CHARMED
1X07: THE FOURTH SISTER
PROD NO.: 4398006
ORIGINAL AIR DATE ON WB: 11/18/1998
TRANSCRIBED FROM WB/TNT
Written by EDITHE SWENSEN
Directed by GIL ADLER
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LSV
==========================
DISCLAIMER:
==========================
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by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.)
and WB (AOL Time Warner Company). All Rights Reserved. This transcript was made
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==========================
SUMMARY: The sisters meet a teenaged witch being used by a demon to replace
Prue in the Power of Three.
==========================
CHARMED
1X07: THE FOURTH SISTER
==========================
FADE IN.
[EXT. SAN FRANCISCO CITY LIGHTS (STOCK) -- NIGHT]
[EXT. AVIVA'S PLACE - BUILDING (STOCK) -- NIGHT]
[INT. AVIVA'S PLACE - AVIVA'S BEDROOM - NIGHT]
(In the center of a circle of lit candles, sitting in front of a small altar,
Aviva, a teenager dressed all in black with goth make-up, lifts the small statue
to her forehead, then places it on the center of the altar. She lights the
final candle, rests her hands on her knees, takes a deep breath and starts
chanting.)
AVIVA: Come to me, Kali. I conjure thee, Kali. Come to me, Kali. I conjure
thee, Kali.
(The full-length mirror in the middle of the room glows blue. Kali, a beautiful
blonde-haired demon, appears in the mirror's reflection.)
KALI: I'm here, Aviva.
AVIVA: (smiles and relieved to see her) It's been over a week.
KALI: I know. Be patient, Aviva.
AVIVA: But I've done everything that you've asked. I've followed the Halliwell
Sisters. I know their every move.
KALI: Which will all become valuable in good time.
(Aviva sighs.)
KALI: You must trust me. You must make them want you as badly as you want
them.
(Aviva sighs and smiles. There's a noise coming from the closet that distracts
her for a moment. Aviva glances at the closet, then turns back to the mirror.)
AVIVA: I talked to my mom today.
KALI: How is she?
AVIVA: I don't know. She's better ... I think. I miss her.
KALI: She is going to be so proud of you.
AVIVA: Yeah? I hope so.
KALI: Are you ready to receive your power?
(Aviva chuckles.)
AVIVA: You know I am.
KALI: Remember, it's a sacred power. If I give it to you, you must use it only
as I say.
AVIVA: I will. I promise.
KALI: Very well. Reach for the mirror. Put out your hands. Feel the power.
(Aviva takes a couple of deep breaths. She holds out her hands toward the
mirror, palms out. Her hands glow gold as she receives her power. Aviva takes
a breath. Her palms glow white hot. When it's done, her hands stop glowing.)
(Aviva looks at her hands.)
KALI: You know what to do. Go to Phoebe, Piper, and Prue.
(Kali looks down.)
(Aviva stands up and grabs her jacket. She leaves.)
(Kali's mirror reflection stands in a wall of fire. When she opens her eyes,
they glow an unnatural, evil yellow.)
FADE TO:
[EXT. HALLIWELL MANOR - DAY]
[INT. MANOR - SITTING ROOM -- DAY]
(Piper sits in the chair holding a stack of flyers advertising their missing
cat:
MISSING
REWARD!
{photo of Kit with collar}
555-0198
7571 PRESCOTT ST.
(Piper leafs through the flyers. From the other room, a door closes. Leo walks
into the room and heads for the fireplace. He moves the grating aside and
kneels down to look up the fireplace. Piper watches him and admires the view.)
LEO WYATT: Uh. Well, I think I see ... yeah, there's definitely something
here.
PIPER: Definitely.
(Phoebe walks into the room carrying a mug. She sees Leo and also admires the
view.)
PHOEBE: My, Santa, you've changed.
PIPER: He's looking for Kit.
PHOEBE: The cat. Right. Four legs, fur. I remember.
LEO WYATT: Ahh.
(Leo stands up.)
LEO WYATT: Sorry. You know, have you tried the shelter?
PIPER: Yeah. Nothing.
LEO WYATT: She had her collar on, right, with your number on it and everything?
PHOEBE: A very distinctive collar, actually.
PIPER: (interrupts) Anyway ... uh, thanks for looking. I'm sure you must be
hungry after all that work.
LEO WYATT: All what work?
(Phoebe chuckles.)
PHOEBE: Oh, that's just Piper. She's gotta be everyone's mom. Think of her as
your mom. I know I do.
(Piper rolls her eyes. They all chuckle.)
PIPER: Isn't she a scream?
LEO WYATT: Well, thanks. Um... let me go put these flyers up first, and, uh,
I'll be right back. Ok?
(He takes the flyers from Piper, turns and promptly walks into the fireplace
grate he put aside.)
PIPER: Oh. Careful.
PHOEBE: You all right?
PIPER: Careful.
LEO WYATT: Yeah. Yeah, I'll just...
(Leo picks up the grate and puts it back in front of the fireplace. Piper
points to it.)
PIPER: Antique.
LEO WYATT: Thanks.
PHOEBE: Grandma's.
PIPER: Yeah.
(They both turn and watch Leo walk out of the room.)
PHOEBE: Ooh. Quite possibly the finest glutes in the city.
PIPER: In the state.
PHOEBE: In all the land.
PIPER: I saw him first.
(They hear the door close.)
PHOEBE: Nuh-uh. [Translation: No.]
PIPER: Uh-huh. [Translation: Yes.]
PHOEBE: Ohh ...
FADE TO:
[EXT. STREET -- DAY]
(Leo hangs up a poster on the sign post. He walks away. The sign reads:
MISSING
REWARD!
{photo of Kit with collar}
555-0198
7571 PRESCOTT ST.
(Through the reflection of a car mirror, we see Leo walking down the sidewalk.
Aviva watches Leo pass by from her car. She turns and looks at the "missing"
poster.)
(As she stares at the sign, the poster bursts into flames and burns. Aviva
smiles.)
FADE TO
END OF TEASER
ROLL TITLE CREDITS
(COMMERCIAL SET)
FADE IN.
[EXT. VARIOUS SAN FRANCISCO CITY (STOCK) - DAY]
[EXT. HALLIWELL MANOR - DAY]
[INT. MANOR - KITCHEN -- DAY]
(Piper opens the microwave oven and removes the dish inside. She takes out a
large piece of coffee cake and arranges it nicely on the dish.)
(She walks over to the refrigerator and takes out the milk. She takes a glass
and fills it up. She picks up the plate and the glass of milk.)
PIPER: Hmph!
(She heads out of the kitchen.)
[INT. MANOR - DINING ROOM / MAIN HALL - DAY - CONTINUOUS]
(Piper walks up to Leo who is standing on a ladder.)
PIPER: Here you go, Leo. Nonfat milk, right?
(He takes the plate and drink.)
LEO WYATT: Right. Thanks.
PIPER: (mutters) Just don't call me "mom."
PHOEBE: (o.s.) Trust me. One hot night is all you guys need to get back on
track.
(Phoebe and Prue walk down the stairs.)
PRUE: I hope you're right.
PHOEBE: Andy's a cop. You're a witch.
PIPER: (clears throat) Ahem!
PHOEBE: (to Prue) Expect complications.
(Leo turns to look at them.)
PRUE: Hey, Leo. How's it going?
LEO WYATT: Good. Uh, this wall only needs two coats. Then--then I gotta do the
molding, and I'm done.
PHOEBE: (groans) Ohhh ... are you sure it doesn't need three coats?
PIPER: Nice outfit ... for nine o'clock in the morning with no place to go.
PHOEBE: Hmm! I'm glad you like it.
(Leo takes a drink of milk. Phoebe notices the milk moustache on his upper
lip.)
PHOEBE: Ooh. Leo, come here.
(He turns and she provocatively wipes the milk from his upper lip.)
PHOEBE: Got milk?
(He chuckles. Phoebe smiles.)
PRUE: Uh ... Phoebe, come here.
(Phoebe ignores Prue and continues to smile at Leo.)
PRUE: Phoebe!
(Prue grabs Phoebe's wrist and pulls her back toward the kitchen.)
[INT. MANOR - KITCHEN - DAY -- CONTINUOUS]
(Prue leads Phoebe into the kitchen.)
PRUE: I think that Piper likes Leo.
PHOEBE: What's not to like? He's a great guy.
(Prue grabs the coffee carafe.)
PRUE: No, I mean ... really likes him.
(She pours herself a cup of coffee.)
PHOEBE: Your point being?
PRUE: (shakes her head) Never mind. Classic Phoebe.
PHOEBE: Wait. Define that.
PRUE: I think you know.
(Prue hands the cup of coffee to Phoebe.)
PHOEBE: Ok, look, Prue, I think we need to put some major closure on this, or
we're gonna be in rocking chairs, slurping oatmeal out of rubber spoons, and I'm
still gonna hear about Roger.
(Piper walks into the kitchen.)
PHOEBE: Piper. Am I a boyfriend thief?
PIPER: Totally.
PHOEBE: Besides Roger, whom, again, Prue, I never touched.
PIPER: My boyfriend ... Billy Wilson.
PHOEBE: (chuckles) Billy ... Wil -- eighth-grade Billy Wilson?
PIPER: You kissed him at homecoming.
PHOEBE: No, I did not kiss him at homecoming. I was helping him find a contact
lens.
PIPER: Oh, please. You were all over him, with your breasts all ... whatever.
PHOEBE: I didn't even have breasts back then.
PIPER: Phoebe, you've always had breasts.
PRUE: So I think I'll just let you two work this out on your own. But, um,
just remember, I get the house tonight. Just Andy and me. No warlocks, no
innocents to protect, and especially ... no sisters.
(Prue walks out of the kitchen.)
PIPER: So, you know ... it's not like either one of us has a problem finding
guys.
PHOEBE: (snorts) Please.
PIPER: So if one of us ... got Leo ... it'd be ok with the other one.
PHOEBE: (nods) Absolutely.
PIPER: So we can just consider this a friendly ... competition.
PHOEBE: Sibling rivalry.
PIPER: War.
PHOEBE: Exactly.
(Phoebe smiles.)
CUT TO:
[EXT. BUILDING (STOCK) -- DAY]
[INT. AVIVA'S BEDROOM -- DAY]
(Aviva is lying on her bed as she writes in her diary.)
AVIVA: "Dear diary..."
(There's a knock on her bedroom door.)
AUNT JACKIE: (through the door) Aviva, open the door.
(Aviva ignores her aunt and continues writing.)
AVIVA: "Life sucks here."
AUNT JACKIE: (through the door) I'm gonna be late for work.
(Aunt Jackie opens the door. Aviva gasps and puts the diary under the bed. She
sits up in bed.)
AVIVA: So that part about this being my room, that was a lie?
AUNT JACKIE: It's my apartment, Aviva.
AVIVA: So you keep reminding me, Aunt Jackie.
AUNT JACKIE: (sighs) Why don't you get some light and air in here?
AVIVA: Because I like it dark and stale.
AUNT JACKIE: Why are you so antagonistic to me?
AVIVA: How come you haven't called my mom yet?
AUNT JACKIE: What?
AVIVA: To see how she's doing or just to say "hello!" It would help her, you
know. I mean, it's not like she's got a lot of family.
AUNT JACKIE: She has to take responsibility for her own actions.
AVIVA: She's not in jail. She's in rehab. She didn't do anything wrong to
take responsibility for. She's sick, and that's it. It's nothing to be ashamed
of.
AUNT JACKIE: Whatever.
(Aunt Jackie turns and walks out of the bedroom. Aviva closes the door shut
behind her. She locks the door.)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. VIDEO STORE (STOCK) - DAY]
[INT. VIDEO STORE -- DAY]
(Andy and Prue are looking for a video to watch.)
ANDY TRUDEAU: Ah. Ever see "Lethal Weapon 3"?
(He turns and holds the video box out, shaking it.)
PRUE: Not very romantic.
ANDY TRUDEAU: Right.
(He puts the tape back.)
PRUE: Hey. How about "Double Indemnity"?
ANDY TRUDEAU: (whispers) It's black-and-white.
PRUE: Right.
CLERK: (o.s.) Video paralysis.
(The Video Clerk watches them from the next aisle over.)
PRUE: Excuse me?
CLERK: You're probably two minutes away from leaving without a rental. You
mind if I help? After all, I am a pro.
ANDY TRUDEAU: Sure.
VIDEO CLERK: Okay.
(Andy looks over at Prue and they share a smile.)
ANDY TRUDEAU: (mutters) Doesn't really matter what we pick, anyway. Probably
never get around to watching it.
PRUE: Oh, yeah? Pretty cocky.
ANDY TRUDEAU: Actually, what I meant was, something always seems to come up,
get in our way.
PRUE: That's not true. (He looks at her.) Okay, well, maybe it's -- it's
sometimes true, but there's always a perfectly good reason.
ANDY TRUDEAU: Prue, there's never a perfectly good reason. As a matter of
fact, there's never usually even a reason at all, good, bad, or otherwise.
PRUE: All right. You ... me ... alone ... tonight. Nothing, and I mean
nothing will get in our way. Guaranteed.
ANDY TRUDEAU: I'll hold you to that.
PRUE: Okay.
(Andy leans forward and they barely kiss when the Video Clerk returns.)
VIDEO CLERK: I got it. "Body Heat".
ANDY: We'll take it.
PRUE: We'll take it.
CUT TO:
[EXT. AVIVA'S BUILDING (STOCK) - NIGHT]
AVIVA: (o.s.) I conjure thee, Kali.
[INT. AVIVA'S BEDROOM -- NIGHT]
(Kali appears in the mirror.)
KALI: I'm here, Aviva.
AVIVA: I'm going crazy here, Kali. I can't wait any longer.
KALI: The Halliwells don't understand our way. They don't yet know the full
uses and joys of their powers.
AVIVA: I'll show them.
KALI: You must gain their trust first. You must let them welcome you into
their coven.
AVIVA: I won't disappoint you. I swear.
KALI: Then it's time.
(The closet door opens. Aviva walks over to the closet. We hear Kit meow.
Aviva picks her up.)
KALI: Take the cat back to the Halliwells.
(Aviva smiles.)
CUT TO:
[EXT. HALLIWELL MANOR (STOCK) - NIGHT]
[INT. MANOR - MAIN HALL -- NIGHT]
(Piper peers out from the dining room over at Leo who is rubbing the wood frame
with a cloth. She takes a breath for courage and heads over toward him.)
PIPER: About done for the day?
LEO WYATT: Just about.
PIPER: Um ... well, Prue has a date tonight, so we kind of got to clear out. I
was thinking about catching a movie. Want to go?
LEO WYATT: (looking at the door frame) I can't do it.
PIPER: Okay.
(Leo walks over to the frame by the door. He puts a hand on the wood.)
LEO WYATT: You know ... these are original to the house. I mean, they really
should be sanded down, finished off with steel wool, and ... and restained. Not
covered in paint.
PIPER: Oh. Right. Kind of like making risotto with minute rice.
(He chuckles.)
PIPER: It's a cooking analogy.
LEO WYATT: Yeah.
(They both chuckle.)
LEO WYATT: Anyway, um ... I have some stain samples as home, if you're
interested. I could bring them by tomorrow and show them to you and your
sisters.
PIPER: Or better yet, why don't you just bring them by the restaurant, say
about lunchtime? Prue's so busy, and Phoebe doesn't really care. She's more
into stucco.
LEO WYATT: Okay.
PIPER: Okay.
LEO WYATT: So what time's that movie?
(The doorbell rings. Piper smiles.)
PHOEBE: (o.s.) I got it.
(Phoebe answers the door and finds Aviva with Kit.)
PHOEBE: Kit! Oh, my god! Where did you find her? We were worried sick.
AVIVA: I was just walking by, and I saw one of your flyers, and, poof, there
she was, like magic.
(Uninvited, Aviva steps into the house and starts looking around. Phoebe closes
the door.)
PHOEBE: Wow. I can't even believe she let you hold her.
(Phoebe puts an arm on Aviva's shoulders and guides her to the sitting room.
Piper sees them and pets Kit.)
PIPER: Welcome home, kitty! (Piper takes Kit from Phoebe.) You must be
starving.
(Aviva sits down on the couch.)
AVIVA: I fed her.
PHOEBE: I thought you said you just found her.
AVIVA: I did. A couple of hours ago, I mean.
PIPER: And she didn't try to scratch you?
AVIVA: (shakes her head) Mm-mmm.
LEO WYATT: You know, I'll take the flyers down tomorrow. Let me clean up
before the movie.
PHOEBE: (interrupts) Movie? What movie?
PIPER: A war movie.
PHOEBE: I love war movies. Mind if I tag along?
LEO WYATT: Uh ... sure. Why not? I'll be right back.
(Leo turns and leaves.)
AVIVA: You guys aren't going out, are you? You just got your cat back.
PIPER: Oh, she'll be fine. Let me get my purse.
(Piper puts Kit down and stands up.)
PIPER: Um, what's your name?
AVIVA: Oh, no, no. I don't want your money.
(Prue and Andy walk into the house. Prue looks perturbed that they're still
there.)
PIPER: Hey, Andy!
PHOEBE: Hi, Andy.
ANDY TRUDEAU: Hey!
PRUE: Hey. I thought we all had plans tonight.
PHOEBE: This girl just found our cat for us.
AVIVA: Aviva.
PRUE: Well, that's great. Is fifty bucks enough?
(Prue digs into her bag. Aviva stands up.)
AVIVA: Uh ... I don't -- I don't want a reward. We need to talk.
PRUE: About what?
AVIVA: About wicca.
(Prue, Phoebe and Piper's mouths drop. Andy turns to look at Prue. Leo returns
to the room.)
PRUE: Uh ... Andy Trudeau, this is Leo Wyatt. You guys chat. We'll be right
back.
(Prue pushes Andy toward Leo.)
(Phoebe stands up and puts and arm on Aviva.)
PHOEBE: Ok ...
(Andy shakes hands with Leo.)
ANDY TRUDEAU: Hey.
(Piper, Phoebe and Prue start to push Aviva out of the house.)
PIPER: Thanks again.
PHOEBE: Yeah, I'm sorry you can't stay.
AVIVA: I'm ...not leaving. Don't you understand? I'm one of you.
(Aviva turns and stares at the popcorn that Andy's holding. It starts to pop in
his hand.
PIPER: No!
(Piper points and freezes Andy and Leo.)
AVIVA: (smiles) Very cool.
(Aviva walks toward Andy and Leo. She walks around them.)
PIPER: Wait. You didn't -- she didn't -- you didn't freeze.
AVIVA: That's because I'm a witch, too.
PRUE: A what?
AVIVA: Look, I just want to be friends.
PIPER: Guys, we have about twenty seconds until they unfreeze.
PHOEBE: How did you find out about us?
AVIVA: I'm gonna need more than twenty seconds for that.
PIPER: We really need to move things along here, Prue.
PRUE: Ok. You need to get out of here now.
AVIVA: What? Why?
(Prue pushes Aviva toward the door. Aviva pushes back.)
PRUE: Because we don't know who the hell you really are, so just leave. Go,
go, go.
AVIVA: No! I'm not leaving. I just saved your cat.
PRUE: Leave now or else.
AVIVA: Or else what?
(Aviva glares at Prue's video tape. The video tape smokes and starts to melt in
her hand. Prue drops the smoking tape.)
(Smug that she's proven her power, Aviva turns and walks out.)
(Everyone unfreezes. Andy's popcorn bursts.)
ANDY TRUDEAU: What the hell?
(Leo looks around.)
LEO WYATT: Hey, where did that girl go?
PHOEBE: Uh ... she just-
(Prue squints as she uses her power.)
PRUE: Uh, uh!
(The front door slams shut.)
PRUE: Left.
(They chuckle nervously)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. AVIVA'S RESIDENCE - NIGHT]
[INT. AVIVA'S ROOM -- NIGHT]
(Aviva sits in front of the small make-shift altar talking with Kali.)
AVIVA: Why wouldn't they accept me? You said if I brought them back their cat
...
KALI: Was it the oldest? Was it Prue who sent you away?
AVIVA: Yes.
KALI: Avoid her. She's the strongest. You must separate them. Together
they're Charmed, impenetrable.
AVIVA: But what if they don't want me?
KALI: Phoebe will. In her own way, she's searching for someone to relate to,
someone to share her witchcraft with.
(Aviva looks down.)
KALI: What's the problem?
AVIVA: I -- I don't know.
KALI: You're the one who came to me, remember? You're the one who wanted ...
sisters.
AVIVA: I know. I want a family. I don't have anybody. What do you get out of
it? I mean, you know, you never really s-said.
KALI: Halliwell magic is old and powerful, and I want it. And since they're
new to the craft, if I'm ever going to get it, it has to be now ... through you.
Just do as I say, Aviva. Make Phoebe covet your power. Then we'll both get
what we want.
DISSOLVE TO:
[EXT. HALLIWELL MANOR - DAY]
[INT. MANOR - KITCHEN -- DAY]
(Prue is on the phone with Andy.)
PRUE: It's not what you think, Andy. It's hard to explain. It just --
INTERCUT WITH:
[INT. POLICE STATION - BULLPEN - DAY]
(Andy's at his desk, standing and on the phone.)
ANDY TRUDEAU: Just another one of those things that you can't explain. It's a
broken record, Prue.
PRUE: Look, I wanted you to stay. You have to believe me.
ANDY TRUDEAU: Then what happened? Why you want me to leave all of a sudden?
PRUE: I told you, something came up. Sister stuff. I can't really go into
detail without betraying someone's secret.
ANDY TRUDEAU: Prue ...
PRUE: Look, Andy, I'm unpredictable, ok? That is just part of who I am, and
you have to accept that, because I can't change it.
ANDY TRUDEAU: I don't want you to change, Prue. I just - (He sits down.) -- I
just want to have a normal date, that's all. Is that too much to ask for?
PRUE: All right, let's just try again. Tonight, uh, same time, same place?
ANDY TRUDEAU: Same movie?
(Prue picks up the melted video tape cassette container.)
PRUE: Uh ... (She looks at it.) ... yeah. Ok, so, what? Eight o'clock?
ANDY TRUDEAU: I'll be there. Bye.
PRUE: All right, bye.
(Prue hangs up. She heads into the utility room.)
PRUE: (mutters) If I ever see that little arsonist again ...
[INT. MANOR - UTILITY ROOM - DAY - CONTINUOUS]
(Prue opens the dryer and starts pulling clothes out. Piper and Phoebe walk in
and join her.)
PIPER: Just got done dodging Leo's questions about her. That was close.
PRUE: Too close. The question is, who is she?
PIPER: And what does she want?
PHOEBE: Let us not forget Aviva found kit.
PRUE: Yeah, she's probably the one who stole the cat in the first place.
PHOEBE: Hell-lo. Paranoia check.
(Prue grabs the basket and heads back into the kitchen. The others follow.)
[INT. MANOR - KITCHEN - DAY - CONTINUOUS]
PRUE: Phoebe, for all we know, she's a warlock.
PIPER: She can't be. She didn't freeze.
PHOEBE: Besides, she said she was a witch.
(Prue puts the basket on the table and starts folding the clothes.)
PRUE: Okay, a bad witch maybe.
PHOEBE: Yeah, a bad witch with a really cool power. Better than mine, that's
for sure.
PRUE: Why are you so quick to defend her?
PHOEBE: Why are you so quick to condemn her?
PIPER: If she is a witch, a good witch, then it might be kind of cool,
considering she's the first one we've run across.
PHOEBE: Exactly.
PRUE: Guys, we don't know anything about her -- how she got her powers, how she
found out about us.
PHOEBE: She tried to tell us, but you kicked her out.
PRUE: Yeah, she would have exposed us if I hadn't.
PHOEBE: Prue, she's just a kid. Besides, if she's a witch, she probably feels
just as alone as we do. Maybe she just needs some friends.
PRUE: Or maybe she's out to destroy us. It wouldn't be the first time.
PHOEBE: Okay.
PRUE: All right, until we know who she really is, let's just steer clear, okay?
(Prue looks at Phoebe. Phoebe nods.)
PRUE: I'm late for work.
(Prue turns and heads out.)
PIPER: Me, too.
(Piper turns and leaves also. The phone rings. Phoebe answers it.)
PHOEBE: (to phone) Hello. (pause) Aviva?
CUT TO:
[EXT. SCHOOL - DAY]
(The school bell rings.)
(Phoebe stands outside and looks at her watch.)
AVIVA: (o.s.) I'm so glad that you came.
(Inside the fence, Aviva walks up to Phoebe.)
PHOEBE: I'm glad that you called, actually.
AVIVA: Bet you got a few questions, huh?
PHOEBE: A few. What time does school let out?
AVIVA: Uh, now.
(Aviva squeezes herself out the chained gate.)
PHOEBE: (alarmed) Uh, whoa, whoa. Hey, what are you doing?
AVIVA: Oh, the same thing I'm sure you did a thousand times. Am I right?
PHOEBE: Well ...
AVIVA: I am right. Um, you didn't tell your bitch sister about this, did you?
PHOEBE: Hey, watch your mouth. Prue had every right to be upset with what you
did.
AVIVA: It's funny how you knew that I was talking about Prue and not Piper.
(Motions Phoebe toward her car.)
AVIVA: Hey, come on, let's go for a ride. I'll tell you everything that you
want to know.
(They get into the car.)
CUT TO:
[EXT. QUAKE (STOCK) - DAY]
[INT. QUAKE - DINING ROOM -- DAY]
(Leo walks into the establishment looking around. He turns around and finds
Piper standing there holding a menu.)
PIPER: (smiling) Table for one, sir?
LEO WYATT: Wow. You own this place?
PIPER: No, I just run it. Um ... actually, I used to be the chef here.
(She leads him to a table. He sits down.)
LEO WYATT: I'm impressed.
PIPER: Good. I mean, um, good that you came here, as opposed to the house and
Phoebe.
(Leo digs into his pocket.)
PIPER: How about those stain samples?
(He pulls out the stain samples.)
LEO WYATT: Now, I only brought the ones authentic to the era in which the manor
was built.
PIPER: Great. Hungry?
(Piper sits down.)
LEO WYATT: Uh ...
PIPER: Oh, it's on the house.
LEO WYATT: You're big on food, aren't you?
PIPER: Uh ...
LEO WYATT: No, that's good. You know, actually, in the Mayan culture the cook
was second in the hierarchy only to the medicine man.
PIPER: Mayans? You know about Mayans? Well, you certainly are a handy man,
aren't you?
(Leo looks around.)
LEO WYATT: Uh, so, does Phoebe work here, too?
PIPER: Phoebe? Work? No, no, no, no, no, no. She's probably at her Gay and
Lesbian Group right about now. So what'll it be?
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) - NIGHT]
[INT. MANOR - DINING ROOM -- NIGHT]
(Phoebe gives Aviva a tour of the house.)
PHOEBE: This is the dining room. This is the parlor. That's the conservatory,
which is really just a fancy name for family room.
AVIVA: This is so totally cool. Oh, I love it here.
(Aviva pushes the conservatory doors open. Phoebe indicates the painting
materials on the floor.)
PHOEBE: And welcome to planet Leo.
[INT. MANOR - CONSERVATORY - NIGHT - CONTINUOUS]
AVIVA: You are liking this Leo?
PHOEBE: Uh, maybe.
AVIVA: Doesn't he like you? I mean, how could he not? You are so gorgeous.
PHOEBE: Well, you see, Piper and I sort of have this little competition going
over him.
(Aviva picks Kit up and sits down on the chair. Phoebe sits down on the other
chair.)
AVIVA: So, just use your powers. Cast a spell on him or something. You do
have powers, don't you?
PHOEBE: What makes you think I do?
AVIVA: Please. You're a witch.
PHOEBE: Yeah. Which brings us back to, how do you know that? (Aviva smiles,
but doesn't say anything. She continues to pet Kit.) You promised.
AVIVA: I have this teacher. She's great. She's like my mom. She told me.
PHOEBE: Who is she?
AVIVA: Another witch, like a high priestess or something. She said you were
the coolest, that I would like you the best. She was right.
(Aviva chuckles.)
PHOEBE: Well, I'd like to meet her sometime.
AVIVA: Yeah? (Phoebe nods.) Is your room up there?
PHOEBE: (nods) Mm-hmm.
AVIVA: Come on. I want to share something with you. (Aviva puts Kit down and
stands up. Kit meows.) You're gonna love it. I promise.
(Aviva heads out the room. Phoebe takes a moment, then follows her.)
CUT TO:
[INT. MANOR - PHOEBE'S ROOM - NIGHT -- CONTINUOUS]
(Aviva reapplies her lipstick. She looks at her reflection in the mirror and
chuckles.)
AVIVA: I like mirrors. They never lie to you. They always tell the truth.
Whether you like it or not.
(In the mirror's reflection, Phoebe appears behind Aviva. Aviva lifts up her
lipstick.)
AVIVA: It's basic black. The color of my soul. Do you want to try it?
PHOEBE: Your soul's not black.
AVIVA: You know the feeling that I mean. You're different. You'll never want
what they want. You belong on the edge. We aren't pink people, Phoebe.
(Aviva turns around and looks at Phoebe.)
AVIVA: Do you want to see something incredible? Better yet, do you want to try
it?
PHOEBE: Try what?
AVIVA: I'll show you my power if you show me yours.
CUT TO:
[INT. MANOR - KITCHEN - NIGHT -- CONTINUOUS]
(Prue walks into the kitchen.)
PRUE: Anybody home?
(She looks around and hears nothing. She puts her purse down on the table.)
PRUE: (mutters) Better not be.
(She turns and heads back out the door.)
CUT TO:
[INT. MANOR - PHOEBE'S ROOM - NIGHT -- CONTINUOUS]
(Aviva and Phoebe are sitting on the floor facing each other. Next to them, a
small handkerchief if spread out with four lit candles burning.)
AVIVA: Don't be afraid.
(Aviva holds out her hands, palms up. Phoebe takes the challenge and puts her
hands on Aviva's.)
PHOEBE: Okay, now what?
AVIVA: Watch.
(Aviva smiles and glances at the mirror in the corner. The mirror glows and the
image of Kali briefly appears in the reflection.)
AVIVA: She's giving it to you, too.
PHOEBE: Who is? Giving me what?
AVIVA: The power. Here. Touch this.
(Aviva takes a potted plant and puts it between them. Phoebe scoffs, then puts
her finger in the base of the pot. The plant starts to grow and bloom.
Phoebe's finger is glowing red.)
AVIVA: It's the power of heat. Your hand is like the sun.
PHOEBE: Whoa.
(They giggle.)
AVIVA: That's pretty cool, huh?
(The door opens.)
PRUE: Phoebe, are you --
(Prue walks in and sees Phoebe with Aviva. Phoebe turns around. Busted.)
PHOEBE: Prue ...
PRUE: What are you doing?
(Phoebe and Aviva stands up. Before Phoebe can say anything, Aviva is on the
defensive.)
AVIVA: Get out. This is her room.
PHOEBE: Aviva --
AVIVA: No, she treats you worse than my aunt treats me. It's not right.
PHOEBE: It's ok, relax.
(The doorbell rings. Prue turns to answer it.)
(Phoebe looks at Aviva and sighs heavily. She heads out to follow Prue.)
(Aviva kneels to clear up and starts blowing out the candles.)
CUT TO:
[INT. MANOR - FOYER - NIGHT - CONTINUOUS]
(Prue opens the front door. Andy's enthusiastic. He holds out the bottle of
wine and the video tape.)
ANDY TRUDEAU: Chianti, "Body Heat". What do you think?
PRUE: Ah ...
(Phoebe runs down the stairs.)
PHOEBE: Prue, I can explain.
(Phoebe sees Andy at the door and gasps.)
PHOEBE: Oh, no.
ANDY TRUDEAU: Oh, no. Let me guess. Rain check?
PRUE: Andy ...
ANDY TRUDEAU: Prue, this is ... this is getting ridiculous.
PRUE: I know. Believe me, you have every right to be upset, and I can't talk
about it right now, but I will. I promise. Tomorrow? Quake, One o'clock,
please?
(Aviva appears behind Phoebe. Andy waves to Phoebe.)
ANDY TRUDEAU: Ok. Tomorrow, one o'clock.
(Phoebe sheepishly waves back to Andy. Andy turns and leaves. Prue closes the
door behind him.)
(Prue is upset.)
PHOEBE: I am so sorry. I totally forgot.
PRUE: What the hell is she doing here? What's the matter with you?
AVIVA: (interrupts) This is her house, too, ok? She can do whatever she
wants.
PHOEBE: (warning) Aviva. (to Prue) She's not what you think she is.
AVIVA: She doesn't understand, Phoebe. She'll never understand.
(Aviva turns and walks out of the house.)
CUT TO:
[EXT. AUNT JACKIE'S BUILDING (STOCK) - NIGHT]
[INT. AVIVA'S BEDROOM -- NIGHT]
(Aviva is talking with Kali.)
KALI: If there were no Prue, Phoebe would be with us now.
(Aviva sits on the floor in front of the mirror, her kerchief and burning
candles set up in front of her.)
AVIVA: I hate her, and I wish that she were dead.
AUNT JACKIE: (through the door) Aviva, what's going on? Who's in there with
you?
(Aviva doesn't say anything.)
(The door opens and Aunt Jackie bursts in.)
AUNT JACKIE: You skipped school today, and I want to know why.
AVIVA: (shouts) Get out of my room!
AUNT JACKIE: How dare you speak to me in that tone.
(Aunt Jackie looks down and sees the small altar in front of Aviva. It's very
cultish-looking.)
AUNT JACKIE: What's going on in here?
(Aviva gets to her feet.)
AVIVA: I said get out of my room. Leave me alone, or else...
(Aviva points at Aunt Jackie. At that moment, Kali flares up the candle in
front of Aunt Jackie, the flames catching on her clothes. She screams as it
burns.)
(Aviva watches in horror as Aunt Jackie grabs a sweater and tries to bat the
flames out.)
AVIVA: Aunt Jackie!
(Aunt Jackie slips out of the room into the hallway, yelling as she tries to put
out her burning clothes. Kali conveniently disappears from the mirror's
reflection.)
(Panicking, Aunt Jackie runs out of the room and hits the hallway wall. She
trips and falls down the stairs.)
AVIVA: Aunt Jackie!
(Aviva runs out of the room. She stops when she sees Aunt Jackie on the floor
at the bottom of the stairs.)
(Camera holds on Aviva.)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. SAN FRANCISCO CITY LIGHTS (STOCK) - NIGHT]
[INT. AUNT JACKIE'S BUILDING HALLWAY -- NIGHT]
(Aunt Jackie is being wheeled away on a gurney as an officer writes in his
notebook.)
(Aviva stands up and heads back up the stairs.)
[INT. AVIVA'S ROOM - NIGHT - CONTINUOUS]
(Aviva talks with Kali.)
KALI: What did you tell the police?
AVIVA: (crying) That the candle caught her dress on fire and she fell down the
stairs. Oh, my god, what have I done? I didn't mean to hurt her.
KALI: Your powers are growing.
AVIVA: I know, but as soon as Aunt Jackie wakes up, she'll tell them what
really happened. I gotta get out of here.
KALI: No!
AVIVA: Why not?
KALI: You must go back to the Halliwells. You must complete what you started.
AVIVA: But how?
KALI: Piper won't stop you, and Phoebe's already an ally. Only Prue stands in
our way. You must use your powers. You must take Prue's place in the Power of
Three. Don't disappoint me, Aviva. You said you wanted a family, and now
you'll have one.
CUT TO:
[EXT. HALLIWELL MANOR (STOCK) - NIGHT]
[INT. MANOR - KITCHEN -- NIGHT]
(Phoebe pours some hot water into a cup. She gives it to Aviva.)
AVIVA: Thanks.
PHOEBE: You poor thing, you're shivering.
AVIA: I'm okay. (to Prue) I know that you don't like me, and I know the last
thing you want to do is help me, but I don't where else to turn. I don't have
anybody else.
(Piper joins them. She's holding the phone just having finished her call.)
PIPER: She's telling the truth. Her Aunt was admitted to the hospital.
AVIVA: How is she? Is she okay?
PIPER: She has a broken arm and a concussion.
PRUE: How did she fall again?
AVIVA: I don't know. I ... I heard her scream, and then I found her on the
floor and I called 911. I promise, if you just let me spend the night and get
some sleep, I'll tell you everything you want to know about me tomorrow.
PIPER: She can't stay alone.
PHOEBE: She can sleep in my room.
PRUE: No magic.
AVIVA: I swear.
(Prue nods.)
DISSOLVE TO:
[INT. MANOR - PHOEBE'S BEDROOM - NIGHT -- LATER]
(Phoebe's asleep in bed. Aviva's awake on the couch nearby. The mirror in
Phoebe's room glows and Kali appears in its reflection.)
KALI: Now is the time ...
(Aviva gets out of bed and heads out the door.)
(Kali's reflection turns from soft angelic blue to demonic red, her yellow eyes
glowing.
CUT TO:
[INT. MANOR - HALLWAY - NIGHT -- CONTINUOUS]
(Aviva walks quietly down the hallway. She glances behind her and heads for a
closed door. She reaches for the door knob and opens the door quietly.)
(Inside, she sees Prue sleeping in bed. Aviva motions with her hands ... and is
interrupted.)
PIPER: (o.s.) What are you doing?
(Aviva turns around and sees Piper in her robe. She closes the bedroom door.)
AVIVA: Um ... I was just looking for the bathroom.
(Piper points.)
PIPER: It's down the hall to the right.
AVIVA: Great. Thanks. Good night.
(Aviva walks past Piper toward the bathroom.)
(Piper opens Prue's bedroom door and sees Prue sleeping inside. She closes the
door quietly, thoughtfully.)
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) - MORNING]
[INT. MANOR - FOYER -- MORNING]
(Prue hands Phoebe a bulb as she changes the light.)
PRUE: I'm going to the hospital to see her aunt in an hour. I'll be back,
okay?
(Phoebe nods. Leo walks past Prue and Phoebe as he heads for the kitchen. He
pushes the door open and nearly hits Aviva.)
LEO WYATT: Whoa, sorry. Didn't know you were there.
AVIVA: That's okay.
(Leo heads into the kitchen.)
PRUE: Aviva, I'm gonna go see your aunt, let her know where you are. We'll
talk when I get back.
AVIVA: Yeah, sure. Tell her I love her.
PRUE: Okay.
(Prue turns and leaves.)
PHOEBE: Come on, let's get something to eat.
(Phoebe and Aviva walk into the kitchen.)
CUT TO:
[EXT. BAY GENERAL HOSPITAL (STOCK) - DAY]
[INT. BAY GENERAL HOSPITAL - AUNT JACKIE'S ROOM -- DAY]
(Prue sits with Aunt Jackie.)
AUNT JACKIE: I don't understand. Why is Aviva staying with you? I don't even
know who you are.
PRUE: Um, well, actually, we just met your niece. We lost our cat, and she
found it for us.
AUNT JACKIE: Oh. That's what she was hiding.
PRUE: Hiding?
AUNT JACKIE: In the closet. She wouldn't let me go anywhere near it. You're
lucky she didn't sacrifice the poor thing.
PRUE: I'm sorry?
AUNT JACKIE: She's a strange kid. Very troubled. Into all sorts of weird
stuff. Black magic, voodoo, god knows what else. No wonder she doesn't have
any friends.
PRUE: What makes you think she's into black magic?
AUNT JACKIE: You should see her room. It seems like every time I walk past
she's in there ... chanting or something. Sometimes I swear I even hear other
voices. I know she's not happy there. I'm only taking care of her until her
mom gets out of rehab.
PRUE: Do you mind if I stop by your place and pick up some things for Aviva?
AUNT JACKIE: No.
PRUE: Great. Thanks. Feel better.
(Prue stands up and leaves.)
CUT TO:
[EXT. QUAKE (STOCK) - AFTERNOON]
[INT. QUAKE - DINING ROOM -- AFTERNOON]
(Piper walks out from the back and heads over to Andy's table.)
PIPER: Andy, I can't seem to get a hold of Prue. I know she was going to the
hospital --
(Andy stands up and reaches for his wallet.)
ANDY TRUDEAU: That's all right, Piper. Thanks for trying.
PIPER: I'm sure there's a perfectly good -
ANDY TRUDEAU: Explanation. Want to bet?
(He drops some bills on the table, then leaves. Piper sighs as she watches him
go.)
CUT TO:
[EXT. AVIVA'S BUILDING (STOCK) - DAY]
[INT. AVIVA'S BEDROOM -- DAY]
(Prue walks into Aviva's bedroom and starts looking around. She walks over to
the closet and opens the door. On the floor, she finds the candles and other
items she uses to call Kali.)
(Behind Prue, the mirror flares and Kali appears in its reflection. Kali
disappears. Prue turns around and sees her reflection in the mirror.)
(Prue looks around and finds Aviva's diary sticking out from under the bed. She
picks it up and reads it.)
PRUE: "Kali says we're close to taking over the Halliwell Coven. I hate lying
to them."
(Prue reaches for her phone and dials. The phone rings. Phoebe answers.)
PHOEBE: (from phone) Hello.
PRUE: (to phone) Phoebe, it's me.
INTERCUT WITH:
[INT. MANOR - CONSERVATORY - DAY]
(Phoebe stands up.)
PHOEBE: Prue, where are you? Piper called, said you were supposed to meet Andy
at Quake.
PRUE: Um, listen we have a bigger problem to deal with. Call her back and tell
her to come home right away. I'll explain it to you guys later. And Phoebe,
whatever you do, don't let Aviva out of your sight, okay?
(Phoebe glances back at Aviva who's sitting on the chair and leafing through a
magazine.)
PHOEBE: Yeah, sure.
PRUE: All right, bye.
(Prue leaves the apartment, the door closing behind her. The mirror's
reflection flares and Kali appears, her yellow eyes glowing.)
[INT. MANOR - CONSERVATORY - DAY -- CONTINUOUS]
(Phoebe turns to look at Aviva.)
PHOEBE: Prue's on her way home. We can have our little chat when she gets
here.
(Aviva nods.)
AVIVA: Yeah, okay. (She stands up and puts the magazine down.) Mind if I go
upstairs and lie down? I'm not feeling real well.
PHOEBE: Sure, go ahead.
AVIVA: Okay.
(Aviva leaves the room. Phoebe watches her go.)
CUT TO:
[INT. MANOR - PHOEBE'S ROOM - DAY - CONTINUOUS]
(Aviva goes into Phoebe's room. She closes the door, grbas her backpack and
heads quietly back out. The door closes behind her.)
CUT TO:
[INT. MANOR - HALLWAY TO PRUE'S ROOM - DAY - CONTINUOUS]
(Aviva walks through the hallway and pauses in front of Prue's room. She checks
behind her to make sure no one's there, then she slips into the room. The door
closes behind her.)
CUT TO:
[INT. MANOR - FOYER/MAIN HALL - DAY - CONTINUOUS]
(Leo checks the stain work. Phoebe picks up the mail off the foyer floor.)
LEO WYATT: This last coat of stain's gotta dry. I'm headed over to Filmore in
a few minutes to do an estimate.
PHOEBE: Wait, you're finished already?
LEO WYATT: Yeah, I'll be back tomorrow to make sure everybody's happy with my
work.
(Phoebe nods. Leo continues to stare at Phoebe as if he as something to say,
but just doesn't know how to say it. His staring is noticeable. Phoebe shakes
her head and prompts him.)
PHOEBE: What?
LEO WYATT: Uh ... just -- just out of curiosity, um, are you and Aviva ...
(He trails off. Phoebe prompts him again to spit it out.)
LEO WYATT: I mean, Piper said ...
PHOEBE: (very suspicious) Piper said what?
LEO WYATT: Uh ... nothing. (He looks up, embarrassed.) I think I need some
water.
CUT TO:
[INT. MANOR - PRUE'S BEDROOM - DAY - CONTINUOUS]
(Aviva kneels in the middle of the bedroom floor and lights the candles she set
up. She sits back and takes a deep breath. She closes her eyes and
concentrates.)
CUT TO:
[INT. MANOR - KITCHEN - DAY -CONTINUOUS]
(Phoebe walks into the kitchen looking for Leo.)
PHOEBE: Wait, Leo. What did Piper say to you?
(Leo walks out from the utility room.)
LEO WYATT: (smiles) Uh, it doesn't matter. Really. Forget it.
(He turns and heads for the sink.)
PHOEBE: Well, whatever she said, you should probably take it with a grain of
salt, because sometimes her medication makes her say the strangest things. But
not to worry. Her shrinks are on it.
LEO WYATT: Shrinks?
(Phoebe smiles at Leo's wide-eyed shocked expression. Phoebe chuckles softly.
She turns and sees Aviva's black sweater on the chair. Phoebe reaches for it
and gets a premonition.)
(Quick flash of: [INT. MANOR - PRUE'S BEDROOM] Prue opens the bedroom door and
sees Aviva kneeling on the floor. Aviva throws a fireball at Prue.)
(End of premonition. Resume to present.)
PHOEBE: Oh, my god. Aviva.
(Outside, we hear car doors slamming shut. Leo peers out the kitchen window.)
LEO WYATT: Prue's home.
PHOEBE: Oh, no.
(Phoebe rushes out of the kitchen. Leo watches her go.)
CUT TO:
[INT. MANOR - PRUE'S BEDROOM - DAY - CONTINUOUS]
(Aviva kneels in the middle of the bedroom floor waiting for Prue. She hears
footsteps approaching the door.)
(The door opens.)
(Aviva fires up a fireball.)
(Phoebe appears in the doorway.)
PHOEBE: Aviva?
(Aviva throws the fireball.)
PHOEBE: Aviva!
(The fireball hits the black sweater Phoebe holds up. Phoebe drops the sweater
and stomps out the fire. Aviva stands up and watches, horrified that it's
Phoebe.)
PHOEBE: What the hell are you doing?
(Phoebe holds her arm.)
AVIVA: Phoebe ... I'm sorry!
(Aviva runs out of the room. Phoebe doesn't stop her.)
FADE OUT.
(COMMERCIAL SET)
FADE IN.
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - KITCHEN -- DAY]
(Piper removes the cold pack from the fridge. She turns and puts it on Phoebe's
arm.)
PIPER: Maybe we should take you to the hospital.
PHOEBE: No, it's not that bad.
LEO WYATT: Well, how did it happen, anyway?
PHOEBE: Uh, candles. Aviva had some candles lit, and I guess the sweater got
too close - and then she ran out of the house.
LEO WYATT: It sure caught fire fast.
PHOEBE: Yeah.
PRUE: Um, Leo, we got this. We wouldn't want you to be late for that estimate.
LEO WYATT: Are you sure? I don't mind.
PHOEBE: No, Prue's right. I'm fine. You go ahead.
LEO WYATT: Okay. Well, I'll stop by later, see how you're doing.
PHOEBE AND PIPER: Great.
(Leo turns and leaves. Phoebe and Piper look at each other. Phoebe sighs.)
PRUE: Okay, so, how did this happen?
PHOEBE: I had a premonition ... that Aviva was going to hurt you, so I tried to
stop her. I should have listened to you, Prue. You were right about Aviva.
She's evil.
PRUE: No, actually, she's not. But she is being used by an evil spirit, and I
think I know which one, so ... come on.
(Prue leaves the kitchen. Piper and Phoebe follow her.)
CUT TO:
[EXT. AVIVA'S BUILDING (STOCK) - DAY]
[INT. AVIVA'S BEDROOM -- DAY]
(Upset, Aviva shoves her clothes in a bag. Aviva crosses the room when Kali
appears in the mirror.)
KALI: Where are you going, Aviva?
AVIVA: (crying) Go away. I don't want anything to do with you. I don't want
to be a witch anymore.
KALI: But haven't finished what we started.
AVIVA: But I'm hurting people. Don't you understand? First Aunt Jackie, now
Phoebe. I have to leave.
KALI: Aren't you going to say good-bye first? Touch the mirror, Aviva. It's
okay. I'm not upset. Touch the mirror and I'll go away, too.
(Aviva steps forward and touches the mirror. Kali moves from the mirror into
Aviva. Aviva opens her eyes and they glow demonic yellow.)
KALI (in Aviva): (demonic voice) Hello, Aviva.
(She smiles.)
CUT TO:
[INT. MANOR - ATTIC -- DAY]
(Prue, Phoebe and Piper look through the Book of Shadows.)
PRUE: Kali, Kali, Kali ...
(They find the page.)
PIPER: There, there. (reading) "An evil sorceress cursed into her own
dimension, she appears in reflections and has the power to possess ...
PRUE: (reading) ... "innocents, and uses them as pawns to steal a witch's
power."
PIPER: Wait. I don't understand. So she was using Aviva to try and turn us
into bad witches?
PHOEBE: Does it say anything about how to get rid of her?
PRUE: Uh, yeah. To get rid of her, "shatter her reflection." However the hell
we do that. Here.
(Prue closes the Book of Shadows and passes it to Piper. The attic door bursts
open. Aviva walks in.)
PHOEBE: Aviva.
AVIVA: Hello, Phoebe. How's ... (demonic voice) ... the arm?
PHOEBE: You're not Aviva.
KALI (in Aviva): (demonic voice) You're not kidding.
(She throws a fireball at them. Prue pushes Phoebe and Piper away. The
fireball hits the table.)
AVIVA: Phoebe, help me!
KALI (in Aviva): (demonic voice) Never mind.
(Kali throws another fireball that hits the sewing dummy.)
KALI (in Aviva): (demonic voice) My powers are greater than yours, Prue. It's
only a matter of time.
PHOEBE: Time! Piper, that's it. Freeze her!
PIPER: Aviva doesn't freeze.
PHOEBE: Yeah, but Kali will.
(Piper waves her hands and freezes Kali. Aviva falls to the floor.)
KALI: No!
(For a moment, everyone stares at Kali.)
(Piper turns and pulls the cloth off the mirror in the attic.
PIPER: Prue, the mirror! Move her into the mirror.
(Prue uses her power and tosses Kali into the mirror. Kali unfreezes and finds
herself trapped once more in the mirror.)
KALI: No!
(Phoebe grabs a poker form the floor, swings, and cracks the mirror. Kali is
vanquished as the mirror shatters. The shards of mirror on the floor reflect
Kali for a moment, before she disappears completely.)
DISSOLVE TO:
[EXT. HALLIWELL MANOR (STOCK) - DAY]
[INT. MANOR - PHOEBE'S BEDROOM -- DAY]
(Aviva is preparing to go home. She stands in front of the mirror looking at
her reflection.)
AVIVA: Thanks for the dress.
(Phoebe walks into the room. She puts Kit down.)
PHOEBE: No problem. It's Prue's. All set?
AVIVA: (looking at her reflection) Yeah, I'm all set.
PHOEBE: You ok?
AVIVA: I don't think, uh, looking into a mirror is ever gonna be the same.
PHOEBE: Yeah, well, the demon's gone, Aviva -- forever.
AVIVA: Yeah, well, unfortunately, all the other ones remain. It's so hard.
PHOEBE: Oh, I know. It was hard for me, too, when I was your age.
AVIVA: Yeah?
(They walk over to the bed.)
PHOEBE: Are you kidding? These are the hardest years of your life. The one
thing I learned is you just gotta be yourself.
(Aviva puts on her jacket.)
AVIVA: It's easy for you to say. What if yourself sucks?
PHOEBE: Well, you don't have to worry about that. No, Aviva, I'm serious. You
are a great kid. I could totally see us hanging out together in school. Couple
of troublemakers.
(They chuckle.)
AVIVA: I'm really gonna miss being a witch, having powers ... and having
sisters.
PHOEBE: Yeah, well, you've got your mom. And your aunt will be home from the
hospital tomorrow. Okay, now remember... do not tell anyone about us Halliwell
sisters, right? It's just our little secret.
AVIVA: I promise.
PHOEBE: Okay.
(They leave the room.)
CUT TO:
[EXT. ANDY'S PLACE - FRONT CURB -- DAY]
(Prue parks her car. Andy pulls up behind her. She gets out of the car to talk
with Andy.)
PRUE: Hey.
ANDY TRUDEAU: Hey.
(He walks past Prue. She turns and rushes to catch up with him.)
PRUE: Uh, can we talk?
ANDY TRUDEAU: Is there really anything to talk about?
(Andy stops and turns around.)
PRUE: Andy ... I'm sorry.
ANDY TRUDEAU: So am I.
PRUE: What do you mean by that?
ANDY TRUDEAU: Come on, Prue, who are we kidding? I mean, let's face it. One
of us is obviously more interested in this relationship than the other.
PRUE: That's not true.
ANDY TRUDEAU: Isn't it? Then how come I'm always the one left standing there
looking like a jerk?
PRUE: I can explain.
ANDY TRUDEAU: No, you can't. Or you won't.
(He turns and heads up the walk. Halfway to the front door, he turns back to
Prue.)
ANDY TRUDEAU: Damn it, I still love you, Prue. I'm not saying you have to
explain it all to me, Prue. That's your prerogative.
(Prue walks up to him.)
ANDY TRUDEAU: All I'm saying is ... it hurts that you don't trust me enough.
PRUE: I do trust you, Andy. It has nothing to do with you. It's just ... it's
just something that I don't know if I can ever share with anybody.
ANDY TRUDEAU: Well, I hope that's not true for your sake. All I know is
there's nothing more I can say or do to reassure you that I'm there for you.
(Andy turns and heads up toward the front door.)
PRUE: Andy ... (Andy stops and turns around.) Are you saying that you don't
want to see me anymore?
ANDY TRUDEAU: I don't know what I want anymore.
(Andy turns around and heads for the house.)
(Camera holds on Prue.)
FADE TO BLACK.
==========================
THE END
==========================
[Captioning made possible by Spelling Entertainment, Inc. Captioned by the
National Captioning Institute www.Ncicap.Org]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CHARMED
1X07: THE FOURTH SISTER
PROD NO.: 4398006
ORIGINAL AIR DATE ON WB: 11/18/1998
TRANSCRIBED FROM WB/TNT
Starring:
SHANNEN DOHERTY as PRUE ("PRUDENCE") HALLIWELL
HOLLY MARIE COMBS as Piper
and
ALYSSA MILANO as PHOEBE HALLIWELL
T.W. KING as Andy Trudeau
Created by CONSTANCE M. BURGE
Guest Starring
DANIELLE HARRIS as Aviva
BRIAN KRAUSE as Leo Wyatt
REBEKAH CARLTON as Kali
REBECCA BALDING as Aunt Jackie
MICHAEL LEBLANC as Video Clerk
Producer: SHERYL J. ANDERSON
Coordinating Producer: BETTY REARDON
Supervising Producer: LES SHELDON
Executive Producer: BRAD KERN
Executive Producer: CONSTANCE M. BURGE
Written by EDITHE SWENSEN
Directed by GIL ADLER
==========================
END CREDITS
==========================
Executive Producer: AARON SPELLING
Executive Producer: E. DUKE VINCENT
Spelling Television (a subsidiary of Spelling Entertainment Group, Inc.)
WorldVision Enterprises Inc. (a subsidiary of Spelling Entertainment Group Inc.
- Not affiliated with World Vision International a Religious and Charitable
Organization),
Paramount (a Viacom Company)
Executive Story Editor: JAVIER GRILLO-MARXUACH
Executive Story Editor: MICHAEL PERRICONE
Executive Story Editor: GREG ELLIOT
Story Editor: CHRIS LEVINSON
Story Editor: ZACK ESTRIN
Associate Producer: PETER CHOMSKY
Co-Starring
MICHAEL LEBLANC as Video Clerk
Music By: TIM TRUMAN
Casting by: VICTORIA HUFF, C.S.A.
Directors of Photography: TOM DEL RUTH, A.S.C.
Production Designer: DEAN MITZNER
Editor: DEREK BERLATSKY
Unit Production Managers: PATRICK McKEE
First Assistant Director: TIMOTHY LONSDALE
Key Second Assistant Director: TODD COVERT
Costume Designer: MOLLY HARRIS-CAMPBELL
Camera Operator: BUDDY FRIES
First Assistant Camera: LEX RAWLINGS
Chief Lighting Technician: JEFF BUTTERS
Asst. Chief Lighting Technician: MARK MEISENHEIMER
Set Decorator: DONALD W. KRAFFT
Leadperson: ROCKY SLAYMAKER
Property Master: ROGER MONTESANO
Assistant Property Master: CHRISTY McGEACHY
Script Supervisor: SUSAN LOWITZ
Costume Supervisor: JAKE JACOBS
Key Make-Up Artist: KATHRYN MILES KELLY
Key Hairstylist: ENID ARIAS
Special Effects Make-Up: MIKE MOST
Sound Mixer: JAMES LARUE
Location Manager: BOB BOYLE
Transportation Coordinator: DAVE BASSETT
Production Coordinator: JILL BARNET TAYLOR
Post-Production Coordinator: KRISTEN L. REARDON
Production Accountant: SHARON TAKSEL
Key Grip: MARLIN HALL
Best Boy Grip: RAY MICHELS
Construction Coordinator: BILL HRNJAK
Stunt Coordinator: ERNIE ORSATTI
Special Effects Coordinator: JOHN GRAY
Executive Associate: RENATE KAMER
Casting Associate: JEFFREY ROTH
Assistant to Constance Burge: AVIVA BARRACLOUGH
Assistant to Brad Kern: MAX JOFFE
Assistant to Les Sheldon: CHELE KNAPP
Assistant Editor: WENDI RADERMAN
Music Editor: NINO CENTURION
Supervising Sound Editor: MARK PETERSEN
Re-Recording Mixers: LARRY BENJAMIN / BRUCE MICHAELS / EDDIE GILROY
Film and Electronic Laboratory (tm) by LASERPACIFIC MEDIA
Lenses and Panaflex(R) Camera by PANAVISION(R)
Digital Sound Editing and Mixing by LASERPACIFIC MEDIA
Digital Visual Effects by ENCORE VIDEO
Executive in Charge of Production: GAIL M. PATTERSON
Executive in Charge of Post-Production: KENNETH MILLER
This motion picture is protected under the laws of the United States and other
countries. Any unauthorized duplication, copying, distribution, exhibition or
use may result in civil liability and or criminal prosecution.
The places and characters depicted herein are entirely fictitious, and any
similarity to any real places or people is purely coincidental.
(c) 1998 by Spelling Television Inc., A Paramount / Viacom company. All rights
reserved.
Country of First Publication: United States of America
Spelling Television Inc., is the author of this film / motion picture for the
purpose of Article 15(2) of the Berne Convention and all National Laws giving
effect thereto.
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