ARRESTED DEVELOPMENT
2X03 - AMIGOS
Original Airdate on FOX: 11/21/04

Written by Brad Copeland
Directed by Lee Shallat-Chemel

Transcribed by Diego B. for TWIZ TV.COM
PLEASE do not use/post this transcript anywhere without permission

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DISCLAIMER:
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"Arrested Development" and other related entities are owned, (TM) and © by The Hurtwitz Company and Imagine Entertainment in association with 20th Century Fox Television. All Rights Reserved. This transcript is posted here without their permission, approval, authorization or endorsement. Any reproduction, duplication, distribution or display of this material in any form or by any means is expressly prohibited. It is absolutely forbidden to use it for commercial gain.
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Fade in from white.

Michael walks the halls of the Bluth Co. to G.O.B.’s office. Behind him, we can see a janitor’s cleaning cart with brooms and stuff.

Narrator Michael Bluth arrived at work to find his brother adjusting to his new job as President.

G.O.B. is hanging a picture of a lonely yellow flower among a lot of green ones. Below, it reads: Don’t be Afraid to make a Mistake.

Michael:Good morning, G.O.B.-

G.O.B. One second...

Michael (re: the picture) What do you got there? (reading what it says) “Don’t be afraid to make a...”

The picture falls to the floor and we see a couple of the many plastered holes in the wall. The guys watch it in silence for a beat.

G.O.B. I’m not going to beat myself up over that. (smiles)

Michael (re: the picture’s message) Ah, it works. So, I wrote your “Message from the President” on the shareholder’s statement. (shows him) Starla’s making copies.

G.O.B. Did I tell you that she’d make a great secretary?

Michael Yeah. I’m not so sure that hiring her wasn’t a mistake.

G.O.B. And I’m not afraid to make mistakes. Or have you forgotten to read this little... (tries to tap with his foot on the picture on the floor, but instead kicks it hard enough to break its glass) Damn it! My legs are so powerful.

G.O.B stands and they walk around his pool table/desk. On the wall behind, there’s another picture, which reads: Never Give Up.

Michael So I thought you might want to read it, seeing as how you are the President now, even though it’s just a title... (hands him the statement)

G.O.B. Right, yes. (reading it) Well, we should “circumverent union penalties.”

Michael “Circumvent.”

G.O.B. Circumverate...

Michael “Circumvent.” It means: “to go around.” (takes the statement back)

G.O.B. The old “reach around.”

Michael Trust me, this makes you look like a leader, okay?

G.O.B. I don’t think I need any help with that.

And the second picture also falls to the floor and its glass also breaks.

G.O.B. (bleep) this. Leave it where it is.

G.O.B. sits at his “desk” and we see his laptop is labelled “GOB”.

Michael Now, if you just flip...

Starla enters. She’s wearing a necklace with a “Q” trinket that looks like it's made of diamonds or something. She hands Michael photocopies the size of photos.

Starla Here are the copies.

Michael Hey, these are-these are very small.

Starla When you said wanted photocopies, I thought that you meant you wanted them on a photo printer.

Michael Tell you what: from now on, we’re going to use just the big printer.

Starla (smiles) Okay, you’re a perfectionist. Flashes of Quincy. (leaves)

Narrator Starla claimed to have had a relationship with music legend Quincy Jones.

Flash of a Quincy Jones photo.

Michael (puts the copies on G.O.B.’s “desk”) Mr. President, I’m going to go look into some Legoland tickets for the weekend. (starts leaving)

G.O.B. Cool, let’s do it.

Michael (comes back) Actually, I just meant me and my son.

G.O.B. Isn’t he a little old for that?

Michael (beat) No. Sorry, I’ve been looking to get some alone time with him and it just hasn’t seemed to work out lately.

G.O.B. No problem, I’ll just call up some of my friends. (Michael snickers) What?

Michael What friends?

G.O.B. I’ve got friends, Michael. (Michael nods) I just don’t talk to them, because... I work all the time. (beat)

Cut to Michael’s “office”, which is actually a supply/storage/janitor room. The Cornballer, the Cornballer box, and a box of Cornballer mix can be seen in there. Also by the door there is a photo of the banana stand mascot, as seen on their uniforms.

Michael is working sitting at a desk installed there, and G.O.B. enters and sits in front of him. Michael looks at him in silence.

On-screen title: moments later...

G.O.B. Think the plant lady’s wearing a thong.

Michael just stares at him. Lucille appears at the door.

Lucille Michael, this is your office now?

Michael and G.O.B stand.

Michael Yeah. Well, it’s temporary. We got to make sure G.O.B. looks like he’s in charge.

G.O.B.: (to Lucille, as he leaves) Oh, please, allow me. I’ll just circumvrent you. (smiles at Michael, as if he had said it right, and leaves)

Lucille Let’s make sure we don’t give him any real power.

Michael: Hmm...

Lucille (walking in) So, I got a call today from Gene Parmesan, our private eye. (starts applying some make-up) He said he found something big.

Michael We have a private eye, huh?

Lucille Oh, I hired him a hundred years ago to find out if your father was cheating on me. He never did find anything.

Michael Well, he can’t be very good then. (Lucille stops with the make-up and stares at him. There’s a beat. Then...) What did he find?

Lucille (continues with the make-up) He said he wanted to tell us in person.

A “janitor” enters the supplies room dragging the cleaning cart behind, and starts fumbling with some cleaning supplies on a shelf.

Gene Parmesan: (Italian accent) Don’t get up. Oh, I just-a find-a the supplies because I’m-a... (turns around and takes his off his fake nose) Private Detective, Gene Parmesan. How are you doing? (shakes Lucille’s hand)

Lucille: (screeching excitedly) Oh, Gene! Oh, Gene! (to Michael) Isn’t he the best?!

Narrator Gene was far from the best.

Michael (smiling) Very impressive.

Gene Parmesan: Thank you.

By the way, Gene’s name on the janitor’s uniform is: Jimmy.

Michael What did you find?

Gene Parmesan: Oh, nothing... (shows him a manila envelope with a black and white photo on top) Just your father’s getaway car.

Michael (impressed) You’re kidding!

Close up on the photo. It’s the staircar, parked in front of a FARMACIA ISIS.

Narrator Michael’s father had used the family’s stairway vehicle to escape from prison.

Flash of the getaway scene.

Michael If I could find Dad, I’d be off the hook. I could be president again. Where is it? (hands the photo to his mom so she can look at it)

Gene Parmesan: Mexico. You get the country for free. The city, that’s going to cost you. (lits up a cigarette, blows some smoke, and immediately the fire alarm beeps. Him and Lucille look around alarmed)

Cut to the whole Bluth Co. outside their building.

Fireman #2 (serving Michael) It’s a $200 fine. (leaves)

Gene Parmesan: (approaching and overhearing) Oh! (watches the fireman leave. To Michael) I’m sorry, I feel like such an (bleep). The car’s in a town called Encanta. If you think that’s worth more than $200, then I’d really appreciate it.

Michael: Yeah, here. (gives him some money)

Gene Parmesan: I’m not even going to count it. (smiles and leaves)

Lucille You can leave tomorrow after my going away party for Buster. I still can’t believe he’s going into the Army. You know he’s doing it just to spite me.

Michael Then why are you throwing him a party?

Lucille Just to spite him.

Michael You guys have such a healthy thing going. (Lucille just stares at him) Okay, I’ll go to your party and then I’ll go to Mexico. I guess that’ll be my quality time with my son.

G.O.B.: (approaches) Mexico?

Michael Yeah. Mom’s P.I. found the staircar down there.

G.O.B.: Gene Parmesan?

Gene Parmesan: (behind the group, he turns around to face them. Now he’s dressed as a fireman) Right here.

Lucille shrieks with excitment, hand over her mouth.

Gene Parmesan: (turns to Michael holding up the money Michael gave him) I counted it. Come on...!

Narrator And that’s when G.O.B. became suspicious that Michael had only made him President to stick him with a failing business...

Focus on the diminutive shareholder’s statement G.O.B. is browsing. There’s his message and below it a graphic for the shares values that shows that they are slowly but consistently going down.

Narrator ...while Michael himself escaped to Mexico to be with his Father.

G.O.B. looks at Michael suspiciously, while he gives Gene Parmesan some more money.

Narrator: And so, inspired by his mother’s private detective...

Flash of the yellow pages. We see first see Gene Parmesan’s ad. It’s quite big and shows him wearing 8 different disguises. It’s tagline: Anywhere, anytime, but you’ll never know! / original disguises by Mr. Parmesan.

Then, on the opposite page, we see the entry for BOUNTY HUNTER ICE, which reads: Put your problems on ICE. / (See also: PARTY PLANNERS)

G.O.B. (choosing him) “Ice...”

Narrator: ...he decided to hire someone to keep an eye on his brother.

Cut to G.O.B making a call from a pay phone.

G.O.B. I think I might have someone who’s going to “cirsumvrent” the law. (smiles)

Cut to Michael entering the model home.

Narrator And Michael returned home, eager to tell his son of their trip.

Michael George Michael, what do you say you and I take a little road trip down to Mexico tomorrow, right after Buster’s party?

George Michael: (stops working at the desk) Oh, I can’t; I’m meeting Ann.

Michael: Who?

George Michael: Ann. (Michael shakes his head “I don’t remeber her”) Yeah, you took this picture of us in front of that bagel place before it was burned down.

He stands and hands Michael a photo. It shows George Michael smiling and pointing at Ann, who looks droopy as always. There’s also a man behind them, who appears to be writer Jim Vallely.

Michael I guess I thought she was with another family.

George Michael: She’s kind of my girlfriend.

Michael (really?) Her?

George Michael: Do you not like her?

Michael I don’t know her, you know? It’s like you spend all your time with her.

George Michael: Well...

Michael It’s like you’re hogging her. Like you’re a little Ann hog, okay? Don’t be such an Ann hog. We’re gonna go to Mexico, try to find Papa. It’ll be an adventure. (hands the picture back and leaves)

Cut to the kitchen. Tobias, Lindsay and Maeby are there.

Tobias (blue in the face, timing something) And 8:01. Curtain has risen.

Michael (enters) Hey, Tobias, I was wondering if you are available tomorrow to go down to Mexico. I need two drivers.

Tobias Alas, I have two shows tomorrow where I am on standby for the Blue Man Group. Might as well keep this makeup on, since it takes so (bleep)ing long to get off.

Michael Hmm. Lindsay, what about you?

Lindsay Uh, can’t. I have a big date tomorrow.

Michael You know?, this open marriage is ridiculous. Somebody’s going to get hurt.

Maeby (pointing at both her parents alternatively) The important thing is that you guys don’t lose focus on yourselves. (smiles at them and leaves as Michael watches her in silence)

Tobias (to Michael) You know?, first of all, we are doing this for her, okay. Because neither one of us wants to get divorced. And second-of-ly, I know you’re the big marriage expert... Oh, I’m sorry, I forgot. Your wife is dead. (Michael & Lindsay stare at him. He realizes) I’m sorry. That was 100% inappropriate and I do apologize profusely. I’m... Oh... (gets up and leaves)

Lindsay Okay, look, I don’t have a date tomorrow, but why can’t you ask G.O.B. to go with you?

Narrator Michael and G.O.B. had been to Mexico once before.

As Michael remembers, we flashback to Mexico.

On a wall there we see a Cornballer and a Cloud Mir advertisement wich reads: la feliz beber: hay Cloudmir si tienes sed.

Michael and G.O.B. are approached by a Mexican child.

Mexican Teenager: (offering) Chiclet? Chiclet?

G.O.B. (points at him) You’re the Chiclet, not me! (does a chiken imitation) Coka, coka, coka, coh!

Narrator Unfortunately, in Mexican culture, this was a much more inflammatory gesture.

Flashback to 1927

On-screen title: 1927

In a cantina, a Mexican man stands points at another one and does a chiken imitation. The second Mexican man also stands and points at the first one.

Flash of a silent movie like black and white sign that reads: “Usted baila como un hombre que vive como mujer.”

The men draw their guns and fire at the ceiling. In the background, a piano player gets hit by a stray bullet and drops onto his piano.

Back to Michael’s recall flashback.

Michael (taking G.O.B. away as he sees three Mexican men approach and follow them) Hey, hey...

Back to the present.

Michael I just think you and I would have a lot more fun! Plus, you can bring Maeby.

Lindsay You know?, I’ve sensed her feeling a little left out lately. (Michael nods)

Narrator And the next morning, the family met at Buster’s sendoff party, where Lucille was not keeping her feelings hidden.

Cut to Lucille’s apartment. The family’s meeting there... and some black man too. Lindsay and Toiasare not there yet. There’s a banner hanging that reads: You’re killing me, Buster

Buster: (opening a present from Lucille) A camcorder...

Lucille: That’s so you can videotape it when they put you in naked pyramid and point to your Charlie Browns.

Buster I ought to point to Uncle Oscar’s Charlie Browns next time you’re on top of him, Mother. (stands and leaves in a huff, dropping the camera on Michael)

Lucille (to his back) He’s moving out! (to the family) You see how he treats me? Just because he thinks I’m having an affair with the boy’s uncle.

Oscar Yes, and she’s not having an affair with the boy’s... (dramatic music sounds) uncle.

Buster (who’s come back) It’s too late for apologies, I’m going to the Army! (Lucille just stares at him as she walks away. To Michael, pleading) Get me out, you’ve got to get me out.

Michael Well, you know, I’m headed down to Mexico to try to find Dad; but when I get back, maybe we’ll try to figure something out.

Narrator And that’s when Buster decided to sneak into Mexico to avoid the service.

Buster Oh, no, I think it’ll be worked out by then. (giggles, takes the camera back from Michael and leaves as Lindsay and Tobias enter)

Lindsay What was that all about? (notices the black guy sitting next to G.O.B., the both of them looking bored)

Michael I think Buster’s going to escape to Mexico. Did the secretary not give you the picture for Dad? I need that to show the people down there.

Lindsay I guess she brought that over. (hands him something in a big roll, without taking her eyes of and smiling at the black guy)

Michael (unfolds it) Well, this, uh, is a blueprint... of Dad’s face. She used the big printer, I’ll give her that. Let’s go. (leaves)

Lindsay Uh, not so fast. (grabs G.O.B., passing by her side. Re: the black man) G.O.B., who is that man on the couch? (always flirting at him)

G.O.B. Who, that guy? He’s my friend.

Lindsay You don’t have any friends.

G.O.B. I have lots of friends, Lindsay.

Narrator In fact, the man was Ice, a bounty hunter that G.O.B. hired to follow Michael.

G.O.B. Ice may be my best friend.

Michael (comes back with his hand bag and goes get his son) George Michael.

Ice (into a radio. Re: Michael) He’s moving. (over a radio on G.O.B.) He’s moving. (G.O.B. starts)

Angle on Michael and George Michael in the dinning room.

George Michael: Fun party, huh?

Michael No, no, it isn’t. Let’s go down to Mexico.

George Michael: All right, let me grab Ann real quick.

Michael What? Ann’s here?

George Michael: Yeah, I invited her. (off Michael’s blank face) You-you said you wanted to spend time some with her. You said I was being an Ann hog.

Michael Ann Hog’s coming? I mean, I thought it was just going to be...

George Michael: It’s just Ann.

Michael ...like, the two of us. All right, well, just load her up in the car.

George Michael: All right.

They separate and Michael walks through the living room just as Lupe does too, both leaving.

Lucille: Lupe, that sweater’s not a take-home. Michael, give her a ride home.

Michael I’m going to have to start putting people in the trunk.

Lupe gives him a look as they move out. Ice looks on.

Narrator In fact, at that moment, Buster was climbing into the trunk.

Cut to the basement parking where Buster is getting into the trunk of Michael’s car (a Mercedes).

Buster (on the cam’s POV, which also shows its counter, counting from 00:00:26:17) Mother, when you see this videotape, you’ll know that I left, not out of cowardice, but out of... Oh, man, it’s tired in here... (yawns and goes to sleep. Counter: 00:00:43:20)

Narrator Six minutes later, Michael dropped off his mother’s housekeeper.

Cut to Michael pulling on at Lupe’s. Lupe gets off the car.

Cut to inside the trunk, camera’s POV. Counter: 00:006:17:01

Buster (wakes) Mexico.

Cut back to exterior view of the car. Lupe’s walking away and Buster gets out of the trunk.

Narrator In fact, he was in Santa Ana, a town six minutes inland from his own.

Buster walks groggyly into Lupe’s front yard.

Narrator But the combination of losing his glasses and breathing carbon monoxide had impaired Buster’s judgment.

Buster (crawling under a jumping platform) This shall keep me safe from the hot Mexican sun.

Lupe Excuse me. What are you doing?

Buster (with “Spanish” accent... or something) I’m trying to find a place to live.

Lupe: (rolls her eyes) Ay, ahora tengo que cuidar para retardo.

Subtitle: So now I must take care of Buster.

A shot of retardo’s stupefied face, and we...

Fade to white.

Commercials.

Fade in from white.

Narrator Michael was heading down to Mexico to find his fugitive father.

Michael drives to Mexico. He and Lindsay are in the front seats, and Ann, George Michael and Maeby ride in the back.

Michael (to Lindsay, whispering) Can you believe this? This is my trip with my son and he’s too busy whispering secrets to Ann to say one word to me.

George Michael: What’s that?

Michael Nothing! We’re not whispering secrets up here.

Lindsay (noticing Ice following them) Hey, check out who’s on that hog in the rear-view mirror.

Michael George Michael! (turns around)

George Michael: What?

Michael (beat) 20 miles to Legoland...!

Cut to the hog as Ice takes out his cell. In G.O.B.’s office, his phone rings and he answers it. Cut back and forth between the road and the office.

G.O.B. Yeiss! What have you got?

Ice Still on his tail, we’re about 20 miles from Legoland.

G.O.B. Go get him, friend.

Ice You’re not my friend, you’re a client. (hangs up)

Narrator G.O.B. realized that perhaps he really didn’t have any friends.

Upset, G.O.B. hangs up too.

Narrator And Lucille sent hers away.

Oscar is dragging his belongings in a bag behind him again, this time out of the apartment.

Lucille (calling out) Buster, Oscar’s leaving! You win!

Annyong Buster get in trunk of car.

Lucille So he’s not going to the Army? He must have had Michael sneak him into Mexico. Oh, thank God! (hugs Oscar)

Oscar It’s better this way. I’ll go unpack. (turns back around)

Lucille (looks at Annyong for a beat then...) Here’s some money. Go see a Star War.

Annyong takes the money and leaves. There’s a knock on the door.

Lucille (calls out) Who is it?!

G.O.B. Uh, your son.

Lucille (opening the door just a little and with a very suspicious look in her face) What?

G.O.B. I was looking for Buster.

Lucille He’s not here. (starts closing the door)

G.O.B. (stops her) Well, what are you doing? Maybe you want to go out, or...?

Lucille Why are you trying to get me out of the house?

G.O.B. I just thought that we could hang out.

But Lucille, never taking her even more suspicious eyes from him, slowly just closes the door in his face. G.O.B. just stands there, helplessly touching the door.

Narrator Lucille was suspicious that G.O.B. was up to some sort of power grab.

Lucille: (dials her phone) Gene Parmesan? Lucille Bluth. My son is trying to get me out of my house. I think he may be up to something.

Immediately, there’s a knock on the door.

Lucille Uh, hold on. That’s probably him. (answers the door. There’s a guy dressed as a big blue dog holding some balloons there) Gene? (the dog shakes his head “no”. Turns around, talks back into the phone) It’s just some idiot with balloons.

Gene Parmesan: (taking off his costume’s head, he’s all sweaty and has an earpiece on) Oh, is it?

Lucille (screams with excitement) I knew it! (sobering up) I want you to keep an eye on my son, G.O.B. (Gene nods)

Narrator And Buster was finding himself right at home.

Cut to Buster walking through Lupe’s house.

Buster (pointing to a kid he crosses paths with) Oh, my God! I used to have a shirt just like that. (walks on)

Narrator It was Buster’s old shirt. Lucille had given it to Lupe.

Buster (walking into the living room) And the hand chair! I had one in my room! I wonder where that went.

Narrator It went right there.

Buster Well, I never thought I’d miss a hand so much. You people are just like me. (laughs goofily)

Narrator Meanwhile, in the real Mexico, Michael had found the staircar.

Cut to Mexico. Michael and his group arrive.

Michael Oop, there it is.

Angle on the staircar. Some Mexicans are using its stairs to jump over the border, luggage and all.

Narrator And Michael set about finding his father.

Cut to Michael showing some Mexican men the “blueprint” of his father’s face.

Mexican Man #1: Oh, yeah, sure, señor, no problem. When do you want us to start building?

Michael Uh, thank you. Gracias. (rolls back the “blueprint” and leaves)

George Michael: (approaches) Hey, Dad? Dad?

Michael Yeah?

George Michael: So what do you think of Ann so far?

Michael Oh, Ann? I-I just, you know?, I-I barely know her, you know? Neither of us do. She’s just really some girl as far as we’re concerned, right? I-I-I’m determined to get to know her. Okay?

George Michael: Yeah. Okay, I have an idea: when we go back, why don’t just the two of you go back in the staircar together?

Michael Well, that’s no fun. (beat) For you. You know?, you guys, you guys should be together. Uh... Or maybe just you and me, if you’d rather.

George Michael: (unsure) Yeah...

Michael (off his son’s reaction) Or me and Ann...

George Michael: (quickly) Great, yes! Okay! I’ll tell Maeby that I’ll be going back with her and Aunt Lindsay. Great. (starts leaving)

Michael (stopping him) Well, no, no, wait, let’s-let’s keep looking for Pop-Pop, you know?

George Michael: Okay.

Michael Maybe somebody in the church will know something. (they head for the church)

Narrator In fact, George Sr. was in the church...

Cut to inside the church. George Sr. is being waked there. There’s a closed casket with some flowers in a vase and a photo on top. Close up on the photo: it’s George Sr. in a suit, holding a frozen banana.

Narrator ...where he was mourned by his longtime assistant and accomplice to his escape, Kitty,

Angle on Kitty, who’s sobbing.

Narrator as only a few days earlier, he’d been declared dead.

Flashback. On-screen title: a few days earlier...

Two mexican policemen cover George Sr.’s body with a blanket.

Two other Mexican men walk by. The one behind shoots into the air and almost immediately, the one walking in front is hit by a stray bullet and drops.

Mexican Man #2: Ay!

Back to the present.

Michael an George Michael continue walking toward the church.

Narrator But before Michael could go inside the church...

Ice: Aaahh!

Ice jumps Michael and drops him to the ground.

Michael (getting up) Hey, wait a minute, wait a minute! I know you! You are G.O.B.’s friend!

Ice (holding Michael by his arm) Not friend: bounty hunter.

Michael (astonished) Gene? There’s no way you’re that good.

Ice Name’s Ice. G.O.B. hired me to stop you from fleeing the country. (watches George Michael cautiosly)

Michael Come... What? Are you kidding me?, I’m not fleeing the country. (frees himself) I’m here looking for my father. But you’re obviously better at this kind of thing, so I’ll tell you what: I’m going to continue paying you to find my father. You can also collect a real bounty on his head. (shows him George Sr.’s big blueprint)

Ice Nice deck. Is this where you saw him last?

Michael No, this- that’s actually him. (rotates the “blueprint”) He’s much smaller in real life.

Ice I can see that’s a man. I’ll find him. (leaves on his new mission)

Michael (brushing himself off) Lucky.

Lindsay (approaches quickly) What did he say? Did he ask about me? (smiling) I can’t believe he followed us all the way to Mexico.

Michael Uh, that’s a bounty hunter. And he’s on the case, so we can all head home.

Lindsay So... he’s not interested in me?

Michael Not unless you know where Dad is. (moves on, calls his son) George Michael. (his son follows him)

Getting an idea, Lindsay takes out her phone and talks while passing Ice, making sure she’s heard by him.

Lindsay (answering a fake call) Oh, hi, Dad. Yeah, they think you’re in Mexico, I’ll see you when I get home. (beat) Oh, yes, thank you. No, I found my birth control pills. Thanks for asking, Dad.

Ice, who’s showing George Sr.’s “blueprint” to a Mexican woman, eyes her suspiciously.

On the background we see that Maeby’s heard everything too and is on to her mom. Sick of it, she turns and leaves.

Narrator Maeby had had enough of her mother and decided to go back with Michael.

Maeby (entering the staircar where Michael waits) I’m so sick of her. The lame flirting...

Narrator Michael, of course, thought Maeby was referring to Ann.

Michael You know, I-I think he’s going to get sick of her before it goes too far.

Maeby Of course, he will. She’s a child.

Michael Well, that part’s not really her fault. I-I just hate to see him wasting his time, you know?

Maeby Let’s just go. I’ll be in your car.

Michael Well, is George Michael okay with that?

Maeby It’s fine. Just drive. (Michael starts the staircar)

Narrator At no point were Michael and Maeby talking about the same person, and there were only four people in their group.

Maeby And it’s not a race thing.

Michael Yeah, whoever gets there first. (Maeby gives him a weird look)

Narrator And so, Michael left with his niece,...

Shot of the staircar leaving.

Narrator ...followed by his sister and his son,...

Shot of Michael’s car leaving.

Narrator ...followed by the bounty hunter.

Shot of Ice leaving on his hog.

Narrator: Unfortunately, this left the girl Michael was determined to get to know alone in Mexico.

Shot of Ann coming out of the church to find herself all alone.

Narrator: Meanwhile, Buster was adapting to life in what he thought was Mexico but was, in fact, a town so close to home that they shared a paper boy.

Cut to Buster at apparently some party at Lupe’s front yard.

Paperboy (passing by in his car and throwing a paper) I know that guy. Hey! Where’s your mother?

Buster (to Lupe) Oh, I love this way of life. This is where I belong. I love being Mexican.

Lupe's Brother: (approaches) We must work now, amigo. Adiós.

Buster Oh, no, no, no, I’m going with you. (“Mexican” accent... or something) I am one of you now. ¿Sí?

For a beat, Lupe’s brother’s a little thrown, but then...

Lupe's Brother: (laughing) Love it! Love it!

Lupe’s brother and a bunch of other guys leave, taking Buster with them.

Narrator: And Michael, on his way back home, bonded with Maeby.

Cut to the staircar with Michael and Maeby.

Maeby I mean, why does everyone have to date, anyways?

Michael Right, I mean, isn’t family enough for people? (Maeby stares at him) And, you know, not to feel sorry for myself, but it’s like I’m being forgotten here.

Flash of Ann all alone in Mexico, sitting on a bench.

Narrator And soon, they all arrived at home.

Cut to the model home. Lindsay and George Michael enter.

Lindsay Hey! You’re here already.

Michael Yeah, we won.

George Michael: So, uh, you guys have a good talk?

Michael Yeah, great talk. That cousin of yours is a hell of a girl. It’s too bad you can’t date her.

George Michael: No, I meant... (realizing, hopeful) Wait, you wouldn’t have a problem with that? (off Michael’s weird look) Nothing! (chuckles) No, I was talking about Ann. What’d you think of her? (smiles)

Michael face goes pale.

Cut to the staircar. Michael drives and George Michael rides besides him, both in silence. Michael looks at George Michael who looks back at him for a second, very worried and anxious.

Fade to white.

Commercials.

Fade in from white.

Narrator Michael had just discovered he’d left his son’s girlfriend in Mexico.

Michael She’s gonna to be fine. We’ve just got to beat the sun. (angry look from his son) Hey, you think I’m happy about this? (George Michael doesn’t even look at him) But, hey, we are getting that trip together we wanted, though, huh? (another pissed look) And look, two exits to Legoland.

George Michael: I just want to find Ann.

Michael (covering) That’s my whole thing too.

Narrator And G.O.B. was still searching for a friend.

Cut to G.O.B. approaching Tobias in the bathroom as he blues himself.

G.O.B. Show tonight?

Tobias Well, I won’t know officially until 8:01. But I figured if I blue myself early, I’d be nice and relaxed for a 9:00 dinner reservation. (weirded out, G.O.B. leaves. Tobias is oblivious) And if you’d like, I could make that reservation for... (looks up and realizes he’s alone)

Cut to G.O.B. talking to Lindsay, who’s looking out a window with binoculars.

G.O.B. Looking for some company or...?

Lindsay I sure am.

(Flash of Ice outside. He’s leaning on his hog, looking back at the model house with binoculars too. Cut back to inside the model house, where G.O.B. opens the curtains a little to look out too.)

Lindsay: What are you doing? You’re going to scare away the Ice.

G.O.B. Ice?! (opens the curtains more and leans into the window to get a better look) Ice’s out there? Where’s Michael?

Lindsay He went back to Mexico.

G.O.B. I knew he was trying to flee. (leaves)

Lindsay (Ice has left, though his hog is still there) Where the hell did he go?

As Tobias walks walks through the foyer, Ice tackles him down.

Ice: Aaggh!

Tobias Oh!

Lindsay (coming down the stairs) Ice! What are you doing?

Ice George Bluth, you’re coming with me.

Lindsay That’s not my father.

Ice (unfolding his “photo”) Well, according to my photograph, it is.

Tobias (sees the “blueprint”, wheezing) It’s an honest mistake. Also, I think your knee is on my heart.

Lindsay He’s my husband, my father is probably still in Mexico! I was just hoping to have sex with you.

Tobias Why am I not blacking out?

Ice He set me up. Michael set me up! (gets up and leaves)

Tobias Hey, who wants to go to the hospital? (Lindsay sits beside her fallen husband)

Cut to Buster and the “Mexicans” in the back of a van.

Narrator And Buster went to his job as a dishwasher.

Buster This is great! We’re like slave buddies! (laughs. The van stops and all the guys get off, Buster last) Oh!

Cut to Michael and George Michael looking for Ann in Mexico.

Narrator Soon, the guys arrived in Mexico and split up to find Ann.

Michael thinks he sees her and goes to her...

Michael Ann? Ann? Oh, thank God you’re all right.

...but he it’s another girl (who is with her mother, by the way). Behind him, sitting on the bench...

Ann 2.0 Mr. Bluth?

Michael (turns around and goes to her) Ann, oh, thank God you’re all right. (she stands) Uh, you are Ann, right? (Ann says nothing) Yes, of course you are.

George Michael: (approaches) Ann!

Michael It is!

George Michael: Oh, my...

Michael We got her. (give his son two thumbs up and a big smile) Okay, let’s go ahead and load her up in the truck. I think we’re crashing some poor guy’s wake.

Michael looks at the church. Kitty is at the door and he begins to recognize her and starts to approach when...

G.O.B.: (tackling him down) Michael, Michael, Michael! (Kitty passes them by)

Michael: (as they get up) G.O.B.?! What are you doing?!

G.O.B. Fleeing the country, you bastard?!

Michael No, I’m still not fleeing!, okay? I’m just here to pick up my son’s girlfriend. (points at her, G.O.B. looks) She ran off the last time we were leaving.

Ann 2.0 Actually, I-I was sitting right there the whole time.

George Michael: Yeah, way to plant, Ann!

Michael George Michael, why don’t you and Plant just wait in the staircar? I’m just going to finish up with G.O.B.

George Michael: What a scare. (leaves with Ann)

G.O.B. What? That’s his girlfriend?

Michael Yeah.

G.O.B. What, is she funny or something?

Michael Don’t-don’t worry about it. Why do you keep thinking that I’m running away?

G.O.B. I mean, it is kind of suspicious you didn’t even ask me to drive down here with you.

Michael Well, the only reason I didn’t ask you to come with us is because of your chicken impression.

G.O.B. Yeah, we sure did get in a lot of trouble for that last time, didn’t we?

Michael Oh, yeah.

G.O.B. I was all... (demostrates) Coka-coka-coka-coh! Do you remember? Coka-coka-coka-coh-! (a Mexican guy tackles G.O.B. down)

Michael: No, no! Get off him! He doesn’t know what he’s doing, he’s American.

Gene Parmesan: Americano, eh? A-just-a like-a me! (rips off his fake mustache... that's over his real mustache and beard, revealing himself) Gene Parmesan. How you doing?

G.O.B. Gene, what the hell are you doing?!

Gene Parmesan: Well, your mother sent me to find you. She was worried you were up to something.

G.O.B. I was just looking for a friend.

Michael What?

G.O.B. Yeah, that’s right, Michael. I went to our mother because I don’t have any friends.

Gene Parmesan: Oh, that’s funny. (laughs)

Michael Thank you. Gene, can I just have a private moment, please, with...? (gently pushes him away)

Gene Parmesan: Okay, you’re on the clock. (leaves)

Michael Thank you. (Gene leaves) G.O.B., what are you talking about? If anybody needs a friend right now, it’s me! I mean, you know?, my son’s furious at me, and he spends all of his free time with this girl that frankly, I’m not that crazy about.

G.O.B. Not crazy about? Or not crazy about your son growing up?

Michael (really thinking about it) Uh... uh... maybe-maybe you’re right about that. And I really haven’t gotten to know her. I’ve been a little selfish, so... See?, you are a friend, you know? I’m always going to look out for you, all right? (G.O.B. looks over Michael’s sholder) And... you’re always going to look out for me...

Yelling, Ice tackles Michael once again, and he goes down.

G.O.B. (to Michael on the floor) Sorry, I did see him coming. It’s just... I kind of wanted to see where you were going with that. (Michael stares at him but says nothing)

Cut to Michael getting on the staircar with George Michael and Ann.

George Michael: Where’s Uncle G.O.B.?

Michael Well, I gave the bounty hunter and the P.I. a few extra bucks to be his friends for the weekend, while the three of them are looking for my father. And I want to get to know a new friend too. Ann, why don’t you tell me a little bit about yourself?

Ann gives a little smile. While Ann thinks about where to start, Micheal starts the staircar and give George Michael a wink.

Cut to Buster washing dishes in some kitchen.

Narrator The next day, Buster was happy...

Smiling, Buster gets some waiter’s clothes and changes out of the kitchen ones.

Narrator: ...and he decided to never go home again.

Cut to Buster smiling and climbing a flight of stairs to deliver an order of strawberries, cream and champagne. He opens the door to his mother’s kitchen.

Buster: Delivery from the kitchen!

Narrator But unfortunately, he was already there.

Lucille is there on top of Oscar, making out over the kitchen island.

Buster (gasps) Mother!

Lucille Buster! I thought you were in Mexico!

Buster So did I!

Lucille Oh!

Cut to the Bluth Co., G.O.B.’s office. Michael’s on the phone. Behind him there’s a picture that reads: Keep An Open Mind

Narrator And the next day, Michael returned to work, knowing a little more about his son’s girlfriend.

Michael ...you tell Ann to make sure she studies for Mr. Mason’s Algebra Two test tomorrow. (G.O.B. approaches) And tell her to make sure that Kim Cho doesn’t cheat off her this time. (chuckles and hangs up)

G.O.B. Wow. You really got to know her.

Michael Well, we did spend three hours together in that car ride.

G.O.B. So, what’d you think?

Michael (whispers) I don’t like her.

Cut to the: on the next... arrested DEVELOPMENT title screen.

Narrator On the next Arrested Development, Buster reclaims his favorite chair...

Cut to Buster taking his hand chair back into his room and sitting on it, smiling.

Narrator: ...but the victory is short-lived.

Cut to Buster entering his room and gasping as he finds his mom and uncle making out on his hand chair. They stop as he enters. On-screen title: moments later...

Buster Make love in your own hand, Mother! (leaves slamming the door)

Narrator: And Tobias gets medical attention.

Cut to the hospital’s waiting room. Lindsay, Maeby and Lucille are there. A doctor appraoches them.

Lindsay Ah, thank God, a new doctor. Finally we can get a straight answer in this place. (the three stand up)

Gene Parmesan: Uh, I’ve got some bad news. I’m... (pulls down his face mask, revealing himself) Gene Parmesan. How you doing? (holds out his hand)

Lucille (screams with excitment) He got me again! (shaking Gene’s hand)

Gene Parmesan: But I did overhear that he’s bleeding internally. (nods)

The three women look shocked and dumbfounded.

Fade to white.

Closing titles.