CHARMED 1X06: WEDDING FROM HELL PROD #4398004 ORIGINAL AIR DATE ON WB: 11/11/1998 TRANSCRIBED FROM WB/TNT Written by: GREG ELLIOTT & MICHAEL PERRICONE Directed by: R. W. GINTY Transcript by Intrepid Courtesy of http://www.webphilia.com/~anthology/wnp.html Do not archive this transcript without permission from the Transcriptionist. RATING: TV-PG-LSV ========================== DISCLAIMER: ========================== "CHARMED", "The Charmed Ones" and other related entities are owned, (TM) and (c) by CONSTANCE M. BURGE, AARON SPELLING Television Inc (A Paramount / Viacom Co.) and WB (AOL Time Warner Company). All Rights Reserved. This transcript was made without their permission, approval, authorization or endorsement. For Fair Use, for Entertainment and for Educational Purposes Only. Any reproduction, duplication or distribution of this material in any form is expressly prohibited. It is absolutely forbidden to use it for commercial gain. CONDITIONS OF USE: (1) Do not alter the content of this file. (2) Leave the headers/disclaimers in tact because it lists all those who have made this transcript possible for your enjoyment. (3) Provide a link back to the site where this file originated: http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) ========================== SUMMARY: Phoebe thinks that Piper's pregnant with a demon baby. Piper caters the wedding of the season when the Quake chef absconds. The Charmed Ones desperately need a bathroom schedule. ========================== CHARMED 1X06: WEDDING FROM HELL ========================== FADE IN: [EXT. SAN FRANCISCO BRIDGE (STOCK) - DAY] [EXT. SPENCER RESIDENCE (STOCK) - DAY] [EXT. SPENCER RESIDENCE - GARDENS -- DAY] (Allison Michaels walks up to the pale pink rose bush and lightly touches the flower. She moves on looking around her.) (Elliot Spencer walks up to her holding out a white rose. He offers it to her.) ELLIOT SPENCER: Mrs. Allison Spencer I presume? (She takes it from him and smells it. She smiles.) ALLISON MICHAELS: (teasing) You mean Mrs. Allison Michaels Spencer don't you? (They walk a bit. Elliot notices Allison's pensive mood.) ELLIOT SPENCER: You wanna be alone? ALLISON MICHAELS: No. ELLIOT SPENCER: (doubtful) You're not getting cold feet are you? ALLISON MICHAELS: No, Elliot, I am definitely not getting cold feet. I love you, you know that. ELLIOT SPENCER: But... ALLISON MICHAELS: I don't know, it's just so overwhelming. I mean, after all these years of dreaming about us getting married, I just, I don't want anything bad to happen, that's all. ELLIOT SPENCER: I've got an idea. Let's elope. ALLISON MICHAELS: Yeah, right, like your mom would really allow that. (He leans forward and kisses her.) GRACE SPENCER: (o.s.) Elliot? ALLISON MICHAELS: Speak of the devil. (Grace Spender joins them.) ELLIOT SPENCER: Hi mom. GRACE SPENCER: I have been looking all over for you. Did you get the marriage certificate yet? ELLIOT SPENCER: Not yet. GRACE SPENCER: Well, you have to. The wedding won't be legal without it. ALLISON MICHAELS: We're going to City Hall tomorrow before the rehearsal dinner. GRACE SPENCER: But why not go today? (Grace's anxiety makes Allison smile.) ELLIOT SPENCER: Mom, relax will you. Why are you so bent about this? (Off screen, we hear footsteps approaching. Allison turns and sees someone behind Grace.) ALLISON MICHAELS: Who's that? (Grace turns around and sees Jade D'Mon standing down the path.) GRACE SPENCER: Oh, no. (They recognize each other.) ELLIOT SPENCER: Who is it? GRACE SPENCER: Someone I haven't seen for a long time. (Grace and Jade D'Mon stare at each other. Grace turns back to Elliot and Allison and smiles. She turns to meet with Jade.) (When she reaches Jade, she turns back to see Elliot and Allison kiss.) GRACE SPENCER: What are you doing here? JADE D'MON: What's the matter? Forget about our little pact? GRACE SPENCER: No, Jade, but I was hoping that you did. My God, you haven't aged in twenty years. JADE D'MON: You could've asked for eternal youth, Grace, instead of choosing wealth, power, all this. You've had a good life haven't you? (Kirsten, a blonde woman, joins them.) KIRSTEN: Where to? JADE: Oh, have the butler show you to our rooms. Tell him Mrs. Spencer was expecting us. (Kirsten looks intently at Grace. She turns and heads for the house.) GRACE SPENCER: You can't just move in here. People will be suspicious. What will I say? JADE D'MON: Say the truth. Say your son's had a change of heart. That was our deal remember? Don't worry, Elliot won't even know what you did until it's over. (Jade raises her hand toward Elliot. She blasts him with an unknown, unseen power which causes Elliot to collapse on the ground. Allison falls to her knees next to Elliot to shake him. His eyes are open, but he's unresponsive.) ALLISON MICHAELS: Elliot! Elliot! (Allison looks up and screams. Grace turns and looks at Jade. Jade walks away toward the house.) ALLISON MICHAELS: (screams hysterically) Help me! No! DISSOLVE TO: [EXT. HALLIWELL MANOR (STOCK) - DAY] LEGEND: ONE WEEK LATER [INT. MANOR - SECOND FLOOR HALLWAY OUTSIDE BATHROOM - DAY] (Prue walks up to the closed bathroom door and knocks.) PRUE: Piper, are you still in there? [INT. MANOR - SECOND FLOOR BATHROOM - DAY -- CONTINUOUS] (Inside the bathroom, Piper looks at an early pregnancy test kit box. PIPER: I'm almost done. PRUE: (through door) Define "almost". PIPER: Just give me another minute ... or two. (Piper looks at the "ONE STEP PREGNANCY TEST" box instructions. It reads: "You can choose the test method you prefer. Simply hold the absorbent tip directly in your urine stream. Or if you prefer, collect your urine in a clean cup and dip the absorbent tip. "Fast, Accurate Results - 'Positive' results may appear in as early as 1 minute. "Negative" results are confirmed in just 3 minutes. One Step Pregnancy Test is proven over 99% accurate in clinical and consumer studies." PRUE: (through door) You're positive? PIPER: (whispering) I hope not. PRUE: Piper, I cannot be late today. PIPER: (whispering) I know the feeling. PRUE: My first biannual auction starts tomorrow and ... PRUE/PIPER: (both) I want to do a good job. PIPER: Yes, I know. PRUE: So, can you hurry? PIPER: Just use the bathroom downstairs. PRUE: All my stuff is up here. PIPER: Well, borrow mine. It's all down there. PRUE: But then ... (sighs) ... never mind. (Rather than argue, Prue turns and leaves. Piper goes back to staring at the box.) (In the hallway, Phoebe walks up to the door. She knocks on the door.) PHOEBE: Piper? PIPER: I'll be right out. PHOEBE: Is there any hot water left? (Piper turns and tosses the empty box in the trash bin. She sighs and opens the door.) PIPER: What? PHOEBE: Am I in for a cold shower? Yes or no? PIPER: At certain times in our life, a cold shower is probably a good thing. (Piper walks past Phoebe.) PHOEBE: Not three mornings in a row, it's not. (Phoebe walks into the bathroom and closes the door behind her. Phoebe starts brushing her teeth when she turns and just happens to glance in the trash bin. She sees the empty pregnancy test kit box.) (She picks the box up and has a premonition.) (Quick flash of: [DELIVERY ROOM] Someone is having a baby. The doctor's eyes widen as he lifts up a red demon-baby - covered in blood, pointed ears and short stubby horns protruding from its head.) (End of premonition. Resume to Phoebe.) (Phoebe is stunned.) FADE TO END OF TEASER ROLL TITLE CREDITS FADE IN. [EXT. VARIOUS SAN FRANCISCO (STOCK) - DAY] [EXT. HALLIWELL MANOR (STOCK) - DAY] [INT. MANOR - KITCHEN - DAY] (Piper picks up a tray of hors d'ouevres from the table and puts it on the counter with the other trays. Its apparent that she's been cooking all day in preparation to cater an event.) (She picks up the pot holder and takes out another tray from the oven. She puts it on the counter and takes the pot holder glove off her hand.) (Prue walks in and checks the fridge. The phone rings. Piper answers it.) (Prue fills up her thermos with coffee.) PIPER: (o.s.) Hello? (pauses) Okay, thanks. Bye. (Piper hangs up.) PRUE: The three of us definitely need to figure out some kind of a morning schedule. (Piper clutches the phone to her chest as she rocks back and forth. Prue pours cream into the thermos.) PIPER: I think I'm gonna be sick. PRUE: In the upstairs or downstairs bathroom? PIPER: Maybe Phoebe can help me cater the Elliot-Spencer wedding tomorrow. PRUE: Shouldn't you check with the chef who hired you first? PRUE: That would be Chef Moore. PRUE: Ah. PIPER: ... Who is on his way to France and since technically the contract is with Quake, he is off the hook and I'm on the line. Now I have to tell one of the richest families in the city that the chef they hired can't do their wedding. They're stuck with me and I hope they go for it. PRUE: Bright side? Who else they can hire in twenty-four hours? (Piper lets out a breath.) PRUE: Piper, it's not the end of the world. (Phoebe walks cautiously into the room.) PHOEBE: What's not the end of the world? PRUE: Piper's problem. PHOEBE: Oh, you know too? PRUE: She just told me. PIPER: (to Phoebe) How do you know? PHOEBE: (points to the bathroom) Oh, I ... PRUE: (interrupts) Piper can definitely handle this. Frankly, I don't even think anyone will notice. (Phoebe looks at Prue, confused by what she just said.) PIPER: (to Phoebe) I thought maybe you could help me. PHOEBE: Me? What can I do? PIPER: Pick up some supplies. Tie some bows. Offer moral support if I panic and freeze anything. Ten bucks an hour. PRUE: (to Phoebe) Ooh, I'd take it. (to Piper) Good luck with the wedding. (Prue leaves the kitchen.) PIPER: So, will you do it? PHOEBE: Yeah, sure. PIPER: Okay. Here's a list of supplies I need. I'll go to the Spencer Estate and you can meet me there at one. (Piper hands the list to Phoebe.) PHOEBE: You and Prue were really just talking about a wedding? PIPER: Yeah, what did you think we were talking about? PHOEBE: Jeremy and his aftermath. You know, you slept with him. PIPER: Don't ever mention that warlock's name again. It is over. He's in demon hell. End of story. Wedding, yes; warlocks, no. Am I clear? (Phoebe nods.) Good, because there is nothing in me that wants anything to do with Jeremy ever again. (Piper walks out of the kitchen. Phoebe picks up a goodie from the tray.) PIPER: (o.s.) Don't touch those! (Busted, she puts it down and looks back at the empty doorway.) FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SAN FRANCISCO (STOCK) -- DAY] [EXT. SPENCER ESTATE (STOCK) - DAY] [EXT. SPENCER ESTATE - DRIVEWAY - DAY] (Piper drives up to the gate. The intercom beeps.) MAN: (from speaker) Yes, may I help you? PIPER: Uh, my name is Piper Halliwell. I'm the caterer. MAN: (from speaker) I have a Chef Moore listed as the caterer. PIPER: Yeah, there's been a change. MAN: (from speaker) Sorry, Ma'am. PIPER: I've got ice sculptures melting over wedding cake. I've got to get in now. MAN: (from speaker) Someone will be with you in a moment. (The gate starts to open and two Security Guards walk down the driveway toward Piper.) (Father Trask, dressed in old priests robes, rushes toward Piper's car.) FATHER TRASK: Please! I have to get into the compound. This is a matter of utmost importance. I must get in. (The Security Guards see Father Trask and grab him.) SECURITY GUARD: Father Trask. We've been expecting you. PIPER: Hey, easy on the padre, buddy. SECURITY GUARD: Go right ahead in, ma'am. FATHER TRASK: She is the bearer of the demon child. Beware Hecate! (The Security Guards pull him away.) PIPER: (to herself) Hecate? Okay. (Piper starts her car, shifts it into gear and drives forward.) CUT TO: [EXT. BUCKLAND AUCTION HOUSE (STOCK) - DAY] [INT. BUCKLAND - REX'S OFFICE -- DAY] (Prue looks at the statue set in front of Hannah.) PRUE: It's a Lassa Warrior fertility goddess. Very rare and very powerful. The tribe believed that its mere presence would help a woman conceive. HANNAH WEBSTER: Mm. You take it. My biological clock's not the one that's ticking. (She glances at Prue. Rex walks into the office.) REX BUCKLAND: Prue, your sister's here to see you. She's waiting in your office. PRUE: Which sister? REX BUCKLAND: The one who, upon seeing your office, said, "Damn, I should go back to college." PRUE: Phoebe. Well, for once her timing's good. Uh, the fertility icon has been catalogued. REX BUCKLAND: I'm sorry, it's, uh ... no longer available. (Prue nods. She walks out of the office. Rex closes the door and rounds on Hannah.) REX BUCKLAND: Hannah. That was very careless of you. You should know for whom we acquired this. HANNAH WEBSTER: Look, her sister's catering the wedding. Prue won't even be there. (Rex takes a nervous breath and looks at the statue again.) CUT TO: [INT. BUCKLAND - PRUE'S OFFICE - DAY -- CONTINUOUS] (Phoebe's sitting behind Prue's desk, her ankles on the desk, while she talks on the phone.) PHOEBE: (to phone) Oh, got to go. (Phoebe hangs up.) This place rocks. No wonder you never want to come home. PRUE: Get out of my chair. PHOEBE: I love, too, that you found time to scribble a morning shower schedule for we Halliwell sisters. I noticed that I'm last. PRUE: What are you doing here? I thought that you were helping Piper with the wedding. PHOEBE: I am, but I need to talk to you. PRUE: You've got five minutes. Go. PHOEBE: Okay. Uh ... I had a vision this morning, and in this vision ... a thing was being born. So I started to think back, oh, six, eight weeks ago -- PRUE: (interrupts) Oh, my god. You're pregnant. PHOEBE: What? PRUE: That's why you came back from New York, isn't it? PHOEBE: No, but I shouldn't be surprised that you would think that. After all, I am the irresponsible sister, the black sheep who always screws up, the dark cloud over the Halliwell household. PRUE: Phoebe. PHOEBE: Okay. I'm not pregnant. PRUE: But then why -- PHOEBE: Excuse me. I think I still have two more minutes. FYI -- you have another sister who has had sex. Remember Jeremy? The guy who blew up in the attic? The warlock boyfriend? Think about it, Prue, because it wasn't me in that vision having the demon child. It was Piper. So if you won't believe me, you can believe my power. (Phoebe turns and leaves.) CUT TO: [EXT. SPENCER ESTATE (STOCK) - DAY] [EXT. SPENCER ESTATE - GARDENS -- DAY] (Grace walks up to Allison.) GRACE SPENCER: You have to stop calling here, Allison. Do you understand? ALLISON MICHAELS: Do I understand? Are you kidding me? What the hell's going on? Why won't Elliot return any of my calls? GRACE SPENCER: I can't explain right now. ALLISON MICHAELS: Well, you damn well better explain, because I am not leaving here until you do. I've called the police, the sheriff. Nobody will listen to me. Nobody believes me. GRACE SPENCER: I know how hard this must be -- ALLISON MICHAELS: Who is this Jade? GRACE SPENCER: She's an old acquaintance of the family. ALLISON MICHAELS: I don't believe that. Elliot would have told me about her. GRACE SPENCER: There are many things about our family that you will never understand. ALLISON MICHAELS: Then let Elliot explain it to me. If he's going to marry somebody else, I want to hear it from him. GRACE SPENCER: It's over, Allison. That is all you need to know. Elliot doesn't love you anymore. ALLISON MICHAELS: How can you say that? GRACE SPENCER: I'm sorry. He's going to marry Jade D'mon. Please don't ever call here again. (Grace turns and walks away.) CUT TO: [INT. SPENCER ESTATE - KICHEN - DAY] (Piper walks up to the Chef standing in front of the stove stirring a boiling pot.) PIPER: Keep that at a simmer, not a boil. (The chef removes the spoon and reduces the heat. Piper puts her clipboard down on the counter and covers her face with her hands. Phoebe walks into the kitchen carrying a couple bags of supplies.) PHOEBE: Hey, sis. PIPER: Finally! Did you get everything? PHOEBE: Most of it. PIPER: (to the chef) No, wait! I've got buns in the oven. PHOEBE: You're not kidding. PIPER: Phoebe, I expected you over an hour ago. Where have you been? PHOEBE: I went to see Prue. PIPER: At the Auction House? That's all the way down -- What were you doing there? PHOEBE: Adding more bricks to the wall between us. (The butler walks in.) CHARLES (BUTLER): Mrs. Spencer and Miss D'mon will see you now. PIPER: Miss D'mon? CHARLES (BUTLER): The bride. Jade D'mon. PIPER: But I thought the bride's name was Allison - CHARLES (BUTLER): Does not like to be kept waiting. (Charles turns and leaves expecting them to follow him. Both Piper and Phoebe turn around.) PIPER/PHOEBE: (softly) Okay. (They walk around the counter and head for the door.) CUT TO: [INT. SPENCER ESTATE - DAY] (Jade is having the dress fitted. Grace walks in and sees her.) GRACE SPENCER: Oh, my son is very lucky. You're going to be a beautiful bride, Jade. JADE D'MON: Thank you, Grace. CHARLES (BUTLER): Miss Piper Halliwell. (Piper and Phoebe walk into the room.) PHOEBE: And her sister chopped liver. PIPER: Mrs. Spencer, it's so nice of you to see me. Um ... wow. Your dress. It's beautiful. I'd recognize the style anywhere. It's a Shiro, isn't it? JADE D'MON: (blankly) Is it? GRACE SPENCER: How are things in the kitchen? PIPER: (Piper looks at her clipboard.) Um, right on schedule. The lobsters arrive tomorrow morning, the hors d'ouevres are ready, Chef Moore is in France, and the puff pastries are baking. (They heard that. Grace, Jade and Kirsten round on Piper and Phoebe.) JADE D'MON: What? GRACE SPENCER: Chef Moore's gone? PIPER Yeah. Um, I'll be handling the catering. GRACE SPENCER: Charles, get me my pill. JADE D'MON: My wedding! It's ruined! PIPER: Oh, my. No, no. I would never let that happen. I know you may have made the deal with Chef Moore, but I have been involved with every step of the preparation. So if you'll let me, I can guarantee you a wedding that your children and grandchildren will talk about for generations. PHOEBE: Okay. We don't need to talk about children just yet. Look, you don't know me. Hell, I barely know me. Okay. But I do know my sister, and she is the best damn chef in this city. No one - and I do mean no one-- puts the love and tender care that Piper puts into her cooking. So you should not only be grateful that Chef Moore bagged out. But you should consider yourselves lucky. JADE D'MON: If there is even the slightest hitch, I will have your head. (Phoebe glares at Jade. Piper's jaw drops.) Kidding. (She chuckles. Jade turns to look at Grace.) GRACE SPENCER: Then it's settled. PIPER: Uh, no. Actually, there's just one more thing. I need to confirm the party trays for the bachelor and bachelorette parties tonight. It looks like no decision has been made yet about the type of deli sandwiches for the bachelor party -- JADE D'MON: Whatever you decide is fine. GRACE SPENCER: I think my son can make any decisions about his own bachelor party. JADE D'MON: Then we'll ask him together. (Jade heads back to the dressmaker to have the dress fitted.) PHOEBE: I thought it was bad luck to see the bride before the -- ouch! (Piper pinches Phoebe to shut up. She grabs Phoebe and pushes her toward the door.) PIPER: Come on. (Jade takes a step back and the seamstress accidentally pokes the pin into Jade. Jade doesn't flinch.) JADE D'MON: Is there a problem? DRESSMAKER: (startled) No. No problem at all. (She removes the pin.) I'm finished. JADE D'MON: Then go! (The dressmaker takes her pins, stands up and leaves.) FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SPENCER ESTATE - YARD -- DAY] (Derrick, the security guard, walks along the yard.) SECURITY GUARD 1: (o.s.) Hey, Derrick, come over here. (Derrick runs over to the other two Security Guards who grabbed Father Trask. They stop in front of an open van as its being unloaded.) DERRICK: What's the matter? What happened? SECURITY GUARD 1: The priest. He got away from us. DERRICK: What? Check the perimeters. Go. (He pushes them and the two security guards run.) (to radio) All sectors, code 3. Father Trask is on the grounds. Find him. (Camera lingers on the back of the van. As soon as the two men unloading the van clear out, we see that Father Trask is hiding in the back of the van. He steps out and removes his priests' robes. He grabs one of the worker's jackets and puts it on.) (He picks up a ritual athame and slips it into his pants. He pulls his jacket over the athame hilt. He jumps out of the van and heads for the house.) CUT TO: [INT. SPENCER ESTATE - HOUSE - HALLWAY -- DAY] (Allison walks through the hallways looking for Elliot. She walks up to a closed door, opens it and slips inside.) [INT. SPENCER ESTATE - ELLIOT'S BEDROOM - LOBBY -- DAY] (Allison finds Elliot on the bed reading a HONEYMOON magazine.) ALLISON MICHAELS: Oh, Elliot. (She sits on the edge of the bed.) What have they done to you? Listen to me, Elliot. You can't go through with this wedding. Jade doesn't love you. She barely even knows you. (The door opens. Jade, Grace and Kirsten walks into the room.) JADE D'MON: Well, if it isn't Allison. (He recognizes her a bit.) ELLIOT SPENCER: Allison? ALLISON MICHAELS: Yes. JADE D'MON: Don't just stand there. Call Security. GRACE SPENCER: Of course. ALLISON MICHAELS: Don't bother. I was just leaving. (Allison gets up. She doesn't see Elliot reach out a hand to her as she heads for the door.) KIRSTEN: Let me show you the door. (Kirsten, Allison and Grace leave. Jade closes the door behind them.) (In the background, we hear the security alarm blaring.) CUT TO: [INT. SPENCER ESTATE - HOUSE - HALLWAY -- DAY] (Piper and Phoebe run through the hallway, the alarm is blaring.) PIPER: Is that the security alarm? What happened? (They run out into the lobby where the see three movers walk in. One of them looks really familiar to Piper.) PIPER: Hey, that's the priest. (With his head down, Father Trask moves away from the other workers. Phoebe and Piper watch as Kirsten and Grace force Allison out of the house.) (Elliot runs out of the room onto the hallway where he looks down at Allison. Allison looks up and sees Elliot.) ALLISON MICHAELS: Don't forget, Elliot. Remember what I said. It's not too late. (Kirsten forces Allison out of the house.) ELLIOT SPENCER: Don't hurt Allison! (Jade grabs Elliot and pulls him back into the bedroom.) JADE D'MON: Get in here. (Piper and Phoebe watch and see Father Trask slowly making his way up the stairs, the athame in his hand. They run to get help.) CUT TO: [INT. SPENCER ESTATE - ROOM - DAY -- CONTINUOUS] (Inside the room, Jade looks out the window, her back to the door. The door opens and Father Trask steps into the room. He holds the athame out in front of him.) (Jade turns around.) JADE D'MON: Father Trask. (Father Trask steps into the room.) FATHER TRASK: I banish thee ... back to the underworld, Hecate! JADE D'MON: Not today, Trask. (Behind him, Kirsten steps forward. She changes into a demon, grabs Father Trask by the head and twists, breaking his neck.) JADE D'MON: Get rid of him. (She drops him to the floor.) CUT TO: [INT. SPENCER ESTATE - KITCHEN - DAY -- CONTINUOUS] (Phoebe and Piper run into the kitchen to get Security.) PIPER: He's after the bride upstairs! (From the other room, they hear glass shattering. Security turns and runs out of the kitchen. Piper and Phoebe follow.) PIPER: Oh, no. Go! CUT TO: [EXT. SPENCER ESTATE - DRIVEWAY - DAY -- CONTINUOUS] (Piper and Phoebe lead the security man out to the driveway where they find a small cluster of security guards standing around Father Trask. The athame is on the driveway near his hand. Father Trask is dead.) (Up above is a broken window.) (Just below the broken window is Grace Spencer looking down at the driveway below.) DISSOLVE TO: [EXT. SPENCER ESTATE - DRIVEWAY - DAY - SOME TIME LATER] (Emergency personnel is there investigating the crime scene. Piper and Phoebe stand next to Allison just outside the crime scene tape.) (Piper hands Allison a tissue.) PIPER: Here you go. (She takes the tissue.) ALLISON MICHAELS: Thanks. PIPER: No worries. This is all kind of freaky, huh? ALLISON MICHAELS: You have no idea. PHOEBE: What my sister meant to say was, what is up with you an Elliot? PIPER: Phoebe. PHOEBE: You love him, don't you? ALLISON MICHAELS: (crying) With all my heart. PHOEBE: Ok, well, is that's true, then why -- ALLISON MICHAELS: I've got to go. (Allison turns and leaves.) PIPER: This is so sad. We have to do something. PHOEBE: Yeah, but what? PIPER: I don't know. We're good witches. It's our job, right? PHOEBE: I wouldn't be worrying about Allison's problem just yet. (Phoebe turns and leaves.) PIPER: What the -- (An Officer with a notebook moves in and starts asking Piper questions.) CUT TO: [EXT. SPENCER ESTATE - DRIVEWAY - DAY -- CONTINUOUS] (The coroner's office wheels away the gurney with the body bag on it.) (Andy and Darryl question Jade D'Mon.) JADE D'MON: How many times do I have to go through this? ANDY TRUDEAU: Until I'm sure I understand you. You say Trask chased you to the window? JADE D'MON: Yes. With that big knife. He was saying the most horrific things. Crazy things. He lunged at me. I screamed, and I ducked, and the next thing I knew, he was dead. (Darryl and Andy look at each other.) It was awful. Can I go now? I have, like, a million things to do before my wedding tomorrow. DARRYL MORRIS: Sure. (Jade turns and walks away.) ANDY: Sorry the dead man on your driveway was such an inconvenience. DARRYL MORRIS: Welcome to lifestyles of the rich and shameless. (Andy glances up at the broken window.) ANDY: Look at that window, Morris. Look where Trask landed. Tell me how anyone could have jumped that far. DARRYL MORRIS: That's why we get paid the medium bucks. To figure it out. (With their eyes on the broken window above, Andy and Darryl head for the house.) CUT TO: [INT. SPENCER ESTATE - BALCONY - DAY -- CONTINUOUS] (Grace and Kirsten argue on the balcony.) GRACE SPENCER: Kirsten! Killing a priest was not part of our deal! KIRSTEN: A word of advice -- you keep your eyes closed and your mouth shut! In twenty-four hours, Jade will be pregnant. This will all be over. (Kirsten turns to leave, Grace grabs her arm.) GRACE SPENCER: If anything happens to my son Elliot - KIRSTEN: You should have thought about that before you agreed to our arrangement. And let me remind you of one more thing, Mrs. Spencer. We're still on the second floor. (Kirsten looks down at the lobby below. Grace gets the threat. Kirsten turns and leaves.) CUT TO: [EXT. BUCKLAND AUCTION HOUSE (STOCK) - DAY] [INT. BUCKLAND AUCTION HOUSE - PRUE'S OFFICE -- DAY] (Prue is working on her laptop when there's a small knock on the door.) REX BUCKLAND: You wanted to see me, Prue? PRUE: Yeah. I wanted to know what you wanted me to do with the fertility icon. (Prue walks over and puts her hand on the statue on the computer desk.) REX BUCKLAND: (confused) Uh ... sorry? PRUE: Well, it's the companion piece to the female icon. The one you didn't want cataloged before. REX BUCKLAND: Oh, right. Yeah. Um ... yeah, by all means, go ahead and tag this one for the auction. That particular client only wanted the female icon. PRUE: Ok. REX BUCKLAND: It's a wedding gift, actually, quite an exquisite one at that, for the Spencer bride. PRUE: Spencer? Really? My sister's catering that wedding. REX BUCKLAND: Is she? Small world. Is that the sister that I met? Uh, Phoebe? PRUE: No. I have another sister--Piper. Although Phoebe will be helping her out. REX BUCKLAND: I see. And what about you then? PRUE: Me? I don't do weddings. REX BUCKLAND: I was just wondering how close you and your sisters were. Anyway ... carry on. (Rex turns and leaves the office.) [INT. BUCKLAND AUCTION HOUSE - REX'S OFFICE - DAY -- CONTINUOUS] (Rex walks into his office and finds Hannah standing in front of a life-sized statue. He gazes at her appreciatively. He closes the door behind him.) (She turns around.) HANNAH WEBSTER: Well? REX BUCKLAND: Unfortunately, you're right. Prue won't be in attendance. HANNAH WEBSTER: Does that mean we can still go? REX BUCKLAND: No, no. I'm afraid not. It's too risky. (Hannah smiles.) Don't pout, Hannah. I'm sure we'll think of something to do. Perhaps we could go to a football match. Watch some players get injured. Hmm? (Hannah considers it and smiles. Rex steps forward and caresses Hannah's cheek.) CUT TO: [INT. BUCKLAND AUCTION HOUSE - PRUE'S OFFICE - DAY -- CONTINUOUS] (The door to Prue's office is open. We see Andy in the doorway. He looks into the office and finds Prue kneeling on the floor next to the fertility icon. He watches as she removes a yellow post-it from the icon's body.) ANDY: I'll come back when you're alone. (Prue puts the icon down and stands up.) PRUE: Uh, no. It's ok. I'm finished. Uh, somebody just put a sticky inventory tag on his ... uh ... ANDY: Artifact? PRUE: (smiles) Yes. Yes. The artifact. (Prue turns and heads back to her desk.) PRUE: I should know that word, shouldn't I? (Andy steps into the office and closes the door behind him.) Uh, where is your, um ... ANDY: (teasing) Artifact? (Prue's speechless. Andy takes out a large manila envelope.) ANDY: Right here. PRUE: May I? ANDY: It's all yours. (He hands the envelope to Prue who opens it and takes out the knife. Andy sits down in the seat across the desk.) ANDY: It's the knife I called you about. Thanks for seeing me on such short notice. (Prue takes out the knife and puts on her glasses.) PRUE: Any time. I'm happy you called. (Prue studies the athame.) This poingnard is exquisite. Fourteenth century, Italian. "Nec prius absistit quoad protero prodigium." ANDY: My Latin's a little rusty. "He shall not ... " PRUE: "I shall not ... I shall not rest until the demon is vanquished." Let me see what else I can find. (Prue pulls her laptop closer to her and looks it up.) PRUE: You found this at a crime scene? ANDY: It was on the victim. PRUE: What was on the suspect, chain mail and a coat of armor? ANDY: It belonged to a priest. He was at the Grace Spencer Estate. PRUE: The Spencer Estate? Piper's catering a wedding there tomorrow. ANDY: I know. I saw her and Phoebe. Don't worry. They're fine. (Prue hits another button and a second page appears. It's about HECATE QUEEN OF THE UNDERWORLD. The picture depicts a female demon holding a demon baby.) PRUE: (mutters) This can't be a coincidence. ANDY: What? (Andy leans forward to look at the laptop. Prue tries to cover.) PRUE: Um ... nothing. I'm just mumbling to myself. Do you mind if I keep this for a while? I'd like to show it to Russell in Armaments. ANDY: Sure. I checked it out so you could research it. PRUE: Right. I'll call you. (Prue grabs her bag, stands and heads out the door. She leaves Andy sitting there.) ANDY: Okay. (Andy sits up and walks around the desk to look at the web page on Prue's laptop.) FADE OUT. (COMMERCIALS) FADE IN. [EXT. HALLIWELL MANOR (STOCK) - NIGHT] [INT. MANOR - KITCHEN -- NIGHT] (Phoebe is looking at the picture in a book of Hecate and her demon baby. Piper walks in carrying a large box. She's upset.) PIPER: I knew I wasn't crazy. Look at these matches. Look at these napkins. They all say "Allison and Elliot," not "Jade and Elliot." PHOEBE: That explains a lot. PIPER: And look at this. It's Chef Moore's contract for the wedding. Up top it says, "The Wedding of Allison Michaels and Elliot Spencer." Allison is supposed to marry Elliot tomorrow, not Jade. PHOEBE: That's probably why she was crying. I wonder what happened? PIPER: Me, too. Could you imagine watching the man you love marry somebody else? PHOEBE: No. Poor Allison. PIPER: Now we have to help her. We're the only ones that know about this. We're the only ones who can. PHOEBE: Okay, I can't hold this in any longer. Your name isn't Piper, and that's the good news. You're really Hecate, Queen of the Underworld. You're pregnant with the demon child, which means, I'm afraid I have to kill you. PIPER: What? PHOEBE: Not to worry. You have plenty of time. I still have to find the jeweled poignard to kill you with. See? (Phoebe flips the page in the book and shows Piper the photo of the knife.) PRUE: (o.s.) Are you talking about this? (They look up and see Prue standing in the doorway holding the knife.) PHOEBE: The odds, Piper. What are the odds? (Phoebe puts the book down.) PIPER: I'm not pregnant. Trust me. PRUE: Well, that's good news. PHOEBE: Are you kidding? That's great news! (Phoebe hugs Piper.) You can live. Wait. My vision ... PRUE: Phoebe, what is it that you saw exactly? PHOEBE: Well, I saw the ... thing being born. PRUE: Did you see Piper? PHOEBE: Yes, I saw her legs. PRUE: Never saw her face? PHOEBE: No. PIPER: Hello, bickering sisters! I'm not pregnant, but I am in the room. Phoebe, how did you know I took a pregnancy test? PHOEBE: I, uh ... I found the box in the bathroom. PIPER: You're supposed to take the trash out, not dig through it. PHOEBE: Piper, it's not like that. PIPER: We're making those bathroom schedules now. PRUE: We have bigger problems to deal with. Cliff notes version? The priest who was killed today, he belonged to a secret order pledged to stop Hecate. PIPER: "Beware Hecate." That's what Father Trask said. Then he tried to kill Jade. PRUE: Yeah. She's a demon. She comes to earth every two hundred years. She has to find an innocent, put him under her spell, and marry him in a sanctified wedding. PHOEBE: That doesn't sound any different than most of the single women in this city. PRUE: Well, she needs Elliot to impregnate her. That way her child would look normal on the outside, but internally and mentally, her child would be pure demon. PIPER: This is huge. A child born into the wealth and power of the Spencer family? PRUE: And I don't think it's a coincidence that you're catering the wedding. I think it's one of those things that we can kind of look forward to as protectors of the innocent. PHOEBE: Hmmm. PIPER: Well, before we ruin the wedding and my career, let's make sure we're right about Jade. CUT TO: [EXT. SPENCER ESTATE (STOCK) - NIGHT] [INT. SPENCER ESTATE - BEDROOM -- NIGHT] (Through the window, we see Prue, Piper and Phoebe peeking into the room. Inside the room, Jade opens a gift and shows the black see-through negligee that she just received.) JADE D'MON: This should make his assets rise. PRUE: Looks like a normal bachelorette party to me. PIPER: I don't believe it. They've barely touched my food. PRUE: Piper. PIPER: Those deli trays took hours! KIRSTEN: And you know who this is from. They understand how important it is for you to get pregnant right away. (Kirsten holds a wrapped item. She hands it to Jade. Jade unwraps it. Prue recognizes it immediately.) PRUE: Hey, I know that piece. It's from the Auction House. (There's a knock at the door.) JADE D'MON: Come in. (The door opens and the pizza boy walks in.) STRIPPER: Hi. Pizza delivery. PIPER: They ordered pizza? (He opens the delivery bag and takes out a tape player. The music starts and the pizza boy starts dancing.) PIPER: Oh. Okay. Now I feel better. (The women smile as he rips off his pants.) KIRSTEN: Mmm. He looks good enough to eat. JADE D'MON: Good idea. (Jade and the other bridesmaids surround the pizza boy.) JADE D'MON: Girls! I'm the bride. (Prue, Phoebe and Piper watch in horror as Jade's claw-like hands scratch the pizza boy's bare chest. He falls to his knees in front of them as they feed on him.) CUT TO: [EXT. SAN FRANCISCO (STOCK) - DAY] [EXT. HALLIWELL MANOR (STOCK) - DAY] PRUE: (v.o.) Somehow, we have to stop them. [INT. MANOR - CONSERVATORY -- DAY] (Phoebe walks into the conservatory carrying a cup of coffee. She joins Prue at the table. Piper lounges on the couch.) PHOEBE: So, there's only one problem with our plan. We're assuming that Allison is gonna be a willing accomplice. PIPER: She still loves Elliot. You heard what she said. PRUE: And the Book of Shadows says the spell can be broken by a declaration of love sealed with a kiss. PIPER: It's so romantic. Just like a fairy tale. And once Elliot is out of his spell, Jade's out of luck. No wedding, no honeymoon night. PRUE: No honeymoon, no sex, and no sex, no monster-child spending alternate weekends with daddy. PHOEBE: I still say we rely on our "Power of Three" thing and ix-nay the monster bride and her carnivorous bridesmaids. PIPER: Phoebe, we're supposed to help people, not harm them. PRUE: And that's exactly what we're gonna do. You two will get Elliot, I'll get Allison, and we'll meet at the front gate no later than 2:30. Everybody have their weapons? (Piper grabs her phone, Prue grabs her phone and Phoebe grabs the knife. Prue reaches for the knife.) PRUE: I'll take that. Ok. So it's time to shower, shampoo, and go kick some Hecate butt. (Prue leaves the room.) PHOEBE: Did she just say "shower"? PIPER: She did, didn't she? PHOEBE: Hot water! PIPER: Hot water! (Phoebe and Piper both run out of the room.) CUT TO: [EXT. CHURCH (STOCK) - DAY] [INT. FATHER TRASK'S OFFICE -- DAY] (Darryl and Andy are searching through Father Trask's things.) DARRYL MORRIS: (to phone) Yeah. Ok. Thanks. (Darryl hangs up.) ANDY: M.E. Report? DARRYL MORRIS: Mm-hmm. It is now officially a homicide. The priest's neck was broken before he went out the window. ANDY: Told you. DARRYL MORRIS: So what? You're saying that little hundred and twenty-pound blushing bride tossed him out the window? ANDY: I don't think so. The security tapes from the estate might show us who did. (Darryl takes out his notebook to make a note of it.) DARRYL MORRIS: That's a good idea. (Andy smiles and stops him from writing.) ANDY: I already had them sent to the station. (Andy heads out of the office.) DARRYL MORRIS: Oh. You did, did you? (Andy and Darryl walk out of the office.) CUE SOUND: (PRE-LAP) DOORBELL CUT TO: [INT. MANOR - FOYER -- DAY] (Prue opens the door.) PRUE: Allison Michaels? ALLISON MICHAELS: Yes. Prue Halliwell? PRUE: Thanks for coming. Come in. (Allison steps into the house.) ALLISON MICHAELS: You said it was important. (Prue hands Allison the embossed napkin: Allison and Elliot.) ALLISON MICHAELS: Where did you get this? PRUE: This won't take long, I promise. (Prue leads her into the house.) CUT TO: [EXT. SPENCER ESTATE - GARDEN -- DAY] (Piper and Phoebe walk across the yard. Piper sees the delivery person with the box of seafood.) PIPER: Oh, I'll need those in the kitchen right away. DELIVERYMAN: Yes, ma'am. (Piper sees a waitress carrying a tray of fruit. Piper stops her.) PIPER: No, no, no! Not in the sun. Get an umbrella. PHOEBE: Ok. Correct me if I'm wrong, but aren't we trying to stop this wedding? PIPER: You're right. I just can't help myself. PHOEBE: Forget the food. Let's go. PIPER: Ok. (Phoebe and Piper head for the house.) CUT TO: [EXT. HALLIWELL MANOR (STOCK) - DAY] [INT. MANOR - CONSERVATORY -- DAY] (Prue talks with Allison.) ALLISON MICHAELS: And everything was fine, right on schedule, until about, uh ... six days ago. That's when Jade appeared out of nowhere and started working at the Spencer family business. And before I could say, "I do," I was out, and she was in. End of story. PRUE: Did you talk to Elliot? ALLISON MICHAELS: They wouldn't even let me see him. PRUE: Not a big surprise. ALLISON MICHAELS: It wouldn't make any difference, anyway. The Elliot I know, the Elliot I love, isn't here anymore. PRUE: What if I told you Elliot isn't himself because this woman ... has put him under a spell, so to speak? Allison, Elliot loves you, not Jade. ALLISON MICHAELS: If that were true, I would be the one walking down the aisle today. PRUE: You still can be. All you have to do is crash your wedding. ALLISON MICHAELS: What? PRUE: Look, it's not that crazy. The man that you love is marrying somebody else. Don't you want to do everything within your power to stop him? ALLISON MICHAELS: This isn't a fairy tale. Real life doesn't work that way. PRUE: But what if you can get him back? Do you really wanna spend the rest of your life just wondering? In your heart of hearts, you must still love him. ALLISON MICHAELS: I do. God, I really do. PRUE: Then let me help you. ALLISON MICHAELS: But you don't even know me. I--why would you want to help me? PRUE: Have you ever seen that television show where there's the woman who's an angel and she helps strangers every week? ALLISON MICHAELS: I love that show. PRUE: Don't get too excited. I'm nothing like that. But, uh, my sisters and I -- we have special gifts. ALLISON MICHAELS: Gifts? What kind of gifts? PRUE: Ones you can't return. Let's just say we come from a very interesting family tree. Look, if you can, if you'll trust me, we can bring you and Elliot together. (Hopeful, Allison looks at Prue and nods.) FADE OUT. (COMMERCIALS) FADE IN. [EXT. SPENCER ESTATE (STOCK) -- DAY] [INT. SPENCER ESTATE - ELLIOT'S ROOM - DAY] (Grace talks with Elliot. Elliot is dressed and staring out into nowhere.) GRACE SPENCER: Here we are, finally. Your big day. (She puts her hand on his cheek.) GRACE SPENCER: Forgive me, son. CUT TO: [INT. SPENCER ESTATE - SECOND FLOOR HALLWAY - DAY] (Piper and Phoebe walk down the hallway. They see Kirsten walk out of a room and close the door.) PIPER: Stripper-eating bridesmaid ahead. PHOEBE: Keep walking. PIPER: Okay. (Phoebe and Piper walk up to Kirsten.) PHOEBE: We need to talk to Mr. Spencer. KIRSTEN: No one sees the groom before the ceremony. PIPER: Actually, that would be the bride. This'll only take a minute. KIRSTEN: What part of 'no' did you not understand? PIPER: The non-original part. (The door behind Kirsten opens and Grace Spencer steps out into the hallway.) GRACE SPENCER: Is there a problem? PHOEBE: Ach, don't even get me started. PIPER: Could we talk to you for a sec? It'll -- you know, in private? GRACE SPENCER: Certainly. (Grace leads Phoebe and Piper off to the side.) PHOEBE: Hmm. (Grace stops in front of another door. She looks at Piper and Phoebe.) GRACE SPENCER: Is everything all right? PIPER: It's about your son. GRACE SPENCER: What's wrong? (Piper glances back at Kirsten.) PIPER: Well, he, um -- heh heh-he - (Phoebe elbows Piper.) He's not supposed to marry Jade. GRACE SPENCER: I know. PHOEBE: You do? GRACE SPENCER: I know more than you can possibly imagine. PIPER: We can help him. GRACE SPENCER: No one can help us. It's too late. PHOEBE: No. We have a plan. We can stop the wedding. GRACE SPENCER: (whispers) Go to the wine cellar. Wait for me there. I'll join you in ten minutes. (Grace looks at Kirsten and sees her turn to look at her.) GRACE SPENCER: (louder) I'm sorry. There's nothing I can do for you. (Piper and Phoebe leave.) CUT TO: [INT. SPENCER ESTATE - WINE CELLAR - DAY] (The wine cellar door opens. Piper and Phoebe step inside. The clock chimes two. Phoebe shuts the door behind them.) PIPER: Did you hear that? (Phoebe glances down at her watch.) PHOEBE: Not to worry. We still have thirty minutes before the wedding. (They make their way down the stairs.) (They walk deeper into the wine cellar when the door opens. Two of the demon bridesmaids step into the cellar. As Phoebe and Piper watch, the two demon bridesmaids morph into demons.) PIPER: This is bad. PHOEBE: Real bad. Freeze them. (Piper's waving her hands. Nothing's happening.) PIPER: I'm trying. It's not working. PHOEBE: Look. Yes, it is. Look. (Phoebe points.) You froze the fly. (We see the fly frozen mid-air.) PHOEBE: You have to be closer to the object you're trying to freeze. (Piper tries again, looks at the two ugly-looking demons, and makes the call.) PIPER: Forget it. Run. (Phoebe and Piper run. The two demons morph back into bridesmaids. They continue down the stairs.) FADE OUT. [EXT. POLICE STATION (STOCK) - DAY] [INT. POLICE STATION - BULLPEN - DAY] (An officer drops the box of security tapes on the desk.) POLICE OFFICER: Here you go, Inspector. DARRYL MORRIS: Aw, man. Spencer's sure go in for a lot of security. (He tosses Andy a tape.) ANDY: All those cameras should've picked up something around the time the priest was killed. (Andy pushes his chair away from the desk and pops the tape in to the tape player.) CUT TO: [EXT. SPENCER ESTATE - DRIVEWAY - DAY] [EXT. SPENCER ESTATE - BACK YARD -- DAY] (A Security Guard walks past Allison and Prue who are standing at the front gate.) SECURITY GUARD: Ah, roger. I'm at the front gate ... ALLISON MICHAELS: It's 2:40. Could we have missed them? PRUE: I hope not. Where are they? CUT TO: [INT. SPENCER ESTATE - WINE CELLAR - DAY] (Phoebe and Piper are crouching low to the floor trying to avoid the two demons. Piper's cell phone rings.) PIPER: Hello? INTERCUT WITH: [EXT. SPENCER ESTATE - FRONT GATE - DAY] PRUE: Piper, where are you? PIPER: (to phone) We're down in the cellar. Help! (The two demons hear Piper and turn their heads to their right. Through the wide shelves, they see Phoebe.) (Phoebe and Piper run.) CUT TO: [INT. SPENCER RESIDENCE - ROOM - DAY] (Kirsten picks up a wrapped package and gives it to Jade who is dressed in her gown. Jade giggles with glee. Standing at the window in the back is Grace.) KIRSTEN: This is from me. Your "something borrowed." (Jade opens the gift. It's a book.) JADE D'MON: Faust. I love this. I read it the last time I was here. What about my "something blue"? (Kirsten looks around over at Grace who is crying.) You're right. Nothing's bluer than the heart of a mother giving away her only son. (She and Kirsten snicker and laugh. Jade puts the book on the bed and they both leave the room.) CUT TO: [INT. POLICE STATION - BULLPEN -- DAY] (Open on the television set of Grace and Kirsten arguing.) DARRYL MORRIS: It's just two women talking. You can't even hear them. (Andy leans forward and reads lips.) ANDY: What, you don't read lips? Something ... "killing the priest wasn't part of our deal." DARRYL MORRIS: Damn, you're good. (Darryl stands up and leaves.) CUT TO: [EXT. SPENCER ESTATE - BACK YARD -- DAY] (The music begins. Jade descends the stairs and starts her walk across the lawn toward Elliot.) PRIEST: Dearly beloved, we are gathered here today to celebrate this sacred union as we join this man and this woman in holy matrimony. CUT TO: [INT. SPENCER ESTATE - WINE CELLAR - DAY -- CONTINUOUS] (Piper and Phoebe rush up the cellar stairs. They reach the top and reach for the door knob just as the two demon bridesmaids look up from the bottom of the stairs.) (The door is locked. Phoebe turns around.) PHOEBE: Ok, they're really close now. Freeze them. (Piper waves her hands and the two demon bridesmaids freeze.) PIPER: Great. (The door opens and Prue walks in.) PRUE: Piper, Phoebe, duck! (Piper and Phoebe duck. Prue uses her powers and pushes the two demon bridesmaids into the stack of boxes behind them.) PRUE: Are you guys okay? PHOEBE: Uh-huh. Nice timing. PIPER: Where's Allison? PRUE: Got her upstairs. Come on. (Prue, Phoebe and Piper rush out of the cellar.) CUT TO: [EXT. SPENCER ESTATE - BACK YARD - DAY -- CONTINUOUS] (The wedding ceremony continues.) PRIEST: If there's anyone here who knows of a reason these two should not be joined, speak now, or forever hold your peace. (Prue, Phoebe, Piper and Allison run up to the area where the guests are seated.) PIPER: (loudly) We have a reason. (Jade turns around.) ALLISON MICHAELS: I love you, Elliot. JADE D'MON (HECATE): Why, you little witch. PIPER: Hey! (Jade waves her arms.) JADE D'MON (HECATE): By Asteria and Perses, open, sky, and do your worst! (Clouds start gathering above their heads. Thunder rumbles, lightning crashes. As the wedding is thrown into chaos, Jade grabs Elliot by the arm and pulls him toward the house.) JADE D'MON (HECATE): Come with me. (Prue, Piper and Phoebe follow.) PRUE: Come on. (Just then, Andy's car pulls up the drive and finds all the wedding guests screaming as a large gust of wind blows through the yard.) ANDY: Oh, whoa-ho, this is exciting. I wonder what's going on here. (Darryl and Andy exit their car.) CUT TO: [INT. SPENCER ESTATE - BEDROOM - DAY - CONTINUOUS] (Jade is on Elliot who is on the bed. Jade changes into her demon form just as Prue, Phoebe and Piper burst into the room. They see Jade and scream.) ALL: Aah! (Behind them, Kirsten and the other two demon bridesmaids push them into the room.) PRUE: Quick, we have to banish her back to the underworld. (Jade stands up and turns around to face them. Elliot rolls off the bed and onto the floor. Prue's bag, along with the poignard is on the floor near him.) (Prue's looking for the poignard and can't find it.) PRUE: Uh, the poignard -- it's gone. (Elliot grabs the poignard and stands up.) PHOEBE: (points) Elliot! (Elliot holds out the knife in front of him. It gleams and glows gold.) PIPER: Prue, do something. (Using her powers, Prue moves the demon bridesmaids toward the poignard one by one. They are vanquished when they come near the knife.) (Finally Jade D'Mon is sucked into the knife.) JADE D'MON (HECATE): No-o-o-o-o-o! (The knife stops glowing. Elliot looks at the knife and at the girls.) ELLIOT SPENCER: Whoever you three are, thank you. (He hands the knife to Prue.) FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. SPENCER ESTATE - BACK YARD -- DAY] (Elliot and Allison are together in each others' arms.) PRUE: We did that. PHOEBE: And they'll live happily ever after. (Prue, Phoebe and Piper walk across the lawn and watch as Elliot and Allison kiss.) PIPER: I wonder if we will. PRUE: Of course we will. Why shouldn't we? PIPER: That's easy for you to say. You'll never greet your husband at the door with, "honey, I think I froze the kids." PRUE: No, I've just accidentally moved them to another zip code. PHOEBE: But I will "see" them, find them, and bring them back safely, if I can ever learn to control my powers. PIPER: If any of us can. PHOEBE: Oh, just think of the obstacles that Allison and Elliot have overcome. If they can do it, so can we. PRUE: I guess true love does conquer all. PHOEBE: Especially if you have separate bathrooms. (They see Andy walk into the back yard.) PIPER: Speaking of true love. (They head toward Andy.) PHOEBE: Ooh. ANDY: Fancy seeing you here. PRUE: Yeah, isn't it? Um, I wanted to give this back to you. I'm finished with it. (Prue hands the knife to Andy.) ANDY: How'd you know I'd be here? PRUE: I didn't. I was gonna drop it off after the wedding. ANDY: Aha, we can talk about this in private, Prue? (Andy holds out his hand and leads Prue away. Piper and Phoebe watch.) PHOEBE: (giggling) (low voice) Do you believe in Destiny? (Piper pulls Phoebe away.) PIPER: He believes in Destiny. Shh. (Camera holds on Andy and Prue as they walk out of the back yard.) FADE TO BLACK. ========================== THE END ========================== [Captioning made possible by Spelling Entertainment, Inc. Captioned by the National Captioning Institute www.Ncicap.Org] Courtesy of http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) Do not archive this transcript without permission from the Transcriptionist. ========================== TITLE/OPENING CREDITS ========================== CHARMED 1X06: WEDDING FROM HELL PROD #4398004 ORIGINAL AIR DATE ON WB: 11/11/1998 TRANSCRIBED FROM WB/TNT Starring: SHANNEN DOHERTY as Prudence "Prue" Halliwell HOLLY MARIE COMBS as Piper Halliwell and ALYSSA MILANO as Phoebe Halliwell T.W. KING as Andy Trudeau DORIAN GREGTORY as Darryl Morris Created by CONSTANCE M. BURGE Guest Starring SARA ROSE PETERSON as Jade D'Mon (Hecate) BARBARA STOCK as Grace Spencer DEENY CONSIGLIO as Kirsten NEIL ROBERTS as Rex Buckland CHRISTIE LYNN SMITH as Alison Michaels LEIGH-ALLYN BAKER as Hannah Webster TODD CATTELL as Elliot Spencer JEFFREY HUTCHINSON as Father Trask Producer: SHERYL J. ANDERSON Coordinating Producer: BETTY REARDON Supervising Producer: LES SHELDON Executive Producer: BRAD KERN Executive Producer: CONSTANCE M. BURGE Written by: GREG ELLIOTT & MICHAEL PERRICONE Directed by: R. W. GINTY ========================== END CREDITS ========================== Executive Producer: AARON SPELLING Executive Producer: E. DUKE VINCENT Spelling Television (a subsidiary of Spelling Entertainment Group, Inc.) WorldVision Enterprises Inc. (a subsidiary of Spelling Entertainment Group Inc. - Not affiliated with World Vision International a Religious and Charitable Organization), Paramount (a Viacom Company) Executive Story Editor: JAVIER GRILLO-MARXUACH Executive Story Editor: MICHAEL PERRICONE Executive Story Editor: GREG ELLIOT Story Editor: CHRIS LEVINSON Story Editor: ZACK ESTRIN Associate Producer: PETER CHOMSKY Co-Starring DAVID MORELAND as Butler JAMES GERALDEN as Justice of the Peace BILL FERRELL as Security Guard PHOENIX NUGENT as Seamstress ROY ABRAMSOHN as Doctor THOMAS CRAWFORD as Security Guard #2 JENNIFER S. BADGER as Bridesmaid #1 EILEEN WEISINGER as Bridesmaid #2 LEON FRANCO as Male Stripper Music By: JAY GRUSKA Casting by: VICTORIA HUFF, C.S.A. Directors of Photography: TOM DEL RUTH, A.S.C. Production Designer: DEAN MITZNER Editor: DAVID BERLATSKY Unit Production Managers: PATRICK McKEE First Assistant Director: JUDITH VOGELSANG Key Second Assistant Director: PETER HIRSCH Costume Designer: MOLLY HARRIS-CAMPBELL Camera Operator: BUDDY FRIES First Assistant Camera: LEX RAWLINGS Chief Lighting Technician: JEFF BUTTERS Asst. Chief Lighting Technician: MARK MEISENHEIMER Set Decorator: DONALD W. KRAFFT Leadperson: ROCKY SLAYMAKER Property Master: ROGER MONTESANO Assistant Property Master: CHRISTY McGEACHY Script Supervisor: SUSAN LOWITZ Costume Supervisor: JAKE JACOBS Key Make-Up Artist: KATHRYN MILES KELLY Key Hairstylist: ENID ARIAS Special Effects Make-up: JOHN VULICH Visual Effects Supervisor: MIKE MOST Sound Mixer: JAMES LARUE Location Manager: BOB BOYLE Transportation Coordinator: DAVE BASSETT Production Coordinator: JILL BARNET TAYLOR Post-Production Coordinator: KRISTEN L. REARDON Production Accountant: SHARON TAKSEL Key Grip: MARLIN HALL Best Boy Grip: RAY MICHELS Construction Coordinator: MICHAEL CAIOZZO Stunt Coordinator: ERNIE ORSATTI Special Effects Coordinator: JOHN GRAY Executive Associate: RENATE KAMER Casting Associate: JEFFREY ROTH Assistant to Constance Burge: AVIVA BARRACLOUGH Assistant to Brad Kern: MAX JOFFE Assistant to Les Sheldon: CHELE KNAPP Assistant Editor: WENDI RADERMAN Music Editor: NINO CENTURION Supervising Sound Editor: MARK PETERSEN Re-Recording Mixers: LARRY BENJAMIN / BRUCE MICHAELS / EDDIE GILROY Film and Electronic Laboratory (tm) by LASERPACIFIC MEDIA Lenses and Panaflex(R) Camera by PANAVISION(R) Digital Sound Editing and Mixing by LASERPACIFIC MEDIA Digital Visual Effects by ENCORE VIDEO Executive in Charge of Production: GAIL M. PATTERSON Executive in Charge of Post-Production: KENNETH MILLER This motion picture is protected under the laws of the United States and other countries. Any unauthorized duplication, copying, distribution, exhibition or use may result in civil liability and or criminal prosecution. The places and characters depicted herein are entirely fictitious, and any similarity to any real places or people is purely coincidental. (c) 1998 by Spelling Television Inc., A Paramount / Viacom company. All rights reserved. Country of First Publication: United States of America Spelling Television Inc., is the author of this film / motion picture for the purpose of Article 15(2) of the Berne Convention and all National Laws giving effect thereto. AOL Keyword: The WB TheWB.com Dated:08/21/2004~lky http://www.webphilia.com/~anthology/wnp.html