CUT TO:
[EXT. POLICE DEPARTMENT (STOCK) - DAY]
ANDY: (v.o.) You want to see me?
[INT. POLICE DEPARTMENT - IA OFFICE (ROOM 211) -- DAY]
(Andy walks into the Internal Affairs office where Inspectors Rodriguez and
Anderson wait for him.)
ANDERSON: Sit down.
(Andy sits.)
RODRIGUEZ: You make a habit out of showing up at the scene before the crime is
reported, Inspector?
ANDY: (shrugs) I don't know what you're talking about.
ANDERSON: Motel Capri -- no one called the manager's murder in, Trudeau... not
until you did.
ANDY: I got a tip.
RODRIGUEZ: You're lying. Witnesses place you at the scene with a woman ...
"5'3" or 4 ... brunette ... attractive." Ring any bells?
ANDY: Last time I checked, I didn't have to reveal my informants to you,
Rodriguez.
RODRIGUEZ: Maybe not in a court of law, but last time I checked, we weren't in
one. This is an I.A. investigation. You don't have the same rights. (low
voice, in Andy's face) You have no idea how much I can hurt you.
ANDERSON: Just tell us who you're covering for, Inspector.
(After a long pause, Andy suddenly gets to his feet. Anderson also gets to his
feet. Andy puts up a calming hand as he reaches for his gun. He places the gun
and holster on the table in front of him. He takes his badge out ... )
ANDY: Screw you.
(He puts it on the table next to the gun, turns and leaves the office.)
CUT TO:
[EXT. BUS STATION (STOCK) - DAY]
[INT. BUS STATION - TERMINAL -- DAY]
(Daisy crosses the terminal heading toward the ticket counter.)
DAISY: Excuse me. Where can I find bus 24?
(The employee turns around to answer her: It's Alec.)
ALEC: I told you I'll always be there for you, Daisy.
(Daisy backs away from the ticket counter, terrified of seeing Alec there. As
she walks quickly across the terminal, she accidentally bumps into a traveler.)
DAISY: I'm sorry.
(The traveler turns around: It's Alec.)
ALEC: That's quite all right. I'm in no hurry. I've got forever. You care to
join me?
(Daisy backs away from Alec. She turns and looks up. Standing on the second
floor near the railing looking down at her is Alec.)
(Daisy runs.)
CUT TO:
[INT. BUS STATION - FRONT DOORS - DAY -- CONTINUOUS]
(The front doors open. Prue and Phoebe walk into the station. Prue is poking
Phoebe in her arm trying to annoy her.)
PRUE: Hmm?
PHOEBE: Ok, are you trying to piss me off?
PRUE: That's exactly what I'm trying to do, only it's not working.
PHOEBE: How do you know?
PRUE: 'Cause I don't see anything flying across the room. Look, you're gonna
need to know how to use my power in case the Darklighter shows up, remember?
When I first got my power, it was anger that triggered it, so I need to push
your buttons.
PHOEBE: Ok, it's not so easy to break me.
(They stop walking.)
PRUE: What was it in high school that the guys started calling you after they
caught you making out with someone under the bleachers?
PHOEBE: It's not gonna work.
PRUE: What was that? Oh, yeah. Freebie.
(Annoyed, Phoebe turns and the magazine rack next to her spins, the magazines
falling to the ground.)
PRUE: Well, class is over.
(Prue turns and looks around the terminal.)
PHOEBE: (mutters) Uh, you know, that was just a rumor, right?
(They both approach a blonde-haired woman sitting on one of the waiting seats.
They stop when they see that it's not Daisy.)
PHOEBE: Ok, now it's your turn. We need a premonition. Where's Daisy?
PRUE: Ooh, do I have to? The last time I got all woozy and-and ...
(Prue puts her hand on the back of an empty seat. Nothing happens.)
PHOEBE: Ok, you know, you guys take for granted that I'm your innocent yellow
pages. Ok, this takes work!
(Prue walks over to the ticket counter. She puts her hand on the counter.)
PRUE: It is useless, all right? I am never going to get -
(Quick flash of: [INT. BUS TERMINAL - BATHROOM - DAY] Daisy has her back to
the bathroom wall. She's looking at something off-camera, terrified by what she
sees. End of flash. Resume to present.)
PRUE: Oh ... Do your ears ring when you do that?
PHOEBE: (nods) What did you see?
PRUE: Oh, I can't be sure 'cause it went by so fast, but if I were playing
odds, I would say it was Daisy.
PHOEBE: Where is she?
PRUE: Bathroom.
CUT TO:
[INT. BUS TERMINAL - BATHROOM - DAY -- CONTINUOUS]
(Daisy stands in front of the bathroom sink putting some water on the back of
her neck and trying to calm herself down.)
DAISY: Okay. I'm gonna be okay. I can handle this.
(She turns the water off. She looks up and in the mirror's reflection, she sees
Alec. She turns around to get away from him, but he puts the heel of his shoe
up against the sink counter effectively trapping her.)
ALEC: You can't run from me, Daisy.
DAISY: Why won't you leave me alone?
(He reaches out and touches her cheek with the palm of his hand.)
ALEC: Because we can be happy together. We were once, remember? All you have
to do is come with me willingly.
DAISY: And what, watch while you kill more innocent people?
ALEC: You made me do that. That man would still be alive if you had just come
with me. That's all I ask, and the killing will stop. We can have eternity
together.
(He leans in to kiss her. She knees him in the groin. Alec doubles over in
pain.)
(Angry, he grabs Daisy by the neck. She gasps, her terrified gaze meets his.)
(Behind him, the bathroom door opens. He pushes Daisy away and turns to see
what caused the noise. Daisy stands up against the bathroom wall as Prue and
Phoebe face Alec.)
PRUE: I believe this is the ladies' room.
ALEC: And this is a private conversation.
(Alec holds out his hand to the side, a black crossbow appears in his grip.)
PRUE: Oh. Oh, Phoebe ...
(Phoebe raises her hand. The sink faucets turn on, soap spills out from the
dispensers.)
PHOEBE: Oops.
(Alec looks at the mess and laughs.)
PRUE: Ok, now would be a very good time to get angry.
ALEC: I've never used this on a witch before.
PRUE: Ooh, grandma's car, fender dented. You got blamed for it. I did it.
PHOEBE: Ohh!
(Phoebe waves her hand and Alec goes crashing into the bathroom stall door.)
PHOEBE: I got grounded for that, Prue!
(Prue rushes forward and picks up the crossbow from the bathroom floor. She
raises it to her shoulder and takes aim just as Alec scrambles to his feet.)
PRUE: I never used this on a Darklighter before.
(Prue fires. Alec orbs out. The arrow passes clear through the black orbs and
hits the bathroom wall.)
DAISY: Oh, god. Is he ...
PHOEBE: Daisy, Leo sent us. We have to take you to him. Come on. It's ok.
(Prue grabs Daisy's hand and they both lead her out of the bathroom.)
CUT TO:
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - ATTIC -- DAY]
(Piper is standing next to Leo who is lying on the sofa, his eyes closed. She
glances down at the palms of her hands in frustration, willing them to work.)
(She kneels down next to him and places her hands over his wounded shoulder.)
PIPER: Oh, god. Please work. Come on. Work.
(Nothing happens.)
(Leo's eyes open and he turns his head weakly toward her.)
LEO: When I die ...
PIPER: You're not gonna die.
LEO: When it happens ... know ... this is where I want to be.
(beat)
LEO: I love you.
(Distressed, Piper wraps her arms around Leo and rests her head on his chest.)
CUT TO:
[INT. MANOR - MAIN HALL - DAY -- CONTINUOUS]
(Open on a bouquet of flowers on the dining room table. In the back out of
focus, the front doors open. Daisy, Phoebe and Prue walk into the house. Daisy
sees the floral bouquet and groans.)
DAISY: Oh, God. He found me again.
PHOEBE: How do you know?
DAISY: That's what he does. He sends me flowers so I know he's watching.
(Phoebe checks the cards with the flowers.)
PHOEBE: No, honey. These are for Prue.
(She hands the card to Prue who reads it.)
PRUE: They're from Andy. He needs to see me right away.
PHOEBE: Something wrong with his phone?
PRUE: (shakes her head) It's a long story, but I can't leave you guys.
PHOEBE: No, Prue. We'll go up and check on Leo. And, you know, remember, I'm
the one with the active power now. Go.
PRUE: Are you sure?
PHOEBE: Yes. Absolutely. We'll be fine.
(Prue turns and heads back out of the house. Phoebe takes off her jacket.)
PHOEBE: (to Daisy) Let's go check on Leo.
CUT TO:
[INT. MANOR - ATTIC - DAY -- CONTINUOUS]
(The attic door opens. Phoebe and Daisy rush into the attic.)
PHOEBE: Piper, we found Daisy and--
(Phoebe stops in her tracks. In front of her, Piper is sitting on the floor
next to Leo, her arms are wrapped tightly around herself as she rocks back and
forth.)
PIPER: (crying) I tried.
(Phoebe goes over to Piper and kneels down next to her.)
PIPER: He's gone.
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. HALLIWELL MANOR (STOCK) - DAY]
PHOEBE: (v.o.) Daisy, I really don't think this is the best time for you to be
alone.
[INT. MANOR - MAIN HALL - DAY]
(Daisy runs down the stairs as she heads for the front door. Phoebe follows
her. She grabs her jacket.)
DAISY: Without Leo, it's just a matter of time before Alec finds me again. I
have to get away.
PHOEBE: No. My sisters and I can take care of Alec.
DAISY: I don't want you to try. Too many people are dead now because of me.
And now Leo.
PHOEBE: Honey, that's not your fault.
DAISY: It doesn't matter. When Alec finds me again, he's not gonna let you get
in the way, either. It's better off that I leave. Trust me. I have to go.
(Daisy turns toward the door.)
PIPER: (o.s.) Don't you dare.
(Phoebe and Daisy turn to find Piper headed toward them.)
PIPER: Leo gave up his life to bring you here. If you leave, Alec will find
you for sure, and Leo's death will mean nothing. (coldly) You're not going
anywhere.
(Piper turns and leaves.)
CUT TO:
[EXT. PARK - DAY]
(Andy sits on a two-seater swing hanging from the branch of a large tree.)
(Prue walks up to him and takes the seat next to him on the swing.)
PRUE: So I take it that we're not here for the same reason we used in high
school.
ANDY: Unfortunately, no.
PRUE: Makes me kind of wish for the good ol' days.
ANDY: We tried that already. Prue, I did everything I could to keep Internal
Affairs from finding out about you. There's not much more I can do after today.
PRUE: Why? What happened?
ANDY: I wouldn't tell them what they wanted to know. I turned in my shield.
Automatic suspension. I got to hand it to Rodriguez. He's a pit bull. But
when he connects you to all those unsolved cases, he's gonna put the heat on you
to get to me. And unless you're careful, he's gonna figure out that it's you
and your sisters that he really wants.
PRUE: You just got suspended, and you're telling me to watch my back?
ANDY: Until I.A.'s off my case, it's better if we're not even seen together.
You don't want them to connect the dots, believe me.
PRUE: I can't believe that you're worried about me when you're about to lose
everything you ever worked for.
ANDY: Well, every one of those unsolved cases that Rodriguez is tracking down
is an innocent life that you and your sisters helped to save. What you're doing
is the reason I became a cop. I guess that's how I do it.
PRUE: I'm sorry.
ANDY: No, don't be. Everything happens for a reason. Remember? You taught me
that.
(Prue leans forward and kisses Andy on the cheek.)
PRUE: Thanks.
(Prue stands up to leave.)
ANDY: Take care, Prue.
(Andy continues to sit on the swing.)
CUT TO:
[INT. MANOR - ATTIC - DAY]
(Piper stands near the attic door looking at Leo lying on the sofa. Phoebe
lingers in the attic doorway and joins her.)
PHOEBE: I thought you might like to talk.
PIPER: He could've stayed with us. He could've fought harder.
PHOEBE: He was in pain. He had to let go.
(Phoebe puts a hand on Piper's arm. Piper brushes it aside and steps away from
her.)
PIPER: (upset) He didn't have to. Our magic's never failed before. I cast
the spell. I took his power. All he had to do was show me how to do it, and he
never did.
PHOEBE: How can you be mad at him?
PIPER: Because it should've worked! Prue's having premonitions, and you
figured out how to use her power. Why couldn't I find the trigger? Why
couldn't he just tell me ... give me his power?
(Phoebe walks up to Piper.)
PHOEBE: He wanted to live. He didn't want to leave you. (She takes Piper's
hands.) It's all right to lose someone you love.
(Piper turns away and looks back at Leo. She puts a hand over her eyes as she
cries.)
CUT TO:
[EXT. HALLIWELL MANOR (STOCK) - EVENING]
[INT. MANOR - ATTIC - EVENING -- LATER]
(Piper sits next to Leo on the couch. Her breath hitches as she cries.)
PIPER: I love you, Leo.
(She puts a hand to her mouth and weeps.)
(A single tear falls on the back of her hand and glows. Piper watches as her
entire hand starts to glow.)
PIPER: I found it. Leo? I love you. Can you hear me?
(Piper lifts her hand and caresses Leo's temple. She places her healing hand on
Leo's chest.)
PIPER: I love you, Leo. Please hear me.
(Piper heals Leo. Leo opens his eyes and sees her.)
LEO: Piper.
(Leo sits up and hugs her.)
PIPER: (cries) Oh, thank god. Ohh! I tried so hard, and I couldn't make it
work before. Why didn't you tell me?
LEO: That love was the trigger? You had to find that out on your own. Why
couldn't you tell me?
PIPER: I don't know. I was afraid. I was afraid if I admitted how I really
felt that it would hurt more if I lost you. I'm so sorry. I should've said it
before.
LEO: It's better late than never.
(Piper laughs shakily and kisses him.)
CUT TO:
[INT. MANOR - MAIN HALL - DAY]
(Piper helps Leo down the stairs. Phoebe and Daisy rush up to them.)
PHOEBE: Leo! Oh, my god. How did you--
(Piper leaves Leo on the bottom of the stairs.)
PIPER: There's no time to explain.
LEO: You've been out of the cloak too long. Alec can find her.
PIPER: Where's Prue? We need to get her back here, and we need to find a spell
to vanquish Darklighter.
LEO: A Power of Three spell.
PHOEBE: Okay. I think she has her cell phone on her.
(Phoebe turns to pick up the phone. Alec orbs into the foyer. Phoebe looks up
and gasps.)
PHOEBE: No!
(She waves her hand and blows up the chandelier hanging from the ceiling behind
Alec. The chandelier crashes to the floor.)
(Alec steps forward and grabs Piper.)
ALEC: All right, no more tricks, ladies.
LEO: Let her go, Alec.
ALEC: I don't think so. I have what you love. You've got what I love. Care
to trade?
(Phoebe raises her hand to blast Alec, but he stops her.)
ALEC: Don't ... do that. (He raises his hand and it starts to glow red.) I
will kill her if I have to. You still think I'm incapable of love, Leo? You
wanna see how far I'm willing to go?
DAISY: Alec, no!
PIPER: Daisy, stay back!
ALEC: (to Piper) You shut up!
(The front door opens. Alec turns around and sees Prue just as surprised to
find him there. Alec's hand stops glowing.)
(He throws Piper off to the side into Phoebe, steps forward and grabs Daisy.)
LEO: No!
PRUE: Phoebe, stop him!
(Phoebe raises her hand, but it's too late. Alec orbs out with Daisy, their
orbs zooming out the front door. They're gone.)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. HALLIWELL MANOR (STOCK) - EVENING]
[INT. MANOR - SITTING ROOM -- EVENING]
(Phoebe and Prue sit on the couch watching Piper who is sitting cross-legged and
eyes closed in the middle of the floor. Leo is next to her, guiding her.)
PIPER: I can't do it.
LEO: Yes, you can. You have every one of my powers, including the power to
find Daisy.
PRUE: Leo, wouldn't it be faster for you guys to just switch your powers back?
LEO: No. I'm still too weak. It's up to Piper. (Piper takes a deep breath.)
Trust me, Piper, okay, look deep inside yourself. At peace. A place where you
find love.
PIPER: Wait. I can hear her.
LEO: All right, listen to it. Let her tell you where she is.
PIPER: She's ... screaming. She's afraid. He's pushing her past some trees.
LEO: Can you recognize the place? Can you tell where they're at?
PIPER: Heroes' Grove. Golden Gate Park.
PRUE: Let's go.
(They get to their feet.)
PIPER: Um ... what about Leo?
(Piper turns to help Leo to his feet.)
LEO: I'm fine. Save Daisy.
PRUE: Yeah. Piper, we really sort of need the Power of Three to do this.
PHOEBE: Actually, I don't think we do. I think there's a better way. Piper,
you stay with Leo. Prue, you drive. I'll talk.
(Phoebe and Prue leave.)
CUT TO:
[EXT. HEROES' GROVE, GOLDEN GATE PARK -- NIGHT]
(Through the thick dense night's fog, we hear Daisy's protests.)
DAISY: Why are you taking me here?
(Out through the shrubbery, Alec walks into the clearing, his firm hold on Daisy
pulling her along behind him.)
ALEC: You could've been my mate, Daisy! My equal!
DAISY: I don't understand.
ALEC: And now you've made this place your deathbed. It's your own fault that
you won't live.
DAISY: No, Alec. Please don't kill me. If you ever loved me --
ALEC: If I ever loved you, what?! You think I could just get over you, move
on, find somebody else? (He throws her to the ground. The rocks behind her
burst into flames.) You're the only woman I've ever loved, Daisy, and now I'm
the last man that you'll ever leave.
(He kneels over her and grabs her by her shoulders. His left hand glows red as
he brings it dangerously close to her face.)
PRUE: (o.s.) Let her go!
(Alec stops and looks up. He sees Prue and Phoebe running toward them.)
ALEC: She's mine!
PHOEBE: You son of a ...
(Phoebe motions with her hand and tosses Alec through the air up and away from
Daisy. He hits the ground hard.)
PHOEBE: Do it, Prue, now!
(Phoebe uses her fingers and plugs her ears as Prue starts to recite the spell.)
PRUE:
What's mine is yours. What's yours is mine.
Let our powers cross the line.
(Alec gets to his feet and glares at them.)
ALEC: You really should stay out of this.
(He raises his hand and it glows red.)
PRUE:
I offer up this gift to share.
Switch our powers through the air.
(Alec's hand stops glowing. He looks at his hand.)
ALEC: What? Where's my power?
(Prue looks down at her glowing red hand.)
PRUE: It's hate. Hate is his trigger.
(With Daisy safely standing behind her, Phoebe offers up encouragement to Prue.)
PHOEBE: Then hate him.
PRUE: No problem.
(Prue holds out her hand in front of her, palm outward.)
PRUE: Bring him to me, Phoebe.
(Phoebe motions and Alec is magically pulled the distance toward Prue's hand.
Finally her hand rests on his chest and burns him as he screams in pain.)
(Alec falls back to the ground. Prue kneels beside him to finish the vanquish.)
(As his body burns under Prue's glowing red hand, she quickly recites the spell
to exchange powers.)
PRUE:
What's mine is yours. What's yours is mine.
Let our powers cross the line.
(Alec's body burns out.)
(Prue pulls back. Daisy steps forward and kneels down next to Prue.)
DAISY: He's gone. You did it.
PHOEBE: You okay?
PRUE: (shaken) I can't believe how much hate that took. I never want to feel
like that again.
(Prue gets to her feet.)
DAISY: You just gave me my life back.
PHOEBE: (hesitant) You know, when we get home, you're gonna give me my power
back, right?
(Prue turns to look at Phoebe. They both smile.)
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR -- ATTIC]
(Piper and Leo are on the couch in the attic holding each other.)
PIPER: I almost wish I didn't give you your powers back and you wouldn't be
able to leave.
LEO: Me, too.
PIPER: So if Daisy's a Whitelighter-to-be, doesn't that mean that you used to
be ...
LEO: Human? Yes, it does. I was actually born right here in San Francisco. I
had lived here all the way up till I went off to the war.
PIPER: You mean, like Vietnam?
LEO: No. World war II. I left med school and enlisted as a medic. And I
wanted to help save people, not shoot them. The last thing I remember, I was
bandaging a soldier's head wound, and I felt a sharp pain. And then the next
thing I know, I was floating, surrounded by Whitelighters. And they offered me
immortality ... and a chance to help special people like you. And I never once
ever doubted ... that I didn't make the right choice ... till I met you. Ever
since, all I can think is how I'd give it up to have a mortal life again, to
have a family and grow old ... with you.
(Piper sits up and looks at Leo.)
PIPER: Is that possible?
(Leo also sits up.)
LEO: Yeah. I can become human again, Piper, if you want me to.
PIPER: Are you kidding? I want that more than anything. I don't want to lose
you again.
LEO: But ...
PIPER: But ... then you wouldn't be able to help other witches or other future
Whitelighters, would you? You couldn't help save the next Daisy.
(Leo's seriously quiet.)
LEO: I'd better go.
(He reaches for Piper and they kiss.)
LEO: I love you.
(Leo stands up and orbs out.)
PIPER: I love you, too.
CUT TO:
[EXT. CONSTRUCTION SITE NEAR TRAIN TRACKS -- DAY]
(Inspectors Rodriguez and Anderson sit in their car watching as Darryl Morris
meets up with his ex-partner, Andy Trudeau. A train roars by on the tracks.
Inspector Anderson sits behind the steering wheel watching through a pair of
binoculars while listening to the earphones. Rodriguez sits next to him.)
(Off in the distance, Andy walks up to Darryl Morris.)
DARRYL MORRIS: How you doing?
ANDY: Been better. How about you?
DARRYL MORRIS: I.A. sons of a bitch wanted me to wear a mike.
ANDY: Yeah. So you wearing one?
DARRYL MORRIS: What do you think?
(Andy smiles.)
ANDY: You in any kind of trouble?
DARRYL MORRIS: Less than you.
ANDY: I just wanted you to know, I'm doing it for a good cause.
DARRYL MORRIS: Andy, I'm your partner. More importantly, I'm your friend. I
want to believe that you're on our side. It would really help me if I knew why
you were doing this. I'm not asking for I.A., I'm asking for me. I think you
owe me that.
(Back in the car, Rodriguez and Anderson watch the two men meet. Anderson can't
hear a thing.)
RODRIGUEZ: I told you they'd meet, didn't I?
ANDERSON: It doesn't do us any good if we can't hear them over the noise. Sure
wish I could read lips.
(Rodriguez turns and looks out the window at the meet.)
(Darryl looks at Andy. He just has to ask.)
DARRYL MORRIS: Who are you covering for?
ANDY: It's Prue. And all I can tell you is ... she's connected to all of our
unsolved cases.
DARRYL MORRIS: Prue. I was so hoping you weren't gonna say that.
(The train horn blares as another train passes by.)
(In the car, Anderson looks through his binoculars. After a moment, he puts it
down.)
ANDERSON: I can't get a thing.
RODRIGUEZ: He's covering up for Prue Halliwell.
ANDERSON: What? How the hell could you -
(Anderson turns and looks at Rodriguez whose eyes are blood-red.)
ANDERSON: My god.
(Rodriguez opens his mouth and lets out a piercing scream that kills Anderson.)
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) - EVENING]
[INT. MANOR - ATTIC -- EVENING]
(Piper picks up a long silver chain with a couple of dog tags. She looks at
Leo's old dog tags, then puts the chain around her neck.)
PIPER: Leo.
CUT TO:
[INT. MANOR - KITCHEN -- NIGHT]
(Prue pours herself a cup of coffee. Phoebe walks into the kitchen carrying a
bag. Prue takes her cup of coffee and takes a seat at the table. Phoebe puts
her bag down on the counter and starts emptying it.)
PHOEBE: Is it just me, or can you draw a chalk outline around this place?
PRUE: Well, I don't know what you could possibly mean, Phoebe. I mean, the
weekend's almost over, we never made it Cabo, I'm never gonna see Andy again,
and Piper just lost the love of her life.
(Phoebe walks over to the refrigerator and takes out a couple of pineapple
shells and a container filled with a mixed drink.)
PHOEBE: The glass is way more than half full here, Prue. Piper saved the love
of her life, Alec is long gone, and Daisy is on her way back to her family. We
even managed to straighten out our powers, thank god.
PRUE: Thank god? I thought that you always wanted an active power.
(Phoebe fixes the drink.)
PHOEBE: Maybe. But I never thought I'd actually miss my premonitions. Having
your power was like wearing a dress that was too tight. Not that that would
ever happen.
PRUE: Remember when I said that you had no vision?
PHOEBE: Which time?
PRUE: Oh, you will never hear it again. Takes a lot of strength to see what
you see.
(Phoebe finishes the two drinks. She clutches the pineapples to her and turns
around to look at Prue.)
PHOEBE: I'll drink to that. If we can't go to Cabo, we might as well bring
Cabo to us, right?
(Phoebe puts a pineapple drink in front of Prue - complete with little tropical
umbrella attached.)
PRUE: I don't know, Pheebs. We still have some serious problems.
(Phoebe runs over to the player and turns on the music. She hurries back over
to her seat.)
PHOEBE: Oh ... problems are for Monday mornings. What do you say?
PRUE: It's gonna be a hell of a Monday morning, but until then...
(They pick up and toast their pineapples.)
FADE TO BLACK.
==========================
THE END
==========================
[Captioning made possible by Spelling Entertainment, Inc. Captioned by the
National Captioning Institute www.Ncicap.Org]
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==========================
TITLE/OPENING CREDITS
==========================
CHARMED
1X21: LOVE HURTS
PRODUCTION #4398020
ORIGINAL AIR DATE ON WB: 05/19/1999
TRANSCRIBED FROM WB
Starring:
SHANNEN DOHERTY as Prudence "Prue" Halliwell
HOLLY MARIE COMBS as Piper Halliwell
and
ALYSSA MILANO as Phoebe Halliwell
T.W. KING as Inspector Andy Trudeau
DORIAN GREGORY as Darryl Morris
Created by CONSTANCE M. BURGE
Starring
BRIAN KRAUSE as Leo Wyatt
MICHAEL TRUCCO as Alec (Darklighter)
CARLOS GOMEZ as Inspector Rodriguez
LISA ROBIN KELLY as Daisy
Consulting Producer: JONATHAN LEVIN
Consulting Producer: TONY BLAKE
Consulting Producer: PAUL JACKSON
Producer: SHERYL J. ANDERSON
Coordinating Producer: BETTY REARDON
Produced by: JON PARE
Supervising Producer: LES SHELDON
Executive Producer: BRAD KERN
Executive Producer: CONSTANCE M. BURGE
Written by: CHRIS LEVINSON, ZACH ESTRIN, and JAVIER GRILLO-MANXUACH
Directed by JAMES WHITMORE
==========================
END CREDITS
==========================
Executive Producer: AARON SPELLING
Executive Producer: E. DUKE VINCENT
Spelling Television (a subsidiary of Spelling Entertainment Group, Inc.
Spelling Television Inc., A Paramount / Viacom Company
WorldVision Enterprises Inc. (a subsidiary of Spelling Entertainment Group Inc.
- Not affiliated with World Vision International a Religious and Charitable
Organization),
Paramount (a Viacom Company)
Paramount, A Viacom Company
Executive Story Editor: JAVIER GRILLO-MARXUACH
Executive Story Editor: CHRIS LEVINSON
Executive Story Editor: ZACK ESTRIN
Story Editor: EDITHE SWENSEN
Associate Producer: PETER CHOMSKY
Co-Starring
DON BRUNNER as Inspector Anderson
TOM YI as Motel Manager
Music by: TIM TRUMAN
Casting by: VICTORIA HUFF, C.S.A.
Director of Photography: RICK GUNTER
Production Designer: DEAN MITZNER
Editor: ALAN SHEFLAND, A.C.E.
Unit Production Manager: JON PARE
First Assistant Director: TIMOTHY LONSDALE
Key Second Assistant Director: TODD COVERT
Costume Designer: MOLLY HARRIS CAMPBELL
Camera Operator: JUD KEHL
First Assistant Camera: CRAIG ASATO
Chief Lighting Technician: THOMAS THATCHER
Assistant Chief Lighting Technician: BLAISE DAHLQUIST
Set Designer: CATE BANGS
Set Decorator: DONALD W. KRAFFT
Leadperson: ROCKY SLAYMAKER
Property Master: ROGER MONTESANO
Assistant Property Master: CHRISTY McGEACHY
Script Supervisor: SUZAN LOWITZ
Costume Supervisor: JAKE JACOBS
Key Make-Up Artist: KATHRYN MILES KELLY
Key Hairstylist: ENID ARIAS
Special Make-Up Effects: RICK STRATTON
Visual Effects Supervisor: STEPHEN LEBED
Sound Mixer: JAMES LARUE
Location Manager: BOB BOYLE
Transportation Coordinator: DAVE BASSETT
Production Coordinator: DIANA WEATHERILL
Post Production Coordinator: KRISTEN L. REARSON
Production Accountant: SHARON TAKSEL
Key Grip: DAVID DONOHO
Best Boy Grip: DAVID SALAMONE
Construction Coordinator: BILL HRNJAK
Stunt Coordinator: ERNIE ORSATTI
Special Effects Coordinator: RANDY CABRAL
Executive Associate: RENATE KAMER
Casting Associate: JEFFREY ROTH
Assistant to Constance Burge: AVIVA BARRACLOUGH
Assistant to Brad Kern: MAX JOFFE
Assistant to Les Sheldon: CHELE KNAPP
Assistant Editor: DINO C.C. DELORENZO
Music Editor: NINO CENTURION
Supervising Sound Editor: MARK PETERSEN
Music Coordinator: CELEST RAY
Re-Recording Mixers: LARRY BENJAMIN / BRUCE MICHAELS / EDDIE GILROY
Film and Electronic Laboratory by: LASERPACIFIC MEDIA
Lenses and Panaflex Camera by: PANAVISION
Digital Sound Editing and Mixing: LASERPACIFIC MEDIA
Digital Visual Effects by: ENCORE VIDEO
Executive in Charge of Production: GAIL M. PATTERSON
Executive in Charge of Post-Production: KENNETH MILLER
This motion picture is protected under the laws of the United States and other
countries. Any unauthorized duplication, copying, distribution, exhibition or
use may result in civil liability and or criminal prosecution.
The places and characters depicted herein are entirely fictitious, and any
similarity to any real places or people is purely coincidental.
(c) 1999 by Spelling Television Inc., A Paramount / Viacom company. All rights
reserved.
Country of First Publication: United States of America
Spelling Television Inc., is the author of this film / motion picture for the
purpose of Article 15(2) of the Berne Convention and all National Laws giving
effect thereto.
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Dated:08/08/2004~lky
http://www.webphilia.com/~anthology/wnp.html